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Today we discuss the Beat movement of the American 1960's and '70s. Like many of our subjects, the Beats were informed by Blake, magic, and the occult; like many of our subjects, the Beats were political revolutionaries; like many of our subjects, the Beats went on to influence many more contemporary art movements and ideas. But the Beats - and especially William S. Burroughs in his essays "The Invisible Generation" and "The Electronic Revolution" - were also conscious of the power of mass media in their own time, and offer a fascinating glimpse of the power of mass media in ours.
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Professor Kozlowski concludes his discussion of Goethe's Faust, Part One by discussing the fall of Gretchen/Margareta, and touching briefly on the conclusion of Faust, Part Two for the sake of closure. He managed to do all this without breaking into tears - this time.
Now that our discussion is officially behind our reading, let's take the opportunity to run through some of the main ideas in Books 3-5 of Paradise Lost, including Milton's (perhaps inconsistent) emphasis on human (and angelic) freedom, Satan's doubts, and the characterization of Eve, God, and Adam.
Today we wrestle with the whole of Raphael's digressions from the central plot of Paradise Lost - the war of the angels in heaven, Milton's recapitulation of Genesis 1 and 2, and some interesting side questions about the Renaissance controversies surrounding the nature of the cosmos, angelic diet a…
Today we finish our discussion of Milton's Paradise Lost with a close examination of Books 9-10. Along the way we'll look at Satan's last chance to make peace with God, his rhetorical strategies to convince Eve to fall, and Milton's relentlessly debilitating portrayal of Eve herself. It's rough, fo…
Today we kick off our discussion of William Blake with a little history catch-up, some discussion of his biography, and a [brief] analysis of the "Songs of Innocence and Experience," and the "Marriage of Heaven and Hell." We'll discuss Blake's religious perspective, his creative…
ข้อสงวนสิทธิ์: พอดแคสต์และอาร์ตเวิร์คที่ฝังอยู่ในหน้านี้มาจาก Benjamin Kozlowski ซึ่งเป็นทรัพย์สินของเจ้าของและไม่มีส่วนเกี่ยวข้องหรือรับรองโดย Listen Notes, Inc.
