ABOUT THIS EPISODE
We venture down the rabbit hole of modern art criticism with a shallow dive into the history, inspirations, and major figures of the Surrealist movement - and I subject you to some naked fanboying over some of my favorite artwork.
Related readings include Breton's Surrealist Manifesto, Nadia Choucha's Surrealism and the Occult, Nerdwriter's video on Un Chien Andalou, and some good old-fashioned wikipedia trawling for weird surrealist artwork.
English
United States
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OTHER EPISODES IN THIS PODCAST
Now that our discussion is officially behind our reading, let's take the opportunity to run through some of the main ideas in Books 3-5 of Paradise Lost, including Milton's (perhaps inconsistent) emphasis on human (and angelic) freedom, Satan's doubts, and the characterization of Eve, God, and Adam.
Today we set out many of the topics we'll need to know in our ongoing study of British Magick - including the varieties of Magical practices common among Renaissance thinkers, some of the ideas of especially prominent Renaissance magicians, and the 17th-century British history surrounding John Milt…
Today we discuss the opening chapters of Milton's Paradise Lost, to ask ourselves: why do we find Satan so compelling in this poem? We'll discuss the reasons why Satan seems persuasive, as well as Milton's hints that Satan is not trustworthy - and why they don't seem to be sufficient.
Professor Kozlowski concludes his discussion of Goethe's Faust, Part One by discussing the fall of Gretchen/Margareta, and touching briefly on the conclusion of Faust, Part Two for the sake of closure. He managed to do all this without breaking into tears - this time.
Today we wrestle with the whole of Raphael's digressions from the central plot of Paradise Lost - the war of the angels in heaven, Milton's recapitulation of Genesis 1 and 2, and some interesting side questions about the Renaissance controversies surrounding the nature of the cosmos, angelic diet a…
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