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Great adaptations

It’s not possible to just transcribe the novel directly onto the screen as there are constraints of both time and medium. So the writer has to adapt the work knowing the changes they make can be the cause of much heated debate. Joining Hazel Marshall in the CoP Show studio to discuss what makes a …
Interested in writing medical drama? The team behind Holby City, Casualty and Doctors gave some tips for writers in this CoP Talk recorded by BBC Writersroom. On the panel chaired by Kate Rowland, Creative Director, New Writing was writer Lucia Haynes, Holby City series producer Simon Harper, Casu…
We hear from Sally how insiders, consultants and advisers are used to enable programme makers to portray situations realistically, while Hilary explains how Silk benefits from lead writer Peter Moffat's experience as a criminal barrister. We explore the balance between overuse and over-exposition o…
From William Blake to Charles Dickens, authors have written or talked about experiencing auditory verbal hallucinations when writing fiction or hearing voices that others cannot hear. So is this the same when writing for radio or television? And if so, do writers hear characters as clearly as if a …
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