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SOBRE ESTE EPISÓDIO
TW: Mention of rape and sexual harassment. Currently rehearsing the role of Curly McLain in the Black Swan Theatre Company production of Oklahoma, Emily Havea is a widely respected actor, singer and dancer in the Australian Arts community. She speaks to us about the impact COVID 19 has had on her professional career, as well as the importance of having diverse spaces to work and live in. We also hear from Emily how straying from traditional casting in shows that have been around for many years takes courage, but has a significant impact on the audiences who are viewing the work.
Inglês
Estados Unidos da América
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OUTROS EPISÓDIOS NESTE PODCAST
Dean Drieberg is a much respected creative, working consistently amongst the independent theatre scene. A member of Media, Entertainment & Arts Alliance’s Equity Diversity committee, Dean is a passionate activist for performance spaces to be equitable and safe for all. He joins us to discuss th…
Episode Content Warning/Trigger Warning: Domestic Abuse.
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As a member of the People of Cabaret, Rhys Velasquez is a leader amongst the industry for actively striving to ensure creative spaces across Australia are safe and equitable for everyone. They join us to discuss the reality of having their contract in the Australian tour of Shrek the Musical finish…
Andrew is a 2018 graduate from the Western Australian Academy of Performing Arts (WAAPA). He joins us to chat about dealing with the loss of multiple professional performing projects before even beginning rehearsals, ways he has kept himself focused throughout lockdown and the significance of prior…
TW: Sexual Harassment. Bianca Baykara has worked consistently for the last 10 years in the commercial arts industry here in Australia and on tours around the continent. She speaks to us about her transition from the Australia/Asia tour of School of Rock to employment as a result of COVID 19 and the…
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