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Beethoven’s world is changing. Napoleon’s rise to power creates in Beethoven an initial fascination that evolves into deep disillusionment. His relationship with orchestras and with the aristocracy continues to be challenged, but as a composer, Beethoven begins to transition from the Classical traditions of Haydn to being a leader of the new Romantic movement.
Yet, can Beethoven truly be considered a Romantic or Classical composer? Michael answers this question along with discussing the influence of Beethoven on Wagner and Brahms.
Written, narrated and performed by Michael Chertock
Musical excerpts taken from the following:
L. Van Beethoven: Piano Concerto No. 4 in G major, Op. 58, I. Allegro Moderato
L. Van Beethoven: Piano Concerto No. 5 in E♭ major, Opus 73 "Emperor", I. Allegro
L. Van Beethoven: Piano Sonata No. 27 in E minor, Op. 90, I.
L. Van Beethoven: Symphony No. 5 in in C minor ("Fate"), IV.
L. Van Beethoven: Piano Concerto No. 5 in E♭ major, Opus 73 "Emperor", II. Adagio un poco mosso
L. Van Beethoven: Poco moto (Bagatelle) in A minor, WoO 59 “Für Elise”
Piano excerpts recorded at the University of Cincinnati College-Conservatory of Music in the Robert J. Werner Recital Hall.
Technical production provided by Tom Hughes Marketing Strategies
© 2018 Michael Chertock
Yet, can Beethoven truly be considered a Romantic or Classical composer? Michael answers this question along with discussing the influence of Beethoven on Wagner and Brahms.
Written, narrated and performed by Michael Chertock
Musical excerpts taken from the following:
L. Van Beethoven: Piano Concerto No. 4 in G major, Op. 58, I. Allegro Moderato
L. Van Beethoven: Piano Concerto No. 5 in E♭ major, Opus 73 "Emperor", I. Allegro
L. Van Beethoven: Piano Sonata No. 27 in E minor, Op. 90, I.
L. Van Beethoven: Symphony No. 5 in in C minor ("Fate"), IV.
L. Van Beethoven: Piano Concerto No. 5 in E♭ major, Opus 73 "Emperor", II. Adagio un poco mosso
L. Van Beethoven: Poco moto (Bagatelle) in A minor, WoO 59 “Für Elise”
Piano excerpts recorded at the University of Cincinnati College-Conservatory of Music in the Robert J. Werner Recital Hall.
Technical production provided by Tom Hughes Marketing Strategies
© 2018 Michael Chertock
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Triumphs and sufferings define Beethoven’s personal and professional life. His brother Carl dies, Beethoven becomes foster parent to his nephew, all while his profound deafness challenges his ability to communicate with others. His final works, while baffling and confusing to some of his contempora…
Beethoven faces a personal crisis. Michael explores a new theory on how Beethoven lost his hearing, and how he handled the resulting social isolation. Even with the support of his friends, Beethoven becomes increasingly frustrated and his musical output is affected.
Written, narrated and perfo…
ข้อสงวนสิทธิ์: พอดแคสต์และอาร์ตเวิร์คที่ฝังอยู่ในหน้านี้มาจาก Michael Chertock ซึ่งเป็นทรัพย์สินของเจ้าของและไม่มีส่วนเกี่ยวข้องหรือรับรองโดย Listen Notes, Inc.
