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A catalogue raisonné could be considered as an act of recovery, built from scattered archives, family memory, and chance encounters. Tracking an artist's full body of work means deciding, piece by piece, whether something is destroyed or simply unlocated, and living with the uncertainty that distin…
More than a cultural flourishing, the Harlem Renaissance was a deliberate act of remaking the image of Black America at a moment when it was suppressed and rendered invisible by the mainstream art world. For the women artists at its center, that effort operated under an additional pressure: the exp…
Art history has long organized itself around movements and groupings that determine whose work gets taught, preserved, and remembered. When the gaps in that history align with race, gender, and geography, what gets lost is structural. In this episode, artist and academic Catherine Hahn discusses ho…
Museums rarely build a permanent space around a single artist's life, but doing so can transform how an institution understands its own collection. The Danforth Art Museum's relationship to Meta Vaux Warrick Fuller, whose family gifted nearly 400 works to the museum in 2006, has evolved through bui…
Founded on what its creator called "vindicated evidence," the Schomburg holds one of the most comprehensive collections of Black art in any public institution — including diaries, correspondence, photographs, poetry, and sculptures by Meta Vaux Warrick Fuller. In this episode, Crystal Moten, Associ…
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