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Martha Kearney learns ancient skills like forging a knife, flint knapping and making a fire with flint and steel, alongside local schoolchildren at the Ancient Technology Centre in the Dorset countryside. The centre is a unique collection of archaeologically accurate reconstructions of ancient buildings, used for hands-on outdoor history education. Each building represents a different time period: there’s an Earthouse, a Roman forge, an Iron Age Roundhouse, a Saxon workshop and a Viking Longhouse. Producer: Beth O'Dea
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Jon Gower is in Criccieth in Gwynedd, to explore the area’s connection to Robert Graves’s 1929 poem, Welsh Incident.
Robert Graves wrote the poem after inspiration struck on his train travels in the area with his father, after a Welsh policeman aboard told them a story of having recently seeing a …
Britain’s deer population has surged to around two million. These iconic animals are well-loved, but their growing numbers are putting real pressure on the countryside - stripping young hedges and woodlands, damaging crops, preventing natural restoration and harming other native wildlife. To contro…
Britain's roadside verges rarely get much attention, but can play host to a whole range of plant and animal species. In this programme Martha Kearney finds out about this overlooked habitat. She meets a community group in East Sussex whose members grow plants at home specially to plant in the verge…
Martha Kearney is in Norfolk to walk the heathland that is being returned to its ancient grassland habitat by Olly Birkbeck. The Society of Wildlife Artists is holding a year-long residency documenting the recovery of the land and the flora and fauna.
Martha meets sculptor Harriet Mead, field pain…
Martha Kearney visits one of the UK’s earliest environmental restoration projects. Southern Scotland was once covered in broadleaf woodland, rich scrub, heath and bog. That was before sheep, humans and conifers took hold. Now a group of visionary volunteers are restoring that landscape in what they…
ข้อสงวนสิทธิ์: พอดแคสต์และอาร์ตเวิร์คที่ฝังอยู่ในหน้านี้มาจาก BBC Radio 4 ซึ่งเป็นทรัพย์สินของเจ้าของและไม่มีส่วนเกี่ยวข้องหรือรับรองโดย Listen Notes, Inc.
