SOBRE ESTE EPISÓDIO
As part of the Constable Ambisonic project I want to understand how we perceive the landscape, and what did Constable and his contemporaries bring to our understanding of the natural world, and who else has contributed to the language used and ideals we hold in regard to perception of landscape. Here I talk to painter Simon Carter at his studio in Frinton-on-Sea in Essex. We discuss a variety of topics including the Essex landscape, repetition in walking and music, abstract works, and of course, Constable.
Inglês
Reino Unido
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The two benches that I was planning on using were taken but further along was an empty one, which was closer to a slight ledge on the hill that was actually in a great place as I wasn’t in danger of filming any members of the public at close proximity, like that boy on a bicycle last time, there wa…
Myself and Matt Shenton headed down to Flatford in the pitch black at 4am to set up fr the annual Reveil Dawn Chorus Global Stream, light came quickly and stealthily once it started, as did the birds, many birds were heard and seen including a Kingfisher, the Merlin bird app detected a Curlew but w…
I was flying to Guernsey with a guy called Steve to do some work for a furniture company but arrived at Gatwick just as the flight was taking off. We had to phone the boss to say that we'd missed the flight. He was livid but organised to get us on to the next available flight which was in 8 hours t…
It’s 26º and a half term which of course I could never have predicted when I put this date in the calendar in January, the leisure class are out in full effect, a carousel and a Thomas train ride for the kids, a man setting up deck chairs for hire, a couple having a heavy conversation, gulls, a man…
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