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ค้นหาตอนที่ผ่านมาของ Dear Reader

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Michael struggles with an unconventional mashup of holocaust memoir and sports-based dystopia in Georges Perec’s W, or The Memory of Childhood, while Emily is captivated by the sexual politics of Susan Choi’s Trust Exercise, yet frustrated by its open-ended narrative. They talk about trauma, memory…

8. Carrying the Fire / City of Girls.

Michael joins his name-twin on the greatest adventure undertaken by humankind and finds him companionable, warm, and wise in Carrying the Fire, while Emily breaks down the walls of the “chick lit” ghetto to revel in City of Girls, a surprising story of feminine sexual liberation. They talk about ut…
Emily strongly recommends an encounter with the disorienting bleakness and collapse of Nobel Laureate José Saramago’s Blindness, while Michael strongly recommends an encounter with the soul-wracking cruelty and violence of Megan Gail Coles’s Small Game Hunting at the Local Coward Gun Club. They tal…

10. The Innocents / French Exit.

Michael is captivated by the brutality and isolation of pre-modern Newfoundland in Michael Crummey’s The Innocents, while Emily delights in the “tragedy of manners” and the woes of bored rich people fallen on hard times in Patrick deWitt’s French Exit. They talk about puberty, death, forgiveness, t…
Michael posits that George Eliot’s Middlemarch (“the most Victorian of Victorian novels”) is the anti-Atlas Shrugged, while Emily considers just how much thicker blood is than water with Oyinkan Braithwaite’s My Sister, the Serial Killer. They talk about sibling bonds, literary awards, adolescent r…
ข้อสงวนสิทธิ์: พอดแคสต์และอาร์ตเวิร์คที่ฝังอยู่ในหน้านี้มาจาก Michael Collins and Emily Gushue Whalen ซึ่งเป็นทรัพย์สินของเจ้าของและไม่มีส่วนเกี่ยวข้องหรือรับรองโดย Listen Notes, Inc.