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Regine Beverly stands in front of her kitchen sink, staring
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at the window. It's the spring of two thousand and five,
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and for Regeane the day was almost perfect. It's seventy
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two degrees and the windows finally die it down. If
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only the clouds would clear, she thinks to herself. Suddenly,
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the quiet of her home is interrupted by loud, frantic
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pounding on her front door. She jumps at the sound.
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What in the world, she says aloud, realizing something must
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be wrong. Nothing, ever, happens and are called a sack.
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She puts a towel on the counter and hurries through
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the foyer towards the front door. She reaches for the
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knob and swings the door open. There she's surprised to
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see Martha, her neighbor, breathing hard. This is a woman
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she knows, has worked for and even watches their dog
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when they're out of town. Before she can ask what
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the problem is, Martha just walks in, no comment, no
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eye contact, nothing. Regiene turns to follow Martha inside her home,
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ready to ask her why she was knocking so hard.
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That's when Martha says, sternly, a man killed my husband.
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Regiene freezes and stares at Martha, but she refuses to
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meet her gaze. She just stands in the foyer, staring
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past Regiene. Regine snaps out of her shock. Did you
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call nine one one? She asks, No, Martha replies. Regiene
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races to find her cell phone. She finds it, dials,
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and waits. When the dispatcher answers, she relays the little
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information she has fifty four to twenty four Incline Drive,
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brent Wood, Tennessee. She tries to answer the dispatcher's questions,
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but she doesn't know what's going on. All she knows
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is the address and that Martha claims her husband is dead.
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She doesn't know how, why, or even if the man
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is still inside the house. She hands the phone to Martha.
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Martha holds it to her ear. Regiene can hear the
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distant sound of the dispatcher asking her questions, but Martha
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doesn't answer. She just stares. Regie snatches the phone back
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and tries to explain what's happening. Martha just sits at
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the bottom of the stairs. Regiane relays Martha's answers to
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the dispatcher's question, then Martha calmly says, I know the
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man who killed my husband. My husband found him. Welcome
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to Sword and Scale Nightmares, True crime for bedtime or
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nightmare beginners. Now, A flurry of police cars and emergency
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vehicles zoom through the neighborhood. The size of the homes
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uninclined drive makes them seem to crawl past the ambulance's
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windows as it speeds by. The First responder, Brian Hampton,
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only knows the call involves a potentially expired person as
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they screech to a halt in front of fifty four
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to twenty four incline drive. He and his partner jump
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out and start gathering their gear. When a woman bursts
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out of the neighbor's house through tears and frantic gestures,
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she identifies herself as Martha, resident of the home. Hampton
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asks her for basic information. When did this happen? He asks?
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Did it happen twenty minutes ago, thirty minutes ago? Martha
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just nods yes. Moments earlier, Karen Kirby is at the
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home just a short distance away. When she notices something suspicious.
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She gets up from her chair and inches closer to
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the window to get a better look. A Hispanic man
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with shoulder lengthd hair, knee length shorts, and a maroon
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T shirt is running through the neighborhood. She watches, wondering
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what the man is doing. He runs as fast as
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he can from a tree line directly to a new
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home still under construction. As she tries to understand what
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the man could be doing, she hears distant sirens. Seconds later,
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a convoy of police vehicles starts streaming up her street,
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heading towards the direction the man ran from. Her eyes
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widened and her pulse races, she calls for her husband
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to look. When he enters the room, she hurriedly explains
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what she saw and points to the police. You have
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to go flag one of them down now, she says.
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She turns her attention back to the unfinished house as
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her husband darts out the front door. Sergeant Collins with
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the Brentwood Police Department is en route to Incline Drive
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when he sees a man flagging him down on the
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side of the road. Sergeant Collins pulls over and rolls
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the window down. The man is slightly out of breath
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as he starts to talk. He explains that he doesn't
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know what's going on, but his wife saw all the
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police just seconds after she saw a man seemingly running
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for his life. He points to the unfinished house. She
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saw him go in there, he says. Sergeant Collins whips
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his head around to see the house and picks up
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his radio. Minutes later, Sergeant Collins and his backup are
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in front of the unfinished house on Palomar Drive. It's
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just two streets away from the incident on Incline. He
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directs one officer to the back of the house in
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case anyone tries to run, and directs the other to
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come with him. All three officers draw their weapons and
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take their positions. Sergeant Collins and the other officer walk
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through the dirt and debris at the instruction site, making
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their way through the opening where a door would be installed.
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They immediately come face to face with two men on
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the ground floor. The men freeze, startled by the sudden
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presence of armed police. For a moment, the four men
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just stare at each other like that meme with the
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three Spider Mans pointing at each other. What are you
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doing here, Sergeant Collins shouts. The men provide identification and
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explain they are building inspectors here to make sure all
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building codes are being met. He asks them if they
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had seen or heard anything unusual. The two men share
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a glance and one points up. We both heard something
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coming from upstairs. Sergeant Collins' attention is drawn to the
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frame of a staircase near the center of the home.
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He points to the exit, and the two men take
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a hint and leave. He and his fellow officer clear
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the home room by room, first the ground floor, then
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they make their way to the second floor. At the
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back of the unfinished house, the third officer waits impatiently.
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The silence is frightening. Then noise erupts above him. He
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hears the two officers inside start to yell. They shout
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show your hands in English and then in Spanish. The
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house is basically a skeleton. There were no walls, no ceilings,
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just a frame where the walls should be. After clearing
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the first and second floors, the two officers had not
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yet found them. There was nowhere left to search except
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up and when the two officers turn their attention to
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the rafters above them, they see a man staring back
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with nowhere left to run. The man climbed down from
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the attic rafters and surrendered. His name was Raphael de
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Jesus Roach of Perez. He was a Mexican national who
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was in the country illegally, like so many others, he
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wasn't supposed to be here, not in this country, let
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alone in that house. Back at Martha's house, with the
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threat of the armed suspect gone, EMT's russianside, Martha has
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directed them to the upstairs bathroom. Firefighter Hampton made his
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way up the large staircase and down the hall. When
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he turns into the bathroom, he sees the victim, Martha's husband,
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Jeffrey Freeman. The scene confuses him. Though Jeffrey is lying
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face down in a half zipped sleeping bag on the floor.
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His head is wrapped in a plastic bag and it's
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tied or taped around his neck. He can't tell which.
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He reaches down to feel for a pulse and realizes
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Jeffrey is soaking wet, but worse, he doesn't have a pulse.
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That's when Martha's nod comes back into his mind. Something
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here doesn't make sense. This isn't fresh. He tries to
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lift one of Jeffrey's arms, but it's already starting to stiffen.
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Rigor mortis is already setting in. He rolls Jeffrey on
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his side and looks at his stomach. He knows when
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the heart stops the blood begins to pool, but it
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takes a while to show externally, except Jeffrey's stomach was
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already purple. About ten years earlier, Martha is at work
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when her new boss hands her a shipping order. She
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looks over the order and sighs, this is a big shipment.
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She thinks. A glint of joy flickers in her eye
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as she picks up the phone. She dials and waits.
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When the call is answered, she asks to speak to Jeffrey.
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She twirls the phone cable in her fingers as she waits.
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Jeffrey was her representative at a trucking company. She would
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call with a big ship and he would find the
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trucks to move it, but she never wasted an opportunity
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to flirt. Jeffrey answers the phone, and Martha, snapping out
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of a daydream, straightens up. She tells him about the
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big shipment and where it needs to go. She throws
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in a coy statement here and there and laughs a
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little too hard at his jokes. When the so called
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business is done and there are no more legitimate business
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reasons to talk, Martha jokingly says, well, I'll let you
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go so you can get home to the wife and kids.
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Much to her surprise, Jeffrey corrects her. Her heart flutters
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a little when he says he's not married and doesn't
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have any kids. After that, their relationship is a whirlwind.
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They started seeing each other and talking all the time. Soon, though,
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Jeffrey grew tired of paying for the long distance phone
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calls to Bowling Green, Kentucky, where Martha lived, so one day,
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Jeffrey brings Martha a gift. She shakes the box, trying
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to guess what's in it. It's heavy, she says. She
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rips the wrapping paper. She tears into the box and
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pulls out a large, hand carved heart shaped box. She
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looks up at Jeffrey and he tells her to open it.
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She pulls on the lid and it hinges open. Inside,
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she sees a single key. When she looks back at Jeffrey,
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he smiles and says, it's the key to my heart
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and my house. Will you move in with me? Martha
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jumps to hug him unable to speak. Then she nearly screams, yes,
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I'll move in with you. Just a few months later,
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they were married. For the next several years, their lives blossomed.
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They bought a house in the upscale Mountain View neighborhood.
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Martha was able to quit her job at the Pallette
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Company and pursue a new career. She became a licensed
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private investigator and started her own company, and that company
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took off. She had contacts with large companies and landlords
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to screen new employees and potential tenants. The company, resc Effects,
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grew so big that Jeffrey quit his job, got licensed
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as well, and started running the company. What started as
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a small business run out of their home grew so
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big that it needed its own building. This was around
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the time Jeffrey started working a lot and Martha started
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working less. Mentally, she was drained, but she couldn't explain why.
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She was nearing forty, but this felt worse than just age.
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Then she got the diagnosis she had bipo disorder. Her
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psychiatrists recommended medication, but they made it so she could
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barely function. Some mornings she just couldn't get out of bed,
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too tired, to do anything. Then Martha's mother fell ill
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and moved in with them. Martha took care of their
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mother until the day she died. First the diagnosis and
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then the death of her mother, Martha was in shambles.
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Jeffrey would start working longer and longer hours while Martha
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stayed home alone, mostly sleeping. Their marriage started to suffer,
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especially in the bedroom. They had been together for ten years.
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When Martha decided she needed space, she wanted to move out.
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Jeffrey understood and supported her decision. He didn't want her
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to leave, but he did want her to be happy.
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If this is what it took to save his marriage,
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he would support it. In late summer of two thousand
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and four, Martha moved into an extended stay hotel. After
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about six months, Jeffrey still wanted to work on the marriage,
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and Martha did too. She moved back into the marital
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home in February of two thousand and five. A couple
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of months later, Jeffrey drives home. He opens the garage
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as he pulls into the driveway, he parts the car
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and walks inside. He hangs up his jacket and sets
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his keys on the counter. It's late. The house is
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dark and quiet. Martha must already be asleep, he thinks.
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He makes his way up to the stairs to change
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his clothes. As he walks up the stairs, he thinks
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about his marriage, how much fun they used to have
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before everything, before her diagnosis, before her mother's We're sleeping
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in the separate room. He wishes they could just get
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back to that. Just then he passes Martha's closed door.
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And here's something unusual. It's a low, deep, repetitive sound.
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He stops and turns towards her room. He listens. Then
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he turns the knob and slowly opens the door. There
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on the bed is Martha, sound asleep, but the noise,
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the noise is still there. He tiptoes into the room
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so as not to wake Martha, and follows the sound.
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He tilts his head, confused by the sound. It's coming
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from the closet. He reaches out and slowly opens the door.
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He nearly falls backward, startled by what he sees. Inside
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on the floor is a sleeping man. In that moment,
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he knew he had been betrayed. More hurt than angry,
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he wakes up Martha. He hears the snoring stop and
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the man shift, but he doesn't look back. He watches
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her eyes snap awake as he starts to speak, Get
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that man out of my house, He says, I'm going
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to walk the dog and he'd better be gone by
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the time I get back. Martha stammers, trying to explain,
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trying to apologize. Jeffrey doesn't listen. He storms downstairs, grabs
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a leash, and calls the dog upstairs. Martha and the
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man stare at each other, too afraid to speak. They
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hear the front door open and then slam shut. The
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house falls silent again for a moment. Neither of them moves.
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Jeffrey walks down the street, watching the dog sniff the ground.
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Oblivious to his heartbreak, He kicks a rock. I should
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have known better, he thinks. He takes a deep breath
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and stares up at the sky. Then he keeps walking.
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He walks for what feels like forever. Jeffrey doesn't know
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how long it's been, but he feels like it's been
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long enough. He turns around and heads back to his house.
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He walks up to the front door and pauses for
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a moment, deciding if he wants to go inside. Then
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he turns the knob and opens the door. He expected
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the man to be gone, of course, but he wasn't.
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Jeffrey was greeted by the barrel of a shotgun. He
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dropped to his knees and started to pray. What happened
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next wasn't quick. It took time and control. He was restrained,
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his wrists bound. He struggles to free himself, but it's
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no use. He's hit in the eye, which immediately swells.
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He doesn't see it coming, but he feels blow after
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blow to his head. He collapses to the floor, barely conscious.
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His chest starts to tighten. He realized that the man
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is on top of him. Now. He tries to speak,
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to beg for his life, but he's too hurt. He's
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too weak to fight back. Something slides around his neck
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and starts to tighten. His breath comes shallow and short
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until it stops altogether. His one good eye rolls to
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the back of his head, and the house falls silent again.
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Martha takes the stand. The court is small and crowded.
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She looks over at Raphael, sitting with his defense lawyer
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and his interpreter. He doesn't look back. The district attorney
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approaches her and starts the questioning, she nervously wrings her
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hands together. He asks how she met Raphael. Martha replies quietly.
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She tells the courtroom she met Raphael on July fourth,
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two thousand and four. She and Jeffrey had gotten a
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hotel room in downtown Nashville to watch the fireworks show,
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but as it got later, Jeffrey just wanted to go home.
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Martha did not, so she stayed in the hotel while
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Jeffrey made the short drive back home. Alone in the city,
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Martha went for a walk. It wasn't long before she
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came across three Mexican men. She struck up a conversation
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with them and asked if they wanted to go back
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to her room to party. They agreed, of course. The
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courtroom falls silent as she explained she had sex with
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all three men that night. The next morning, when she
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woke up, Raphael was still there. That was the beginning
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of their relationship. A month later, she moved into the
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Extended Stay hotel with Raphael. For six months, they lived
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together until Martha ran out of money. That's when she
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decided her marriage was worth working on, so she broke
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it off with Raphael and moved back in with Jeffrey,
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who at this point had no idea about her boyfriend
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or boyfriends her and you found resolved to save her.
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Marriage was short lived, of course. By mid March, less
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than a month after she moved back in, she went
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and picked Raphael up. She took him home while Jeffrey
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was at work. It was supposed to be, you know,
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one last fuck, but Raphael never left. You see, he
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had a habit of doing that, both in the home
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and in the country he was in. He lived in
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the home for over a month before the events of
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April tenth. As a matter of fact, he spent every
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night in the closet and every day with Martha. The
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questioning turns to the events of that night. Martha describes
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Jeffrey coming back from walking the dog. She describes how
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he prayed and how Rafael grabbed him and forced him
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into the bathroom. She described listening to the water running
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and hearing thud after thud as she did thing. Just then,
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the judge told her to stop talking and address the court.
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It's so bizarre, it's hard to believe a lot of this,
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he says, I have problems with allowing this to go
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further without her getting some representation, and I can see
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her being charged in this case. She probably should be
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charged in this case. I hope the state does not
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believe everything she is testifying to because I sure don't
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with that. Martha pleaded the Fifth Amendment against self incrimination
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shortly after she was also charged with the murder of
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her husband. She and Raphael were tried together. The trial
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showed a pattern of contradictions, guilty behavior, and circumstantial evidence
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suggesting involvement rather than fear. Jeffrey hadn't just died dead
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for hours. In those hours, she made efforts to cover
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up the crime. She called his mother, saying he went
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to bed early. The next morning, a neighbor witnessed her
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calmly standing on her front porch. The home was spotless,
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evidence of a cleanup in trash bags. Police later found
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latex gloves, a wet bath matt, a wet and bloody pillowcase,
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and a telephone court. But the most damning evidence that
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Martha was a willing participant and not a passive victim
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was a towel spread out on the living room floor.
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That towel tested positive for both her DNA and Raphael's sperm.
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They had sex at some point during the sixteen to
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eighteen hours before she asked her neighbor to call with
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her husband's corpse right there in the house. The jury
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wasn't blind. They saw the contradictions, the delay in the
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nearly eighteen hours after Jeffrey's death. She didn't act like
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a victim. She acted like an accomplice. Martha Freeman and
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Raphael DeJesus wrote, Cha Perez were both found guilty a
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first degree murder and sentenced to life in prison, Yet
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further proof that why women sure do love illegal immigration
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for all sorts of reasons. If you enjoyed the show,
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00:27:57.759 --> 00:28:02.920
please consider joining plus at Sword and Scale dot com
337
00:28:02.960 --> 00:28:07.039
slash plus. But if you can't, consider leaving us a
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00:28:07.079 --> 00:28:13.559
positive review on your preferred listening platform. Sweet Dreams and
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00:28:13.640 --> 00:28:15.119
good Night,
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Regine Beverly stands in front of her kitchen sink, staring
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at the window. It's the spring of two thousand and five,
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and for Regeane the day was almost perfect. It's seventy
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two degrees and the windows finally die it down. If
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only the clouds would clear, she thinks to herself. Suddenly,
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the quiet of her home is interrupted by loud, frantic
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pounding on her front door. She jumps at the sound.
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What in the world, she says aloud, realizing something must
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be wrong. Nothing, ever, happens and are called a sack.
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She puts a towel on the counter and hurries through
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the foyer towards the front door. She reaches for the
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knob and swings the door open. There she's surprised to
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see Martha, her neighbor, breathing hard. This is a woman
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she knows, has worked for and even watches their dog
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when they're out of town. Before she can ask what
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the problem is, Martha just walks in, no comment, no
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eye contact, nothing. Regiene turns to follow Martha inside her home,
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ready to ask her why she was knocking so hard.
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That's when Martha says, sternly, a man killed my husband.
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Regiene freezes and stares at Martha, but she refuses to
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meet her gaze. She just stands in the foyer, staring
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past Regiene. Regine snaps out of her shock. Did you
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call nine one one? She asks, No, Martha replies. Regiene
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races to find her cell phone. She finds it, dials,
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and waits. When the dispatcher answers, she relays the little
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information she has fifty four to twenty four Incline Drive,
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brent Wood, Tennessee. She tries to answer the dispatcher's questions,
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but she doesn't know what's going on. All she knows
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is the address and that Martha claims her husband is dead.
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She doesn't know how, why, or even if the man
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is still inside the house. She hands the phone to Martha.
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Martha holds it to her ear. Regiene can hear the
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distant sound of the dispatcher asking her questions, but Martha
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doesn't answer. She just stares. Regie snatches the phone back
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and tries to explain what's happening. Martha just sits at
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the bottom of the stairs. Regiane relays Martha's answers to
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the dispatcher's question, then Martha calmly says, I know the
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man who killed my husband. My husband found him. Welcome
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to Sword and Scale Nightmares, True crime for bedtime or
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nightmare beginners. Now, A flurry of police cars and emergency
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vehicles zoom through the neighborhood. The size of the homes
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uninclined drive makes them seem to crawl past the ambulance's
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windows as it speeds by. The First responder, Brian Hampton,
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only knows the call involves a potentially expired person as
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they screech to a halt in front of fifty four
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to twenty four incline drive. He and his partner jump
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out and start gathering their gear. When a woman bursts
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out of the neighbor's house through tears and frantic gestures,
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she identifies herself as Martha, resident of the home. Hampton
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asks her for basic information. When did this happen? He asks?
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Did it happen twenty minutes ago, thirty minutes ago? Martha
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just nods yes. Moments earlier, Karen Kirby is at the
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home just a short distance away. When she notices something suspicious.
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She gets up from her chair and inches closer to
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the window to get a better look. A Hispanic man
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with shoulder lengthd hair, knee length shorts, and a maroon
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T shirt is running through the neighborhood. She watches, wondering
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what the man is doing. He runs as fast as
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he can from a tree line directly to a new
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home still under construction. As she tries to understand what
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the man could be doing, she hears distant sirens. Seconds later,
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a convoy of police vehicles starts streaming up her street,
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heading towards the direction the man ran from. Her eyes
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widened and her pulse races, she calls for her husband
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to look. When he enters the room, she hurriedly explains
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what she saw and points to the police. You have
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to go flag one of them down now, she says.
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She turns her attention back to the unfinished house as
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her husband darts out the front door. Sergeant Collins with
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the Brentwood Police Department is en route to Incline Drive
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when he sees a man flagging him down on the
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side of the road. Sergeant Collins pulls over and rolls
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the window down. The man is slightly out of breath
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as he starts to talk. He explains that he doesn't
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know what's going on, but his wife saw all the
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police just seconds after she saw a man seemingly running
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for his life. He points to the unfinished house. She
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saw him go in there, he says. Sergeant Collins whips
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his head around to see the house and picks up
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his radio. Minutes later, Sergeant Collins and his backup are
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in front of the unfinished house on Palomar Drive. It's
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just two streets away from the incident on Incline. He
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directs one officer to the back of the house in
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case anyone tries to run, and directs the other to
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come with him. All three officers draw their weapons and
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take their positions. Sergeant Collins and the other officer walk
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through the dirt and debris at the instruction site, making
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their way through the opening where a door would be installed.
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They immediately come face to face with two men on
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the ground floor. The men freeze, startled by the sudden
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presence of armed police. For a moment, the four men
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just stare at each other like that meme with the
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three Spider Mans pointing at each other. What are you
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doing here, Sergeant Collins shouts. The men provide identification and
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explain they are building inspectors here to make sure all
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building codes are being met. He asks them if they
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had seen or heard anything unusual. The two men share
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a glance and one points up. We both heard something
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coming from upstairs. Sergeant Collins' attention is drawn to the
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frame of a staircase near the center of the home.
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He points to the exit, and the two men take
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a hint and leave. He and his fellow officer clear
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the home room by room, first the ground floor, then
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they make their way to the second floor. At the
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back of the unfinished house, the third officer waits impatiently.
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The silence is frightening. Then noise erupts above him. He
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hears the two officers inside start to yell. They shout
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show your hands in English and then in Spanish. The
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house is basically a skeleton. There were no walls, no ceilings,
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just a frame where the walls should be. After clearing
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the first and second floors, the two officers had not
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yet found them. There was nowhere left to search except
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up and when the two officers turn their attention to
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the rafters above them, they see a man staring back
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with nowhere left to run. The man climbed down from
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the attic rafters and surrendered. His name was Raphael de
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Jesus Roach of Perez. He was a Mexican national who
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was in the country illegally, like so many others, he
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wasn't supposed to be here, not in this country, let
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alone in that house. Back at Martha's house, with the
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threat of the armed suspect gone, EMT's russianside, Martha has
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directed them to the upstairs bathroom. Firefighter Hampton made his
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way up the large staircase and down the hall. When
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he turns into the bathroom, he sees the victim, Martha's husband,
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Jeffrey Freeman. The scene confuses him. Though Jeffrey is lying
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face down in a half zipped sleeping bag on the floor.
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His head is wrapped in a plastic bag and it's
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tied or taped around his neck. He can't tell which.
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He reaches down to feel for a pulse and realizes
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Jeffrey is soaking wet, but worse, he doesn't have a pulse.
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That's when Martha's nod comes back into his mind. Something
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here doesn't make sense. This isn't fresh. He tries to
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lift one of Jeffrey's arms, but it's already starting to stiffen.
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Rigor mortis is already setting in. He rolls Jeffrey on
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his side and looks at his stomach. He knows when
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the heart stops the blood begins to pool, but it
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takes a while to show externally, except Jeffrey's stomach was
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already purple. About ten years earlier, Martha is at work
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when her new boss hands her a shipping order. She
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looks over the order and sighs, this is a big shipment.
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She thinks. A glint of joy flickers in her eye
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as she picks up the phone. She dials and waits.
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When the call is answered, she asks to speak to Jeffrey.
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She twirls the phone cable in her fingers as she waits.
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Jeffrey was her representative at a trucking company. She would
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call with a big ship and he would find the
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trucks to move it, but she never wasted an opportunity
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to flirt. Jeffrey answers the phone, and Martha, snapping out
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of a daydream, straightens up. She tells him about the
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big shipment and where it needs to go. She throws
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in a coy statement here and there and laughs a
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little too hard at his jokes. When the so called
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business is done and there are no more legitimate business
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reasons to talk, Martha jokingly says, well, I'll let you
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go so you can get home to the wife and kids.
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Much to her surprise, Jeffrey corrects her. Her heart flutters
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a little when he says he's not married and doesn't
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have any kids. After that, their relationship is a whirlwind.
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They started seeing each other and talking all the time. Soon, though,
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Jeffrey grew tired of paying for the long distance phone
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calls to Bowling Green, Kentucky, where Martha lived, so one day,
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Jeffrey brings Martha a gift. She shakes the box, trying
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to guess what's in it. It's heavy, she says. She
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rips the wrapping paper. She tears into the box and
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pulls out a large, hand carved heart shaped box. She
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looks up at Jeffrey and he tells her to open it.
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She pulls on the lid and it hinges open. Inside,
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she sees a single key. When she looks back at Jeffrey,
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he smiles and says, it's the key to my heart
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and my house. Will you move in with me? Martha
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jumps to hug him unable to speak. Then she nearly screams, yes,
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I'll move in with you. Just a few months later,
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they were married. For the next several years, their lives blossomed.
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They bought a house in the upscale Mountain View neighborhood.
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Martha was able to quit her job at the Pallette
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Company and pursue a new career. She became a licensed
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private investigator and started her own company, and that company
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took off. She had contacts with large companies and landlords
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to screen new employees and potential tenants. The company, resc Effects,
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grew so big that Jeffrey quit his job, got licensed
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as well, and started running the company. What started as
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a small business run out of their home grew so
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big that it needed its own building. This was around
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the time Jeffrey started working a lot and Martha started
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working less. Mentally, she was drained, but she couldn't explain why.
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She was nearing forty, but this felt worse than just age.
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Then she got the diagnosis she had bipo disorder. Her
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psychiatrists recommended medication, but they made it so she could
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barely function. Some mornings she just couldn't get out of bed,
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too tired, to do anything. Then Martha's mother fell ill
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and moved in with them. Martha took care of their
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mother until the day she died. First the diagnosis and
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then the death of her mother, Martha was in shambles.
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Jeffrey would start working longer and longer hours while Martha
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stayed home alone, mostly sleeping. Their marriage started to suffer,
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especially in the bedroom. They had been together for ten years.
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When Martha decided she needed space, she wanted to move out.
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Jeffrey understood and supported her decision. He didn't want her
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to leave, but he did want her to be happy.
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If this is what it took to save his marriage,
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he would support it. In late summer of two thousand
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and four, Martha moved into an extended stay hotel. After
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about six months, Jeffrey still wanted to work on the marriage,
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and Martha did too. She moved back into the marital
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home in February of two thousand and five. A couple
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of months later, Jeffrey drives home. He opens the garage
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as he pulls into the driveway, he parts the car
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and walks inside. He hangs up his jacket and sets
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his keys on the counter. It's late. The house is
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dark and quiet. Martha must already be asleep, he thinks.
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He makes his way up to the stairs to change
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his clothes. As he walks up the stairs, he thinks
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about his marriage, how much fun they used to have
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before everything, before her diagnosis, before her mother's We're sleeping
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in the separate room. He wishes they could just get
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back to that. Just then he passes Martha's closed door.
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And here's something unusual. It's a low, deep, repetitive sound.
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He stops and turns towards her room. He listens. Then
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he turns the knob and slowly opens the door. There
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on the bed is Martha, sound asleep, but the noise,
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the noise is still there. He tiptoes into the room
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so as not to wake Martha, and follows the sound.
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He tilts his head, confused by the sound. It's coming
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from the closet. He reaches out and slowly opens the door.
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He nearly falls backward, startled by what he sees. Inside
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on the floor is a sleeping man. In that moment,
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he knew he had been betrayed. More hurt than angry,
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he wakes up Martha. He hears the snoring stop and
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the man shift, but he doesn't look back. He watches
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her eyes snap awake as he starts to speak, Get
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that man out of my house, He says, I'm going
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to walk the dog and he'd better be gone by
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the time I get back. Martha stammers, trying to explain,
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trying to apologize. Jeffrey doesn't listen. He storms downstairs, grabs
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a leash, and calls the dog upstairs. Martha and the
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man stare at each other, too afraid to speak. They
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hear the front door open and then slam shut. The
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house falls silent again for a moment. Neither of them moves.
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Jeffrey walks down the street, watching the dog sniff the ground.
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Oblivious to his heartbreak, He kicks a rock. I should
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have known better, he thinks. He takes a deep breath
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and stares up at the sky. Then he keeps walking.
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He walks for what feels like forever. Jeffrey doesn't know
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how long it's been, but he feels like it's been
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long enough. He turns around and heads back to his house.
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He walks up to the front door and pauses for
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a moment, deciding if he wants to go inside. Then
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he turns the knob and opens the door. He expected
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the man to be gone, of course, but he wasn't.
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Jeffrey was greeted by the barrel of a shotgun. He
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dropped to his knees and started to pray. What happened
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next wasn't quick. It took time and control. He was restrained,
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his wrists bound. He struggles to free himself, but it's
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no use. He's hit in the eye, which immediately swells.
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He doesn't see it coming, but he feels blow after
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blow to his head. He collapses to the floor, barely conscious.
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His chest starts to tighten. He realized that the man
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is on top of him. Now. He tries to speak,
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to beg for his life, but he's too hurt. He's
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too weak to fight back. Something slides around his neck
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and starts to tighten. His breath comes shallow and short
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until it stops altogether. His one good eye rolls to
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the back of his head, and the house falls silent again.
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Martha takes the stand. The court is small and crowded.
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She looks over at Raphael, sitting with his defense lawyer
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and his interpreter. He doesn't look back. The district attorney
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approaches her and starts the questioning, she nervously wrings her
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hands together. He asks how she met Raphael. Martha replies quietly.
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She tells the courtroom she met Raphael on July fourth,
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two thousand and four. She and Jeffrey had gotten a
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hotel room in downtown Nashville to watch the fireworks show,
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but as it got later, Jeffrey just wanted to go home.
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Martha did not, so she stayed in the hotel while
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Jeffrey made the short drive back home. Alone in the city,
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Martha went for a walk. It wasn't long before she
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came across three Mexican men. She struck up a conversation
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with them and asked if they wanted to go back
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to her room to party. They agreed, of course. The
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courtroom falls silent as she explained she had sex with
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all three men that night. The next morning, when she
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woke up, Raphael was still there. That was the beginning
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of their relationship. A month later, she moved into the
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Extended Stay hotel with Raphael. For six months, they lived
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together until Martha ran out of money. That's when she
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decided her marriage was worth working on, so she broke
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it off with Raphael and moved back in with Jeffrey,
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who at this point had no idea about her boyfriend
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or boyfriends her and you found resolved to save her.
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Marriage was short lived, of course. By mid March, less
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than a month after she moved back in, she went
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and picked Raphael up. She took him home while Jeffrey
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was at work. It was supposed to be, you know,
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one last fuck, but Raphael never left. You see, he
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had a habit of doing that, both in the home
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and in the country he was in. He lived in
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the home for over a month before the events of
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April tenth. As a matter of fact, he spent every
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night in the closet and every day with Martha. The
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questioning turns to the events of that night. Martha describes
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Jeffrey coming back from walking the dog. She describes how
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he prayed and how Rafael grabbed him and forced him
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into the bathroom. She described listening to the water running
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and hearing thud after thud as she did thing. Just then,
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the judge told her to stop talking and address the court.
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It's so bizarre, it's hard to believe a lot of this,
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he says, I have problems with allowing this to go
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further without her getting some representation, and I can see
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her being charged in this case. She probably should be
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charged in this case. I hope the state does not
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believe everything she is testifying to because I sure don't
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with that. Martha pleaded the Fifth Amendment against self incrimination
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shortly after she was also charged with the murder of
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her husband. She and Raphael were tried together. The trial
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showed a pattern of contradictions, guilty behavior, and circumstantial evidence
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suggesting involvement rather than fear. Jeffrey hadn't just died dead
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for hours. In those hours, she made efforts to cover
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up the crime. She called his mother, saying he went
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to bed early. The next morning, a neighbor witnessed her
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calmly standing on her front porch. The home was spotless,
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evidence of a cleanup in trash bags. Police later found
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latex gloves, a wet bath matt, a wet and bloody pillowcase,
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and a telephone court. But the most damning evidence that
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Martha was a willing participant and not a passive victim
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was a towel spread out on the living room floor.
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That towel tested positive for both her DNA and Raphael's sperm.
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They had sex at some point during the sixteen to
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eighteen hours before she asked her neighbor to call with
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her husband's corpse right there in the house. The jury
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wasn't blind. They saw the contradictions, the delay in the
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nearly eighteen hours after Jeffrey's death. She didn't act like
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a victim. She acted like an accomplice. Martha Freeman and
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Raphael DeJesus wrote, Cha Perez were both found guilty a
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first degree murder and sentenced to life in prison, Yet
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further proof that why women sure do love illegal immigration
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for all sorts of reasons. If you enjoyed the show,
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00:27:57.759 --> 00:28:02.920
please consider joining plus at Sword and Scale dot com
337
00:28:02.960 --> 00:28:07.039
slash plus. But if you can't, consider leaving us a
338
00:28:07.079 --> 00:28:13.559
positive review on your preferred listening platform. Sweet Dreams and
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00:28:13.640 --> 00:28:15.119
good Night,