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Wide Open Spaces (The Chicks)

Easy on the ears, The Chicks' fourth album "Wide Open Spaces" broke wide open and made the band, then known as The Dixie Chicks, a household name. Nearly thirty years on, this album still holds up beautifully, as the trio's impeccable harmonies and their collaborators' exceptional melodies results …

Pinkerton (Weezer)

Weezer's second album looked nothing like Buddy Holly. While Rivers Cuomo and company returned with their signature memorable melodies, their sound was significantly harsher, full of screams and squeals. As a result, the album was less radio friendly, and even the band itself had a complex relation…

Big Red Letter Day (Buffalo Tom)

Buffalo Tom's "Big Red Letter Day" may not have commercially been the big red letter day the band was looking for, but it exemplifies the feelings and soundscapes of grunge-era college rock. We're joined by musician and comedian Dylan Ris (www.lostmoonradio.com and www.themoonunits.com) to throw on…

Automatic For The People (R.E.M.)

R.E.M.'s eighth album lived up to the band's name, as it featured a far more dream-like sound than what they had done before. With deeper lyrical subjects about death, aging, and legacy, R.E.M. challenged themselves, their audience, and created an album that received critical and audience acclaim, …
ข้อสงวนสิทธิ์: พอดแคสต์และอาร์ตเวิร์คที่ฝังอยู่ในหน้านี้มาจาก Doug Lief ซึ่งเป็นทรัพย์สินของเจ้าของและไม่มีส่วนเกี่ยวข้องหรือรับรองโดย Listen Notes, Inc.