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How did hearing Samuel Becket say ‘fuck it’ on a scratchy tape kickstart a multi-doctoral author’s archive addiction?
In this episode, Yves and Clare talk to Dr (Dr) Matthew Lamb about his colossal biography of colossus intellect, activist, journalist, novelist, publisher and archivist, Frank Moorhouse.
How does a biographer navigate a living subject, especially when that person is a self-proclaimed chameleon? Do the personal archives of such a protean figure help or hinder truth-telling about a man who urged: ‘when the facts conflict with the legend, print the legend’. And where does responsibility lie when your subject commands ‘make it salacious’—but also requires discretion about his sexuality and gender?
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ตอนอื่นๆ ใน PODCAST นี้
Don your rainbows (and beards) and get ready for the lavender haze of Australian history: Danielle Scrimshaw, author of She and Her Pretty Friend: The Hidden History of Australian Women Who Love Women (Ultimo, 2023), is in the studio to offer a queer eye for the straight historian. Why is queer his…
What does it feel like to be a young, urban, Jewish post-war migrant woman who grabs a camera and walks into the Australian desert, only to emerge 50 years later with an intimate archive of a civil rights movement?
In this very special episode, Yves and Clare are joined by legendary octogenaria…
It’s complete carnage as Clare and Yves attempt to wrangle the phenomenon that is journalist, editor, historian, screenwriter, novelist and award-winning author Mark Dapin into the Archive Fever hot seat to discuss his latest venture in investigative crime writing, Carnage. We talk about growing u…
Clare and Matt speak to historian, author and fellow podcaster Yves Rees, author of the new book ‘Travelling to Tomorrow The modern women who sparked Australia’s romance with America’ (UNSW Press).
Loot: to plunder or steal—an English word itself looted from the Hindi word lūṭ. To celebrate the launch of season 7, the inimitable Scottish-born historian William Dalrymple spills on the beans on the colonial loot that made modern Britain—and which today forms an archive of violence and extractio…
ข้อสงวนสิทธิ์: พอดแคสต์และอาร์ตเวิร์คที่ฝังอยู่ในหน้านี้มาจาก Clare Wright and Yves Rees ซึ่งเป็นทรัพย์สินของเจ้าของและไม่มีส่วนเกี่ยวข้องหรือรับรองโดย Listen Notes, Inc.
