ABOUT THIS EPISODE
Curator Simon Palenski covers for Jane Wallace and is joined by Ashleigh Taupaki to speak about her artworks in her current exhibition with Tristen Harwood Gun, Paper, Obelisk. Simon and Ashleigh discuss archival voices, bureaucratic and unjust language, her historical research, site and non-site, and ways of visualising whakapapa.
English
New Zealand
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OTHER EPISODES IN THIS PODCAST
On this episode, Jane speaks to James about his recent residency in Minnesota and attendance at the Indigenous Curatorial Collective in Saskatoon, and some highlights about this trip.
Artist Ilish Thomas joins Jane on this episode, ahead of her upcoming solo exhibition at The Physics Room. Ilish talks through some of the points of reference for this new moving-image work which orbits The Crystal Palace Theatre in Maungawhau, Tāmaki Makaurau, and in her wider practice.
In this second Artist Documents episode, curator Jane Wallace speaks to Bootleg artist Tamsen Hopkinson. Tamsen talks about some of the things that influenced the installation Crimson and Clover in the exhibition, including the Tommy James song, a hole-punch, and silent letters.
It's a holiday special! For the last episode of The Physics Room Contemporary Art Kōrero in 2025, AAKI is sharing the set they played for our fundraiser event. As AAKI, local takataapui creative Honey Brown conjures up vivid, swampy soundscapes that move the body and wairua. At times a wash of nois…
Curator James Tapsell-Kururangi talks to Bri Leone-Rhea Lawrence and Aidan Taira Geraghty for our current exhibition 09 07 25. This episode is broadcast during Te Wiki o te reo Māori.
Disclaimer: The podcast and artwork embedded on this page are from James Tapsell-Kururangi and Jane Wallace, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.
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