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This is my reading an article I wrote for a newly-launched publication called Theorema Review (https://theorem-a.org/). I'm mainly reading it to draw attention to the idea behind the publication, launched a couple months ago by a friend, that of artists reviewing other artists (though I also used my review as an excuse to ponder experimental vocal music history and experimentation vs. communication in art.) Lots of John Cage and Cathy Berberian in the this one!
Link to the article (including footnotes and sources): https://theorem-a.org/2022/12/08/anaphora-by-michael-edward-edgerton/
During my reading I play Felicita Brusoni’s rendition of Michael Edward Edgerton’s Anaphora available in full here: https://youtu.be/dgkiWUgNEdA
английский
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В ЭТОМ ЭПИЗОДЕ
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The first episode will launch a week from now, Monday, November 4th!
In this pre-season episode I want to tell you a little about how to listen to the podcast and how I envision it to be useful. I’ll also talk about who I imagine my audience to be, how I’m using the term “classical,” and why I …
The first season of Classically (Un) Trained will run from October to December 2024.
Music: Silvia Berrone
Cover art: Kateřina Krejcarová
For more information visit: https://classicallyuntrainedpodcast.com/
In what I hope is the last update before I launch the first season of the new podcast, in this episode I will:
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2) Descri…
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Let’s start this first season with the assumption that what you do as a performer is valuable beyond bringing you joy or status or distraction. It’s a radical thought, I know. But without it, there’s no point in your listening to this podcast. So let me make a case for why you matter as a performin…
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