OM DETTA AVSNITT
What happens when a storm stops being a threat and becomes a release? This week, we climb.
We begin on a Yorkshire moor in 1836, with eighteen-year-old Emily Brontë—a poet who walked the moors alone for hours, in weather that sent everyone else indoors, and came back each time not diminished but restored. Her poem High Waving Heather doesn't watch the storm from safety. It finds freedom inside it. For the first time in a while, our guest poem comes from a woman, and it more than earns its place.
Then we climb into Cumbria, onto the real Kirkstone Pass—a one-in-four gradient locals call The Struggle, cut through four hundred million years of volcanic stone, where no tree can root and the crest arrives without warning: the gradient simply stops, and the whole sky opens.
This week's practical work—The Gradient Draft: why the hardest, most unrewarding stretch of a poem isn't a sign you're on the wrong road, and how to keep moving through it without losing the thread.
Also this week: a first look at the next book in this series, Somerset In Verse — Exmoor To Levels In Poetry, out in paperback on Amazon from 3rd September. No pre-orders—just the date to remember.
Enter our competition: Suggest a guest poem by emailing aldencarrow78@gmail.com for your chance to win a signed copy of Cumbria In Verse – Lakes To Fells In Poetry, sent to you by hand.
Subscribe on Apple Podcasts or Spotify so you don't miss next week's walk.
We begin on a Yorkshire moor in 1836, with eighteen-year-old Emily Brontë—a poet who walked the moors alone for hours, in weather that sent everyone else indoors, and came back each time not diminished but restored. Her poem High Waving Heather doesn't watch the storm from safety. It finds freedom inside it. For the first time in a while, our guest poem comes from a woman, and it more than earns its place.
Then we climb into Cumbria, onto the real Kirkstone Pass—a one-in-four gradient locals call The Struggle, cut through four hundred million years of volcanic stone, where no tree can root and the crest arrives without warning: the gradient simply stops, and the whole sky opens.
This week's practical work—The Gradient Draft: why the hardest, most unrewarding stretch of a poem isn't a sign you're on the wrong road, and how to keep moving through it without losing the thread.
Also this week: a first look at the next book in this series, Somerset In Verse — Exmoor To Levels In Poetry, out in paperback on Amazon from 3rd September. No pre-orders—just the date to remember.
Enter our competition: Suggest a guest poem by emailing aldencarrow78@gmail.com for your chance to win a signed copy of Cumbria In Verse – Lakes To Fells In Poetry, sent to you by hand.
Subscribe on Apple Podcasts or Spotify so you don't miss next week's walk.
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