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For Yue Song, confidence didn’t come first—it arrived after years of imitation, theory, and hesitation. Growing up in China, Yue learned piano alongside her sister, studying under traditional mentors who emphasized balance and restraint. But it wasn’t until she moved to Ireland, surrounded by exper…
Michael Frazier reflects on the importance of mentorship and advocacy as his musical identity sharpened during his time at Eastman. Encouraged by teachers who supported sincerity over conformity, he describes learning not only to follow his instincts but to articulate why certain influences—particu…
Nicolás Lell Benavides reflects on the intersection of art, ethics, and responsibility—how writing about water, folklore, and humanity connects to a deeper sense of duty. He and Tyler talk about motivation, artistic purpose, and why composing with conviction matters even when the impact isn’t immed…
Biting into sound, Emily Koh tells Tyler Kline how meals became both inspiration and material for her music—from writing pieces based on chewing insects to dreaming up scores for specific dishes. She explains why chefs are fellow artists, why bad background music ruins cooking videos, and how a pla…
C. Jacqueline Wood describes her film This Is a Movie as a kind of funeral—for unfinished projects, abandoned ideas, and the dreams she didn’t have the resources or time to complete. Drawing on footage from nine separate works, including deeply personal infertility documentation, she reshaped fragm…
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