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Translation is one of the main goals of mastering - make the music sound great on any platform, and any delivery format. But how is that possible ? How can we optimise the audio to sound great on both a huge PA and crappy earbuds, or via any data-encoded stream, when we don't have any control over …
Getting your music "synced" for licensing in TV, movies or ads can be an amazing opportunity for indie musicians to make money and gain exposure. But is it just a pipe dream, and is mastering a necessary part of the process ? Chris SD from Sync Songwriter is an expert in this topic – just in the la…
I wanted to do something a little different to mark the 100th episode, but wasn't sure what. I was wondering about interviewing myself but that seemed a little weird... And then Matt Boudreau from the excellent Working Class Audio podcast invited me back onto his show, and it occurred to me - I co…
This started out as a Q&A episode, but one way or another there turned out to be a real theme to many of the questions, namely - how do you choose between technical and creative considerations, when mastering ? Questions like: When the client wants songs to sound different When to use mid-side…
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