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ค้นหาตอนที่ผ่านมาของ National Gallery of Art | Talks

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Violinist Peter Sheppard Skærved and National Gallery director Kaywin Feldman discuss Hieronymus Bosch’s “Death and the Miser” and its symbolism of contrast: light and dark, life and death. Skærved plays a 17th-century violin sonatina that echoes similar contrasts of sensuality and fatality, beauty…
Orphée depicts many tragedies, but songwriter Dom Flemons finds the joy in it: it resolves in the beautiful scene of two lovers embracing. Flemons pairs it with the tranquil “Blue Butterfly.” The instrumental song helps the emotional weight sink in. Still haven’t subscribed to our YouTube channels…
Rapper Sa-Roc’s music speaks to different aspects of Black experience, including the vulnerability of many Black kids—similar to the boy in Margaret Burroughs’s linocut, who hides himself. Her song “Forever” invites listeners not to hide, but to shine and share their “inner light” with the world. F…
In “Sand Dipper,” jazz violinist Jenny Scheinman creates an abstract and overwhelming world. This music, Scheinman says, sounds how El Greco’s painting looks. And it feels like the question on Laocoön’s face as he looks up for the last time. Find full transcripts and more information about this epi…
Elizabeth Alexander, poet, educator, memoirist, scholar, cultural advocate, and president of The Andrew W. Mellon Foundation, and Thelma Golden, director and chief curator of The Studio Museum in Harlem, discuss their connections to Thomas’s life and work. This conversation was filmed at Michael Ro…
ข้อสงวนสิทธิ์: พอดแคสต์และอาร์ตเวิร์คที่ฝังอยู่ในหน้านี้มาจาก National Gallery of Art, Washington ซึ่งเป็นทรัพย์สินของเจ้าของและไม่มีส่วนเกี่ยวข้องหรือรับรองโดย Listen Notes, Inc.