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Our entire existence is dependent on our relationship with soil. As awareness builds of the enormity of the ecological crisis that we are facing, a growing number of artists are engaging with soil as a material in their work. This three part series responds to the Somerset House exhibition ‘Soil: The World at Our Feet’, unearthing soil's role in our future through the work of artists and thinkers working with it.
Soil is the basis of many creation stories around the world. It is our beginning, and it is what we will return to. In Episode 1 of Common Ground we look at soil as the matter from which life emerges. Exploring growth, beginnings and the ways soil as a material offers unique opportunities for exploration.
We hear from artist Asad Raza who makes ‘neo-soil’ from scratch and covers the floor of galleries with it. Artist Eve Tagny’s work examines the cultivation of the Rose as a way to ask questions about the ways we interact with the world. Agroecologist Nicole Masters and farmer Abby Rose, lay out what soil is and why it holds the key to our survival.
The episode is set within the garden of our presenter Shenece Oretha. Working with soil has shaped her relationship to the place where she lives and informed her art practice.
SOIL: Common Ground is a three-part podcast series exploring what soil can teach us about being human, through the lens of art.
Soil is unsung, and largely hidden from view. What if we were to put it in the foreground? To think of it as a collaborator?
The series launches off from the Somerset House exhibition SOIL: The World at Our Feet.
Presented by Shenece Oretha
Produced by Jo Barratt and Alannah Chance
Exec produced by Alannah Chance and Eleanor Ritter-Scott.
The series is mixed by Mike Woolley
Original music by Andrew Pekler
Episode Image: Asda Raza - credit Luca Guadagnini.
Soil is the basis of many creation stories around the world. It is our beginning, and it is what we will return to. In Episode 1 of Common Ground we look at soil as the matter from which life emerges. Exploring growth, beginnings and the ways soil as a material offers unique opportunities for exploration.
We hear from artist Asad Raza who makes ‘neo-soil’ from scratch and covers the floor of galleries with it. Artist Eve Tagny’s work examines the cultivation of the Rose as a way to ask questions about the ways we interact with the world. Agroecologist Nicole Masters and farmer Abby Rose, lay out what soil is and why it holds the key to our survival.
The episode is set within the garden of our presenter Shenece Oretha. Working with soil has shaped her relationship to the place where she lives and informed her art practice.
SOIL: Common Ground is a three-part podcast series exploring what soil can teach us about being human, through the lens of art.
Soil is unsung, and largely hidden from view. What if we were to put it in the foreground? To think of it as a collaborator?
The series launches off from the Somerset House exhibition SOIL: The World at Our Feet.
Presented by Shenece Oretha
Produced by Jo Barratt and Alannah Chance
Exec produced by Alannah Chance and Eleanor Ritter-Scott.
The series is mixed by Mike Woolley
Original music by Andrew Pekler
Episode Image: Asda Raza - credit Luca Guadagnini.
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And how did it manage to disappear with barely a trace? Artists Himali Singh Soin and David Soin Tappeser (Hylozoic/Desires) go on a journey through the archives to unearth the story of the Great Hedge of India, a 4,000km long hedge grown by the British East India Company in the 1840s, to control t…
Our Future is tied to the future of our soil. Our decisions as to how we care for and use it matter. Soil teaches us that cycles are ongoing, and even in decline every day offers us opportunities for new beginnings. In this final episode Shenece Oretha explores the regenerative qualities of soil an…
In this special interview edition of the Process, artist Sidsel Meineche Hansen unpacks the background to her digital commission Grumpy. Sidsel Meineche Hansen is a Danish artist who is interested in how things are made, both through the lens of the industrial complex and material forms of craft.…
Much of the history of human making springs from the soil. Cuneiform, the earliest form of writing, was engraved into clay; paint pigments come from minerals in the soil; and much of our material history is held in ceramics. But soil is not neutral; it is deeply entangled with politics of ownership…
ข้อสงวนสิทธิ์: พอดแคสต์และอาร์ตเวิร์คที่ฝังอยู่ในหน้านี้มาจาก Somerset House ซึ่งเป็นทรัพย์สินของเจ้าของและไม่มีส่วนเกี่ยวข้องหรือรับรองโดย Listen Notes, Inc.
