SOBRE ESTE EPISÓDIO
Curator Simon Palenski covers for Jane Wallace and is joined by Ashleigh Taupaki to speak about her artworks in her current exhibition with Tristen Harwood Gun, Paper, Obelisk. Simon and Ashleigh discuss archival voices, bureaucratic and unjust language, her historical research, site and non-site, and ways of visualising whakapapa.
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PESQUISAR EPISÓDIOS PASSADOS
Pesquisar episódios anteriores de The Physics Room Contemporary Art Kōrero.
OUTROS EPISÓDIOS NESTE PODCAST
It's a holiday special! For the last episode of The Physics Room Contemporary Art Kōrero in 2025, AAKI is sharing the set they played for our fundraiser event. As AAKI, local takataapui creative Honey Brown conjures up vivid, swampy soundscapes that move the body and wairua. At times a wash of nois…
In this second Artist Documents episode, curator Jane Wallace speaks to Bootleg artist Tamsen Hopkinson. Tamsen talks about some of the things that influenced the installation Crimson and Clover in the exhibition, including the Tommy James song, a hole-punch, and silent letters.
On this episode, Jane speaks to James about his recent residency in Minnesota and attendance at the Indigenous Curatorial Collective in Saskatoon, and some highlights about this trip.
Curator James Tapsell-Kururangi talks to Bri Leone-Rhea Lawrence and Aidan Taira Geraghty for our current exhibition 09 07 25. This episode is broadcast during Te Wiki o te reo Māori.
Artist Ilish Thomas joins Jane on this episode, ahead of her upcoming solo exhibition at The Physics Room. Ilish talks through some of the points of reference for this new moving-image work which orbits The Crystal Palace Theatre in Maungawhau, Tāmaki Makaurau, and in her wider practice.
Aviso: O podcast e a arte incorporada nesta página são de James Tapsell-Kururangi and Jane Wallace, que é propriedade de seu proprietário e não é afiliado ou endossado por Listen Notes, Inc.
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Obrigado por ajudar a manter a base de dados dos podcasts atualizada.
