เกี่ยวกับตอนนี้
Vera Molnar and the machine imaginaire; Sarah Cook and CRUMB; Amy Goodchild on writing as field infrastructure.
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ตอนอื่นๆ ใน PODCAST นี้
Hyperallergic asks whether artworks can have legal personhood, raising questions about authorship and institutional translation. Plus: John Jacob and the Sites Unseen curatorial frame at SAAM, Centre Phi Montreal and the Luxembourg Film Fund immersive circuit, and ZKM Open Hertzlab MARS! Governance…
Three curators, three answers to the same question: where does surveillance art discourse actually live? Stephanie Hankey, Elena Filipovic, and Marc Garrett and their different theories of space, authority, and audience.
Adam Harvey, Paolo Cirio, and Heather Dewey-Hagborg: three counter-surveillance artists whose works make claims that depend on the tool actually functioning.
Françoise Poos, Artistic and Scientific Director at Elektron Luxembourg, frames the distinction between art that operates inside systems and art that illustrates them from outside. Lauren Berlant, Track Tracy, and the question of what a nomadic institution becomes when it acquires a fixed space. ZK…
Two approaches to machine infrastructure legibility: James Bridle names and theorizes (New Aesthetic, New Dark Age, Ways of Being); Julian Oliver builds interventions that detonate (Critical Engineering Manifesto, Newstweek, Transparency Grenade). Closing on ZKM Life After the Academy and MARS! Gov…
ข้อสงวนสิทธิ์: พอดแคสต์และอาร์ตเวิร์คที่ฝังอยู่ในหน้านี้มาจาก Pascal Piron ซึ่งเป็นทรัพย์สินของเจ้าของและไม่มีส่วนเกี่ยวข้องหรือรับรองโดย Listen Notes, Inc.
