Аудиодорожка этого эпизода может быть повреждена.
How to fix it?
ОБ ЭТОМ ЭПИЗОДЕ
Vera Molnar and the machine imaginaire; Sarah Cook and CRUMB; Amy Goodchild on writing as field infrastructure.
английский
США
ПОИСК ПРОШЛЫХ ЭПИЗОДОВ
Искать прошлые эпизоды Conditions of Appearance.
ДРУГИЕ ЭПИЗОДЫ В ЭТОМ ПОДКАсте
Françoise Poos, Artistic and Scientific Director at Elektron Luxembourg, frames the distinction between art that operates inside systems and art that illustrates them from outside. Lauren Berlant, Track Tracy, and the question of what a nomadic institution becomes when it acquires a fixed space. ZK…
Adam Harvey, Paolo Cirio, and Heather Dewey-Hagborg: three counter-surveillance artists whose works make claims that depend on the tool actually functioning.
Hyperallergic asks whether artworks can have legal personhood, raising questions about authorship and institutional translation. Plus: John Jacob and the Sites Unseen curatorial frame at SAAM, Centre Phi Montreal and the Luxembourg Film Fund immersive circuit, and ZKM Open Hertzlab MARS! Governance…
Three curators, three answers to the same question: where does surveillance art discourse actually live? Stephanie Hankey, Elena Filipovic, and Marc Garrett and their different theories of space, authority, and audience.
Two approaches to machine infrastructure legibility: James Bridle names and theorizes (New Aesthetic, New Dark Age, Ways of Being); Julian Oliver builds interventions that detonate (Critical Engineering Manifesto, Newstweek, Transparency Grenade). Closing on ZKM Life After the Academy and MARS! Gov…
Отказ от ответственности: Подкаст и иллюстрации, встроенные в эту страницу, взяты из Pascal Piron, который является собственностью его владельца и не связан или не одобрен Listen Notes, Inc.
ИЗМЕНИТЬ
Спасибо, что помогаете поддерживать базу подкастов актуальной.
