ABOUT THIS EPISODE
It's Episode 30, which means role reversal time. Paul offers up Portishead's Mercury Music Prize winner from 1994. The album is often credited with popularising trip hop, a term the band apparently hated. What will Tone make of the filmic soundscape, dense production and yearning vocals? And how horrified will he be to learn that studio techniques included surfing on vinyl discs?
To find out, please try listening.
English
United Kingdom
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OTHER EPISODES IN THIS PODCAST
Tone brings Nick Lowe's 1978 box of tricks to the Turntable. Effortless pop sensibility. Biting criticism of the music industry. The occasional gruesome lyric. What will Paul make of this musical smorgasbord?
To find out, please try listening.
Steve Pringle joins Tone and Paul at the Turntable, bringing with him the Isley Brothers' 1973 album. Tales of lazy, hazy days and a glass of something nice; a relatively unheralded guitar hero; the Isleys as a family business; close harmonies; outlandish synth; multiple cover versions; and a …
It's all gone rather dark at The Twilight Turntable as Tone offers the Sisters of Mercy for Paul's consideration. Is Andrew Eldritch an admirable musician or "Gary the Goth"? Are we to take him seriously or is the joke on us? Who or what is Doktor Avalanche? And what's the …
Tone slips Kate Bush's 1980 LP on to the Turntable. How will Paul receive the Fairlight-inspired work? What schoolday memories will the album evoke for Tone? What will the pair of them make of Kate's legendary 1979 BBC special?
For the answers to these questions - and more besides - pleas…
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