ОБ ЭТОМ ЭПИЗОДЕ
Time is at the heart of the musical artform.
It is measured in heartbeats, sentences, or the pragmatic click-clacking of a metronome. It dulls the monotony of the waiting room, or represents the cycling of the seasons. Music can whisk us through time in an exhilarating flurry of notes, dizzying us with an overwhelming amount of sound per second, or it can suspend us in a reverie where time itself melts away and we glimpse eternity in a single, interminable tone.
In this episode we look at how musicians harness time, and how audiences experience it.
A list of recordings featured in this episode can be found here: https://chambermusic.co.nz/programme-notes/#credits
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ДРУГИЕ ЭПИЗОДЫ В ЭТОМ ПОДКАсте
Verklärte Nacht ('Transfigured Night') is a piece that sits at a series of divides.
Written at the end of the 19th century and first performed at the beginning of the 20th. Composed by a young Arnold Schoenberg, toast of Vienna, but before he developed his dodecaphonic system that made him the cila…
The salon was an important environment for the Parisian artist, philosopher, poet, socialite and musician during the belle époque. A dapper young composer with a charismatic moustache could really rub elbows with the right people at these events.
Follow Fauré through three important salons, hosted …
What makes Beethoven’s famous sonata so moonlit? Why does a lullaby feel like a warm blanket? What are the ingredients of a nocturne? Aren’t crickets and frogs neat?
There is a wealth of classical music about and of the night. The simultaneous contemplative introspection and moonlit mystery, the wa…
How much should we draw lines between the personal lives of artists and the creative innovations in their careers?
Arnold Schoenberg‘s relationship with his first wife Mathilde was one of extremes. They fell in love on holiday, and the composer churned out one of his best-loved pieces, Verklärte Na…
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ИЗМЕНИТЬ
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