WEBVTT
1
00:00:00.280 --> 00:00:02.960
Hey, guys, Brad Gilmour here. Want to give a big shout out
2
00:00:03.000 --> 00:00:07.480
to our title sponsor, Walker Texas
Lawyer. If you are a love would
3
00:00:07.519 --> 00:00:10.759
have been injured in an accident,
whether that be a car, truck,
4
00:00:10.839 --> 00:00:15.480
motorcycle accident, or some kind of
other issue. Hit up Walker Texas Lawyer
5
00:00:15.480 --> 00:00:19.160
at seven one three five five to
two one one one seven or Walker Texas
6
00:00:19.239 --> 00:00:28.519
Lawyer dot com. Oh Broadcasting live
from Houston, Texas and around the world
7
00:00:28.600 --> 00:00:34.399
and around the world. TV host, best selling author and radio personality,
8
00:00:34.560 --> 00:00:41.799
Brad Gilmour brings you a collection of
conversations with stars from movies. Matthew McConaughey,
9
00:00:41.840 --> 00:00:46.039
Brad Gilmore, Mark Woolburg, Hey, how are you the legendary mister
10
00:00:46.119 --> 00:00:51.520
Christopher Lloyd Christopher? How are we
doing? I'm doing good television. Jimmy
11
00:00:51.520 --> 00:00:53.759
Fallon joins us this morning. Jimmy, how you doing, my friend?
12
00:00:53.799 --> 00:00:57.280
Good morning? Thank you for having
me. I appreciate this. But Kelly
13
00:00:57.359 --> 00:01:03.799
Ripper Comedy. Jay Leno joins us, Jay, how you doing? Chris
14
00:01:03.840 --> 00:01:07.079
Tucker is in the bill that Chris
Tucker. Good morning to you, Hey,
15
00:01:07.079 --> 00:01:10.920
good morning to you. How are
you? Gabriel Fluffy Iglesias, Good
16
00:01:10.959 --> 00:01:15.480
morning, Lula men bro, thank
you, thank you for handing me the
17
00:01:15.560 --> 00:01:19.840
legendary front man of ac DC.
Brian Johnson joins us right now, Brian,
18
00:01:19.920 --> 00:01:26.519
how you doing. Good morning,
Gunny. Grammy Award winner Maya joins
19
00:01:26.599 --> 00:01:33.319
us, and more and more.
This is the collection. Now your host
20
00:01:33.959 --> 00:01:42.760
the vote. Hey, so great
to talk to the both of you.
21
00:01:42.840 --> 00:01:46.239
Congratulations on the movie. I really
enjoyed it. I don't think I've slept
22
00:01:46.319 --> 00:01:49.560
the same since, but congratulations to
the both of you. Thank you,
23
00:01:49.000 --> 00:01:53.760
Thanks Bratch. You know, I
want to start with this because to me,
24
00:01:53.480 --> 00:01:57.000
yes it's a horror movie. Yes
it's a thriller. Uh, but
25
00:01:57.040 --> 00:01:59.680
there are so many different I think
facets to this film. This is a
26
00:01:59.760 --> 00:02:01.519
question and for both of you and
Chloe, we could start with you is
27
00:02:01.599 --> 00:02:06.480
what was the initial appeal when you
read this and this project came to.
28
00:02:06.879 --> 00:02:12.159
What was the appeal for you about
it? The appeal was I loved how
29
00:02:12.199 --> 00:02:15.639
it was about a film within a
film number one, and I loved all
30
00:02:15.680 --> 00:02:20.680
of the different relationships and the character
building that it had within the story.
31
00:02:21.479 --> 00:02:24.000
I'm a huge scaredy cat, so
the selling point for me wasn't the jump
32
00:02:24.000 --> 00:02:29.520
scares, but it was the story
that was written around it, and I'm
33
00:02:29.560 --> 00:02:34.280
really happy that I did it.
And Ryan, Yeah, I think there's
34
00:02:34.319 --> 00:02:38.280
a lot of strong character here.
I was really interrupted to Lee. I
35
00:02:38.280 --> 00:02:44.080
think there's a lot of opportunity to
really dive into like the tragedy and the
36
00:02:44.120 --> 00:02:46.919
depth of that. She's a really
complex character. But yeah, we didn't
37
00:02:47.000 --> 00:02:52.439
really approach it as a scary story
so much as we did like a character
38
00:02:52.520 --> 00:02:57.000
study and a family drama in a
romance. You know, there's a lot
39
00:02:57.000 --> 00:03:00.000
of different, really strong characters in
the film. Each of them have their
40
00:03:00.039 --> 00:03:06.879
own intersecting relationships, which was really
exciting. But also I do love horror,
41
00:03:07.400 --> 00:03:12.039
and the idea of subverting some of
those expectations and tropes was really exciting.
42
00:03:12.639 --> 00:03:15.080
And that is such a great point
because the tropes that you think of
43
00:03:15.080 --> 00:03:19.280
of a normal horror movie, this
movie is not that. It is multi
44
00:03:19.280 --> 00:03:22.680
faceted. It's multi layered. There's
so many different directions that it goes.
45
00:03:22.719 --> 00:03:24.960
And I guess, Ryan, can
you talk about you know, Joshua,
46
00:03:25.039 --> 00:03:30.120
John Miller and m a and their
vision for this and how that helped kind
47
00:03:30.159 --> 00:03:35.039
of guide the process along. Yeah, I mean, so obviously josh has
48
00:03:35.400 --> 00:03:40.719
a connection to the original Exorcist films
on it, and I think this movie
49
00:03:40.759 --> 00:03:46.599
really does come from a place of
love for the genre and the tradition of
50
00:03:47.039 --> 00:03:54.080
the Exorcists, you know, tropes. We love those movies, and we
51
00:03:54.120 --> 00:03:59.120
wanted to take those themes and sort
of confront them and go, Okay,
52
00:03:59.120 --> 00:04:02.439
but why is it like this?
Why is it always a young woman powerless
53
00:04:02.439 --> 00:04:08.599
and a man saving her? And
how can we so respect this genre that
54
00:04:08.639 --> 00:04:13.360
we love but sort of take it
further and push that envelop And that was
55
00:04:13.400 --> 00:04:17.120
sort of always the goal, And
it does come from a place of love
56
00:04:17.160 --> 00:04:20.040
and a place of hope. I
think that love and that hope is really
57
00:04:20.079 --> 00:04:26.319
present throughout the film, and we
just wanted to make this movie as a
58
00:04:26.319 --> 00:04:29.319
love letter, but also to say, like, hey, what does the
59
00:04:29.360 --> 00:04:34.240
future hold for specifically queer people in
horror? You know? And Chloe,
60
00:04:34.360 --> 00:04:39.480
I mean almost the same question about
Joshua John Miller and his vision and also
61
00:04:39.519 --> 00:04:43.120
the cast working with when you have
you know, people like Ryan or Russell
62
00:04:43.199 --> 00:04:46.279
Crowe and the others. How was
kind of the vibe on the set and
63
00:04:46.319 --> 00:04:49.759
working and learning with each other,
you know? Funny enough, the vibe
64
00:04:49.879 --> 00:04:56.839
was so positive on set, which
I didn't go into expecting because we are
65
00:04:56.879 --> 00:05:02.879
creating some dark material. But everyone
treated me with so much love and kindness,
66
00:05:02.920 --> 00:05:05.800
and I had the best time with
Brian, Like I think it was.
67
00:05:05.879 --> 00:05:10.560
We were the only two around our
age range on set, so we
68
00:05:10.600 --> 00:05:14.920
spent a lot of time together and
it was just really great. Russell was
69
00:05:14.959 --> 00:05:17.800
like a huge teddy bear, you
know. Just watching him work, I
70
00:05:17.879 --> 00:05:21.199
learned a lot as well as with
Brian, so it was definitely a great
71
00:05:21.199 --> 00:05:26.759
experience that I don't regret. What
is it you learned specifically from him,
72
00:05:27.120 --> 00:05:30.279
Chloe, because I feel like any
instance in any interaction we have, whether
73
00:05:30.319 --> 00:05:33.720
it's this interview or you're on a
set like it is, you learn from
74
00:05:33.759 --> 00:05:36.160
it in some way and you carry
that forward. Was there one thing that
75
00:05:36.199 --> 00:05:42.399
stood out in particularly? I think
it's the way he gets lost within the
76
00:05:42.519 --> 00:05:46.879
story and his character, you know, even after the scene is done,
77
00:05:46.199 --> 00:05:50.160
which is really dope. And you
know, this was me four years ago,
78
00:05:50.360 --> 00:05:56.040
so I was it was definitely new
for me to see that, and
79
00:05:56.079 --> 00:06:02.759
it definitely was the beginning of my
love of budding so much for acting and
80
00:06:03.240 --> 00:06:06.920
Ryan. Again, I don't want
people to think this is a straight up
81
00:06:06.959 --> 00:06:10.279
horror film, because like you said, there are so many layers to it.
82
00:06:10.319 --> 00:06:14.399
But when you're making a horror movie, and in the movie you're making
83
00:06:14.480 --> 00:06:16.600
a horror movie, there's a lot
of creepy things that tend to happen.
84
00:06:17.360 --> 00:06:20.759
I tend to take my work home
with me. Is this something that you
85
00:06:20.920 --> 00:06:24.360
take home with you? Or there
are things that made it a little bit
86
00:06:24.399 --> 00:06:30.199
harder to rest at night. Yeah, totally, not in like a haunting
87
00:06:30.519 --> 00:06:33.240
way. Like I didn't feel like
I was getting possessed or whatever, but
88
00:06:34.600 --> 00:06:40.319
I would like, I mean,
we're working like sixteen hour days for like
89
00:06:40.319 --> 00:06:44.240
two months. I had like three
days off. The first like two or
90
00:06:44.279 --> 00:06:47.560
three weeks, I was working six
days, Like it was exhausting, and
91
00:06:47.600 --> 00:06:51.519
I would go home and literally still
hear I close my eyes to go to
92
00:06:51.519 --> 00:06:55.959
bed, and I could hear the
ad in my head like as I was
93
00:06:56.000 --> 00:07:00.680
falling to sleep. So it was
a big lesson in like separating yourself from
94
00:07:00.680 --> 00:07:05.240
that. I remember Disney Plus was
like a brand new thing and my little
95
00:07:05.279 --> 00:07:09.480
brother got it, So I like
logged onto a Disney Plus account and would
96
00:07:09.519 --> 00:07:13.879
like decompressed by turning on like Treasure
Planet, which David Hyde pierces in.
97
00:07:14.000 --> 00:07:16.319
It's one of my favorites as a
kid, So I like talk myself into
98
00:07:16.319 --> 00:07:20.519
bed and got like Postmates and rewatched
Treasure Planet. Little things like that,
99
00:07:20.959 --> 00:07:27.360
because it is I mean, when
you are dealing with say do it all
100
00:07:27.360 --> 00:07:30.639
over again, you know, going
deeper and deeper, whether it's a scene
101
00:07:30.639 --> 00:07:35.279
where you're fighting demons or it's a
scene where you're arguing with your father,
102
00:07:35.560 --> 00:07:41.160
you know, it's hard for that
not to affect you. So it was
103
00:07:41.199 --> 00:07:45.199
definitely a lesson in creating that space. Well, congratulations to both of you
104
00:07:45.240 --> 00:07:46.600
in this movie. Again, I
enjoyed it. I'm sure everyone will enjoyed,
105
00:07:46.639 --> 00:07:48.920
and I enjoyed having a second to
talk to the both of them.
106
00:07:49.680 --> 00:08:16.199
They much appreciate you with them,
not with the Mumab
1
00:00:00.280 --> 00:00:02.960
Hey, guys, Brad Gilmour here. Want to give a big shout out
2
00:00:03.000 --> 00:00:07.480
to our title sponsor, Walker Texas
Lawyer. If you are a love would
3
00:00:07.519 --> 00:00:10.759
have been injured in an accident,
whether that be a car, truck,
4
00:00:10.839 --> 00:00:15.480
motorcycle accident, or some kind of
other issue. Hit up Walker Texas Lawyer
5
00:00:15.480 --> 00:00:19.160
at seven one three five five to
two one one one seven or Walker Texas
6
00:00:19.239 --> 00:00:28.519
Lawyer dot com. Oh Broadcasting live
from Houston, Texas and around the world
7
00:00:28.600 --> 00:00:34.399
and around the world. TV host, best selling author and radio personality,
8
00:00:34.560 --> 00:00:41.799
Brad Gilmour brings you a collection of
conversations with stars from movies. Matthew McConaughey,
9
00:00:41.840 --> 00:00:46.039
Brad Gilmore, Mark Woolburg, Hey, how are you the legendary mister
10
00:00:46.119 --> 00:00:51.520
Christopher Lloyd Christopher? How are we
doing? I'm doing good television. Jimmy
11
00:00:51.520 --> 00:00:53.759
Fallon joins us this morning. Jimmy, how you doing, my friend?
12
00:00:53.799 --> 00:00:57.280
Good morning? Thank you for having
me. I appreciate this. But Kelly
13
00:00:57.359 --> 00:01:03.799
Ripper Comedy. Jay Leno joins us, Jay, how you doing? Chris
14
00:01:03.840 --> 00:01:07.079
Tucker is in the bill that Chris
Tucker. Good morning to you, Hey,
15
00:01:07.079 --> 00:01:10.920
good morning to you. How are
you? Gabriel Fluffy Iglesias, Good
16
00:01:10.959 --> 00:01:15.480
morning, Lula men bro, thank
you, thank you for handing me the
17
00:01:15.560 --> 00:01:19.840
legendary front man of ac DC.
Brian Johnson joins us right now, Brian,
18
00:01:19.920 --> 00:01:26.519
how you doing. Good morning,
Gunny. Grammy Award winner Maya joins
19
00:01:26.599 --> 00:01:33.319
us, and more and more.
This is the collection. Now your host
20
00:01:33.959 --> 00:01:42.760
the vote. Hey, so great
to talk to the both of you.
21
00:01:42.840 --> 00:01:46.239
Congratulations on the movie. I really
enjoyed it. I don't think I've slept
22
00:01:46.319 --> 00:01:49.560
the same since, but congratulations to
the both of you. Thank you,
23
00:01:49.000 --> 00:01:53.760
Thanks Bratch. You know, I
want to start with this because to me,
24
00:01:53.480 --> 00:01:57.000
yes it's a horror movie. Yes
it's a thriller. Uh, but
25
00:01:57.040 --> 00:01:59.680
there are so many different I think
facets to this film. This is a
26
00:01:59.760 --> 00:02:01.519
question and for both of you and
Chloe, we could start with you is
27
00:02:01.599 --> 00:02:06.480
what was the initial appeal when you
read this and this project came to.
28
00:02:06.879 --> 00:02:12.159
What was the appeal for you about
it? The appeal was I loved how
29
00:02:12.199 --> 00:02:15.639
it was about a film within a
film number one, and I loved all
30
00:02:15.680 --> 00:02:20.680
of the different relationships and the character
building that it had within the story.
31
00:02:21.479 --> 00:02:24.000
I'm a huge scaredy cat, so
the selling point for me wasn't the jump
32
00:02:24.000 --> 00:02:29.520
scares, but it was the story
that was written around it, and I'm
33
00:02:29.560 --> 00:02:34.280
really happy that I did it.
And Ryan, Yeah, I think there's
34
00:02:34.319 --> 00:02:38.280
a lot of strong character here.
I was really interrupted to Lee. I
35
00:02:38.280 --> 00:02:44.080
think there's a lot of opportunity to
really dive into like the tragedy and the
36
00:02:44.120 --> 00:02:46.919
depth of that. She's a really
complex character. But yeah, we didn't
37
00:02:47.000 --> 00:02:52.439
really approach it as a scary story
so much as we did like a character
38
00:02:52.520 --> 00:02:57.000
study and a family drama in a
romance. You know, there's a lot
39
00:02:57.000 --> 00:03:00.000
of different, really strong characters in
the film. Each of them have their
40
00:03:00.039 --> 00:03:06.879
own intersecting relationships, which was really
exciting. But also I do love horror,
41
00:03:07.400 --> 00:03:12.039
and the idea of subverting some of
those expectations and tropes was really exciting.
42
00:03:12.639 --> 00:03:15.080
And that is such a great point
because the tropes that you think of
43
00:03:15.080 --> 00:03:19.280
of a normal horror movie, this
movie is not that. It is multi
44
00:03:19.280 --> 00:03:22.680
faceted. It's multi layered. There's
so many different directions that it goes.
45
00:03:22.719 --> 00:03:24.960
And I guess, Ryan, can
you talk about you know, Joshua,
46
00:03:25.039 --> 00:03:30.120
John Miller and m a and their
vision for this and how that helped kind
47
00:03:30.159 --> 00:03:35.039
of guide the process along. Yeah, I mean, so obviously josh has
48
00:03:35.400 --> 00:03:40.719
a connection to the original Exorcist films
on it, and I think this movie
49
00:03:40.759 --> 00:03:46.599
really does come from a place of
love for the genre and the tradition of
50
00:03:47.039 --> 00:03:54.080
the Exorcists, you know, tropes. We love those movies, and we
51
00:03:54.120 --> 00:03:59.120
wanted to take those themes and sort
of confront them and go, Okay,
52
00:03:59.120 --> 00:04:02.439
but why is it like this?
Why is it always a young woman powerless
53
00:04:02.439 --> 00:04:08.599
and a man saving her? And
how can we so respect this genre that
54
00:04:08.639 --> 00:04:13.360
we love but sort of take it
further and push that envelop And that was
55
00:04:13.400 --> 00:04:17.120
sort of always the goal, And
it does come from a place of love
56
00:04:17.160 --> 00:04:20.040
and a place of hope. I
think that love and that hope is really
57
00:04:20.079 --> 00:04:26.319
present throughout the film, and we
just wanted to make this movie as a
58
00:04:26.319 --> 00:04:29.319
love letter, but also to say, like, hey, what does the
59
00:04:29.360 --> 00:04:34.240
future hold for specifically queer people in
horror? You know? And Chloe,
60
00:04:34.360 --> 00:04:39.480
I mean almost the same question about
Joshua John Miller and his vision and also
61
00:04:39.519 --> 00:04:43.120
the cast working with when you have
you know, people like Ryan or Russell
62
00:04:43.199 --> 00:04:46.279
Crowe and the others. How was
kind of the vibe on the set and
63
00:04:46.319 --> 00:04:49.759
working and learning with each other,
you know? Funny enough, the vibe
64
00:04:49.879 --> 00:04:56.839
was so positive on set, which
I didn't go into expecting because we are
65
00:04:56.879 --> 00:05:02.879
creating some dark material. But everyone
treated me with so much love and kindness,
66
00:05:02.920 --> 00:05:05.800
and I had the best time with
Brian, Like I think it was.
67
00:05:05.879 --> 00:05:10.560
We were the only two around our
age range on set, so we
68
00:05:10.600 --> 00:05:14.920
spent a lot of time together and
it was just really great. Russell was
69
00:05:14.959 --> 00:05:17.800
like a huge teddy bear, you
know. Just watching him work, I
70
00:05:17.879 --> 00:05:21.199
learned a lot as well as with
Brian, so it was definitely a great
71
00:05:21.199 --> 00:05:26.759
experience that I don't regret. What
is it you learned specifically from him,
72
00:05:27.120 --> 00:05:30.279
Chloe, because I feel like any
instance in any interaction we have, whether
73
00:05:30.319 --> 00:05:33.720
it's this interview or you're on a
set like it is, you learn from
74
00:05:33.759 --> 00:05:36.160
it in some way and you carry
that forward. Was there one thing that
75
00:05:36.199 --> 00:05:42.399
stood out in particularly? I think
it's the way he gets lost within the
76
00:05:42.519 --> 00:05:46.879
story and his character, you know, even after the scene is done,
77
00:05:46.199 --> 00:05:50.160
which is really dope. And you
know, this was me four years ago,
78
00:05:50.360 --> 00:05:56.040
so I was it was definitely new
for me to see that, and
79
00:05:56.079 --> 00:06:02.759
it definitely was the beginning of my
love of budding so much for acting and
80
00:06:03.240 --> 00:06:06.920
Ryan. Again, I don't want
people to think this is a straight up
81
00:06:06.959 --> 00:06:10.279
horror film, because like you said, there are so many layers to it.
82
00:06:10.319 --> 00:06:14.399
But when you're making a horror movie, and in the movie you're making
83
00:06:14.480 --> 00:06:16.600
a horror movie, there's a lot
of creepy things that tend to happen.
84
00:06:17.360 --> 00:06:20.759
I tend to take my work home
with me. Is this something that you
85
00:06:20.920 --> 00:06:24.360
take home with you? Or there
are things that made it a little bit
86
00:06:24.399 --> 00:06:30.199
harder to rest at night. Yeah, totally, not in like a haunting
87
00:06:30.519 --> 00:06:33.240
way. Like I didn't feel like
I was getting possessed or whatever, but
88
00:06:34.600 --> 00:06:40.319
I would like, I mean,
we're working like sixteen hour days for like
89
00:06:40.319 --> 00:06:44.240
two months. I had like three
days off. The first like two or
90
00:06:44.279 --> 00:06:47.560
three weeks, I was working six
days, Like it was exhausting, and
91
00:06:47.600 --> 00:06:51.519
I would go home and literally still
hear I close my eyes to go to
92
00:06:51.519 --> 00:06:55.959
bed, and I could hear the
ad in my head like as I was
93
00:06:56.000 --> 00:07:00.680
falling to sleep. So it was
a big lesson in like separating yourself from
94
00:07:00.680 --> 00:07:05.240
that. I remember Disney Plus was
like a brand new thing and my little
95
00:07:05.279 --> 00:07:09.480
brother got it, So I like
logged onto a Disney Plus account and would
96
00:07:09.519 --> 00:07:13.879
like decompressed by turning on like Treasure
Planet, which David Hyde pierces in.
97
00:07:14.000 --> 00:07:16.319
It's one of my favorites as a
kid, So I like talk myself into
98
00:07:16.319 --> 00:07:20.519
bed and got like Postmates and rewatched
Treasure Planet. Little things like that,
99
00:07:20.959 --> 00:07:27.360
because it is I mean, when
you are dealing with say do it all
100
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over again, you know, going
deeper and deeper, whether it's a scene
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where you're fighting demons or it's a
scene where you're arguing with your father,
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you know, it's hard for that
not to affect you. So it was
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definitely a lesson in creating that space. Well, congratulations to both of you
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in this movie. Again, I
enjoyed it. I'm sure everyone will enjoyed,
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and I enjoyed having a second to
talk to the both of them.
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They much appreciate you with them,
not with the Mumab
