WEBVTT
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So let's talk about some music projects. You know what
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I'm saying. You know, you know what are some projects
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you've worked on? You know who is some artists? You
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know what I'm saying. I'm gonna be honest with you.
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I'm not the name calling type because I always thought
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when guys jump out the window or jump out the
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plane without a parachute like that, I think that is
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just being boastful and not being thankful that you had
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the opportunity to share a moment with somebody else talented
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and I've done and letting that be that. Yeah, you
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know what I mean, because I was interviewed a couple
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of times and I told them that's not really what
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it is for me. What it is is it was
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more of me being blessed with having to share that
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moment with that talented individual, whether it be the Sword
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School project, would Julie See and Santonio Bandanas, whether you
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know I'm doing Mojo Barnes's project or or Sole the
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Interrogator or Jewel Site for or all the other singles
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that I've you know, that I've put out or have
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created with other people. I'm thankful that we had the
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opportunity to share that moment. But there's a long list
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of beats that I didn't just gave out and people
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have recorded on you know, r ls from Black Magic
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Noise or Molecule uh Dead Mics. I mean, I could
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go on and on and on, Mario Castelini Piece and
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Red Velvet uh Ill Writers Guild. Like I said, the
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list is, the list is unbelievable. The list is unbelievable,
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and some projects that I'm really not proud of. So
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you know, right right, right right, So let me ask
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you what is like? You know your creative process when
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you producing beats? Right? Like? Where do you draw inspiration
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from to kind of get your lead in? Whatever I feel?
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Is there any particular whatever I feel? Do you start?
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You know, when I'm starting wherever, however I start with
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a drunk kid. You might start whatever whatever I feel,
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whatever I feel at at that moment. Sometimes you'll find
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the right sample, do you know what I mean? Sometimes
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you'll watch the right movie. Sometimes you'll be in an
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elevator and you'll hear something. At some point, you know,
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you'll be at a centat or drink or get high.
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So you know whether I'm at a spot where they
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playing club, where they playing music, whether it be a
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movie I seen. You get what I'm saying, whatever I'm feeling,
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if I run across the right sample, it's what I
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do on top of this sample, you know, because my
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better half will tell me that she'll know what mood
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I'm in because the beats will be either bright or
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they'll be dark. Right because a lot of times, you know,
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when everything was set up at home, you know, she
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used to make a big deal, you know, and she
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would come in and says, Okay, what did you do today?
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And I go okay, and I'll play it and she'll go, oh,
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what happened? And I'm like, what do you mean? She said, well,
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something's got you feeling like this right now? She would
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read you based off of the temperature of the Music's
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got you feeling, Oh, you're in a good mood today,
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you know what I mean. That's that's a pretty happy
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melody you got going on there. And I just always
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told her, I said, well, you know, being one dimensional
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never ever get you anywhere. It's like speeding to a
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red light right exactly. You know what I mean, You're
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getting nowhere real fast. So if I don't remain teachable
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and open minded. Then I'm just gonna be like the
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rest of these idiots that are either like a hamster
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in a wheel going nowhere real fast, or like a
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dog chasing a park car. Just makes no sense.
1
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So let's talk about some music projects. You know what
2
00:00:02.040 --> 00:00:04.400
I'm saying. You know, you know what are some projects
3
00:00:04.440 --> 00:00:06.599
you've worked on? You know who is some artists? You
4
00:00:06.639 --> 00:00:08.400
know what I'm saying. I'm gonna be honest with you.
5
00:00:08.880 --> 00:00:11.480
I'm not the name calling type because I always thought
6
00:00:11.519 --> 00:00:13.560
when guys jump out the window or jump out the
7
00:00:13.560 --> 00:00:16.359
plane without a parachute like that, I think that is
8
00:00:16.519 --> 00:00:20.519
just being boastful and not being thankful that you had
9
00:00:21.120 --> 00:00:24.480
the opportunity to share a moment with somebody else talented
10
00:00:25.440 --> 00:00:28.480
and I've done and letting that be that. Yeah, you
11
00:00:28.519 --> 00:00:30.640
know what I mean, because I was interviewed a couple
12
00:00:30.679 --> 00:00:34.079
of times and I told them that's not really what
13
00:00:34.240 --> 00:00:36.399
it is for me. What it is is it was
14
00:00:36.679 --> 00:00:39.119
more of me being blessed with having to share that
15
00:00:39.159 --> 00:00:42.119
moment with that talented individual, whether it be the Sword
16
00:00:42.159 --> 00:00:46.600
School project, would Julie See and Santonio Bandanas, whether you
17
00:00:46.640 --> 00:00:50.600
know I'm doing Mojo Barnes's project or or Sole the
18
00:00:50.640 --> 00:00:54.560
Interrogator or Jewel Site for or all the other singles
19
00:00:54.920 --> 00:00:57.439
that I've you know, that I've put out or have
20
00:00:57.560 --> 00:01:00.359
created with other people. I'm thankful that we had the
21
00:01:00.399 --> 00:01:06.439
opportunity to share that moment. But there's a long list
22
00:01:06.439 --> 00:01:09.200
of beats that I didn't just gave out and people
23
00:01:09.200 --> 00:01:11.480
have recorded on you know, r ls from Black Magic
24
00:01:11.560 --> 00:01:22.640
Noise or Molecule uh Dead Mics. I mean, I could
25
00:01:22.680 --> 00:01:25.560
go on and on and on, Mario Castelini Piece and
26
00:01:25.640 --> 00:01:35.439
Red Velvet uh Ill Writers Guild. Like I said, the
27
00:01:35.480 --> 00:01:38.640
list is, the list is unbelievable. The list is unbelievable,
28
00:01:39.040 --> 00:01:41.640
and some projects that I'm really not proud of. So
29
00:01:41.879 --> 00:01:44.040
you know, right right, right right, So let me ask
30
00:01:44.040 --> 00:01:46.719
you what is like? You know your creative process when
31
00:01:46.719 --> 00:01:49.319
you producing beats? Right? Like? Where do you draw inspiration
32
00:01:49.439 --> 00:01:52.359
from to kind of get your lead in? Whatever I feel?
33
00:01:52.959 --> 00:01:55.680
Is there any particular whatever I feel? Do you start?
34
00:01:55.719 --> 00:01:58.000
You know, when I'm starting wherever, however I start with
35
00:01:58.000 --> 00:02:00.000
a drunk kid. You might start whatever whatever I feel,
36
00:02:00.480 --> 00:02:03.200
whatever I feel at at that moment. Sometimes you'll find
37
00:02:03.200 --> 00:02:05.760
the right sample, do you know what I mean? Sometimes
38
00:02:05.799 --> 00:02:08.520
you'll watch the right movie. Sometimes you'll be in an
39
00:02:08.520 --> 00:02:11.840
elevator and you'll hear something. At some point, you know,
40
00:02:12.840 --> 00:02:16.680
you'll be at a centat or drink or get high.
41
00:02:16.719 --> 00:02:18.520
So you know whether I'm at a spot where they
42
00:02:18.599 --> 00:02:22.319
playing club, where they playing music, whether it be a
43
00:02:22.360 --> 00:02:26.039
movie I seen. You get what I'm saying, whatever I'm feeling,
44
00:02:26.280 --> 00:02:29.400
if I run across the right sample, it's what I
45
00:02:29.560 --> 00:02:33.560
do on top of this sample, you know, because my
46
00:02:33.639 --> 00:02:36.439
better half will tell me that she'll know what mood
47
00:02:36.479 --> 00:02:38.719
I'm in because the beats will be either bright or
48
00:02:38.719 --> 00:02:44.319
they'll be dark. Right because a lot of times, you know,
49
00:02:44.400 --> 00:02:46.680
when everything was set up at home, you know, she
50
00:02:46.759 --> 00:02:49.919
used to make a big deal, you know, and she
51
00:02:49.960 --> 00:02:51.960
would come in and says, Okay, what did you do today?
52
00:02:52.240 --> 00:02:55.439
And I go okay, and I'll play it and she'll go, oh,
53
00:02:55.840 --> 00:02:58.680
what happened? And I'm like, what do you mean? She said, well,
54
00:02:58.800 --> 00:03:02.840
something's got you feeling like this right now? She would
55
00:03:02.840 --> 00:03:06.240
read you based off of the temperature of the Music's
56
00:03:06.280 --> 00:03:08.520
got you feeling, Oh, you're in a good mood today,
57
00:03:09.280 --> 00:03:11.000
you know what I mean. That's that's a pretty happy
58
00:03:11.319 --> 00:03:15.000
melody you got going on there. And I just always
59
00:03:15.039 --> 00:03:19.039
told her, I said, well, you know, being one dimensional
60
00:03:19.919 --> 00:03:24.759
never ever get you anywhere. It's like speeding to a
61
00:03:24.800 --> 00:03:27.960
red light right exactly. You know what I mean, You're
62
00:03:27.960 --> 00:03:31.639
getting nowhere real fast. So if I don't remain teachable
63
00:03:32.479 --> 00:03:37.479
and open minded. Then I'm just gonna be like the
64
00:03:37.520 --> 00:03:40.639
rest of these idiots that are either like a hamster
65
00:03:40.759 --> 00:03:46.000
in a wheel going nowhere real fast, or like a
66
00:03:46.039 --> 00:03:49.319
dog chasing a park car. Just makes no sense.
