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G'day everyone, Craig here from Geek and Camo, and welcome
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back to What Am I Watching This Week. Now, you
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may have noticed there wasn't an episode last week. Life happened.
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I had a six, seven-year-old at home, things got busy,
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and sometimes YouTube and podcasting just have to take a
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backseat for a few days. But that doesn't mean I
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stopped watching stuff. Far from it. Because since the last episode,
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we've had the Lioness Season 3 finale, the Strange New
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Worlds Season 4 finale, I've been getting myself ready for
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the Terminal List Season 2. I've watched more Stuart Fails
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to Save the Universe. I've fallen back into Falling Skies.
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And I've been watching Resident Alien because Alan Tudyk is
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basically incapable of not being brilliant. And then the nostalgia
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hit got slightly out of control. We watched all three
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Lord of the Rings movies, went right back through the
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Police Academy movies, and even broke out the original Cannonball Run. So,
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apparently missing one week just means I come back with
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twice as much television. Let's get into it. First up, Lioness.
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Season three is done and what a way to end it.
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We spent virtually the entire season asking the question, who
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was really behind Joe's abduction? And I've done separate Lioness
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after action breakdowns. I've done theory episodes. I've done a
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whole special telling you who I thought was behind everything.
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And then the finale comes along and throws another massive
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piece onto the board. The return of Alaya changes everything.
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Because suddenly, this isn't just some faceless international conspiracy. It's personal. Very,
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very personal. Alaya has one of the strongest motives imaginable
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after what happened to her family back in season one.
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And I love that the show went all the way
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back to something that happened right at the beginning of
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the story and said, You thought that was over? No.
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Consequences matter. Joe and Cruz went into Alaya's world. They
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destroyed her family, they completed the mission, and then moved on.
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But Alia didn't just get to move on. And now,
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that's come back around. That's much more interesting to me
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than simply revealing another random intelligence official we've never met before.
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But the finale didn't stop there. Jo gets home, and
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her family situation has completely fallen apart as well. So
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even after she survives everything that happened to her this season,
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there's still a cost. That has always been one of
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the strongest parts of Lioness for me. Jo might be
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incredibly good at what she does, but you can't keep
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living that life without something eventually breaking. The mission doesn't
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stop at the front door, it follows her home. And now,
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we're left waiting to find out what happens next. Because
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as of right now, we don't even have an official
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season 4 confirmation yet. Surely you don't end it there
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and walk away. You can't. I've got a lot more
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to say about the finale separately on Lioness After Action,
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so I'm not going to turn this into another 25
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minute Lioness episode. But, that ending. Yeah, I'm going to
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be thinking about that one for a while. Next up,
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Star Trek Strange New Worlds. Season four is also finished,
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and this has been a very strange season for me.
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There have been episodes where I've genuinely wondered what the
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writers were doing. We had puppets, we had soap opera,
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we had genre experiments all over the place, and I
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spent a fair chunk of the season saying, can you
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please just give me Star Trek? Then towards the back
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end of the season, something changed. We started getting better episodes,
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we got stronger character work, We got proper science fiction problems.
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And now we've finished with Tomorrow's Enterprise. The finale centers
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heavily on Uhura and involves a time distortion that puts
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different versions of her into contact with each other. Paramount Plus,
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and I like that. Uhura has quietly become one of
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the characters Strange New Worlds has done a really good
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job developing. Remember where she started? A cadet who wasn't
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even sure Starfleet was really where she belonged. Now we're
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starting to see the officer we know she's going to become.
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And that's what I want from a prequel. Don't just
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point at things I recognize and go, look, that's from
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old Star Trek. Show me how these people became those characters.
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That's much more interesting. We're also getting closer and closer
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to the inevitable transition. Pike isn't going to command the
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Enterprise forever. We know that. James T. Kirk is coming.
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And every time the show gives us another glimpse towards
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that future, you can feel the pieces moving. So where
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do I land on season four overall? Uneven. Very uneven.
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Some of the gimmick episodes didn't work for me at all.
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When this season was good, it reminded me exactly why
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I like Strange New Worlds. And the final few episodes
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definitely improved my opinion of the season. Now we've got
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one season left. So for season five, give me Strange
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New Worlds. Give me exploration. Give me moral dilemmas. Give
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me the Enterprise crew solving impossible problems. And yes, you
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can still have some fun. Just maybe. We've definitely had
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enough of puppets though. I've also been going back through
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the terminal list season one because season two is getting
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very close now. All eight episodes arrive on Prime Video
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on 21st of October, with Chris Pratt returning as James
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Reese in a story based on Jack Carr's True Believer.
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And I wanted season one fresh in my mind before
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we get there. I really like this world. James Reese
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is an interesting character because he's not a clean action hero.
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By the time we meet him, he is absolutely shattered.
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He's lost people. He's been betrayed. He's questioning what he knows.
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And once he figures out what has happened, there is
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a very clear shift. He's not asking permission anymore. He's
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got a list. And if you're on that list, probably
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not a good time to make long-term plans. I've also
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got Dark Wolf sitting in that same universe. So between
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the original series and the prequel, there's actually quite a
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lot worth refreshing before season two. And I've got a
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dedicated terminal list recap coming before the new season drops.
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So if it's been a few years since you watched
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season one, don't worry. I'm going to get everyone caught up.
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Then we've got Stuart Fowles to save the universe. And
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once again, this show's just good for a laugh. That
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latest episode went completely meta, taking Stuart and the gang
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into a world that looks suspiciously like a multi-camera sitcom
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being filmed in front of a live studio audience, right
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back on the old Big Bang Theory stage. Which is
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such a perfect idea for the show, because from the beginning,
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Stuart has been using the multiverse to take characters we
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already know and put them into increasingly ridiculous situations. So eventually,
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turning the whole thing back around towards the type of
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sitcom it originally came from, that's clever. And I've said
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this a few times now. I'm really glad they didn't
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just make the Big Bang Theory again. They could have.
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They could have put Stuart back in the comic book store,
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have familiar characters wander through, collect the nostalgia points. That
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would be easy. Instead, they make this weird science fiction
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multiverse comedy. And somehow, it's still working. It became one
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of the easiest things I watch every week. I don't
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have to analyze it. I don't need three pages of notes.
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I just put it on. I laugh. And for half
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an hour, I forget about everything else. Sometimes television can
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just do that. Now let's go back a little bit further.
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Falling Skies. Who remembers this show? Because I've started watching
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it again. And I had forgotten just how much I
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enjoyed it. Aliens invade Earth. Human civilization is basically shattered.
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And rather than following presidents and generals and sitting in
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giant command bunkers, we follow ordinary survivors trying to stay
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alive and fight back. That's what always worked for me.
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It's not really about the alien invasion. That's the backdrop.
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The story is about people. It's about families. Soldiers. teachers, kids,
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people who had completely normal lives, and suddenly they're living
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inside a resistance movement. And obviously you've got Noah Weil
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as Tom Mason, a history professor who suddenly finds all
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that knowledge about wars, revolutions, and military history becoming extremely relevant.
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That's a great character setup because he's not Rambo. He's
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not some super soldier who spent 20 years in special operations.
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He's a bloke who knows history. And now he has
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to work out how much of that history actually helps
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when aliens are trying to wipe out humanity. And then
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there's the whole mystery around the skitters. The harness, the
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other alien races, and the bigger picture gradually unfolding. It
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was good old-fashioned serialized science fiction, and I reckon Falling
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Skies has fallen out of the conversation a little bit.
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People still talk about Battlestar Galactica. They still talk about Stargate.
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They still talk about the X-Files. But Falling Skies? Not
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nearly as much. Maybe it's time we start talking about
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it again. Another one I've had on... resident alien, and honestly,
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Alan Tudyk is excellent in everything he does. I don't
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know how else to put it. You can put that
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bloke in almost anything and he'll find something funny to do.
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Harry Vandalspiegel is such a bizarre character. He's an alien
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attempting to imitate a human, except his understanding of how
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humans actually behave is completely wrong, and Tudyk commits to
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every little movement, every strange facial expression, the way he talks,
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the way he stands. and the way Harry thinks he's
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blending in perfectly while behaving like the weirdest man anybody
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has ever met. And that's where so much of the
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comedy comes from. But, like Stuart, there's more underneath it
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than jokes. Harry gradually develops genuine friendships, he starts caring
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about people, he starts understanding things that initially make absolutely
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no sense to him, and because he's looking at humanity
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from the outside, the show gets to point out how
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completely ridiculous we are. That's always great science fiction. You
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use the aliens to talk about the humans. So yeah,
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I've been enjoying going back through Resident Alien as well.
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And if you're an Alan Tudyk fan, what's your favorite
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role of his? Because there are plenty to choose from.
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And now nostalgia got completely out of hand this week.
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First up, The Lord of the Rings. All three movies.
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The Fellowship of the Ring. The Two Towers. The Return
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of the King. And honestly, what do I even need
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to say? They're still magnificent. There are movies you go
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back to because you remember liking them, and then there
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are movies where you go back 20 years later and think,
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how the hell did they pull this off? Lord of
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the Rings is that. The scale, the locations, the practical effects,
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the music, the performances, the battles, the little character moments.
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it all still works. And because they filmed the trilogy together,
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there's a consistency across these movies that makes watching them
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back to back feel like one enormous story. Sam and Frodo, Aragorn, Gandalf,
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Legolas and Gimli, Boromir, Gollum, there are so many memorable characters.
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And for me, Samwise Gamgee remains one of the great
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heroes in fantasy. He doesn't want power. He's not destined
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to be king. He's not the greatest warrior alive. He's
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just loyal. And when Frodo can't keep going, Sam does.
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And that's it. He's a simple character. Beautifully done. And yes,
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watching all three is basically giving up an entire day.
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But hey, it was worth it. My seven-year-old loved watching it.
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while he was laying sick on the couch. Then somehow,
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we went from Middle Earth to Police Academy. All of them.
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And that is quite a tonal shift. These movies are ridiculous.
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Absolutely ridiculous. But they're also exactly the sort of comedy
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that seemed to exist everywhere when I was younger. You
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got Mahoney, Hightower, Tackleberry, Hooks, Jones making every sound effect imaginable,
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Commandant Lessard wandering around completely oblivious to half the insanity
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happening around him. Are they sophisticated movies? No, no, they're not.
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Not even slightly. Do all the jokes age perfectly? Definitely not.
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But there's something about going back to them that immediately
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takes me back to being younger and watching movies where
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the entire objective was simply to make people laugh. No
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cinematic universe. No 12-year plan. No post-credits scene explaining the
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next five films. Just here's another Police Academy. Enjoy it.
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And somehow they made seven of them. It was definitely
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a different era, that's for sure. And finally, The Cannonball Run,
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the original, with Burt Reynolds, Dom DeLuise, Roger Moore, Farrah Fawcett,
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Jackie Chan, Dean Martin, Sammy Davis Jr. It's basically a
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collection of celebrities driving extremely fast cars across America while
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trying to make each other laugh. And I love this movie.
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There is almost no reason this movie should work as
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well as it does. It's chaotic. It's silly. And the
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plot is basically an excuse to move from one joke
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to another. But it has personality. And Burt Reynolds has
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so much charisma in that era. That he could basically
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just smile at the camera. And you'd go along with
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whatever nonsense was happening. It's another movie where I watch
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it now. And I think they simply don't make things
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like this anymore. Maybe they shouldn't. But I'm glad that
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this one exists. And I really really hope that they
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never remake this movie. Because it is just perfect the
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way it is. So after missing a week. What wins?
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The Lioness finale gave us one hell of a cliffhanger.
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Strange New Worlds finished a very uneven season, much stronger
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than it started. I'm getting ready to go back into
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James Reese's world with The Terminal List. Stuart continues making
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me laugh. Falling Skies has reminded me how much good
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science fiction disappeared into the 2010s. Alan Tudyk continues being
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Alan Tudyk. And the nostalgia pile this week was ridiculous.
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But the best thing I watched? I'm giving it to
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the Lord of the Rings trilogy. I know. Not exactly
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a controversial choice, but sometimes you go back to something
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that's considered a classic. And it reminds you exactly why
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it's a classic. And those films still absolutely deliver. So
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that's what am I watching this week. Slightly delayed edition,
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but we're back. And this week I've got plenty for
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you in the comments. What did you think of the
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Lioness finale? Were you happy with how Strange New World
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Season 4 finished? Who's re-watching The Terminal List before Season 2?
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Who remembers Falling Skies? And should I bring that into
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Sci-Fi Reclassified? Any other Resident Alien fans out there? And
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then the important nostalgia question. Lord of the Rings, Police
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Academy or Cannonball? Three completely different things. You only get one.
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Which one are you keeping? And as always, what are
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you watching this week? Something new? Something old? Something I
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should have watched 20 years ago? Put it in the
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comments and give me something else to add to an
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already ridiculous watch list. If you're enjoying what am I
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watching this week, hit like, subscribe to Geek and Camo,
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follow the podcast wherever you're listening, and I'll see you
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next week for another What Am I Watching This Week. Cheers, guys.
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G'day everyone, Craig here from Geek and Camo, and welcome
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back to What Am I Watching This Week. Now, you
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may have noticed there wasn't an episode last week. Life happened.
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I had a six, seven-year-old at home, things got busy,
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and sometimes YouTube and podcasting just have to take a
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backseat for a few days. But that doesn't mean I
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stopped watching stuff. Far from it. Because since the last episode,
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we've had the Lioness Season 3 finale, the Strange New
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Worlds Season 4 finale, I've been getting myself ready for
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the Terminal List Season 2. I've watched more Stuart Fails
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to Save the Universe. I've fallen back into Falling Skies.
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And I've been watching Resident Alien because Alan Tudyk is
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basically incapable of not being brilliant. And then the nostalgia
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hit got slightly out of control. We watched all three
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Lord of the Rings movies, went right back through the
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Police Academy movies, and even broke out the original Cannonball Run. So,
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apparently missing one week just means I come back with
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twice as much television. Let's get into it. First up, Lioness.
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Season three is done and what a way to end it.
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We spent virtually the entire season asking the question, who
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was really behind Joe's abduction? And I've done separate Lioness
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after action breakdowns. I've done theory episodes. I've done a
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whole special telling you who I thought was behind everything.
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And then the finale comes along and throws another massive
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piece onto the board. The return of Alaya changes everything.
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Because suddenly, this isn't just some faceless international conspiracy. It's personal. Very,
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very personal. Alaya has one of the strongest motives imaginable
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after what happened to her family back in season one.
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And I love that the show went all the way
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back to something that happened right at the beginning of
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the story and said, You thought that was over? No.
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Consequences matter. Joe and Cruz went into Alaya's world. They
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destroyed her family, they completed the mission, and then moved on.
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But Alia didn't just get to move on. And now,
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that's come back around. That's much more interesting to me
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than simply revealing another random intelligence official we've never met before.
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But the finale didn't stop there. Jo gets home, and
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her family situation has completely fallen apart as well. So
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even after she survives everything that happened to her this season,
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there's still a cost. That has always been one of
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the strongest parts of Lioness for me. Jo might be
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incredibly good at what she does, but you can't keep
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living that life without something eventually breaking. The mission doesn't
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stop at the front door, it follows her home. And now,
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we're left waiting to find out what happens next. Because
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as of right now, we don't even have an official
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season 4 confirmation yet. Surely you don't end it there
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and walk away. You can't. I've got a lot more
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to say about the finale separately on Lioness After Action,
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so I'm not going to turn this into another 25
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minute Lioness episode. But, that ending. Yeah, I'm going to
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be thinking about that one for a while. Next up,
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Star Trek Strange New Worlds. Season four is also finished,
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and this has been a very strange season for me.
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There have been episodes where I've genuinely wondered what the
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writers were doing. We had puppets, we had soap opera,
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we had genre experiments all over the place, and I
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spent a fair chunk of the season saying, can you
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please just give me Star Trek? Then towards the back
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end of the season, something changed. We started getting better episodes,
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we got stronger character work, We got proper science fiction problems.
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And now we've finished with Tomorrow's Enterprise. The finale centers
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heavily on Uhura and involves a time distortion that puts
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different versions of her into contact with each other. Paramount Plus,
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and I like that. Uhura has quietly become one of
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the characters Strange New Worlds has done a really good
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job developing. Remember where she started? A cadet who wasn't
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even sure Starfleet was really where she belonged. Now we're
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starting to see the officer we know she's going to become.
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And that's what I want from a prequel. Don't just
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point at things I recognize and go, look, that's from
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old Star Trek. Show me how these people became those characters.
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That's much more interesting. We're also getting closer and closer
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to the inevitable transition. Pike isn't going to command the
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Enterprise forever. We know that. James T. Kirk is coming.
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And every time the show gives us another glimpse towards
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that future, you can feel the pieces moving. So where
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do I land on season four overall? Uneven. Very uneven.
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Some of the gimmick episodes didn't work for me at all.
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When this season was good, it reminded me exactly why
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I like Strange New Worlds. And the final few episodes
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definitely improved my opinion of the season. Now we've got
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one season left. So for season five, give me Strange
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New Worlds. Give me exploration. Give me moral dilemmas. Give
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me the Enterprise crew solving impossible problems. And yes, you
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can still have some fun. Just maybe. We've definitely had
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enough of puppets though. I've also been going back through
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the terminal list season one because season two is getting
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very close now. All eight episodes arrive on Prime Video
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on 21st of October, with Chris Pratt returning as James
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Reese in a story based on Jack Carr's True Believer.
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And I wanted season one fresh in my mind before
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we get there. I really like this world. James Reese
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is an interesting character because he's not a clean action hero.
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By the time we meet him, he is absolutely shattered.
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He's lost people. He's been betrayed. He's questioning what he knows.
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And once he figures out what has happened, there is
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a very clear shift. He's not asking permission anymore. He's
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got a list. And if you're on that list, probably
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not a good time to make long-term plans. I've also
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got Dark Wolf sitting in that same universe. So between
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the original series and the prequel, there's actually quite a
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lot worth refreshing before season two. And I've got a
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dedicated terminal list recap coming before the new season drops.
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So if it's been a few years since you watched
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season one, don't worry. I'm going to get everyone caught up.
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Then we've got Stuart Fowles to save the universe. And
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once again, this show's just good for a laugh. That
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latest episode went completely meta, taking Stuart and the gang
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into a world that looks suspiciously like a multi-camera sitcom
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being filmed in front of a live studio audience, right
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back on the old Big Bang Theory stage. Which is
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such a perfect idea for the show, because from the beginning,
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Stuart has been using the multiverse to take characters we
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already know and put them into increasingly ridiculous situations. So eventually,
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turning the whole thing back around towards the type of
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sitcom it originally came from, that's clever. And I've said
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this a few times now. I'm really glad they didn't
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just make the Big Bang Theory again. They could have.
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They could have put Stuart back in the comic book store,
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have familiar characters wander through, collect the nostalgia points. That
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would be easy. Instead, they make this weird science fiction
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multiverse comedy. And somehow, it's still working. It became one
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of the easiest things I watch every week. I don't
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have to analyze it. I don't need three pages of notes.
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I just put it on. I laugh. And for half
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an hour, I forget about everything else. Sometimes television can
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just do that. Now let's go back a little bit further.
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Falling Skies. Who remembers this show? Because I've started watching
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it again. And I had forgotten just how much I
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enjoyed it. Aliens invade Earth. Human civilization is basically shattered.
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And rather than following presidents and generals and sitting in
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giant command bunkers, we follow ordinary survivors trying to stay
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alive and fight back. That's what always worked for me.
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It's not really about the alien invasion. That's the backdrop.
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The story is about people. It's about families. Soldiers. teachers, kids,
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people who had completely normal lives, and suddenly they're living
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inside a resistance movement. And obviously you've got Noah Weil
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as Tom Mason, a history professor who suddenly finds all
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that knowledge about wars, revolutions, and military history becoming extremely relevant.
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That's a great character setup because he's not Rambo. He's
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not some super soldier who spent 20 years in special operations.
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He's a bloke who knows history. And now he has
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to work out how much of that history actually helps
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when aliens are trying to wipe out humanity. And then
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there's the whole mystery around the skitters. The harness, the
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other alien races, and the bigger picture gradually unfolding. It
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was good old-fashioned serialized science fiction, and I reckon Falling
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Skies has fallen out of the conversation a little bit.
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People still talk about Battlestar Galactica. They still talk about Stargate.
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They still talk about the X-Files. But Falling Skies? Not
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nearly as much. Maybe it's time we start talking about
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it again. Another one I've had on... resident alien, and honestly,
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Alan Tudyk is excellent in everything he does. I don't
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know how else to put it. You can put that
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bloke in almost anything and he'll find something funny to do.
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Harry Vandalspiegel is such a bizarre character. He's an alien
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attempting to imitate a human, except his understanding of how
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humans actually behave is completely wrong, and Tudyk commits to
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every little movement, every strange facial expression, the way he talks,
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the way he stands. and the way Harry thinks he's
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blending in perfectly while behaving like the weirdest man anybody
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has ever met. And that's where so much of the
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comedy comes from. But, like Stuart, there's more underneath it
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than jokes. Harry gradually develops genuine friendships, he starts caring
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about people, he starts understanding things that initially make absolutely
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no sense to him, and because he's looking at humanity
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from the outside, the show gets to point out how
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completely ridiculous we are. That's always great science fiction. You
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use the aliens to talk about the humans. So yeah,
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I've been enjoying going back through Resident Alien as well.
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And if you're an Alan Tudyk fan, what's your favorite
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role of his? Because there are plenty to choose from.
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And now nostalgia got completely out of hand this week.
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First up, The Lord of the Rings. All three movies.
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The Fellowship of the Ring. The Two Towers. The Return
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of the King. And honestly, what do I even need
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to say? They're still magnificent. There are movies you go
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back to because you remember liking them, and then there
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are movies where you go back 20 years later and think,
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how the hell did they pull this off? Lord of
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the Rings is that. The scale, the locations, the practical effects,
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the music, the performances, the battles, the little character moments.
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it all still works. And because they filmed the trilogy together,
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there's a consistency across these movies that makes watching them
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back to back feel like one enormous story. Sam and Frodo, Aragorn, Gandalf,
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Legolas and Gimli, Boromir, Gollum, there are so many memorable characters.
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And for me, Samwise Gamgee remains one of the great
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heroes in fantasy. He doesn't want power. He's not destined
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to be king. He's not the greatest warrior alive. He's
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just loyal. And when Frodo can't keep going, Sam does.
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And that's it. He's a simple character. Beautifully done. And yes,
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watching all three is basically giving up an entire day.
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But hey, it was worth it. My seven-year-old loved watching it.
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while he was laying sick on the couch. Then somehow,
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we went from Middle Earth to Police Academy. All of them.
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And that is quite a tonal shift. These movies are ridiculous.
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Absolutely ridiculous. But they're also exactly the sort of comedy
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that seemed to exist everywhere when I was younger. You
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got Mahoney, Hightower, Tackleberry, Hooks, Jones making every sound effect imaginable,
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Commandant Lessard wandering around completely oblivious to half the insanity
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happening around him. Are they sophisticated movies? No, no, they're not.
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Not even slightly. Do all the jokes age perfectly? Definitely not.
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But there's something about going back to them that immediately
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takes me back to being younger and watching movies where
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the entire objective was simply to make people laugh. No
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cinematic universe. No 12-year plan. No post-credits scene explaining the
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next five films. Just here's another Police Academy. Enjoy it.
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And somehow they made seven of them. It was definitely
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a different era, that's for sure. And finally, The Cannonball Run,
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the original, with Burt Reynolds, Dom DeLuise, Roger Moore, Farrah Fawcett,
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Jackie Chan, Dean Martin, Sammy Davis Jr. It's basically a
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collection of celebrities driving extremely fast cars across America while
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trying to make each other laugh. And I love this movie.
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There is almost no reason this movie should work as
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well as it does. It's chaotic. It's silly. And the
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plot is basically an excuse to move from one joke
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to another. But it has personality. And Burt Reynolds has
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so much charisma in that era. That he could basically
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just smile at the camera. And you'd go along with
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whatever nonsense was happening. It's another movie where I watch
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it now. And I think they simply don't make things
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like this anymore. Maybe they shouldn't. But I'm glad that
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this one exists. And I really really hope that they
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never remake this movie. Because it is just perfect the
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way it is. So after missing a week. What wins?
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The Lioness finale gave us one hell of a cliffhanger.
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Strange New Worlds finished a very uneven season, much stronger
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than it started. I'm getting ready to go back into
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James Reese's world with The Terminal List. Stuart continues making
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me laugh. Falling Skies has reminded me how much good
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science fiction disappeared into the 2010s. Alan Tudyk continues being
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Alan Tudyk. And the nostalgia pile this week was ridiculous.
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But the best thing I watched? I'm giving it to
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the Lord of the Rings trilogy. I know. Not exactly
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a controversial choice, but sometimes you go back to something
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that's considered a classic. And it reminds you exactly why
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it's a classic. And those films still absolutely deliver. So
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that's what am I watching this week. Slightly delayed edition,
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but we're back. And this week I've got plenty for
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you in the comments. What did you think of the
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Lioness finale? Were you happy with how Strange New World
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Season 4 finished? Who's re-watching The Terminal List before Season 2?
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Who remembers Falling Skies? And should I bring that into
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Sci-Fi Reclassified? Any other Resident Alien fans out there? And
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then the important nostalgia question. Lord of the Rings, Police
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Academy or Cannonball? Three completely different things. You only get one.
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Which one are you keeping? And as always, what are
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you watching this week? Something new? Something old? Something I
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should have watched 20 years ago? Put it in the
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comments and give me something else to add to an
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already ridiculous watch list. If you're enjoying what am I
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watching this week, hit like, subscribe to Geek and Camo,
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follow the podcast wherever you're listening, and I'll see you
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next week for another What Am I Watching This Week. Cheers, guys.