ОБ ЭТОМ ЭПИЗОДЕ
Poet and culture critic Eileen G'Sell joins me to talk about Lukas Dhont's 2022 film Close, male melodrama, and the liminal space of adolescence.
Check out Eileen's essay on Close in Mubi Notebook.
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ДРУГИЕ ЭПИЗОДЫ В ЭТОМ ПОДКАсте
Is farting in front of someone the ultimate act intimacy? How do we decide when to follow—or to break—the unwritten rules of life? Terra, of the Atomic Pixies, joins me to talk about this and more on an episode about Daniel Scheinert and Daniel Kwan's 2016 flatulence-filled fantasy Swiss Army Man.
Damien Vincent, host of Remain, Roam, Return, joins me to talk about childhood dreams, family, and loss on this episode about Disney-Pixar's Coco.
Artist and author Ryan Estrada joins me to talk about the 1986 Korean drama Gilsotteum, and he reveals why a 2016 screening of the film moved him and the entire audience to tears.
Brianna Kearney joins me to talk about why the 2024 romantic drama We Live in Time inspired her to publicly share her tears on social media—and how the movie helped her process her own mother's battle with cancer.
For some critics, Chloe Zhao's Hamnet was an emotionally manipulative tearjerker. For others, it was a sincere and heartfelt exploration of grief and loss.
Today, I'm joined by Ann Jones, known in many circles as my mom, to talk about why Hamnet was one of 2025's best films—and why it made her cry.
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