00:00:00.000 --> 00:00:02.899
Two friends try to navigate a dangerous world
00:00:02.899 --> 00:00:05.719
of organized crime, testing their loyalty and
00:00:05.719 --> 00:00:08.400
survival skills. Sure, we've seen this a million
00:00:08.400 --> 00:00:11.980
times before, but have we seen it with time -traveling,
00:00:11.980 --> 00:00:16.199
double -crossing, and genre -blending movie...
00:00:16.199 --> 00:00:19.859
Yeah, because this is what that is. Mike and
00:00:19.859 --> 00:00:22.640
Nick and Nick and Alice sounds like a bad law
00:00:22.640 --> 00:00:26.440
firm, first of all, Coco. This is Parallel Frequencies.
00:00:26.969 --> 00:00:29.269
I am just playing. She is Coco. You are the freaks.
00:00:30.129 --> 00:00:31.989
What do you think about this movie, though, Coco?
00:00:32.009 --> 00:00:35.490
These four names. It's crazy, right? Mike, Mike,
00:00:35.549 --> 00:00:38.289
Mike, Nick, Alice, Nick, Nick, Alice, Nick, and
00:00:38.289 --> 00:00:41.390
who? What? I don't know. But that's what Feature
00:00:41.390 --> 00:00:44.789
Friday is going to be today. It is Friday. We
00:00:44.789 --> 00:00:46.729
are headed into the weekend. What's the weekend
00:00:46.729 --> 00:00:49.210
looking like for you, Coco? You getting to relax?
00:00:49.329 --> 00:00:51.770
Are you busy? What? Oh, you know there's a million
00:00:51.770 --> 00:00:54.869
things going on. Three kids. Invited to three
00:00:54.869 --> 00:00:56.869
different birthday parties, so many playing taxi,
00:00:56.969 --> 00:00:58.950
running them all over town, all over the place.
00:00:59.070 --> 00:01:01.070
And that's just what life is like when you've
00:01:01.070 --> 00:01:04.829
got, you know, three boys in elementary school
00:01:04.829 --> 00:01:07.769
and they've all got their little friends. And
00:01:07.769 --> 00:01:10.150
then I've got prom we talked about earlier in
00:01:10.150 --> 00:01:13.609
the week, right? That's right. You and my lovely
00:01:13.609 --> 00:01:16.069
wife are going to prom together tomorrow night.
00:01:16.129 --> 00:01:18.269
Yeah, we're leaving the husbands behind. I've
00:01:18.269 --> 00:01:20.209
been to prom with my husband more times than
00:01:20.209 --> 00:01:22.109
I can count on two hands. We've been to a lot
00:01:22.109 --> 00:01:24.799
of proms. That's true. And, you know, he's an
00:01:24.799 --> 00:01:27.040
introvert, so he's like, do you have someone
00:01:27.040 --> 00:01:29.280
else you want to go with? Yeah. And you were
00:01:29.280 --> 00:01:32.659
like, yeah, I do. Lindsay. Yeah. I'm like, I'll
00:01:32.659 --> 00:01:34.680
have way more fun with my girlfriends than trying
00:01:34.680 --> 00:01:36.700
to convince him to come out on the dance floor.
00:01:36.819 --> 00:01:40.739
Now, I want people to know that this is not like
00:01:40.739 --> 00:01:45.920
a prom. This is like themed. It's adult prom.
00:01:46.579 --> 00:01:50.239
And I have seen the costumes. I'll call it costumes
00:01:50.239 --> 00:01:53.219
coming in that Lindsay has been ordering. What's
00:01:53.219 --> 00:01:55.579
this theme? Because I see a bunch of flashy stuff.
00:01:55.780 --> 00:01:57.900
I've seen everything up there. It's going to
00:01:57.900 --> 00:02:00.420
be a little wild this year, I think, because
00:02:00.420 --> 00:02:03.019
the last time I went, I didn't go last year,
00:02:03.040 --> 00:02:05.060
but the year before was like classic Hollywood.
00:02:05.519 --> 00:02:08.259
Oh, yeah. Dress formal. You could really get
00:02:08.259 --> 00:02:12.780
like your, you know, dresses and gloves on. I
00:02:12.780 --> 00:02:15.319
think last year they did like a Bridgerton. Oh,
00:02:15.379 --> 00:02:19.860
yeah, yeah. Kind of thing. But this year. Is
00:02:19.860 --> 00:02:25.379
cosmic or space disco? Ooh, that's why I have
00:02:25.379 --> 00:02:29.460
seen planet -looking stuff and cosmic -looking
00:02:29.460 --> 00:02:32.740
stuff coming in the house from all over the place.
00:02:33.120 --> 00:02:37.879
I hope I've done well to live up to the level
00:02:37.879 --> 00:02:40.580
that Lindsay is, but I did get, I just got my
00:02:40.580 --> 00:02:44.439
shoes. You got them? Let's see. Now, see, you
00:02:44.439 --> 00:02:46.120
guys are going to match because I've seen some
00:02:46.120 --> 00:02:47.680
of this. Look at that. I like the hearts on there.
00:02:48.380 --> 00:02:51.539
Little sparkles. Yeah. This is cosmic. Listen,
00:02:51.719 --> 00:02:53.479
I'm going to wear these shoes all the time. Oh,
00:02:53.479 --> 00:02:59.000
yeah. When I got them, I was like, these. I'm
00:02:59.000 --> 00:03:02.240
going to wear them all the time. Yeah. I love
00:03:02.240 --> 00:03:04.539
it. I love it. That makes sense. You and her
00:03:04.539 --> 00:03:06.979
are going to match. I've seen some of her crazy
00:03:06.979 --> 00:03:10.620
outfit that she's got tomorrow night. And it's
00:03:10.620 --> 00:03:11.900
going to be wild. You guys are going to have
00:03:11.900 --> 00:03:13.960
a good time. Like I said, I hope that I get a
00:03:13.960 --> 00:03:16.219
call that I got to come pick you guys up. Hopefully
00:03:16.219 --> 00:03:19.370
not in jail. But yeah, we had a big old group.
00:03:19.430 --> 00:03:21.990
In fact, we had everybody choose a planet. We
00:03:21.990 --> 00:03:24.330
had a big group of ladies and everybody was like,
00:03:24.409 --> 00:03:27.250
I'm this planet and I'm that planet. And so we'd
00:03:27.250 --> 00:03:29.030
have like a theme going on and we were all going
00:03:29.030 --> 00:03:31.169
to go together. And you know how it goes little
00:03:31.169 --> 00:03:34.969
by little. People drop. Oh, I have something
00:03:34.969 --> 00:03:37.610
planned that night. I can't come. I can't. So
00:03:37.610 --> 00:03:40.969
we're our little group is dwindling. Yeah. Which
00:03:40.969 --> 00:03:43.150
is like a pocket of us. But that's all right.
00:03:43.250 --> 00:03:45.689
We'll still have a blast. I found something that
00:03:45.689 --> 00:03:48.740
I would love to do. On a weekend. And it goes
00:03:48.740 --> 00:03:52.319
with sleepaway camp that we talked about this
00:03:52.319 --> 00:03:55.419
week. Once again, rest in peace, Jonathan Tierston.
00:03:55.539 --> 00:03:59.479
We lost him this week. But we covered sleepaway
00:03:59.479 --> 00:04:02.180
camp. And we were talking about how it would
00:04:02.180 --> 00:04:05.020
be fun, right, to go to a sleepaway camp. Look
00:04:05.020 --> 00:04:12.379
what I found, Coco. Crystal Lake Tours. primary
00:04:12.379 --> 00:04:16.439
filming location of Friday the 13th Part 1, you
00:04:16.439 --> 00:04:20.620
can go out there and sleep. Look at this. This
00:04:20.620 --> 00:04:23.980
is where they filmed the movie. I want to do
00:04:23.980 --> 00:04:30.980
this. They need to make adult summer sleepaway
00:04:30.980 --> 00:04:34.680
camps. Yeah. I think that's kind of becoming
00:04:34.680 --> 00:04:38.120
a thing. It's like retreats. They make it so
00:04:38.120 --> 00:04:40.259
that it's like summer camp when you're in kids.
00:04:40.439 --> 00:04:42.920
They need to They need to do that here. Look
00:04:42.920 --> 00:04:47.560
at this. June 5th. The first weekend opened up.
00:04:47.839 --> 00:04:52.639
$149 tickets. You can go. You get the tour. Where
00:04:52.639 --> 00:04:55.019
is this? Yeah, where is this? This has got to
00:04:55.019 --> 00:04:57.620
be up in New York somewhere, right? I bet it's
00:04:57.620 --> 00:05:00.540
New England. New Jersey. That's where they filmed
00:05:00.540 --> 00:05:05.899
Friday the 13th. That's where Crystal Lake is.
00:05:06.259 --> 00:05:08.120
But I found this and I was like, you know what?
00:05:08.699 --> 00:05:12.160
That's perfect for... What we've been talking
00:05:12.160 --> 00:05:15.519
about, yes, there is. There's got to be a market
00:05:15.519 --> 00:05:19.019
for adult sleepaway camps that people want to
00:05:19.019 --> 00:05:22.779
do. There's got to be. If not, we should make
00:05:22.779 --> 00:05:26.839
that. We should get us a little camp. I want
00:05:26.839 --> 00:05:29.680
the schedule posted. I want to know, like, when's
00:05:29.680 --> 00:05:32.100
archery so I can be like, all right, plan my
00:05:32.100 --> 00:05:35.040
day around what I want to do. Exactly. Like,
00:05:35.079 --> 00:05:39.629
that would be awesome. Bunking with girls. You
00:05:39.629 --> 00:05:42.069
guys have to stay somewhere else. They have to
00:05:42.069 --> 00:05:44.050
go on the other side. Yeah, it's got to be co
00:05:44.050 --> 00:05:45.750
-ed. And it can't be none of that, you know,
00:05:45.790 --> 00:05:49.189
BS going on. I want people to act like. I want
00:05:49.189 --> 00:05:52.290
counselors to be like, it's lights off, ladies.
00:05:52.490 --> 00:05:56.250
Lights off, ladies. Be quiet. Right. When we
00:05:56.250 --> 00:06:00.129
have the dance to end the thing, it's going to
00:06:00.129 --> 00:06:03.550
be the counselors, hey, two feet apart. Two feet
00:06:03.550 --> 00:06:05.329
apart when, you know, people are dancing together.
00:06:05.389 --> 00:06:07.250
That's how we're going to act. Get balloons.
00:06:07.730 --> 00:06:11.850
Yeah. We knew, yeah. Yeah, but today, Feature
00:06:11.850 --> 00:06:14.670
Friday, we've got to go ahead and get into either
00:06:14.670 --> 00:06:18.250
the worst law firm name ever or one of the craziest
00:06:18.250 --> 00:06:20.569
titles of a film ever, really, with Mike and
00:06:20.569 --> 00:06:22.649
Nick and Nick and Alice. Yeah, it was a bold
00:06:22.649 --> 00:06:26.329
move, I think. Bold choice. Vince Vaughn, James
00:06:26.329 --> 00:06:32.149
Martin, and then you got Isa Gonzalez crushing
00:06:32.149 --> 00:06:34.410
it as well. And without her, this movie, I don't
00:06:34.410 --> 00:06:36.629
think, I think James Martin and Vince Vaughn
00:06:36.629 --> 00:06:40.350
just float off. I think they float off into whatever,
00:06:40.709 --> 00:06:43.629
doing their 90s nostalgia and Gilmore Girls talk,
00:06:43.750 --> 00:06:47.269
and that's the movie. But we got an incredible
00:06:47.269 --> 00:06:49.949
movie here that I was not expecting. Like I said
00:06:49.949 --> 00:06:53.069
in the intro, we get this story time and time
00:06:53.069 --> 00:06:57.709
again. It's the one last job trope. Same old
00:06:57.709 --> 00:06:59.750
thing. But we got time travel. We got all this
00:06:59.750 --> 00:07:03.009
other genre -blending stuff going on in this
00:07:03.009 --> 00:07:05.290
flick. What did you think about this when I told
00:07:05.290 --> 00:07:07.720
you to go watch this movie, Coco? I'm a huge
00:07:07.720 --> 00:07:10.759
fan of time travel movies. Yeah. And I don't
00:07:10.759 --> 00:07:12.759
think I've seen enough, honestly. No. I think
00:07:12.759 --> 00:07:15.000
there's a lot more out there that I haven't seen.
00:07:15.160 --> 00:07:20.720
But I love the dynamic of discussing all of the
00:07:20.720 --> 00:07:23.680
variables. Yeah. And like, you know, because
00:07:23.680 --> 00:07:26.060
some time travel movies, they stick to certain
00:07:26.060 --> 00:07:30.990
rules. Like there's, you can't. um affect the
00:07:30.990 --> 00:07:33.230
future you have to like not you can't run into
00:07:33.230 --> 00:07:35.790
yourself or you know like there's rules and all
00:07:35.790 --> 00:07:37.850
the things but then there's some that kind of
00:07:37.850 --> 00:07:40.529
play with the idea that you can go back and you
00:07:40.529 --> 00:07:43.490
can change things and it will correct itself
00:07:43.490 --> 00:07:47.310
or like there will be some trajectory of destiny
00:07:47.310 --> 00:07:51.730
involved mysticism of like is it is destiny and
00:07:51.730 --> 00:07:55.470
fate written like Do you have a choice? You know,
00:07:55.490 --> 00:07:58.509
all these cool things. Parallel universes. I
00:07:58.509 --> 00:08:01.509
love it. We can get into it. I love time travel
00:08:01.509 --> 00:08:04.269
movies as well. And I can't see enough of them
00:08:04.269 --> 00:08:06.550
either. And I love when people argue about time
00:08:06.550 --> 00:08:08.350
travel movies. They're like, oh, that's not right.
00:08:09.050 --> 00:08:12.350
How do you know? I know. It's like we've got
00:08:12.350 --> 00:08:16.870
this knowledge. Yeah, like what knowledge? People
00:08:16.870 --> 00:08:18.689
argued about time travel. What knowledge do they
00:08:18.689 --> 00:08:21.889
have? Unless they came from the year 2058 or
00:08:21.889 --> 00:08:23.910
something, I'm not talking to them. I'm not listening
00:08:23.910 --> 00:08:26.730
to somebody argue about time travel because we
00:08:26.730 --> 00:08:28.350
don't know. But I love the movies. There are
00:08:28.350 --> 00:08:30.089
videos out there. I don't know if you've seen.
00:08:30.509 --> 00:08:32.549
I forget what it's called, but I ran across some
00:08:32.549 --> 00:08:36.230
pretty creepy YouTube videos of a guy, hairless
00:08:36.230 --> 00:08:39.250
guy, telling you he came from the future and
00:08:39.250 --> 00:08:40.730
all the things that are going to happen. And
00:08:40.730 --> 00:08:42.750
a lot of the stuff he said is happening. So,
00:08:42.769 --> 00:08:46.360
I mean, I'm just saying. It's true. It is true.
00:08:46.460 --> 00:08:47.960
There is some weird stuff going on. I mean, we
00:08:47.960 --> 00:08:51.379
got our own government putting out the UFO videos,
00:08:51.659 --> 00:08:54.700
UAP videos today. So who knows? Time travel could
00:08:54.700 --> 00:08:57.820
be possible. Yeah. I think people will be massively
00:08:57.820 --> 00:09:00.059
disappointed when they see what the government
00:09:00.059 --> 00:09:03.120
is releasing on UFOs. Yeah. Yeah. They're going
00:09:03.120 --> 00:09:05.240
to have to drip feed this or give us something
00:09:05.240 --> 00:09:09.159
good. But this movie, it starts off kind of normal,
00:09:09.240 --> 00:09:11.419
you know, and then they kill somebody. Like,
00:09:11.460 --> 00:09:15.600
it's wild. And Vince Vaughn is the sultan of
00:09:15.600 --> 00:09:19.960
fast talk. Like I said, James Mardsen, a man
00:09:19.960 --> 00:09:22.580
who's been unfairly handsome for three decades
00:09:22.580 --> 00:09:25.620
straight. Am I correct? He's like Paul Rudd.
00:09:25.620 --> 00:09:30.419
Yeah. Yeah. Yeah. I thought this movie, though,
00:09:30.500 --> 00:09:32.559
it was a lot. You got to watch it multiple times.
00:09:32.740 --> 00:09:35.639
It's a multiple watch flick because you're going
00:09:35.639 --> 00:09:38.539
to see something different. Yeah. Anything come
00:09:38.539 --> 00:09:41.159
on the second watch for you that you didn't?
00:09:41.419 --> 00:09:44.019
Catching the first or that you were like, oh,
00:09:44.240 --> 00:09:48.120
I would have missed that. You know, the one thing
00:09:48.120 --> 00:09:50.659
that really stood out to me was that one last
00:09:50.659 --> 00:09:54.700
job trope. That's what stood out to me. It was
00:09:54.700 --> 00:10:01.360
like, OK, one last job. But in real life is are
00:10:01.360 --> 00:10:03.639
we attracted to that because we're all trying
00:10:03.639 --> 00:10:07.179
to find the exit ramp to our nine to five? You
00:10:07.179 --> 00:10:09.279
know, like, is that what? So I started looking
00:10:09.279 --> 00:10:11.419
at it and reflecting on real life stuff and thinking
00:10:11.419 --> 00:10:15.000
about it. And that's where I kind of landed on.
00:10:15.200 --> 00:10:18.879
So what about you, though? Yeah. You know, I
00:10:18.879 --> 00:10:21.500
remember going through the D .A .R .E. program.
00:10:23.080 --> 00:10:26.460
Stick with me for a second. Hold on. I'm getting
00:10:26.460 --> 00:10:28.440
to something here. We remember, you know, we
00:10:28.440 --> 00:10:30.100
all did the D .A .R .E. program. They did talk
00:10:30.100 --> 00:10:34.200
about gangs. Yeah. And I remember being extremely
00:10:34.200 --> 00:10:40.129
terrified. Not that. I was really susceptible
00:10:40.129 --> 00:10:43.730
to being invited to a gang. Yeah. Demographic,
00:10:43.850 --> 00:10:47.129
gender, all the things. But I remember being
00:10:47.129 --> 00:10:49.350
like, I don't want to get involved in anything
00:10:49.350 --> 00:10:51.950
I can't get out of. Right? Because they made
00:10:51.950 --> 00:10:55.590
it, you feel like. Yeah. Get yourself into these
00:10:55.590 --> 00:10:59.169
gang related things and there's no getting out.
00:10:59.509 --> 00:11:02.929
Like, the only way out is death or jail, you
00:11:02.929 --> 00:11:06.879
know, prison. You just, it terrified me. More
00:11:06.879 --> 00:11:10.139
than it should have. I was like, I can't say
00:11:10.139 --> 00:11:12.340
yes to anything that I can't get myself out of.
00:11:12.360 --> 00:11:14.419
Like, there's not an exit plan or, you know,
00:11:14.419 --> 00:11:19.299
a way out. But that's why this trope, you know,
00:11:19.320 --> 00:11:21.320
James Martin playing this character where he's
00:11:21.320 --> 00:11:23.659
like, I'm retiring. I'm going to be done. I was
00:11:23.659 --> 00:11:28.080
like, you can't do that. Yeah. You decide to
00:11:28.080 --> 00:11:31.440
be done. They're going to suck you back in. And
00:11:31.440 --> 00:11:34.700
I was right. Pegged in for the ride. You know?
00:11:35.559 --> 00:11:39.919
The movie, though, it really never stops. It's
00:11:39.919 --> 00:11:42.399
like you're hooked the entire time watching this
00:11:42.399 --> 00:11:46.000
thing. What is it, about two hours long, too?
00:11:46.460 --> 00:11:50.740
But it was highly entertaining. One of those
00:11:50.740 --> 00:11:53.820
that happens all in one night? Yeah. Right? So
00:11:53.820 --> 00:11:55.299
there's all this activity going on, but you're
00:11:55.299 --> 00:11:58.720
like, oh, my gosh. The sun hasn't even come up
00:11:58.720 --> 00:12:01.539
yet. Exactly. So it's one of these that just,
00:12:01.679 --> 00:12:05.059
yeah, it takes over. I don't want to give away
00:12:05.059 --> 00:12:06.740
too many of the scenes because they are wild.
00:12:06.820 --> 00:12:09.980
They are crazy. And I remember the one where
00:12:09.980 --> 00:12:12.340
they're just in the house and they're basically
00:12:12.340 --> 00:12:16.500
finding out what's going on. And it's pure chaos.
00:12:16.639 --> 00:12:19.100
This whole movie was pure chaos. In the opening
00:12:19.100 --> 00:12:22.779
scene, there's a nice little nod to some other
00:12:22.779 --> 00:12:24.940
shows. And they make lots of references in this
00:12:24.940 --> 00:12:29.440
movie to other stuff with some of it being very,
00:12:29.519 --> 00:12:33.220
very clear. Gilmore Girls, they crushed that.
00:12:34.590 --> 00:12:36.909
So funny. Did you catch this one? The opening
00:12:36.909 --> 00:12:39.809
sequence with the numbers? 4, 8, 15, 16, 23,
00:12:39.950 --> 00:12:43.210
42? No. It says it on the chalkboard, do not
00:12:43.210 --> 00:12:45.129
use. You know what those numbers are, right?
00:12:45.230 --> 00:12:49.049
That's from Lost. Yes. The famous numbers from
00:12:49.049 --> 00:12:52.179
Lost. crossovers here. I was just impressed that
00:12:52.179 --> 00:12:54.279
they were like, oh, they're using a Disney song.
00:12:54.820 --> 00:12:57.200
Ben Schwartz played Simon and he's singing a
00:12:57.200 --> 00:12:59.379
Disney song and I'm going, oh, this is the cross.
00:12:59.440 --> 00:13:02.100
This is when you get Disney rights to everything
00:13:02.100 --> 00:13:05.980
and you can use it in a rated R movie. Yeah.
00:13:06.179 --> 00:13:11.860
There was another little Keith David. You know,
00:13:11.879 --> 00:13:15.759
Keith David here in the movie. Sosa. Apple has
00:13:15.759 --> 00:13:18.159
this, I don't know if it's written, unwritten
00:13:18.159 --> 00:13:23.009
rule where If a bad guy in a movie uses a phone,
00:13:23.110 --> 00:13:25.990
it can't be an iPhone. Keith Davis, the bad guy,
00:13:26.049 --> 00:13:27.830
uses an iPhone in this movie. So how'd they get
00:13:27.830 --> 00:13:29.309
away with that? Like there's a lot of these little
00:13:29.309 --> 00:13:31.669
– and that's one that a lot of people don't even
00:13:31.669 --> 00:13:33.950
know about. Like that's how – You didn't know
00:13:33.950 --> 00:13:37.690
about that. You knew about that one? No, I didn't.
00:13:37.769 --> 00:13:42.710
I'm intrigued. I want to know how they got away
00:13:42.710 --> 00:13:46.590
with that and who else noticed that. Yeah, I
00:13:46.590 --> 00:13:49.350
picked up on that because that's not – common
00:13:49.350 --> 00:13:53.850
to see the villain or the so -called bad guy
00:13:53.850 --> 00:13:56.070
whatever you want to call him in a movie or a
00:13:56.070 --> 00:13:58.409
tv show use an iphone go look go see if you can
00:13:58.409 --> 00:14:00.330
find anybody doing that what what what scenes
00:14:00.330 --> 00:14:03.789
stood out to you no matter what happens you got
00:14:03.789 --> 00:14:05.450
to chloroform the guy who opens the door right
00:14:05.450 --> 00:14:08.710
so this is like the instructions he goes to the
00:14:08.710 --> 00:14:11.929
door and it's nick at the door right because
00:14:11.929 --> 00:14:15.990
we find out later that's present now yeah my
00:14:15.990 --> 00:14:18.799
question is Would you be able to follow through
00:14:18.799 --> 00:14:21.320
with the instructions if something that weird
00:14:21.320 --> 00:14:24.639
happened? I don't know. Because you see him kind
00:14:24.639 --> 00:14:27.019
of hesitate, and then he's like going for it.
00:14:27.379 --> 00:14:29.580
I don't know if I would go through with it. I
00:14:29.580 --> 00:14:32.039
would be like, what are you doing here? I thought
00:14:32.039 --> 00:14:35.299
you were in the car. You'd probably, I don't
00:14:35.299 --> 00:14:37.919
know. You would probably have to give me a little
00:14:37.919 --> 00:14:41.019
more information up front, and I'd probably be
00:14:41.019 --> 00:14:42.980
more okay with it. If you told me I was going
00:14:42.980 --> 00:14:45.539
to go up there and see another version of you,
00:14:45.639 --> 00:14:50.009
then. I'm going to be like, uh, all right. Appreciate
00:14:50.009 --> 00:14:52.250
you letting me know. So I wasn't shocked when
00:14:52.250 --> 00:14:54.409
I got up, you know, kind of like kind of one
00:14:54.409 --> 00:14:57.769
of them things, but yeah, I, I don't know if
00:14:57.769 --> 00:15:00.230
I could follow through. I don't know. Yeah. Cause
00:15:00.230 --> 00:15:03.649
I think that if, if you told me and I'm not an
00:15:03.649 --> 00:15:05.529
assassin, so what do I know? But like, if it
00:15:05.529 --> 00:15:08.350
was a job I had to do and they were like, the
00:15:08.350 --> 00:15:10.509
guy who answers the door is going to look exactly
00:15:10.509 --> 00:15:14.840
like me. Just know that. Yeah. I'll explain that
00:15:14.840 --> 00:15:17.559
later, but I want you to just do this thing,
00:15:17.679 --> 00:15:19.740
right? Then I'm like, okay, I know what to expect.
00:15:19.960 --> 00:15:21.899
I know what I'm going in there for. But if he
00:15:21.899 --> 00:15:24.919
answers the door like it happens in this movie,
00:15:24.980 --> 00:15:29.080
my thought was I don't think I would still go
00:15:29.080 --> 00:15:31.039
through with it. I think I would probably hesitate
00:15:31.039 --> 00:15:34.700
and go, wait, why are you in the house? I got
00:15:34.700 --> 00:15:38.340
your car. What's going on? I'd be all kinds of
00:15:38.340 --> 00:15:42.519
confused. Yeah, honestly. Real answer? No, I
00:15:42.519 --> 00:15:44.320
couldn't follow through because I'd be so confused
00:15:44.320 --> 00:15:47.059
at what was going on that I wouldn't know probably
00:15:47.059 --> 00:15:51.379
how to act. It's not every day you walk into
00:15:51.379 --> 00:15:54.240
that type of situation. I like the scene, the
00:15:54.240 --> 00:15:58.539
after, after, after party. Sosa's son, Jimmy
00:15:58.539 --> 00:16:02.679
boy, celebrating getting out of jail. Four parties
00:16:02.679 --> 00:16:07.019
deep into a bender. And the three leads plus
00:16:07.019 --> 00:16:09.870
the... Yeah, future Nick decide to stop running
00:16:09.870 --> 00:16:13.190
and just liquidate the problem. Neon -soaked
00:16:13.190 --> 00:16:16.370
tactical sweep of a mansion filled with bumbling
00:16:16.370 --> 00:16:20.230
but dangerous mobsters. This is wild to me. You
00:16:20.230 --> 00:16:22.490
know, you got future Nick acting like a video
00:16:22.490 --> 00:16:24.590
game veteran who knows where all the enemies
00:16:24.590 --> 00:16:27.389
are spawning in while Mike is just trying to
00:16:27.389 --> 00:16:30.830
keep his no -killing streak alive and failing
00:16:30.830 --> 00:16:35.370
miserably, by the way. And then you got the climax
00:16:35.370 --> 00:16:37.870
here when they think they've won. dying jimmy
00:16:37.870 --> 00:16:41.690
boy gets one last shot off and he hits nick present
00:16:41.690 --> 00:16:45.409
nick in the neck and then we get the present
00:16:45.409 --> 00:16:47.950
nick bleeding out in the back seat the oasis
00:16:47.950 --> 00:16:51.929
don't look back in anger i thought it was incredible
00:16:51.929 --> 00:16:54.850
this whole final fantastic matt was actually
00:16:54.850 --> 00:16:58.330
singing along next to me yeah right stoic husband
00:16:58.330 --> 00:17:03.419
he was like this is a great song The final act
00:17:03.419 --> 00:17:05.380
of this thing really did. It had you singing
00:17:05.380 --> 00:17:09.779
out loud. Like it was wild. Yeah. You know, that's
00:17:09.779 --> 00:17:14.180
crazy. Ahead of time too. When, uh, earlier in
00:17:14.180 --> 00:17:18.140
the movie, they, um, Alice does something to
00:17:18.140 --> 00:17:22.259
present day Nick. Yes. Stabs him or something.
00:17:22.359 --> 00:17:25.839
And then they check to see if future Nick ends
00:17:25.839 --> 00:17:29.400
up with a scar or like, does it affect? And so
00:17:29.400 --> 00:17:31.579
you knew that if something happens to present
00:17:31.579 --> 00:17:33.980
-day Nick, you know, as he's bleeding out in
00:17:33.980 --> 00:17:35.700
the car, you're like not sure if he's going to
00:17:35.700 --> 00:17:38.539
make it. You're realizing this whole time that
00:17:38.539 --> 00:17:42.440
if he goes, other Nick is going to go too, right?
00:17:42.819 --> 00:17:46.339
Yeah. Hence. Yeah, and you got a paradox here
00:17:46.339 --> 00:17:51.059
too because it's as present Nick is dying and
00:17:51.059 --> 00:17:53.640
dies, future Nick starts to fade away like Marty
00:17:53.640 --> 00:17:57.220
McFly. You know, at the enchantment under the
00:17:57.220 --> 00:18:01.859
sea dance in Back to the Future. To me, that's
00:18:01.859 --> 00:18:03.960
a parallel frequency type of moment. You know,
00:18:03.980 --> 00:18:06.599
a character literally watching himself cease
00:18:06.599 --> 00:18:10.720
to exist while singing some rip -pop oasis, Don't
00:18:10.720 --> 00:18:13.740
Look Back in Danger. Or Don't Look Back in Anger.
00:18:14.660 --> 00:18:17.339
I think there's a sequel going to come, too.
00:18:17.400 --> 00:18:20.259
You know, because Alice reveals that there's
00:18:20.259 --> 00:18:23.240
a... Yeah, there's a second time machine. So
00:18:23.240 --> 00:18:24.759
Mike realizes he's going to have to go back to
00:18:24.759 --> 00:18:27.339
the start of the night to save everybody, turning
00:18:27.339 --> 00:18:30.119
the whole movie into one giant loop. We kind
00:18:30.119 --> 00:18:32.220
of saw something similar with, what was the movie?
00:18:32.319 --> 00:18:34.880
Good luck, have fun, don't die. That's right.
00:18:35.019 --> 00:18:37.279
That's exactly what I was thinking. It reminded
00:18:37.279 --> 00:18:39.660
me of how, like, how many times have you played
00:18:39.660 --> 00:18:43.579
out this night? Yeah. Get it right and maybe
00:18:43.579 --> 00:18:46.799
save some lives. That's what they're about to
00:18:46.799 --> 00:18:49.319
do. So I would be all for a sequel if they went
00:18:49.319 --> 00:18:53.269
that direction. I was highly shocked and surprised
00:18:53.269 --> 00:18:57.750
by this movie and highly entertained more than
00:18:57.750 --> 00:19:00.750
anything. So a sequel to this, I'll be the first
00:19:00.750 --> 00:19:03.849
in line on my couch to watch it at home because
00:19:03.849 --> 00:19:06.630
it'll probably be on streaming service. I think
00:19:06.630 --> 00:19:08.289
the movie was incredible. I thought the idea
00:19:08.289 --> 00:19:10.730
was great. I thought the execution was even better.
00:19:11.069 --> 00:19:15.890
The acting, chef's kiss, as they say. Yeah, this
00:19:15.890 --> 00:19:18.990
is Vince Vaughn's character. Like, this type
00:19:18.990 --> 00:19:20.849
of character. Because, I mean, let's be honest,
00:19:21.029 --> 00:19:24.230
and no criticism whatsoever, but Vince Vaughn
00:19:24.230 --> 00:19:26.430
is one of those kind of actors who, he plays
00:19:26.430 --> 00:19:29.630
himself in different versions, in different characters,
00:19:29.670 --> 00:19:31.470
in different movies, right? Like, he does a great
00:19:31.470 --> 00:19:35.309
job. He just doesn't deviate too far from just
00:19:35.309 --> 00:19:39.029
this Vince Vaughn, who he is. And I think Nick
00:19:39.029 --> 00:19:43.470
is the perfect character for him. Oh, yeah. Yeah.
00:19:44.250 --> 00:19:46.849
Love this movie. You got to watch this movie.
00:19:46.930 --> 00:19:50.130
Go watch it. It's on, what was it on? Hulu Prime?
00:19:50.230 --> 00:19:53.309
What was it on? Hulu, yeah. Hulu, Disney Plus,
00:19:53.549 --> 00:19:56.509
Hulu, all that. We were talking about, you can
00:19:56.509 --> 00:19:58.890
watch it on Disney Plus, I'm sure too, if you
00:19:58.890 --> 00:20:01.690
want. They've just got all of those thrown together.
00:20:02.430 --> 00:20:06.190
Yeah, yeah. You got any more thoughts on this
00:20:06.190 --> 00:20:09.089
before we get into Freaky Friday? Yeah, oh, I'm
00:20:09.089 --> 00:20:10.809
so excited for Freaky Friday, but let me just
00:20:10.809 --> 00:20:14.319
say before we end with this movie. That as a
00:20:14.319 --> 00:20:17.480
person who works in the energy link, this is
00:20:17.480 --> 00:20:20.220
my frequency I bring to parallel frequencies.
00:20:20.920 --> 00:20:25.140
The idea of self -reflection, of being able to
00:20:25.140 --> 00:20:29.079
see yourself as you truly are and as people see
00:20:29.079 --> 00:20:31.980
you is played out really well. I think in these
00:20:31.980 --> 00:20:34.420
time travel type, you know, parallel universes
00:20:34.420 --> 00:20:37.200
type of movies, the science fiction of it. you
00:20:37.200 --> 00:20:39.440
get a chance to peek at what it would be like
00:20:39.440 --> 00:20:42.980
to see yourself and reflect on that. And sometimes
00:20:42.980 --> 00:20:45.339
you see things you don't like or you see things
00:20:45.339 --> 00:20:48.279
that you regret or you feel guilty or you feel
00:20:48.279 --> 00:20:50.980
shame about. And I love seeing that play out
00:20:50.980 --> 00:20:52.960
in this movie. I mean, it was a super funny movie.
00:20:53.079 --> 00:20:55.480
Obviously, it's a thriller. You got a lot of
00:20:55.480 --> 00:20:58.200
action going on. But I just want to point out
00:20:58.200 --> 00:21:02.480
that there is also this deeper level of maybe
00:21:02.480 --> 00:21:07.529
drama going on in the genre too in that You see
00:21:07.529 --> 00:21:11.549
Nick's character. He's only six months away from
00:21:11.549 --> 00:21:16.690
present -day Nick. Yeah. And the way he played
00:21:16.690 --> 00:21:20.089
such a different character, because it is. It's
00:21:20.089 --> 00:21:25.230
subtle. It's the same person. But future Nick
00:21:25.230 --> 00:21:27.809
is a little wiser, a little more self -aware,
00:21:27.890 --> 00:21:30.769
and is able to look at himself and go, I don't
00:21:30.769 --> 00:21:33.230
like that asshole. Yeah. I don't like that guy.
00:21:33.430 --> 00:21:36.599
And I'm not him anymore. And I won't be him anymore,
00:21:36.779 --> 00:21:39.440
you know? And that's really powerful because
00:21:39.440 --> 00:21:43.900
healing, as I have said a thousand times on Practically
00:21:43.900 --> 00:21:46.339
Magic, and I will say it everywhere I possibly
00:21:46.339 --> 00:21:49.759
can, healing is witnessing. It's not fixing anything.
00:21:49.940 --> 00:21:52.720
It's just witnessing yourself. So in this case,
00:21:52.940 --> 00:21:56.940
Nick being able to witness himself and be like,
00:21:57.019 --> 00:22:00.200
I know that guy. I understand that guy. I have
00:22:00.200 --> 00:22:02.359
compassion for that guy. I know why he is the
00:22:02.359 --> 00:22:04.650
way he is. But I don't want to be him anymore.
00:22:05.089 --> 00:22:08.289
Yeah. He's powerful. Great acting job, too, because
00:22:08.289 --> 00:22:09.730
you've got to play two different characters as
00:22:09.730 --> 00:22:12.230
the same person. Same person, six months apart.
00:22:12.390 --> 00:22:14.829
Yeah, that's a great perspective, great point
00:22:14.829 --> 00:22:18.150
out, great view, Coco. Let's get to Freaky Friday,
00:22:18.309 --> 00:22:22.910
because I'm excited, too. Yeah. And we did Boy
00:22:22.910 --> 00:22:25.809
Meets World. Was that last week? Last week. We
00:22:25.809 --> 00:22:28.329
did Boy Meets World. We got a lot of feedback
00:22:28.329 --> 00:22:34.720
on some of this stuff. At CodyRogers1300 says,
00:22:34.920 --> 00:22:37.980
Sabrina the Teenage Witch. And we got a lot of
00:22:37.980 --> 00:22:42.720
these. At AaronPalmer983, step by step. At Kyle
00:22:42.720 --> 00:22:46.059
says, and they're talking about TGIF line up.
00:22:46.140 --> 00:22:47.980
He says, wonder if there's a little bit more.
00:22:48.400 --> 00:22:52.579
I was going to mention it. Yeah. So there's a
00:22:52.579 --> 00:22:54.500
lot of people that jumped in on this. They had
00:22:54.500 --> 00:22:59.180
a good time commenting on TGIF stuff. Here's
00:22:59.180 --> 00:23:03.769
a fun one. At Popeye6659 says, because we were
00:23:03.769 --> 00:23:07.210
talking about having crushes on Topanga in Boy
00:23:07.210 --> 00:23:10.329
Meets World. He says, I had a crush on Thelma
00:23:10.329 --> 00:23:14.210
from Good Times. Yes, I'm old. No shame there.
00:23:14.549 --> 00:23:18.269
No shame there, Thelma. No, not at all. Love
00:23:18.269 --> 00:23:24.990
that. Yeah. And at Kane Allen says, I'm. I'm
00:23:24.990 --> 00:23:27.869
born in 83. Please stop talking about this as
00:23:27.869 --> 00:23:30.289
if it's old as shit. Listen, I was born in 83
00:23:30.289 --> 00:23:33.009
yet, too. I'll just give you my age now. And
00:23:33.009 --> 00:23:34.890
this movie that we were talking about that you
00:23:34.890 --> 00:23:37.529
mentioned in the sleepaway camp is old as shit,
00:23:37.609 --> 00:23:40.890
okay? Sorry. I'm sorry, Kane Allen. You're going
00:23:40.890 --> 00:23:42.950
to have to just... It's a little obvious when
00:23:42.950 --> 00:23:45.950
you watch it. Yeah. Like, we don't have to say
00:23:45.950 --> 00:23:50.849
it when you watch it. One more comment on sleepaway
00:23:50.849 --> 00:23:54.319
camp. And we had a comment, did Ricky know? And
00:23:54.319 --> 00:23:59.519
Jennifer Long, Long, Long, Long Harris, he didn't
00:23:59.519 --> 00:24:01.819
know, she says. And we had a couple people jumping
00:24:01.819 --> 00:24:04.380
in on that, trying to say if he knew, if he didn't
00:24:04.380 --> 00:24:10.500
know. I felt that. Yeah. So one more towards
00:24:10.500 --> 00:24:18.000
Sleepaway Camp. At Evan. Vittorino says the only
00:24:18.000 --> 00:24:21.019
accurate way to describe the 80s is aggressive.
00:24:21.599 --> 00:24:25.359
Correct. That's so accurate. And Sleepaway Camp
00:24:25.359 --> 00:24:29.920
was one of the most aggressive movies from that
00:24:29.920 --> 00:24:34.920
era, right? I mean, the kids. Okay, I don't know
00:24:34.920 --> 00:24:37.900
if I mentioned this yesterday, or when was it
00:24:37.900 --> 00:24:40.519
we did it? Wednesday. Two days ago. I was like,
00:24:40.599 --> 00:24:43.880
even the kids, when she gets... thrown in the
00:24:43.880 --> 00:24:46.299
lake by the bullies and they're laughing at her
00:24:46.299 --> 00:24:48.759
and then ricky's kind of like trying to help
00:24:48.759 --> 00:24:51.279
her and pull her out the kids are throwing sand
00:24:51.279 --> 00:24:57.019
at her i'm like why is everybody so mean they
00:24:57.019 --> 00:24:59.619
were awful like if you want i just think people
00:24:59.619 --> 00:25:01.579
should be kind to each other okay adjust they
00:25:01.579 --> 00:25:04.220
should love and kindness in this world and that's
00:25:04.220 --> 00:25:07.799
all there is big time big time but that's gonna
00:25:07.799 --> 00:25:11.319
do it and i hope We get a great weekend this
00:25:11.319 --> 00:25:13.460
weekend. I hope prom goes good for you. Next
00:25:13.460 --> 00:25:17.079
week. What are we doing next week? Next week.
00:25:17.779 --> 00:25:21.220
I feel like I have to say it just because this
00:25:21.220 --> 00:25:24.599
movie, Mike, Nick, Nick and Alice talked about
00:25:24.599 --> 00:25:26.759
the show we're going to talk about next week
00:25:26.759 --> 00:25:30.779
several times. And that wasn't even planned.
00:25:30.940 --> 00:25:33.039
I was like, I can't believe they're actually
00:25:33.039 --> 00:25:34.660
talking about this show. We're going to talk
00:25:34.660 --> 00:25:37.180
about it next week. It's Gilmore Girls on Wistful
00:25:37.180 --> 00:25:41.279
Wednesday. Oh, my gosh. So do your rewatch, everybody.
00:25:41.539 --> 00:25:44.559
We know Gilmore Girls is back in the limelight.
00:25:44.660 --> 00:25:46.380
I don't know what it is about that show, but
00:25:46.380 --> 00:25:48.799
it was popular when it came out. And then it
00:25:48.799 --> 00:25:52.240
was quiet. And then it has had this rewatch revival
00:25:52.240 --> 00:25:57.200
in the last five years. So we're doing that next
00:25:57.200 --> 00:26:01.259
week. A resurgence has happened. Did they make
00:26:01.259 --> 00:26:03.380
a new version of Gilmore Girls not long ago,
00:26:03.400 --> 00:26:05.960
a couple years back? Did they? Did they do like
00:26:05.960 --> 00:26:10.269
a reunion show? I feel like they did a reunion,
00:26:10.670 --> 00:26:13.910
revival. I can't say for sure that happened.
00:26:14.130 --> 00:26:16.170
I thought it was on Netflix or something. Maybe
00:26:16.170 --> 00:26:17.809
I could be making all that up. I guess we'll
00:26:17.809 --> 00:26:19.789
look at it when we do our deep dive on Gilmore
00:26:19.789 --> 00:26:23.849
Girls. Because all of the shows and movies next
00:26:23.849 --> 00:26:30.009
week are Mother's Day themed. So listen, Mother's
00:26:30.009 --> 00:26:32.170
Day is Sunday. That's right. We want everybody
00:26:32.170 --> 00:26:36.980
to know that mothers are the mother. Okay? all
00:26:36.980 --> 00:26:39.759
y 'all and not only it not a few birth children
00:26:39.759 --> 00:26:42.200
that's not the only mothers we're talking about
00:26:42.200 --> 00:26:45.839
i mean everybody everybody who deserves that
00:26:45.839 --> 00:26:48.500
title of mother because they mother do you know
00:26:48.500 --> 00:26:50.960
what i mean yeah you know what i mean like they
00:26:50.960 --> 00:26:55.559
mother so we're celebrating all the mothers of
00:26:55.559 --> 00:26:58.920
fur babies of their community of their what uh
00:26:58.920 --> 00:27:01.259
mothers all the mothers we're celebrating next
00:27:01.259 --> 00:27:03.180
week so we're going to be doing all the movies
00:27:03.180 --> 00:27:08.029
and shows Movie Monday will be Hamnet. Okay.
00:27:08.549 --> 00:27:10.509
Now, granted, that one could be a mother's and
00:27:10.509 --> 00:27:14.869
father's. But let's give her the credit that
00:27:14.869 --> 00:27:17.289
she deserves. The mother of Hamnet. So we're
00:27:17.289 --> 00:27:18.730
going to watch that. We're going to do that movie
00:27:18.730 --> 00:27:21.750
for Monday. We are going to do an overview of
00:27:21.750 --> 00:27:24.930
Moms of TV for Tube Tuesday next week. Oh, I
00:27:24.930 --> 00:27:27.430
can't wait. Generally broad, all the mothers.
00:27:27.950 --> 00:27:30.250
We got a couple of interviews with some TV moms.
00:27:30.430 --> 00:27:32.130
Maybe we'll put those in there. We've talked
00:27:32.130 --> 00:27:35.509
to Patricia Richardson. Who else did we talk
00:27:35.509 --> 00:27:40.690
to? Lawrence. Mama. Mama's family, right? Mama.
00:27:40.809 --> 00:27:43.750
We'll put that interview up. I guarantee we'll
00:27:43.750 --> 00:27:45.190
put that interview up. It'll be never before
00:27:45.190 --> 00:27:47.529
seen. She's wild. I'm going to tell you, I remember
00:27:47.529 --> 00:27:49.970
that one. Do you remember how wild she was? We're
00:27:49.970 --> 00:27:51.890
going to have to cut out a couple of things that
00:27:51.890 --> 00:27:54.589
she said, but we've got a little bit there that
00:27:54.589 --> 00:27:56.569
we talked to Vicky, and she's amazing. I love
00:27:56.569 --> 00:27:59.289
her. All right. Yeah. Gilmore Girls, obviously,
00:27:59.369 --> 00:28:01.779
was for Wednesday. we'll be doing trailer park
00:28:01.779 --> 00:28:04.059
thursdays we normally do and then feature friday
00:28:04.059 --> 00:28:06.579
we're doing undertone now that might not be but
00:28:06.579 --> 00:28:09.079
we had to stick that movie in somewhere and we
00:28:09.079 --> 00:28:14.640
had to do it so have you seen it yet no i i watched
00:28:14.640 --> 00:28:19.799
it i watched it right here in my studio uh late
00:28:19.799 --> 00:28:22.720
at night dark everything in it and it added to
00:28:22.720 --> 00:28:28.160
it i'm gonna tell you right now uh it's a soundscape
00:28:28.160 --> 00:28:33.059
okay it is it's Yes, it's a fun... Yes, get ready
00:28:33.059 --> 00:28:34.480
for that. I can't wait. I'm already hyped up
00:28:34.480 --> 00:28:38.279
about that. Happy Mother's Day to you, Coco.
00:28:38.740 --> 00:28:41.660
Thank you. There you go. Make sure we get that
00:28:41.660 --> 00:28:45.619
sent to you. Send your comments to Coco. Tell
00:28:45.619 --> 00:28:48.099
her Happy Mother's Day. Send her gifts. She's
00:28:48.099 --> 00:28:50.180
probably got an Amazon wish list. Go get that.
00:28:50.539 --> 00:28:53.619
You might need coffee. Guys, you might need coffee.
00:28:53.880 --> 00:28:59.319
I'm the happiest. Good to go. That's all I need.
00:28:59.690 --> 00:29:03.170
I love that. Well, listen, that's going to do
00:29:03.170 --> 00:29:06.470
it for this edition of Parallel Frequencies.
00:29:07.069 --> 00:29:09.730
Whether you were ripping through a neon city,
00:29:09.950 --> 00:29:13.369
listen to us or folding laundry in the suburbs.
00:29:14.190 --> 00:29:16.730
You were you were in the right place. OK, right
00:29:16.730 --> 00:29:18.730
here. Parallel Frequencies. I am just playing.
00:29:18.769 --> 00:29:21.450
She is Coco. We are freaks. You are the freaks.
00:29:21.970 --> 00:29:24.529
Can't wait to see you next week. Have a great
00:29:24.529 --> 00:29:26.289
weekend and we'll see you on the other side.