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How does a record collection started at age 12 shape a career spanning literary publishing, dramaturgy, and digital preservation? In the first episode of Spaces Between, a new Cultural Fingerprints series, Maxwell Neely-Cohen shares how growing up immersed in D.C.'s go-go, punk, and electronic music scenes laid the groundwork for a practice that refuses to sit in one medium. We dive into Max's early days as a classically trained percussionist and the makings of The HTML Review, the publication he runs with artist and engineer Shelby Wilson that treats the web itself as a medium. Then, we turn to his work as a consulting dramaturg at the New York Choreographic Institute and his passion for personal, community, and professional archiving, including why oral history might be the truest way to preserve dance.
SPACES BETWEEN uncovers the personal histories of those who work across disciplines and mediums. When crossing paths with someone who does not allow their practice to be placed within a box, this asks—what brought them there? What aspects of their background, unique experiences, beliefs, and life story informed that choice?
Maxwell Neely-Cohen: maxy.world
For more information: rheakapur.info and culturalfingerprints.com
