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An interview with Max Arthur, author of 'Forgotten Voices', 'Last Post', and most recently 'Faces of World War One: The Tragedy of the Great War in Words and Pictures'. The interview was conducted by Kate Lindsay on Tuesday 9th October 2007. It covers the importance of World War One on today's society, Arthur's experience of interviewing the veterans of the Great War and working with the Imperial War Museum's audio archive, and the influence of war poetry on his own work. Part of a series of Podcasts from Oxford University's First World War Poetry Digital Project (http://www.oucs.ox.ac.uk/ww1lit).
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ตอนอื่นๆ ใน PODCAST นี้
Lecture at the event 'Wilfred Owen: From Doomed Youth to the Battle of the Sambre'. Imperial War Museum, 10th November 2012. In this talk, Jean Moorcroft Wilson, presents Owen's full flowering as a late one. Fertilized by his meeting with Sassoon at Craiglockhart War Hospital for Neurasthenic Offic…
A discussion on the last phase of the First World War. A talk given at 'Wilfred Owen: From Doomed Youth to Battle of the Sambre', Imperial War Museum, 10th November 2012. Max Egremont, writer and lecturer asks: How bad was the Allies' position in the last months of 1917, after Ypres and Passchendae…
Alisa Miller takes a look at the 'Rupert Brooke cult', examining why this particular poet was so popular during the First World War, both with the general public and the soldier, at home and abroad. This podcast has eminated from Alisa's dissertation at the Faculty of History, Oxford University on …
Lecture on Siegfried Sassoon given at the Imperial War Museum, London, 12th November 2011. How did Siegfried Sassoon, whose first patriotic outpourings are almost more Brooke-like than those of Rupert Brooke himself, come to write the bitter war-satires for which he has become famous? Many factors …
Short presentation as part of the Oxford 'British Poetry of the First World War' Spring School Short presentation as part of the Oxford 'British Poetry of the First World War' Spring School by Dr Stuart Lee (Oxford). Covers briefly some of the ore war literary movements, including the Georgians.
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