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Welcome back to ARTMATTERS: The Podcast for Artists
On this week’s episode I’m joined by Brittany Fanning.
Brittany Fanning graduated from the University of north Virginia, and moved to South Korea in 2015. She spent seven years painting the neighborhoods around her, drawn particularly to the contrast between new Brutalist structures and traditional hanoks.
After relocating to Los Angeles in 2022 her work shifted toward the city’s architecture, flora, and fauna. Fanning began exhibiting in Korea in 2018 and has since shown at Steve Turner and The Lodge in Los Angeles, Galerie BHAK in Seoul, as well as Mindy Solomon in Miami and Artemin in Taipei. Her work has been featured in Vogue, Portray Mag, and Type 7. She is currently based in New York.
I joined Brittany Fanning in her studio, surrounded by rolled and unrolled canvases and at least one painting she's threatening to destroy. We get into her process: the impatience that launches a painting before the plan exists, and the small linen studies she uses to dig herself out of the compositional holes that impatience creates.
We also talk about her push away from photo reference, her complicated relationship with the figure, and her black-and-white paintings. And then we get into the art world stuff: galleries that don't pay, galleries that disappear, and why Brittany has made a bit of a tradition of calling people out on Instagram right around the holidays.
It's a hell of a conversation, articulate, transparent, and resilient. Without spoiling it, I'll just say: good luck to any gallery that tries to mess with her.
Listener note: Brittany's candor about her experiences with Pictorum and OTI inspired me to share my own, with Primary Projects in Miami. It felt like the right time.
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If you have an any questions you want answered, write in to artmatterspodcast@gmail.com
host: Isaac Mann
insta: @isaac.mann
guest: Brittany Fanning
insta: @brittanyfanning
Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.
