Off Topic: The Movie Project; Plot Twists & What Ifs

WEBVTT
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A few moments later. Yeah, we got kicked out,
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but we're back. And we might be putting this
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up as an episode two because that would just
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be better for us like you were watching. Yeah.
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Okay, so back to it, though. Let's get right
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into it, then. Because we're at the trailer park.
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We have to explain a few things that are going
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on for the day, but they will be revealed in
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an artistic manner that make this show. a classic
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right so at any rate there's the conversation
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i i want the flashback to occur where he before
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as he is riding his bike i believe he looks at
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his watch mom gave him the watch thinks back
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we don't know that but we he thinks back to the
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night before i don't know no wavy screen but
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suddenly he is in his bedroom and he's doing
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some goth like listening to the bow house cutting
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himself painting his nails and shit painting
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his nails yes better than cutting himself i'm
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sure that doesn't get published anyways so then
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he's there and he's um he's listening to and
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and his dad's like dude you're supposed to have
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practiced none of your you know stuff is none
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of your equipment's been touched i don't know
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if we even find out that he's a fencer now but
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they argue about practice he's been doing it
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since he was a young child it was a promise that
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his dad made to his mother that he would keep
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him in it no matter what and at one time steve
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kept the promise too but now he says mom's gone
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so what the does it even matter and his dad says
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maybe even slaps him let's get it a drama that
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is a smack worthy statement in my opinion yeah
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And then he says, your mom didn't leave us. Maybe
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that's what I thought he was going to say. Your
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mom's left us. So what the fuck does it matter
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what promises you made to her? And he says, she
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didn't leave us. She died. She didn't leave us.
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Wad took her from us. No, I mean, yeah, I just
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want to say died. That's where I'm at with it.
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But yeah, they can, everybody. jump in the comments
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please help help us right i say that the the
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thought is exactly that that she she is dead
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and then uh that probably ends that scene yeah
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except for maybe he said he's feeling bad about
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it but that is how i want the last time he saw
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his father to have gone and i want that set up
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because this is the last time he sees his father
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because shit's about to hit the fan yeah Right.
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So you were saying, though, that the kids are
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assigned to a history assignment. Yeah. So they
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are together because their history teacher wants
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them to make a period piece sort of movie. And
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that's why they're out filming at the Amish spot,
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because it's already like medieval times back
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there. So it's weird for him to say he wants
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him to make a movie, though. What if he was allowing
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him to do a visual report? Yes, yes. Because
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it's an optional visual report. Nobody else took
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it. Nobody else wants to make a movie. Or he's
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just like, he pled with him. He's like, that's
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my thing. He's like, I'm all about these gay
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-ass fucking... I'm all about visual media. Yeah,
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because I'm a goth. so it's like my thing and
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the dude is like i'll let you and he says but
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you got to help out these two or these two can
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help you right it's a joint program it could
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be that though everybody was assigned a project
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that could be it but maybe it would be a different
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class than for history maybe it'd be a class
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like for maybe they have a cinematography art
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class you know yeah artsy class an artsy fartsy
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class art teachers probably in the future well
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not in the 90s That's the problem. There wasn't
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no funding for art back then. All right. Moving
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on. I think that's great. We need to figure out
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to really nail it down. I just don't want that
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to be a part that gets somebody out of their
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suspension of disbelief because they're like,
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what a weird project for a history teacher. We
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have weird history teachers that exist. Teachers
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are fucking weird. Almost all of them are. Anybody
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who chooses that job. all history teachers know
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how to do is get pregnant and have mental breakdowns
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is a hero that's your opinion anybody who takes
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that job is a freaking hero and a patriot and
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the shit that is not enough and then unfortunately
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because of those pressures i think it doesn't
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attract the best of the minds in many cases because
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it isn't it doesn't pay and so it doesn't people
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would be better suited most times using their
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own knowledge than to teach other people about
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the knowledge that they've acquired you know
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because you know why are we we're making a movie
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here why the why am i solving the woes of the
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educational system it's being dismantled anyways
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that's it's done we're gonna yeah brock lesnar's
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coming in to suplex the w the the education system
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into compliance And the world's getting better,
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I'm sure. But anyways, we're back to it. Now
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they were writing. So this conversation that
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occurs is at the bus stop now because he comes
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out of it. And the thing that shakes him out
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of his daydream is the kid saying, are you a
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vampire? And then another kid and Steve, Demon
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Slayer, looks up. That's the cut. Just a hard
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cut, I think. It doesn't have to be a soft cut
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or anything like that. Just a hard cut. Wakes
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him up out of the daydream. Before he can even
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answer no, an older kid says, he's not a vampire.
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He's a zombie. The other guy, I don't think he
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answers. Let's give it some speed. Some slow.
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The other guy says, it looks like a vampire.
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Yeah, just so there's some nice timing here.
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I think that it'll be fun to draw this out. But
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he says he looks like a vampire. He says he's
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not a vampire. How could it be in the sunlight?
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And then the guy says, yeah, if you're a vampire,
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how can you be in the sunlight? Which is dumb,
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right? Yeah. But it's a young kid. They're retarded.
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So then the other one says, the slightly older
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one, says he's a goth. He's like, what's a goth?
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And then Jake and Jack Jekyll show up. Actually,
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Jake shows up. Yeah, Jake Jekyll shows up and
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then Jack Jekyll shows up later. Yeah. In a hurry
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and a bike going very fast. Yeah. And what does
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Jake say, though, when he shows up to cut off
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the two kids arguing about when the kid says,
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what is a goth? He says. the choices are between
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it's somebody who wants to be a vampire or he
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cries on the inside and shows it on the outside.
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That's what I think is. Yeah. That one. It's
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a guy who's crying on the inside and shows it
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on the outside. Yeah. And he's like, why does
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he cry? He says, I don't know. His mom doesn't
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fucking love him. Right. And now he turns the
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tables. Cause Jake is a, is an intellectual juggalo.
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And he says something to the kid. What's he say?
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Fucking I don't know. It could give exposition
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into the kid who is a member of the trailer park,
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right? And they're waiting on the bus. He could
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just be kind of almost there and be like, why
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are you worrying about it? Don't you got what
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to handle? Don't you have fucking catalytic converters
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to steal? I don't know. Don't you gotta help
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your dad take the platinum out of a catalytic
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converter? Yeah, don't you have better things
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to concern yourself with, like the best way to
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remove platinum from a catalytic converter? Yeah.
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And the kid says, bus is coming. And then Jake
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says, we're waiting on Jack. We ain't taking
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the bus, duh. We got our bikes. We're working
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on a project for history. And what if one of
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the kids says, I thought that seemed weird that
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you were hanging out with a vampire. It was weird
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that you're hanging out with a vampire. Yeah,
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I thought that was weird that some juggalos would
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be hanging out with a vampire. I'm thinking anyways.
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And then he says. Listen to exposition. It's
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a project for history class. We're audio visual
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and we got to help him shoot some gay ass or
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does he say faggot ass? Faggot ass, definitely.
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This is the 90s. Okay. We got to help him shoot
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some faggot ass black and white shit in the cemetery.
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And the one kid can say, if you don't like it,
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why are you helping him? And he says, because
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he's going to help us shoot a music video. Yeah,
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a rap music video. A Juggalo music video in the
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cemetery. This is a win -win. And then gets back
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at the kid. Don't you have, again, something
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else to worry about? What's he worrying about
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this time? More trailer park shit. More trailer
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park shit. Getting his dad more blue ribbons.
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Okay. don't you gotta worry about the timing
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of a 350 chevy before your dad smacks you in
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the head with a wrench again uh or maybe not
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again but just so so your dad doesn't smack you
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in the head with a wrench um all right so now
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suddenly what happens uh jack comes riding in
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or jake comes right here let's go go go go uh
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jack jumps on nonplussed like he knew what was
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going on and he says to demon slayer or whatever
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and oh that we forgot to do some lines about
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him being called demon slayer what if he says
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that when he when he meets him he says that's
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demon slayer or he's a goth that thinks his name
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is demon slayer but it's really just because
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he's crying but but really he's crying on the
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outside doing the i don't know anyways we gotta
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work that in Yeah. So, moving on. He says, alright,
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hurry up, demon's breath. Right? Or something.
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Demon's blood? Well, nah, this is lame. Well,
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demon's blood is pretty lame. Demon's blood's
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pretty lame? Yeah. Not to a goth. They literally
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eat that shit up. True, true. They do eat baby
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blood, you know? Demon's blood is in the car.
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they drink red wine just for the symbolism whatever
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uh moving on when we all know they just want
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some chamomile tea uh you know i was goth have
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i told you this i did you did not know i knew
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you were punk but i didn't know you're goth yeah
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i wasn't but several of my friends were turning
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goth and i had to get out of that group before
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i had the stains you got you got to beware the
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pipeline So what's happening here? All my punk
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rock friends are turning goth and locking themselves
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in the room with tinfoil. Everything smells like
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patchouli. What the hell is going on? Why is
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everybody's fingernails black? If someone starts
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wearing eyeliner, I'm out. And then they did
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wear eyeliner and you were out. No, not true.
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I hung out for a while. They were still cool
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kids. but yeah they they just they ended up going
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weird it got me one day because they started
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to hate nirvana okay so they started to hate
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nirvana right and then kurt cobain died and i
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went over to see him and it may have been a couple
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weeks and they fucking love nirvana and we're
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sitting around their house and no furniture lighting
00:12:50.929 --> 00:12:53.850
candles and singing his songs in acoustic versions
00:12:53.850 --> 00:12:57.450
all the time and i was like y 'all suck but i
00:12:57.450 --> 00:12:59.769
was selling vacuum cleaners so i still tried
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to sell them a filter queen and uh and then left
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yeah it was a switch up anywho moving on i ain't
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hating on them i have a special understanding
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and love for goth kids because they they sometimes
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they want to rebel they just don't have any reason
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to in most cases you know they haven't my experience
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with these goth kids that isn't true actually
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My experience with the friend set that I had
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with these goth kids was that they were not affected
00:13:30.610 --> 00:13:33.509
by trauma and almost wished they were, but several
00:13:33.509 --> 00:13:36.370
of our friends, then they were affected by trauma
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and they were also adjacent goth kind of, you
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know, super weird punk. I would have to put it
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on super weird punk. Like don't skateboard punk,
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which never made so much sense to me, but it
00:13:52.029 --> 00:13:58.659
probably occurs. a lot anywho moving on these
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are all elements we probably don't need to talk
00:14:00.259 --> 00:14:03.419
about uh we need to we need to tighten this thing
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up right yeah yeah i mean the podcast i think
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we are like going off on tangents and shit well
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so now we have an exposition during the bike
00:14:14.639 --> 00:14:19.659
ride where jake and jack jekyll are kind of figuring
00:14:19.659 --> 00:14:24.529
out who this kid is and uh One of them says,
00:14:24.730 --> 00:14:31.870
so what's the deal with the Black Parade? Has
00:14:31.870 --> 00:14:33.990
that song been written yet? I don't think so.
00:14:34.909 --> 00:14:40.509
I think that's like 2000s, right? Yeah. So he
00:14:40.509 --> 00:14:44.289
says, so what's the deal with the goth costume?
00:14:44.509 --> 00:14:46.889
We have to figure out some terminology. We'll
00:14:46.889 --> 00:14:51.350
be witty. And then his brother can cut him off
00:14:51.350 --> 00:14:55.779
again. and say oh no what's the deal with the
00:14:55.779 --> 00:14:58.720
goth costume and then his brother will say yeah
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mom doesn't love you and then dude says mom's
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dead he says my mom's dead he says oh my god
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i can't believe i was right well i and i don't
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want to dude don't get sore about it i'm just
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i was just making jokes i mean my dad's dead
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right i celebrate it every day no no he says
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my dad died our our dad died we get it it ain't
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cool i mean but we're alive so is that what he
00:15:33.029 --> 00:15:35.789
says do you say some pearl jam eddie vetter shit
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like that we're still alive so yeah we're still
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alive so we just have fun some um like that i'm
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just i was and he's laughing he's like yeah i'm
00:15:45.570 --> 00:15:47.490
not laughing at your mom dying i'm just saying
00:15:47.490 --> 00:15:49.970
it's crazy that i nailed that one at the bus
00:15:49.970 --> 00:15:56.429
stop right like 100 hey man don't be mad our
00:15:56.429 --> 00:16:00.830
dad's dead too our dad died i don't know how
00:16:00.830 --> 00:16:05.210
he words it he's like shit happens right and
00:16:05.210 --> 00:16:08.769
then he shares then he shares his destination
00:16:08.769 --> 00:16:11.690
and why we like him as a character he says that's
00:16:11.690 --> 00:16:14.210
why we can't really waste any moments and why
00:16:14.210 --> 00:16:16.909
it's important to be doing shit like this i'm
00:16:16.909 --> 00:16:19.860
gonna get out of this fucking ghetto Or me and
00:16:19.860 --> 00:16:21.899
my brother are getting out of this trailer park
00:16:21.899 --> 00:16:29.940
and we're going to what? We're going to be a
00:16:29.940 --> 00:16:35.419
huge band, you know, a huge, a huge act. Right.
00:16:35.720 --> 00:16:38.000
We're going to be famous. We're going to be famous
00:16:38.000 --> 00:16:40.639
entrepreneurs. I thought you guys were going
00:16:40.639 --> 00:16:44.080
to be rap stars. Yeah. We got to get the capital
00:16:44.080 --> 00:16:47.269
somewhere. diversification is the key to success
00:16:47.269 --> 00:16:50.230
you stay in one place too long you're gonna fail
00:16:50.230 --> 00:16:52.669
man what's wrong with people how don't they get
00:16:52.669 --> 00:16:55.190
this kind of shit of course we're gonna wrap
00:16:55.190 --> 00:16:58.529
that's the easy money on the way or that's the
00:16:58.529 --> 00:17:00.429
capital bill i don't know if he says easy money
00:17:00.429 --> 00:17:05.849
yeah okay that's that's the side cash so then
00:17:05.849 --> 00:17:08.950
he gets to ask him well what's the deal with
00:17:08.950 --> 00:17:14.049
the juggalo shit right does he say that icp doesn't
00:17:14.049 --> 00:17:16.190
know how magnets work i want him to give the
00:17:16.190 --> 00:17:21.109
typical explanation for why juggalos suck you
00:17:21.109 --> 00:17:24.369
know which is that they're loud and annoying
00:17:24.369 --> 00:17:27.630
and everybody hates them and they smell bad i
00:17:27.630 --> 00:17:30.690
think it's more that they're wannabe gangsters
00:17:30.690 --> 00:17:34.509
i think that's what that's a part that i like
00:17:34.509 --> 00:17:37.589
at least when people jump on like a bunch of
00:17:37.589 --> 00:17:41.089
wannabe gangsters uh rap group but he doesn't
00:17:41.089 --> 00:17:43.519
call them clowns And I think that's where Jake
00:17:43.519 --> 00:17:46.220
can be like, dude, you know what I love the most
00:17:46.220 --> 00:17:49.200
about it? What I personally love about ICP is
00:17:49.200 --> 00:17:52.299
when they're being judged by anybody, everybody
00:17:52.299 --> 00:17:55.460
gives them more credit than they deserve. Let
00:17:55.460 --> 00:17:57.900
me point out, that means the joke's on you, buddy,
00:17:58.000 --> 00:18:02.000
because they're straight up wearing clown makeup.
00:18:03.039 --> 00:18:07.059
You're taking them far more seriously. Far too
00:18:07.059 --> 00:18:10.200
serious. And then the other adds in. These are
00:18:10.200 --> 00:18:14.529
all... Any spot that we can, the opposite brother
00:18:14.529 --> 00:18:17.950
fills in the line. Yeah, they switch spots in
00:18:17.950 --> 00:18:20.109
the same section. Every comma and every period
00:18:20.109 --> 00:18:22.910
is them finishing each other's lines. However,
00:18:23.130 --> 00:18:28.089
they are not necessarily twins. I mean, we imagine
00:18:28.089 --> 00:18:30.369
them as twins. They're not necessarily twins
00:18:30.369 --> 00:18:34.269
because it looks easier to cast. Well, I think
00:18:34.269 --> 00:18:37.650
they look like twins, but not necessarily fraternal.
00:18:38.299 --> 00:18:41.059
maybe he even asks so how is it one of you's
00:18:41.059 --> 00:18:44.720
in a different grade like how is it the one of
00:18:44.720 --> 00:18:48.380
you's in eighth grade we held back and he's like
00:18:48.380 --> 00:18:52.640
no we're not twins people just call us the twins
00:18:52.640 --> 00:18:56.200
people just think we're twins because we look
00:18:56.200 --> 00:19:01.839
the same yeah moving on then to get some excitement
00:19:01.839 --> 00:19:03.859
back into this because we've only had one kill.
00:19:03.960 --> 00:19:07.119
And James A. Janisse is at home yawning right
00:19:07.119 --> 00:19:09.319
now and saying things like, well, I guess I learned
00:19:09.319 --> 00:19:12.200
a little bit about ICP culture. But these guys
00:19:12.200 --> 00:19:17.119
are kind of mean to the Dracula kid, right? And
00:19:17.119 --> 00:19:22.720
then all of a sudden, up comes badass GTO. Screeches
00:19:22.720 --> 00:19:25.720
in front of him. Asshole gets out in a wife beater.
00:19:26.000 --> 00:19:28.579
Jumps down the street. You little motherfuckers,
00:19:28.579 --> 00:19:30.920
I know what the fuck you did. Now you get it
00:19:30.920 --> 00:19:32.720
back. Give me your fucking backpack right now.
00:19:37.140 --> 00:19:39.200
What's this guy's name again? I forget. What
00:19:39.200 --> 00:19:42.700
do we call him? This is the electric guitar playing
00:19:42.700 --> 00:19:44.920
boyfriend. I'm just calling him douchebag right
00:19:44.920 --> 00:19:48.319
now. So we'll ask our audience to help. This
00:19:48.319 --> 00:19:51.160
is how we build a community. Guys, give us a
00:19:51.160 --> 00:19:54.210
name for douchebag. please so so douchebag over
00:19:54.210 --> 00:19:57.890
here he pulls in and in his badass i'm thinking
00:19:57.890 --> 00:20:00.670
it's a gto that's where i'm going you know it
00:20:00.670 --> 00:20:02.390
could be a camaro you know what honestly it should
00:20:02.390 --> 00:20:06.049
be a camaro or maybe a trans am or an iraq zed
00:20:06.049 --> 00:20:13.529
um something like that yeah but uh so that being
00:20:13.529 --> 00:20:17.509
said uh he pulls over he stops them and they
00:20:17.509 --> 00:20:23.440
say what are you talking about man Yeah, nobody
00:20:23.440 --> 00:20:25.940
pissed in your cornflakes. Or who pissed in your
00:20:25.940 --> 00:20:29.019
cornflakes, brother? He's like, you fucking stole
00:20:29.019 --> 00:20:32.420
it from me. Now give it back. Let me see your
00:20:32.420 --> 00:20:37.759
fucking backpack. And then he says, stole it
00:20:37.759 --> 00:20:40.359
from you? What the fuck does that even mean?
00:20:41.220 --> 00:20:44.140
Stole what? You know what the fuck I'm talking
00:20:44.140 --> 00:20:48.920
about? Now give it to me. And he says, I don't
00:20:48.920 --> 00:20:53.750
know what the fuck you're talking about. but
00:20:53.750 --> 00:20:56.410
i'm sure he says listen if you don't know he
00:20:56.410 --> 00:20:57.869
doesn't just say give it to me he has to make
00:20:57.869 --> 00:21:00.210
a threat at that point i'll beat your fucking
00:21:00.210 --> 00:21:03.450
ass i'll possibly even kill you and he says i'll
00:21:03.450 --> 00:21:05.910
fucking cut your head off well perfect that's
00:21:05.910 --> 00:21:08.869
exactly what i was waiting for is the threat
00:21:08.869 --> 00:21:11.950
did you did we introduce you to our friend steve
00:21:11.950 --> 00:21:16.289
demon's breath and he's like i don't give a fuck
00:21:16.289 --> 00:21:18.529
about any of your goddamn friends what you hanging
00:21:18.529 --> 00:21:21.009
out with this loser ass fucking vampire anyways
00:21:22.450 --> 00:21:26.930
And then they say. Stevie here is the son of,
00:21:27.089 --> 00:21:30.549
you know, whatever his name is, the deputy. I
00:21:30.549 --> 00:21:32.549
was thinking that is what what is his last name?
00:21:36.650 --> 00:21:40.150
Deputies are known by their last name. So he
00:21:40.150 --> 00:21:45.890
needs to say Stevie Wendowski. Oh, I wanted to
00:21:45.890 --> 00:21:48.329
introduce your friend, Stevie. Oh, Mikowski is
00:21:48.329 --> 00:21:55.779
Irish kid. Bichowski. Bichowski? Bachowski. Yeah,
00:21:55.819 --> 00:21:57.660
that's going to get you beat up on the playground.
00:21:58.019 --> 00:22:00.900
He'd be tougher than he is. He needs this name
00:22:00.900 --> 00:22:03.759
like Smith or something like that. The kind that
00:22:03.759 --> 00:22:06.319
allows you to go off into the background and
00:22:06.319 --> 00:22:09.579
cry for people's attention instead of one that
00:22:09.579 --> 00:22:14.279
makes you the center. I can only think of Jewish
00:22:14.279 --> 00:22:18.240
and Irish names. Because you're racist. Stop
00:22:18.240 --> 00:22:22.319
that. well i'm not gonna call him dunbar i'm
00:22:22.319 --> 00:22:25.640
not gonna give him a scottish name hell dunbar
00:22:25.640 --> 00:22:27.539
is the only scottish name i can think of well
00:22:27.539 --> 00:22:29.920
listen so that we write them better let's call
00:22:29.920 --> 00:22:32.460
him dunbar for now so that i'll be i'll pay more
00:22:32.460 --> 00:22:35.740
respect to this little goth kid all right yeah
00:22:35.740 --> 00:22:39.839
we have a scottish goth here so uh stevie dunbar
00:22:39.839 --> 00:22:44.339
have i introduced stevie dunbar mr dunbar's or
00:22:44.339 --> 00:22:50.890
or as a deputy Dunbar's son. I don't know if
00:22:50.890 --> 00:22:55.950
you really want to be making life threats in
00:22:55.950 --> 00:22:59.869
front of... Death threats. Death threats. Yes,
00:22:59.890 --> 00:23:03.589
thank you. In front of... The son of... Deputy
00:23:03.589 --> 00:23:08.250
Dunbar's... Yeah. The sword deputy. And he says,
00:23:08.490 --> 00:23:13.210
your dad's officer saber soldier? Or your dad's
00:23:13.210 --> 00:23:16.190
officer saber soldier? Your dad's officer saber?
00:23:17.009 --> 00:23:20.650
and steve now he's typically quiet he's a goth
00:23:20.650 --> 00:23:23.329
kid and he's not answering in almost all of these
00:23:23.329 --> 00:23:26.390
cases he's just looking at them kind of silent
00:23:26.390 --> 00:23:29.369
and waiting for a moment to say something but
00:23:29.369 --> 00:23:33.470
is usually interrupted by uh some other part
00:23:33.470 --> 00:23:35.009
of life because this is part of his character
00:23:35.009 --> 00:23:39.349
he's uh he's a bitch right now yeah steve is
00:23:39.349 --> 00:23:45.069
a bitch and uh and he's going to become a fucking
00:23:45.920 --> 00:23:51.299
badass like uh wesley snipe style goth from from
00:23:51.299 --> 00:23:56.180
um i don't know what there is from from robert
00:23:56.180 --> 00:24:02.099
smith style goth to wesley snipes yeah yeah at
00:24:02.099 --> 00:24:06.980
any rate so moving along he's uh he's he's not
00:24:06.980 --> 00:24:11.220
answering back in these cases but he says it's
00:24:11.220 --> 00:24:17.079
not a it's not a problem For somebody's father
00:24:17.079 --> 00:24:19.920
to search through their knapsack to make sure
00:24:19.920 --> 00:24:23.680
they don't have contraband. I hand over your
00:24:23.680 --> 00:24:28.660
your backpack. And he says, you're not our father.
00:24:29.940 --> 00:24:32.160
You're the fucking asshole that turned my mom
00:24:32.160 --> 00:24:35.740
into a meth zombie for six years and just somehow
00:24:35.740 --> 00:24:38.720
breezed into her life, claiming to be sober.
00:24:39.880 --> 00:24:42.460
Three years after or two years after she got
00:24:42.460 --> 00:24:45.900
her acting her shit together. I've been waiting
00:24:45.900 --> 00:24:48.480
for you to fuck this whole thing up. Now, what
00:24:48.480 --> 00:24:51.180
is it you're looking for? Because if it's what
00:24:51.180 --> 00:24:54.339
I think it is, then that would be immediate grounds
00:24:54.339 --> 00:24:57.660
for you to stop living on my mom's couch, wouldn't
00:24:57.660 --> 00:25:01.960
it? And he says, you can't prove anything. And
00:25:01.960 --> 00:25:04.240
he says, yeah, exactly. Unless you fucking go
00:25:04.240 --> 00:25:07.319
through that backpack and find something that
00:25:07.319 --> 00:25:09.880
we imagine you're looking for is contraband in
00:25:09.880 --> 00:25:19.319
my house. Right? Yeah. So now kid has to back
00:25:19.319 --> 00:25:22.720
down, tail between his legs. Tough guy gets in
00:25:22.720 --> 00:25:27.519
his badass ride, goes crying home. Yeah. So how
00:25:27.519 --> 00:25:32.799
does he exit? He exits. He fucking does like
00:25:32.799 --> 00:25:34.980
that shit where like he puts his head up by his
00:25:34.980 --> 00:25:38.019
hands and throws him down. You know, he's very.
00:25:38.259 --> 00:25:41.940
We need threat. We need threat back in the movie.
00:25:42.250 --> 00:25:44.430
Right. So the threat came up when he came in
00:25:44.430 --> 00:25:46.329
there and I want him to be a loose cannon. What
00:25:46.329 --> 00:25:48.690
if I want him to actually get right in Jake's
00:25:48.690 --> 00:25:52.190
face? Yeah. He like goes forward. Like he does
00:25:52.190 --> 00:25:55.029
that thing where like you're mining, strangling
00:25:55.029 --> 00:25:58.529
someone. Yeah. Or just gets up into him, puts
00:25:58.529 --> 00:26:00.309
his hands down, gets right up in his face and
00:26:00.309 --> 00:26:03.289
says, you little fucker. You don't think I'm
00:26:03.289 --> 00:26:09.069
going to let this go. You better not think there's
00:26:09.069 --> 00:26:12.109
him down a little bit better. Not what? You better
00:26:12.109 --> 00:26:13.470
not think you're going to get away with this.
00:26:13.890 --> 00:26:18.250
Yeah. Stares him down a moment. Turns around.
00:26:19.089 --> 00:26:25.970
Looks at fucking Steve. Breathes. Gets in his
00:26:25.970 --> 00:26:30.369
ride and squeals off into the sunset. The sunset.
00:26:30.910 --> 00:26:34.990
Sunrise. What if he makes a threat to like he's
00:26:34.990 --> 00:26:38.170
going to talk to somebody else? What if he actually
00:26:38.170 --> 00:26:42.420
showed up? with like his drug dealer so my theory
00:26:42.420 --> 00:26:45.660
is that what was stolen was pseudo ephedrine
00:26:45.660 --> 00:26:48.599
large amount that this guy has procured which
00:26:48.599 --> 00:26:52.680
is a integral part the integral part of making
00:26:52.680 --> 00:26:57.700
meth however uh he doesn't have it's not converted
00:26:57.700 --> 00:27:01.220
you follow yeah because what we do next with
00:27:01.220 --> 00:27:03.940
this i think it adds we don't want these guys
00:27:03.940 --> 00:27:05.839
to be drug dealers but he is going to sell them
00:27:05.839 --> 00:27:11.980
to our jock hero who is going to be mad about
00:27:11.980 --> 00:27:15.299
them not being math because he's looking for
00:27:15.299 --> 00:27:17.619
something to help him perform better and the
00:27:17.619 --> 00:27:21.200
whole team perform better and it's going to have
00:27:21.200 --> 00:27:23.640
to be sold to him by the juggalos for a moment
00:27:23.640 --> 00:27:30.859
yeah anyways that being said dude storms off
00:27:30.859 --> 00:27:37.039
and i think he says steve says what the fuck
00:27:37.039 --> 00:27:40.670
was that Yeah, what's he talking about? That
00:27:40.670 --> 00:27:43.230
is a worthless piece of shit that will hopefully
00:27:43.230 --> 00:27:47.710
get exactly what he wants and kill himself in
00:27:47.710 --> 00:27:53.069
the process. He ruined my mom's life and got
00:27:53.069 --> 00:27:57.309
her addicted to meth five years ago. And now
00:27:57.309 --> 00:27:59.910
somehow he's managed to work his way back into
00:27:59.910 --> 00:28:05.230
our living room, our couch. And he's trying to
00:28:05.230 --> 00:28:09.170
work his way into my mom's bedroom again. but
00:28:09.170 --> 00:28:13.690
I ain't having it because this guy has but we
00:28:13.690 --> 00:28:16.849
ain't having it because he's a piece of shit
00:28:16.849 --> 00:28:19.269
yeah but I ain't having it I actually could just
00:28:19.269 --> 00:28:25.269
end there then right moving on uh so you guys
00:28:25.269 --> 00:28:29.130
didn't steal anything from him right and then
00:28:29.130 --> 00:28:31.369
they don't really I imagine they don't really
00:28:31.369 --> 00:28:33.670
respond they just open their backpack and take
00:28:33.670 --> 00:28:41.180
out the pseudo Okay. Just like show him the bottle
00:28:41.180 --> 00:28:44.940
and put it back. Nothing that he can nothing
00:28:44.940 --> 00:28:51.619
that he can get me in trouble for. I don't know.
00:28:51.660 --> 00:28:53.819
What's he going to say? I don't think he can
00:28:53.819 --> 00:28:57.039
prove. I think it's sort of like a silent spot.
00:28:57.759 --> 00:29:01.119
Okay. Right on. Next scene is at school, right?
00:29:01.619 --> 00:29:05.240
Yeah. They ride to school and then they're I
00:29:05.240 --> 00:29:09.339
imagine They're in math class, and the teacher
00:29:09.339 --> 00:29:14.079
is just sort of writing down equations, sort
00:29:14.079 --> 00:29:17.039
of like in a sloppy handwriting, and isn't asking
00:29:17.039 --> 00:29:20.140
any questions. They're just writing. So would
00:29:20.140 --> 00:29:24.759
we have him sell the drugs to Chad, the jock?
00:29:24.819 --> 00:29:26.839
Would we have him sell the drugs after school
00:29:26.839 --> 00:29:30.779
at the cemetery? After school as they're leaving
00:29:30.779 --> 00:29:37.279
school. is the plan then but i mean school gets
00:29:37.279 --> 00:29:39.180
canceled because of the zombies here in just
00:29:39.180 --> 00:29:42.599
a moment no no i'm thinking this is the final
00:29:42.599 --> 00:29:46.359
class of the day and i think there's a cicada
00:29:46.359 --> 00:29:48.099
running around out here that's pretty awesome
00:29:48.099 --> 00:29:51.900
final class of the day so no no no no no this
00:29:51.900 --> 00:29:54.400
is first class of the day i've read the timeline
00:29:54.400 --> 00:29:59.690
it's the janitor it's first class has to be so
00:29:59.690 --> 00:30:01.930
they get there and i think one of the first things
00:30:01.930 --> 00:30:05.430
he does is he my my original thought was he goes
00:30:05.430 --> 00:30:14.329
to the jock chad and we see a scene that um that
00:30:14.329 --> 00:30:17.869
oh i forgot to mention while they're on their
00:30:17.869 --> 00:30:21.990
bikes part of the conversation has to be that
00:30:21.990 --> 00:30:24.750
the reason one of them decided to ride together
00:30:24.750 --> 00:30:27.170
that morning why did you want me to meet you
00:30:27.170 --> 00:30:29.690
at the trailer park and he says because we're
00:30:29.690 --> 00:30:32.410
making some art here we gotta we gotta get our
00:30:32.410 --> 00:30:34.710
heads together i'm not just gonna meet you after
00:30:34.710 --> 00:30:37.390
the class and not get to know you and know what
00:30:37.390 --> 00:30:39.809
we're working with right i think that's fair
00:30:39.809 --> 00:30:45.730
okay anyways moving on so the next scene i would
00:30:45.730 --> 00:30:48.930
there's another way to see it is that he actually
00:30:48.930 --> 00:30:54.230
plans on meeting him at the cemetery and uh and
00:30:54.230 --> 00:30:58.359
that's maybe when the zombies attack but anyways
00:30:58.359 --> 00:31:02.339
it's when the amish ones come in because first
00:31:02.339 --> 00:31:04.779
the one's not amish we've already had the the
00:31:04.779 --> 00:31:07.279
one out but we've been without a kill in a moment
00:31:07.279 --> 00:31:09.660
but this is a nice a good kill these next kills
00:31:09.660 --> 00:31:14.059
are fucking spectacular we love them so which
00:31:14.059 --> 00:31:17.220
honestly i like the whole packaging a guy in
00:31:17.220 --> 00:31:20.740
a box too for a kill count yeah i think that's
00:31:20.740 --> 00:31:27.470
special and uh and anyway so in this one first
00:31:27.470 --> 00:31:30.710
gets set up with him going to see chad in the
00:31:30.710 --> 00:31:33.650
hallway and for some reason steve is still there
00:31:33.650 --> 00:31:38.009
maybe they meet at the front of the doors and
00:31:38.009 --> 00:31:40.890
he's like you got that shit for me and he like
00:31:40.890 --> 00:31:44.789
says yeah here hands him the product he may not
00:31:44.789 --> 00:31:47.710
even need to show steve that stuff and the price
00:31:47.710 --> 00:31:49.630
when he says you guys didn't take anything from
00:31:49.630 --> 00:31:53.759
me he's like yeah of course not And now he says,
00:31:53.799 --> 00:31:58.180
you got that shit? And he's like, yeah. Here
00:31:58.180 --> 00:32:01.099
you go. Hands him these things. This is fucking
00:32:01.099 --> 00:32:04.319
cold medicine. What the fuck, bro? And he says,
00:32:04.460 --> 00:32:07.019
it's what they use to make it. It's going to
00:32:07.019 --> 00:32:11.039
give you a buzz. You got my money. And the guy
00:32:11.039 --> 00:32:13.140
says, yeah, but I ain't giving you 30 bucks for
00:32:13.140 --> 00:32:16.740
this. And he says, 30 bucks? You know how much
00:32:16.740 --> 00:32:20.589
meth that will make? That'll make over $500 worth.
00:32:20.910 --> 00:32:23.150
Show some ingenuity here and some enterprise.
00:32:23.670 --> 00:32:25.910
Be an entrepreneur. Where's your entrepreneurial
00:32:25.910 --> 00:32:29.910
spirit? Either way, he says, I'm just looking
00:32:29.910 --> 00:32:31.130
for something that's going to give us an edge
00:32:31.130 --> 00:32:36.950
in Friday night's game against Davison. Yeah.
00:32:37.230 --> 00:32:39.990
As a Kersley kid, I want to say Davison because
00:32:39.990 --> 00:32:43.289
that's our rival. Yeah, fuck Davison. I think
00:32:43.289 --> 00:32:45.069
maybe they're the Kersley Hornets out here. I
00:32:45.069 --> 00:32:47.670
don't know. Might come up with a better mascot.
00:32:48.400 --> 00:32:52.359
but that's where i'm at now anyways he says yeah
00:32:52.359 --> 00:32:55.299
fuck davidson uh i just want to give us something
00:32:55.299 --> 00:32:56.740
that's going to give us the edge on those bitches
00:32:56.740 --> 00:33:00.140
dude says trust me you take this your heart's
00:33:00.140 --> 00:33:03.180
going to be exploding out of your chest um and
00:33:03.180 --> 00:33:05.619
i believe that ephedrine or pseudo ephedrine
00:33:05.619 --> 00:33:08.500
was being used at one point uh by athletes and
00:33:08.500 --> 00:33:10.259
a couple of them had their hearts exploded out
00:33:10.259 --> 00:33:12.480
of their chest in this time frame so i think
00:33:12.480 --> 00:33:15.420
that's kind of a morbid little dark joke that
00:33:15.420 --> 00:33:20.240
is funny yeah okay only funny now stop it because
00:33:20.240 --> 00:33:23.759
we have to keep the context okay where they uh
00:33:23.759 --> 00:33:28.460
i think even back then i'd laugh honestly well
00:33:28.460 --> 00:33:30.380
yeah but that's you you're a terrible human being
00:33:30.380 --> 00:33:33.059
i've raised you in in a terrible fashion i don't
00:33:33.059 --> 00:33:34.259
know what i've done but that's why you're so
00:33:34.259 --> 00:33:36.859
good it helped me write this thing so moving
00:33:36.859 --> 00:33:41.259
on uh from that they say they go into the the
00:33:41.259 --> 00:33:43.319
next zombie kill scene i think this will be the
00:33:43.319 --> 00:33:46.519
end we'll talk about the next zombie attack which
00:33:46.519 --> 00:33:49.480
comes pretty soon after this in the next episodes
00:33:49.480 --> 00:33:52.019
that sound cool let's get to this kill so this
00:33:52.019 --> 00:33:55.099
kill takes place inside of the classroom when
00:33:55.099 --> 00:34:00.279
all of the boys get into the classroom and there's
00:34:00.279 --> 00:34:05.559
a janitor in there and he doesn't look well but
00:34:05.559 --> 00:34:10.599
there's also a teacher in there and she is getting
00:34:10.599 --> 00:34:13.260
ready to start the day The class is all arrived.
00:34:13.679 --> 00:34:17.679
Final bell rings as our stars come in a little
00:34:17.679 --> 00:34:24.139
late. And the teacher is nice. Should she be?
00:34:24.199 --> 00:34:26.000
She could be a bitch, too. I don't know. I'm
00:34:26.000 --> 00:34:28.460
saying it's better if she's a nice teacher because
00:34:28.460 --> 00:34:32.940
you feel it's worth it. Yeah. So she's nice and
00:34:32.940 --> 00:34:35.400
she gives them leniency when they come in seconds
00:34:35.400 --> 00:34:39.219
after the door. And she kind of says, boys, that's
00:34:39.219 --> 00:34:42.219
your fourth tardy this month. And they make some
00:34:42.219 --> 00:34:44.780
kind of cheeky comment to her in a flirty way.
00:34:45.219 --> 00:34:49.260
And she's, ha ha, take your seats. Am I wrong?
00:34:50.139 --> 00:34:55.260
No. I don't think you can really be wrong in
00:34:55.260 --> 00:34:58.000
this context. So they're also juggalos. So what
00:34:58.000 --> 00:35:01.039
is the flirty level that they can get away with
00:35:01.039 --> 00:35:03.099
with certain amounts of decency with a teacher,
00:35:03.239 --> 00:35:07.320
but also stays true to their nature as a juggalo?
00:35:07.659 --> 00:35:09.780
What were they doing that kept them from showing
00:35:09.780 --> 00:35:14.659
up? And also, they could say something about
00:35:14.659 --> 00:35:17.420
how they try to be there early so that they can
00:35:17.420 --> 00:35:21.000
see her tits springing around or something like
00:35:21.000 --> 00:35:24.780
that. I don't know. They're juggalos. And what
00:35:24.780 --> 00:35:26.579
does she put up with? She's a good teacher. She's
00:35:26.579 --> 00:35:29.300
a nice one. She puts up with it. I don't know.
00:35:29.719 --> 00:35:32.139
But we got to walk a tedious line here because
00:35:32.139 --> 00:35:34.119
we don't want to piss the whole world off to
00:35:34.119 --> 00:35:36.199
them because we think they're kind of funny.
00:35:36.599 --> 00:35:39.059
We want them to be funny. We don't want them
00:35:39.059 --> 00:35:42.630
to be funny. Total assholes. Yeah. What do they
00:35:42.630 --> 00:35:52.329
say? Cheeky comment. Cheeky comment. Sweet cheeks.
00:35:53.130 --> 00:35:55.070
What can they get away with calling her? First
00:35:55.070 --> 00:36:00.530
off, they need a nickname. Sweetie. Honey. That's
00:36:00.530 --> 00:36:04.110
an ICP? Sweet cheeks definitely is an ICP, but
00:36:04.110 --> 00:36:05.690
I don't know. Do you get away with saying...
00:36:05.690 --> 00:36:10.019
You do not get away with sweet cheeks. What if
00:36:10.019 --> 00:36:11.860
he says sweet cheeks and you know I'm talking
00:36:11.860 --> 00:36:13.820
about those ones just underneath, you know, on
00:36:13.820 --> 00:36:17.039
the side of your nose? So don't get me in trouble
00:36:17.039 --> 00:36:20.980
on that. Can you say that? I mean, like if he
00:36:20.980 --> 00:36:23.260
specifies the cheeks, he can like skirt detention,
00:36:23.500 --> 00:36:25.119
but she's still not going to be happy about it.
00:36:25.340 --> 00:36:28.440
What if they say some juggler stuff like we had
00:36:28.440 --> 00:36:34.820
to wash off the cornstarch? Are they no longer
00:36:34.820 --> 00:36:36.900
in their face paint? I've been imagining them
00:36:36.900 --> 00:36:38.849
still in their face paint. Are they going to
00:36:38.849 --> 00:36:44.989
school? Yeah. What if they rode there in their
00:36:44.989 --> 00:36:47.789
face paint? I like this. So they rode there in
00:36:47.789 --> 00:36:49.230
their face paint, but they got to wash it off
00:36:49.230 --> 00:36:51.849
for class. They're using like one of the water
00:36:51.849 --> 00:36:54.510
fountains in the hole. The principal, and they
00:36:54.510 --> 00:36:56.170
can get away with bragging on the principal.
00:36:56.429 --> 00:37:02.250
So what do they call him? You know, Principal
00:37:02.250 --> 00:37:04.909
Dickwad always makes us wash our makeup off.
00:37:07.849 --> 00:37:09.949
but you know we were trying to be a you know
00:37:09.949 --> 00:37:12.070
we're in an extra hurry to get to see you let's
00:37:12.070 --> 00:37:15.809
say some jason muse stuff from like clerks uh
00:37:15.809 --> 00:37:19.429
you know but you know who is that jay so some
00:37:19.429 --> 00:37:21.750
jay stuff from clerks like you know we're just
00:37:21.750 --> 00:37:23.590
trying to get here because i wasn't going to
00:37:23.590 --> 00:37:27.650
miss that jiggle when you got up from your chair
00:37:27.650 --> 00:37:31.190
to call attendance i don't know what god this
00:37:31.190 --> 00:37:33.449
is like oh god i'm starting to hate them now
00:37:33.449 --> 00:37:37.969
okay let's see that's what i'm i I need help.
00:37:38.909 --> 00:37:41.170
All right. So anyways, we need a safe flirtation
00:37:41.170 --> 00:37:45.469
here. Insert safe flirtation. But still, it needs
00:37:45.469 --> 00:37:47.730
to push the envelope so that they're true to
00:37:47.730 --> 00:37:51.570
themselves. All right. But I think they did have
00:37:51.570 --> 00:37:55.170
to wash off their makeup. And she now begins
00:37:55.170 --> 00:38:01.369
to usher out the janitor. And she says, Mike,
00:38:01.469 --> 00:38:04.750
I think is his name. Mike, that's enough. I'm
00:38:04.750 --> 00:38:09.469
going to start class now. mike the classroom's
00:38:09.469 --> 00:38:13.710
clean mike mike to put the hand on his shoulder
00:38:13.710 --> 00:38:15.769
and a hand on his shoulder i was thinking maybe
00:38:15.769 --> 00:38:18.769
even the broom because he just wasn't appearing
00:38:18.769 --> 00:38:22.530
to listen and he looked more drooly and we see
00:38:22.530 --> 00:38:27.409
the the like drool and the face and we see the
00:38:27.409 --> 00:38:32.630
recognition on jake and jack jekyll of some kind
00:38:32.630 --> 00:38:36.190
of whoa like they know this thing They know exactly
00:38:36.190 --> 00:38:37.710
what's happening. They get a little bit scared
00:38:37.710 --> 00:38:39.829
when she puts her hand on the broom and stops
00:38:39.829 --> 00:38:43.070
him and he zombies the fuck out and immediately
00:38:43.070 --> 00:38:47.130
bites her neck. Blood squirting. Death. She's
00:38:47.130 --> 00:38:50.690
like yelling but bleeding out so quick that she's
00:38:50.690 --> 00:38:53.690
like 10 seconds maybe of just a horrified scream.
00:38:54.070 --> 00:38:58.829
And all the kids recoil and run back. And Jake
00:38:58.829 --> 00:39:05.550
and Jack Jekyll say Holy shit. Zombies. Fucking
00:39:05.550 --> 00:39:14.909
zombie. Right? Okay. And then kids are ushering
00:39:14.909 --> 00:39:21.969
out. The zombie gets up, right? And he begins
00:39:21.969 --> 00:39:27.349
mopping. I think children are trapped when the
00:39:27.349 --> 00:39:32.610
police arrive in the classroom and the zombie
00:39:33.210 --> 00:39:38.429
is doing the um sweeping still but now he's just
00:39:38.429 --> 00:39:40.710
mopping up this bloody mess and he's making the
00:39:40.710 --> 00:39:43.289
whole floor red where he's at with this blood
00:39:43.289 --> 00:39:46.530
from the other zombie as we're waiting for the
00:39:46.530 --> 00:39:49.389
police to get there maybe we see a call i don't
00:39:49.389 --> 00:39:52.250
know how we know that the police are on their
00:39:52.250 --> 00:40:00.230
way but then we see a um the zombie teacher reanimate
00:40:00.230 --> 00:40:05.280
but she calmly like kind of straightens her neck
00:40:05.280 --> 00:40:08.539
walks over to the chalkboard and begins writing
00:40:08.539 --> 00:40:11.280
some kind of zombie gibberish down like a homework
00:40:11.280 --> 00:40:15.820
assignment yeah and she begins she turns around
00:40:15.820 --> 00:40:19.639
and spurts some nonsense to the class and when
00:40:19.639 --> 00:40:22.800
she does blood flies from her neck and they are
00:40:22.800 --> 00:40:29.760
horrified and jake and jack jack will say we
00:40:29.760 --> 00:40:35.349
gotta get the fuck out of here Right? Yeah. They
00:40:35.349 --> 00:40:42.389
start making a plan for it. And then Officer
00:40:42.389 --> 00:40:47.610
Sabre Soldier shows up. Now this would be a time
00:40:47.610 --> 00:40:51.789
to go back in time and introduce the reporter,
00:40:52.030 --> 00:40:54.809
perhaps. Because we expected the reporter shows
00:40:54.809 --> 00:40:58.250
up at almost the same time. And we have a reason
00:40:58.250 --> 00:41:02.260
for that occurring. Right? But today we meet
00:41:02.260 --> 00:41:06.340
Steve's dad, and he's terribly embarrassed. They
00:41:06.340 --> 00:41:08.199
don't talk really at the school, I don't think.
00:41:08.440 --> 00:41:13.239
Maybe they do. Steve's dad ends up saving the
00:41:13.239 --> 00:41:16.639
day of sorts. Actually, I think the reporter
00:41:16.639 --> 00:41:20.139
saves Steve's dad. That's why I wanted the reporter
00:41:20.139 --> 00:41:22.639
to show up. We don't know these people yet, so
00:41:22.639 --> 00:41:24.280
we're going to get into the reporter and Steve's
00:41:24.280 --> 00:41:28.250
dad next time. but also steve stag comes in uh
00:41:28.250 --> 00:41:32.130
attempts to fight off or to check on the teacher
00:41:32.130 --> 00:41:36.269
as he cautiously walks past the janitor and when
00:41:36.269 --> 00:41:39.510
he says we need to get you to medical help he
00:41:39.510 --> 00:41:42.309
touches her hand knowing her name he says her
00:41:42.309 --> 00:41:45.710
name small town and uh that's when he starts
00:41:45.710 --> 00:41:47.869
to really see that how fucked up she is and she
00:41:47.869 --> 00:41:50.449
turns on him and now she's chasing him right
00:41:50.449 --> 00:41:53.150
yeah so he's running back away from the kids
00:41:53.150 --> 00:41:56.340
exit classroom he's a good diversion for it uh
00:41:56.340 --> 00:42:00.960
he's backing up and he's putting the desks in
00:42:00.960 --> 00:42:03.360
between him and the zombie and she's having a
00:42:03.360 --> 00:42:08.079
hard time like getting at him right and it bumps
00:42:08.079 --> 00:42:11.960
him into the other zombie as we start to feel
00:42:11.960 --> 00:42:14.539
a little bit of safety from her attack because
00:42:14.539 --> 00:42:16.400
where she's at although she is solving the puzzle
00:42:16.400 --> 00:42:19.780
he bumps into other zombie who's now ready to
00:42:19.780 --> 00:42:27.329
fucking attack him right yes 2Z1, but yes. 2Z1.
00:42:28.269 --> 00:42:32.889
And so now he drops on the floor. Scariest predicament.
00:42:33.670 --> 00:42:37.190
Always want some ground. That's what the kids
00:42:37.190 --> 00:42:39.449
would tell us, right? They're like, no, you never
00:42:39.449 --> 00:42:42.869
go down. Always go up. Zombie apocalypse, always
00:42:42.869 --> 00:42:47.409
go up. But never put yourself on an island. Go
00:42:47.409 --> 00:42:51.710
up too high, you're on an island. Anyways. You
00:42:51.710 --> 00:42:54.809
need an escape plan. So anyways. the zombie uh
00:42:54.809 --> 00:42:58.289
he goes down do these two zombies fight it out
00:42:58.289 --> 00:43:05.530
yes he's he's already been disarmed because he
00:43:05.530 --> 00:43:09.369
had his hand on his gun when he approached um
00:43:09.369 --> 00:43:12.130
the zombie with the he's getting ready to shoot
00:43:12.130 --> 00:43:15.030
zombie in the head right she's at the desks and
00:43:15.030 --> 00:43:17.750
he bumps into janitor zombie janitor zombie does
00:43:17.750 --> 00:43:21.590
the classic and knocks the gun out his hand yeah
00:43:21.590 --> 00:43:26.360
butterfingers Guns across the room. Other zombie
00:43:26.360 --> 00:43:29.639
begins to attack him. He jumps down on the floor
00:43:29.639 --> 00:43:32.539
underneath some chairs, starts to backslide,
00:43:32.539 --> 00:43:35.699
kick back kicking with his feet, you know, across
00:43:35.699 --> 00:43:40.239
the marble floor, the terrazzo floor and in the
00:43:40.239 --> 00:43:46.380
blood. And. And the other zombie is now on him,
00:43:46.420 --> 00:43:50.909
right, as the one zombie is. now on the other
00:43:50.909 --> 00:43:52.949
side of the desks and he's clearing away to them
00:43:52.949 --> 00:43:55.789
teacher zombies on this guy he has time to get
00:43:55.789 --> 00:43:58.030
a saber in between him and the zombie but it's
00:43:58.030 --> 00:44:00.730
got its sheath on him still because it breaks
00:44:00.730 --> 00:44:03.610
right off or something he fumbles with it it
00:44:03.610 --> 00:44:06.130
still has a sheath but he's able to open up the
00:44:06.130 --> 00:44:08.190
sheath enough as this zombie is coming in at
00:44:08.190 --> 00:44:11.789
him other zombie comes in right and adds to the
00:44:11.789 --> 00:44:16.250
weight and cuts through that zombie's head cool
00:44:16.250 --> 00:44:20.099
scene no yeah through the mouth joker style why
00:44:20.099 --> 00:44:24.780
so serious style then uh he's still in threat
00:44:24.780 --> 00:44:28.179
zone he's about to get it man he's done some
00:44:28.179 --> 00:44:30.800
point in this the mop needs to break as part
00:44:30.800 --> 00:44:32.659
of the fight or whatever you know what i mean
00:44:32.659 --> 00:44:35.039
maybe when he falls backwards and bumps into
00:44:35.039 --> 00:44:36.760
zombie he doesn't actually bump into him maybe
00:44:36.760 --> 00:44:38.400
he actually just breaks the mop when he falls
00:44:38.400 --> 00:44:42.019
over about to shoot yeah the breaking of the
00:44:42.019 --> 00:44:44.420
mop so now there's a sharpened mop that's what
00:44:44.420 --> 00:44:47.139
i want to get at because he's about to get chomped
00:44:47.139 --> 00:44:50.659
up deputy saber soldier which we will get into
00:44:50.659 --> 00:44:53.400
the reason he's a saber soldier later on deputy
00:44:53.400 --> 00:44:58.460
saber soldier is about to die but in comes vanessa
00:44:58.460 --> 00:45:01.820
is that where he decided her name is yeah vanessa
00:45:01.820 --> 00:45:05.920
is a reporter and she just happened to follow
00:45:05.920 --> 00:45:09.500
the lights and sirens because she was supposed
00:45:09.500 --> 00:45:12.400
to meet a whistleblower that day from wad who
00:45:12.400 --> 00:45:16.079
never showed up to the meeting anyways that's
00:45:16.079 --> 00:45:19.000
probably revealing too much yeah let's cliffhanger
00:45:19.000 --> 00:45:23.119
this so uh bloody ending she fucking stabs zombie
00:45:23.119 --> 00:45:28.199
in the head and uh then it's possible that through
00:45:28.199 --> 00:45:32.139
the leaving of this school's called and uh through
00:45:32.139 --> 00:45:34.239
the leaving of this it's possible that dad talks
00:45:34.239 --> 00:45:38.059
to steve briefly but i think that steve actually
00:45:38.059 --> 00:45:40.400
tries to duck steve he's like looking for him
00:45:40.400 --> 00:45:44.260
and steve's like not wanting to see his dad right
00:45:44.260 --> 00:45:48.579
yeah even after this And so they're like, dude,
00:45:48.659 --> 00:45:50.460
your dad's fucking looking for you. And he's
00:45:50.460 --> 00:45:52.360
like, just let's go to the fucking, we got extra
00:45:52.360 --> 00:45:54.599
hours now. We can get more daylight. Let's just
00:45:54.599 --> 00:45:57.960
go to the cemetery. And they're like, cool. And
00:45:57.960 --> 00:46:02.539
they head off. And that's where we pick up them
00:46:02.539 --> 00:46:04.159
on their bikes on the way to the cemetery to
00:46:04.159 --> 00:46:08.260
shoot a rap video and a vampire black and white
00:46:08.260 --> 00:46:15.960
noir film that smells like patchouli. Yeah. I
00:46:15.960 --> 00:46:18.940
mean, that's their plan. I don't know how long
00:46:18.940 --> 00:46:20.940
this was, but I don't think this was terrible.
00:46:21.519 --> 00:46:24.719
No, this was pretty decent. Give us feedback,
00:46:24.860 --> 00:46:27.460
kids. Let us know how crap we do. We can edit
00:46:27.460 --> 00:46:29.480
this, maybe concise it. I don't know what we
00:46:29.480 --> 00:46:31.619
do. I think it was good from the start. Next
00:46:31.619 --> 00:46:35.019
time, we're going to outline another section
00:46:35.019 --> 00:46:37.960
of this movie. We have it pretty much planned
00:46:37.960 --> 00:46:43.500
out to, like I said, the zombie wedding. Which
00:46:43.500 --> 00:46:47.320
we're really excited about. Mind if I throw in
00:46:47.320 --> 00:46:50.659
my vision for that scene we just sort of covered?
00:46:51.219 --> 00:46:53.780
Yeah, absolutely. Because I had my own distinct
00:46:53.780 --> 00:46:56.739
one, which, like I said, I imagined this being
00:46:56.739 --> 00:46:59.980
the final class. All right, can you hear me again?
00:47:00.380 --> 00:47:04.320
All right, go on. So I was imagining this would
00:47:04.320 --> 00:47:10.260
be the final class of the day and that they would
00:47:10.260 --> 00:47:12.440
see that she's just sort of writing down gibberish
00:47:12.440 --> 00:47:15.210
because she's already infected. I imagine she
00:47:15.210 --> 00:47:21.130
infects the janitor later. You remember why I
00:47:21.130 --> 00:47:23.369
wanted... Do you remember why I wanted the janitor
00:47:23.369 --> 00:47:27.829
to be... Janitor works two shifts, two jobs.
00:47:28.409 --> 00:47:32.269
Oh, I totally forgot about that. Yeah, I think
00:47:32.269 --> 00:47:35.849
that's worthy still. Yeah. So I think that gets...
00:47:35.849 --> 00:47:38.469
What else do you got, though? Let's pull out
00:47:38.469 --> 00:47:40.969
anything good from it. Because you saw the end
00:47:40.969 --> 00:47:45.420
of day. Go on. So, yeah, so she's doing her writing
00:47:45.420 --> 00:47:49.480
and the class just sort of goes on normally at
00:47:49.480 --> 00:47:52.639
first. And the kids are kind of confused, like
00:47:52.639 --> 00:47:55.420
she's not taking attendance. She isn't asking
00:47:55.420 --> 00:47:58.800
them any questions. And after a while, they start
00:47:58.800 --> 00:48:01.820
like saying, hey, you here? Everything all right?
00:48:02.539 --> 00:48:05.159
And they realize they can sort of do whatever
00:48:05.159 --> 00:48:08.579
and she isn't going to really pay attention to
00:48:08.579 --> 00:48:11.260
any of it. So they just sort of start slacking
00:48:11.260 --> 00:48:13.260
off during the class and this gives us more,
00:48:13.280 --> 00:48:16.780
you know, character time so we can have more
00:48:16.780 --> 00:48:21.659
scenes with Chad the jock and Bambi, what's her
00:48:21.659 --> 00:48:24.239
name, the cheerleader. And so we can have a bit
00:48:24.239 --> 00:48:27.440
of interaction with them. In the classroom. Yeah,
00:48:27.500 --> 00:48:29.320
with like some of them smoking in the back and
00:48:29.320 --> 00:48:31.320
shit. They could have the meeting in the classroom
00:48:31.320 --> 00:48:33.840
before it convenes. She could enter after them.
00:48:34.380 --> 00:48:37.099
yeah and they say we're excited to see you early
00:48:37.099 --> 00:48:39.219
and then they could say some sugar tits stuff
00:48:39.219 --> 00:48:42.619
to her that isn't sugar tits i wanted to say
00:48:42.619 --> 00:48:45.940
i realized uh i've been on the port while we
00:48:45.940 --> 00:48:48.139
were recording this and you're in the other room
00:48:48.139 --> 00:48:51.880
for for audio purposes so you know to explain
00:48:51.880 --> 00:48:55.099
to our audience we stay in a little kind of retirement
00:48:55.099 --> 00:48:58.539
community of snowbirds who come up from florida
00:48:58.539 --> 00:49:02.719
we escape the the crime that it persists in flint
00:49:03.019 --> 00:49:05.800
when we come out here and uh they escape the
00:49:05.800 --> 00:49:08.619
terrible terrible florida and just florida why
00:49:08.619 --> 00:49:10.980
live there i'm sorry ohio florida what there's
00:49:10.980 --> 00:49:12.619
what's wrong with these two places if you live
00:49:12.619 --> 00:49:15.900
in ohio or florida move those those should be
00:49:15.900 --> 00:49:18.619
ghost states they should i think you know i probably
00:49:18.619 --> 00:49:22.239
talk some shit on baltimore don't i yeah anyway
00:49:22.239 --> 00:49:25.059
there's parts of i love florida i should say
00:49:25.059 --> 00:49:28.519
ybor city's awesome My favorite place to ever
00:49:28.519 --> 00:49:31.239
guest spot was Cocoa Beach with Mark Long and
00:49:31.239 --> 00:49:34.500
Ecker. And Miami is the most beautiful place
00:49:34.500 --> 00:49:38.079
I think I've been to besides the Bahamas. Until
00:49:38.079 --> 00:49:44.619
the Bahamas. But at any rate, and Ohio is moving
00:49:44.619 --> 00:49:49.400
on. So hard to think of a redeeming quality of
00:49:49.400 --> 00:49:54.179
Ohio. Yeah. Square State in the Union. It's round
00:49:54.179 --> 00:49:57.340
on both ends and it's high in the middle. So,
00:49:57.400 --> 00:50:07.179
anywho. So, anyways, I'm out here talking, and
00:50:07.179 --> 00:50:10.960
I was talking about the moment when all the drugs,
00:50:11.059 --> 00:50:14.360
the meth and the drugs stuff on the porch here,
00:50:14.440 --> 00:50:17.719
and this lady went by, and I think she might
00:50:17.719 --> 00:50:19.809
have heard me. i'm disconnected from the world
00:50:19.809 --> 00:50:21.869
because i got these headphones on so i don't
00:50:21.869 --> 00:50:23.349
know what anybody else can hear how loud i'm
00:50:23.349 --> 00:50:25.769
even talking but she might have heard me say
00:50:25.769 --> 00:50:29.550
uh something kind of cook up do you have any
00:50:29.550 --> 00:50:31.750
idea how much you can make with this she might
00:50:31.750 --> 00:50:35.510
be imagining i'm on some kind of some kind of
00:50:35.510 --> 00:50:38.210
um you know like that's my business like that's
00:50:38.210 --> 00:50:40.389
what i'm doing like i got a big drug shipment
00:50:40.389 --> 00:50:42.989
coming into the wharf this friday night and i
00:50:42.989 --> 00:50:44.849
got to make sure everything's in place to pick
00:50:44.849 --> 00:50:48.699
it up because she just drove back by and she
00:50:48.699 --> 00:50:51.179
made eye contact with me while i was talking
00:50:51.179 --> 00:50:53.579
at the end there and then she quickly looked
00:50:53.579 --> 00:50:57.960
away like anywho anybody might do that though
00:50:57.960 --> 00:51:02.300
too i forget what i look like sometimes uh let's
00:51:02.300 --> 00:51:05.179
be done anything else you got more of this vision
00:51:05.179 --> 00:51:10.019
because you want more uh barbie i don't give
00:51:10.019 --> 00:51:12.199
a fuck about these people right now they become
00:51:12.199 --> 00:51:15.710
important later on i feel We know a little bit
00:51:15.710 --> 00:51:18.269
about them. So they can be important later on.
00:51:19.309 --> 00:51:25.090
Yeah, I think while they are offering Chad the
00:51:25.090 --> 00:51:28.670
drugs, Barbie is possibly close by. I think that
00:51:28.670 --> 00:51:31.389
Steve may possibly have a crush on Barbie and
00:51:31.389 --> 00:51:34.329
be extremely awkward and shy around her. And
00:51:34.329 --> 00:51:38.510
maybe Chad recognizes this and calls him out
00:51:38.510 --> 00:51:45.079
about it. Poking fun at him, no? Yeah. And this
00:51:45.079 --> 00:51:48.420
gives us more time to hate dad also. You little
00:51:48.420 --> 00:51:54.440
crybaby douche. And then I imagine after this
00:51:54.440 --> 00:51:56.260
class ends, because it's the last class of the
00:51:56.260 --> 00:52:02.000
day, they leave and the kids split up. The Jekyll
00:52:02.000 --> 00:52:06.460
kids and Steve. After the teachers died, they
00:52:06.460 --> 00:52:09.559
leave. No matter what time of day the class is.
00:52:10.190 --> 00:52:13.010
Oh, Steve goes home and you want to have a conversation
00:52:13.010 --> 00:52:17.530
with his dad. Yeah, I wanted that to be in place
00:52:17.530 --> 00:52:19.989
of the flashback. We'd have a flashback with
00:52:19.989 --> 00:52:23.849
his mom. And then this is the scene where we'd
00:52:23.849 --> 00:52:27.590
have that whole altercation between him and his
00:52:27.590 --> 00:52:30.070
dad. And then his dad leaves to respond to a
00:52:30.070 --> 00:52:32.889
call back to the school after the flashback with
00:52:32.889 --> 00:52:36.630
his mother as well. The flashback earlier with
00:52:36.630 --> 00:52:38.510
the watch would be a flashback with his mother.
00:52:39.019 --> 00:52:41.099
is what i imagine and what we're just talking
00:52:41.099 --> 00:52:43.000
about while he's on the death she's on the deathbed
00:52:43.000 --> 00:52:46.760
or what yeah something like that or just having
00:52:46.760 --> 00:52:49.400
a conversation well i really like the drama in
00:52:49.400 --> 00:52:51.760
between the slap in the face like set up the
00:52:51.760 --> 00:52:55.739
story with this steven this because that's at
00:52:55.739 --> 00:52:58.539
some point a reconciliation and an understanding
00:52:58.539 --> 00:53:01.940
of the promise and the weight of why he was keeping
00:53:01.940 --> 00:53:04.960
that promise with steve's mother is recognized
00:53:04.960 --> 00:53:07.940
and steve has to then appreciate his father in
00:53:07.940 --> 00:53:10.679
a fashion so that's a character arc that i i
00:53:10.679 --> 00:53:14.099
want to pour some gasoline on in the beginning
00:53:14.099 --> 00:53:17.239
with a with a slap that's why i think we do that
00:53:17.239 --> 00:53:19.579
and i think it would be good i like the idea
00:53:19.579 --> 00:53:22.699
of a flashback with his mother though but i think
00:53:22.699 --> 00:53:24.940
that can come after school it's on the way to
00:53:24.940 --> 00:53:27.460
the bike ride flashbacks can occur at any time
00:53:27.460 --> 00:53:30.309
nothing reason needs to set them up and also
00:53:30.309 --> 00:53:34.409
others other storylines that might be coinciding
00:53:34.409 --> 00:53:38.389
might go back uh as a flashback so like after
00:53:38.389 --> 00:53:41.489
we saw that scene we might go and see the diner
00:53:41.489 --> 00:53:45.090
scene about why the reporter followed that my
00:53:45.090 --> 00:53:49.190
personal favorite way to show any movie is where
00:53:49.190 --> 00:53:54.170
the the viewer is not being spoon -fed but has
00:53:54.170 --> 00:53:56.510
to recognize at one point oh we're watching something
00:53:56.510 --> 00:54:01.110
in the past Now, that may not be for the audience
00:54:01.110 --> 00:54:06.550
that we're writing for. I don't want to call
00:54:06.550 --> 00:54:10.969
our audience dumb like that. James A. Janisse,
00:54:11.190 --> 00:54:14.250
right? That's what I mean. He loves elevated
00:54:14.250 --> 00:54:20.949
horror. Okay. Well, at any rate, 21 ounces, 21
00:54:20.949 --> 00:54:24.170
grams, something like that. Sean Penn, Benicio
00:54:24.170 --> 00:54:28.429
Del Toro. awesome fucking movie told in this
00:54:28.429 --> 00:54:31.429
fashion that you never knew but it just was a
00:54:31.429 --> 00:54:35.409
part of the storytelling that helped the pacing
00:54:35.409 --> 00:54:37.909
of the movie then I think it gives the writer
00:54:37.909 --> 00:54:41.829
us and our audience some more ability and leeway
00:54:41.829 --> 00:54:45.949
then to pace the movie with a flashback or with
00:54:45.949 --> 00:54:49.230
a dramatic scene earlier you know I mean so that
00:54:49.230 --> 00:54:51.369
we don't just go eventually just zombie attack
00:54:51.369 --> 00:54:54.110
zombie attack zombie attack right yeah so we
00:54:54.110 --> 00:54:58.570
have these setup scenes in the past that tie
00:54:58.570 --> 00:55:02.670
some part of a problem because we know that james
00:55:02.670 --> 00:55:06.030
a janice likes to resolve any conflict that gets
00:55:06.030 --> 00:55:11.190
right so we we resolve those with an understanding
00:55:11.190 --> 00:55:13.750
of their beginning at least or like a almost
00:55:13.750 --> 00:55:17.030
a prologue as a flashback which i see the diner
00:55:17.030 --> 00:55:21.010
scene when we introduce vanessa and her uh cameraman
00:55:21.010 --> 00:55:24.210
as one of those that i was originally planning
00:55:24.210 --> 00:55:27.150
would occur before the bike ride home to the
00:55:27.150 --> 00:55:30.570
cemetery um but i think just as good probably
00:55:30.570 --> 00:55:35.650
works there the mother scene the flashback with
00:55:35.650 --> 00:55:38.969
mother now flashback with mother typically with
00:55:38.969 --> 00:55:42.050
these kind of dramatic scenes or like the longing
00:55:42.050 --> 00:55:48.250
scene um it's going to be a short six seven seconds
00:55:48.250 --> 00:55:51.539
almost just seeing his mother in a deathbed occasionally.
00:55:51.719 --> 00:55:55.679
And that plays in until we eventually see maybe
00:55:55.679 --> 00:55:58.300
30 seconds of the scene till we eventually see
00:55:58.300 --> 00:56:00.260
a full minute and understand the purpose we've
00:56:00.260 --> 00:56:02.420
been looking at it. Maybe it's him coming around
00:56:02.420 --> 00:56:06.599
the horror of seeing his mother flatlined when
00:56:06.599 --> 00:56:09.079
they decided to pull the plug or something like
00:56:09.079 --> 00:56:12.539
that. You know what I mean? And it's just this
00:56:12.539 --> 00:56:15.179
horror that drives him and gives us, that's a
00:56:15.179 --> 00:56:19.440
pace of like suspense that we can use. And it
00:56:19.440 --> 00:56:23.079
eventually pays off with him seeing his mother
00:56:23.079 --> 00:56:26.159
and then just bitching out crying. Right. Or
00:56:26.159 --> 00:56:28.840
I don't know, maybe it becomes cold and isn't
00:56:28.840 --> 00:56:31.480
able to cry. And he kind of doesn't forgive himself
00:56:31.480 --> 00:56:33.519
for that for a long time or something. Yeah.
00:56:33.599 --> 00:56:38.000
He like he emotionally breaks. Yeah. That's a
00:56:38.000 --> 00:56:40.099
possibility. We have an emotional breaking scene
00:56:40.099 --> 00:56:42.559
that helps tie in moments of this and allow us
00:56:42.559 --> 00:56:45.579
to pace the movie. So it's it's, you know, a
00:56:45.579 --> 00:56:47.780
nice roller coaster ride for the audience. Yeah.
00:56:48.619 --> 00:56:51.280
We good? I think we're good there. Let's call
00:56:51.280 --> 00:56:57.659
this. Mom's already got a lot to edit. We are
00:56:57.659 --> 00:57:03.619
movie writers. We're writers. I feel like this
00:57:03.619 --> 00:57:05.920
is a series. I feel like this is a series because
00:57:05.920 --> 00:57:08.679
I wouldn't mind seeing those elements actually
00:57:08.679 --> 00:57:14.199
being the start of the episode. Sometimes you're
00:57:14.199 --> 00:57:18.320
watching a series and then suddenly you're like
00:57:18.320 --> 00:57:22.960
cast back back into an origin scene before one
00:57:22.960 --> 00:57:24.960
of the characters that was like originally a
00:57:24.960 --> 00:57:27.780
secondary character in the series or so you thought
00:57:27.780 --> 00:57:29.239
because it started with one character and you
00:57:29.239 --> 00:57:31.559
realize it's actually about the team but so then
00:57:31.559 --> 00:57:33.400
they do a startup with like daryl or whatever
00:57:33.400 --> 00:57:41.059
in um that movie with the zombies walking dead
00:57:41.059 --> 00:57:46.500
i don't know if he was daryl The guy with the
00:57:46.500 --> 00:57:48.360
crossbow, that was Daryl. Sometimes you would
00:57:48.360 --> 00:57:51.079
have a mystery character being announced and
00:57:51.079 --> 00:57:52.559
be like, oh, that's cool. I want to find out
00:57:52.559 --> 00:57:54.380
more about this. And they would do that at the
00:57:54.380 --> 00:57:56.559
beginning of episodes. And I would see being
00:57:56.559 --> 00:57:59.639
able to do that with both Mary, the Amish girl,
00:57:59.719 --> 00:58:02.239
and Rebecca, the other one. Because we still
00:58:02.239 --> 00:58:05.760
got to get to the Amish girl's story about her
00:58:05.760 --> 00:58:10.599
exciting life. Anyways, let's sign off for the
00:58:10.599 --> 00:58:14.309
day. Guys, are we actually david you got to help
00:58:14.309 --> 00:58:17.050
me actually communicate with anybody that talks
00:58:17.050 --> 00:58:22.309
about this because i have i i i'm not good at
00:58:22.309 --> 00:58:26.190
it real anxiety i get anxious as much as i am
00:58:26.190 --> 00:58:30.110
a fearless badass i don't like the anxiety of
00:58:30.110 --> 00:58:35.780
texting yeah i know as i say that it makes me
00:58:35.780 --> 00:58:37.500
feel like i should just man the fuck up sometimes
00:58:37.500 --> 00:58:41.380
and um try and have a community or or be a part
00:58:41.380 --> 00:58:44.300
of so that's what we need to do though because
00:58:44.300 --> 00:58:46.619
like i said this plan is based on a hundred thousand
00:58:46.619 --> 00:58:48.920
like let's really see this happen instead of
00:58:48.920 --> 00:58:51.280
in the end if we just wrote something that's
00:58:51.280 --> 00:58:53.380
cool fucking awesome now we got something to
00:58:53.380 --> 00:58:55.400
shop around at all our soirees that we go to
00:58:55.400 --> 00:58:58.659
with our hollywood elites however uh if we actually
00:58:58.659 --> 00:59:01.420
get something listenage some patronage on this
00:59:01.420 --> 00:59:04.820
then things become possible and this thing can
00:59:04.820 --> 00:59:07.920
be a real thing and a fun thing right but the
00:59:07.920 --> 00:59:09.900
only way to do that is to talk to people who
00:59:09.900 --> 00:59:13.800
have questions and answers and give them and
00:59:13.800 --> 00:59:16.599
treat them with some kind of respect and uh and
00:59:16.599 --> 00:59:19.820
and grow a fucking community and i hate that
00:59:19.820 --> 00:59:24.139
word why do i hate that word the cold war the
00:59:24.139 --> 00:59:26.599
red scare you you hate communism that's why you
00:59:26.599 --> 00:59:29.980
hate community this checks out yeah red dawn
00:59:30.559 --> 00:59:34.380
Every movie I grew up watching, Rocky IV, all
00:59:34.380 --> 00:59:36.940
that shit. I'm with it. Or was it III? I don't
00:59:36.940 --> 00:59:39.320
know. I think it was Rocky III, yeah. What do
00:59:39.320 --> 00:59:41.639
we say to end this podcast? Because usually this
00:59:41.639 --> 00:59:43.179
is straight to the point, completely off topic.
00:59:43.280 --> 00:59:46.059
Today's podcast needs its own name, so help us
00:59:46.059 --> 00:59:50.139
with that, also, cast, or crew. And it needs
00:59:50.139 --> 00:59:52.760
its sign -off, so we know when the shit is over.
00:59:55.559 --> 01:00:00.170
Yeah, what the fuck? So... Nanu Nanu? We're doing
01:00:00.170 --> 01:00:02.889
a zombie movie. Could it be something zombie
01:00:02.889 --> 01:00:05.889
related? That would make it just cheesy enough
01:00:05.889 --> 01:00:12.030
to, yeah. How zombie related? Z you later? Z
01:00:12.030 --> 01:00:15.690
you later. I like that. Z you later. Z y 'all
01:00:15.690 --> 01:00:18.329
later. Let's think about changing that because
01:00:18.329 --> 01:00:20.670
I hate it the more I say it. But Z y 'all later.
01:00:20.849 --> 01:00:22.849
I love it the more I say it. Z y 'all later.
01:00:23.309 --> 01:00:27.190
Oh, God. Okay. All right. All right. Z you, David.
01:00:27.510 --> 01:00:28.090
Z you.