ABOUT THIS EPISODE
Before he was working on nonlinear edits, NYC based editor Davy Gomez was taking the commercials out of VHS rips of his favorite TV shows. Today, Davy's resume includes work on music videos, commercials, and a popular TV show called "The Bear." Tune in as we pick Davy's brain about post production teams, workflows, bin management, and his methodology when approaching a project.
-----
English
United States
TRANSCRIPT 🔗
Are you the producer of this podcast?
Add a podcast transcript
Need Audio-to-Text?
Transcribe with Listen411 in Just 60 Seconds
OTHER EPISODES IN THIS PODCAST
You ever wonder how a beautiful "oner" gets shot? Well it's talented operators like BJ McDonnell who use their techniques and skills to capture those elaborate long takes. When he's not operating the steadicam rig, BJ works as the A camera operator on films like The Interview, Fall Guy, a…
You know it goes. You make your first movie and you catch the filmmaking bug. Next thing you know, you're working as a PA and breaking into your department of choice and it's not too long before you're as grumpy as the guys that mentored you. For Dan Kanes, this trajectory changed for him when he w…
If you're down in South Florida, chances are your production has rented gear from Unique Producers Service. On this mini episode, we chat with Adam Roback, the Operations Manager and what it's like to work with local productions to provide equipment. We touch a bit on their history as a rental hous…
You've definitely seen the stickers, Vinny Raffa has a posse. But for his day time job he's a balloon tech. Both he and Mario Pignard Jr. have been illuminating scenes from above with balloons for over 25 years. Tune in as we chat with these lighting techs about how light balloons work on set, the …
Disclaimer: The podcast and artwork embedded on this page are from ShittyRigs, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.
EDIT
Thank you for helping to keep the podcast database up to date.
