ОБ ЭТОМ ПОДКАСТЕ 🔗
A short podcast with big ideas about the history, the prejudices, and the passion around Size Fantasy.
Ведущие:
Частота обновления:
biweekly
Средняя продолжительность аудио:
18 minutes
Гостевые интервью
Видео подкаст
английский
США
13 серий
с 20 октября 2023 г.
episodic
явное содержание
ПОСЛЕДНИЙ ЭПИЗОД 🔗
Aborigen reads a short story in his series about a woman loving a tiny man, and then the podcast will take a break.
ПРЕДЫДУЩИЕ ЭПИЗОДЫ 🔗
It's not the Bizarro World of Size Fantasy: giant men romp as freely as giantesses, and shrunken women are cowering under furniture alongside tiny men. In this episode we hear from giants and SWs from Daddy's Dollhouse, as well as the normal-sized people who treasure them. Finally, writer and criti…
Whether it's giantesses rising up to dominate the planet or women shrinking men down to wrest power, New World Order owns specific territory within macrophilia. Taedis answers the questionnaire and shares their origin story.
What kind of person wants to be crushed under a giantess, and what kind of person wants to crush someone so much smaller? Aborigen explores these aspects, and Aphrodite speaks up as a resident rampaging giantess.
Any exploration into Size Fantasy must necessarily involve an episode with tiny people negotiating big feet. Aborigen talks about the foot fetish and how it works with macrophilia. Aside from that, Starkadh outlines his earliest tiny-person memories.
Aborigen narrates Taedis's "Even an Ox," winner of the Size Riot contest Gentle April 2019.
Unaware is a potent sexual Size Fantasy fetish that can easily turn dark. Aborigen explores what makes it so exciting while establishing clear real-world boundaries. Olo outlines the particulars of his shrunken-person fantasy.
Aborigen describes the fun a giant person can have with their mouth, with the help or at the expense of a tiny person. He highlights several artists whose work exemplifies vore and mouthplay, and we hear Undersquid's answers to the questionnaire.
With Size Fantasy pretty well defined, Aborigen describes how gigantic and tiny people consummate their relationships, as well as the importance of fantasy. Producer Jason Ninja describes what Size Fantasy means to him.
Aborigen dispels some mistaken beliefs about Size Fantasy, citing its vast cultural precedents. BlueDream answers the questionnaire.
Отказ от ответственности: Подкаст и иллюстрации, встроенные в эту страницу, взяты из Aborigen, который является собственностью его владельца и не связан или не одобрен Listen Notes, Inc.
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ЗАЯВЛЕНЫ ПРАВА
This podcast page is claimed and managed by
@aborigen
ИНТЕРВЬЮ С ПОДКАСТЕРАМИ
► Tell us about you and your podcast
My podcast is about the rising mainstream interest in macrophilia and Size Fantasy. I've been writing Size Fantasy and Size Erotica for 30 years, published seven books, and hosted a Size Fantasy writing contest for four years. I create photocollages and illustrations in Daz Studio to supplement my work, and I even recorded a song. I've always been interested in macrophilia, but sometimes it's painful or insulting to see how it's represented in mainstream media, so I thought I'd step up and explain a few things, dispel some myths, as well as promote artists, writers, and producers in the community.► Why & how did you start this podcast?
I listen to a lot of podcasts, mainly around comedy, creative writing, and North Korea. I've been planning zHeightgeist for several years but never made the jump to actually producing anything until recently. I took a community education course on Star Your Own Podcast, found it influential and inspiring, taught myself Audacity for recording, and now I've got two episodes published. It took about a week to get organized, pull all the materials together, and refine my first episode, but the future episodes will be much less labor. If I had a day entirely to myself, I could complete an episode.► How'd you find the time and funding to do this podcast?
My episodes will come out every two weeks. That seems like a lot of time, but I need that time for planning and research, since I do everything myself. In the daytime I'm a copyeditor and web developer for a university, and we've been working from home since the pandemic broke out. I break down the components of each episode into a checklist, so I can usually compose an episode systematically in a few days. Recording and mastering the sound takes the least work; the most work is the research, editing, and revising my script. I produce everything and pay for everything myself. I'd love it if fans chipped in, but I have to give them something worthwhile for that first.► What do you gain from podcasting?
I can't imagine who in the world would want to sponsor a podcast about a sexual fetish! I think the topic is too strange for respectable businesses to consider; society has a long way to go before we accept the diversity of the human experience. What I'm hoping the podcast will do is find people who think they're the only ones with this kink and show them how it's normal and acceptable, how it's healthy to accept who they are, as well as to strengthen the Size community. The experience of production has called all my skills as a writer and editor to bear, and I was excited to learn sound engineering as well, because I love learning things.► How does your podcasting process look like?
I host my podcast on WordPress, I master the recordings on Audacity, I store the scripts on Google Drive, and I got a condenser mic and a dozen sound-absorbing panels from Temu. I outline what I think I'm going to talk about, and knock out the rough draft. This will inform the references I want to pull from and allude to in the episode, so I can organize links in the show notes. Then I read it aloud to my wife and leave her with a copy, and when she provides her edits I revise and record in an afternoon. After that, I schedule the post in WordPress, and when it drops it disseminates to a dozen other platforms, but I have to add it manually to Spotify because it doesn't cooperate with WordPress.► How do you market your show?
I promote the episodes on social media: WordPress will post to Facebook, Tumblr, and Mastodon, but I have to add it to Twitter, BlueSky, and Instagram. I'm really unhappy about having to return to Facebook and Twitter, but that's where the audience is. It's like, Amazon commits crimes against humanity through its practices and services, but if you want to sell a book, you have to seriously consider them as a marketplace. My podcast is brand-new, and the topic is so niche, I don't think I should concern myself with how popular it's going to be, only how much I enjoy doing it.► What advice would you share with aspiring (new) podcasters?
Take stock of the resources you already have, before you go buying fancy equipment. I got a condenser mic that's far too sensitive for recording in my office at home, especially since I live under the flight paths of an international airport. A directional mic would've been better, but what works great is the microphone on my phone. I paid for a Personal account with WordPress to store my podcasts, but another path would have been a free account with Spotify links in the posts. Talk with other amateur podcasters and learn from their experiences. If you have community education in your area, definitely look for a course on podcasting.► Where can we learn more about you & your podcasts?
My personal website is https://aborigen-gts.org/ with my stories and illustrations, as well as complaints about the writing process.My podcast website (https://zheightgeist.com/) has all the links to my social media presence, which only serves to point to the website.
Updated: 3 years ago
ИЗМЕНИТЬ
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