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Addison Rae honors old Hollywood with her moon manicure during Coachella's first weekend. I break down more of her manifesting fashion choices in this short episode.
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Spring Breakers is essentially a teen exploitation film and has very little of the hyperrealism of his 90s cult classic, Kids. It is quite the opposite; the Tumbler-style image montage of a film appears to be a meditation on the vacuous and the deeply problematic areas of American culture, namely …
This week, I discuss the most well-known and reviled femme fatale in film history: Phyllis Dietrichson, played by one of the most respected and beloved actresses in American film: Barbara Stanwyck. This episode was originally aired as part of my American Trash and National Treasures series. The vid…
Emeral Fennel’s 2026 adaptation of Wuthering Heights has become a cultural product of contention. The controversy has focused on the failures of her adaptation of Emily Brontë’s brilliant classic, but from the many, many things I have seen and read that adopt this stance, very few of them include a…
Remy Bond is showing us the worlds that exist in the hearts of American girls, including halters adorned with pink flamingos, vintage barkcloth Hawaiian dresses, dolphin-inspired bra tops, and Haight Street-coded bell sleeves. Her hyper-high, reaching-closer-to-god wig is giving Dolly Parton with 1…
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