ABOUT THIS EPISODE
In this conversation with director Coral Cohen and sound and video designer Ettie Pin, we discuss the process of making a gamified play, Third Law. Insights from the makers take us through game theory, and how the audience had the unique opportunity to shape the world of the play and the trajectory of the characters.
English
United States
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Search past episodes of Theatre Tech Talks: Artificial Intelligence, Science, and Biomedia in Theatre.
OTHER EPISODES IN THIS PODCAST
In this episode, Emma Bexell from Bombina Bombast, a performing arts company in Malmö, Sweden, takes us to the space of gamified society and theatre. Bombina Bombast combines documentary audio, gaming interface, and immersive installation in a Virtual Reality show where audience members can rest wi…
Fareeda Pasha wrote The Last Word based on Michael Levin's research on the first robots from living cells. We had a lighthearted conversation about spooky action at a distance in playwriting, equal-opportunity inspiration, and how plays on science can change the world of business, art, and medicine.
Disabled choreographer, dancer, designer, engineer, and founding member of Kinetic Light, Laurel Lawson talks about performing aerially in a wheelchair, accessibility as its own artform rather than an add-on, and their app Audimance which includes haptic interpretation and sensory modulation.
In this episode we talk with the founding artistic director of Theater Mitu, Rubén Polendo, about the hope for the future that inspired Utopian Hotline—now traveling through space as part of the Golden Record. We also discuss the gore, myth, and puppet-robots with their own point of view in Jodorow…
Disclaimer: The podcast and artwork embedded on this page are from Tjaša Ferme, HowlRound Theatre Commons, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.
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