E141: Exclusive Interview with the Cast & Crew of THE DEATH OF SNOW WHITE!

WEBVTT
1
00:00:00.640 --> 00:00:03.960
Slashing Cast behind a master.
2
00:00:04.000 --> 00:00:08.759
It could be anything, something to make you scream, something
3
00:00:08.880 --> 00:00:13.759
you've never seen god lacking knife snare, could be some
4
00:00:14.080 --> 00:00:18.800
mead you iss you never bed chosen for the Slasher
5
00:00:18.920 --> 00:00:30.640
Seed do not you right space dot com holifathful film's
6
00:00:30.719 --> 00:00:34.799
the take all. The Slasher has no tel dot go
7
00:00:35.079 --> 00:00:36.799
all about till Make.
8
00:00:36.719 --> 00:00:37.840
Every Death Count?
9
00:00:40.039 --> 00:00:42.679
What's happening? Love is what's going on. We're gonna get tropical.
10
00:00:42.719 --> 00:00:45.719
We're gonna get tropical. Welcome back to another episode of
11
00:00:45.799 --> 00:00:48.039
Make Every Death Count, brought to you by the Slashing
12
00:00:48.119 --> 00:00:52.039
Cast Podcast Network. Today, I'm your only host. My name
13
00:00:52.119 --> 00:00:55.880
is Riley. Today we have a very special episode for you,
14
00:00:56.000 --> 00:00:57.640
as this is an interview I did a couple of
15
00:00:57.679 --> 00:01:00.960
months back for the upcoming film The Death of snow White,
16
00:01:01.200 --> 00:01:04.319
and as it approaches its Los Angeles premiere on March
17
00:01:04.400 --> 00:01:07.239
twenty first, I felt now was the time to get
18
00:01:07.280 --> 00:01:10.200
this interview out there into the world, especially as they're
19
00:01:10.239 --> 00:01:14.400
looking to a Nationwine release in April. The Death of
20
00:01:14.439 --> 00:01:17.719
snow White's directed by Jason Brooks, who you may know
21
00:01:18.000 --> 00:01:21.159
from the fan films Friday at Thirteenth, Vengeance as well
22
00:01:21.200 --> 00:01:25.760
as Vengeance two and Roseblood. He is my favorite fan
23
00:01:25.879 --> 00:01:29.200
film Jason. I think he absolutely nails it, and that's
24
00:01:29.280 --> 00:01:32.840
why he's been so popular at conventions because he is
25
00:01:33.519 --> 00:01:36.519
such a great Jason Vorhees. But he's also proven himself
26
00:01:36.599 --> 00:01:40.200
to be a great director, as he did direct Vengeance two,
27
00:01:40.640 --> 00:01:43.480
and of course he's a great special effects artist. So
28
00:01:43.719 --> 00:01:45.280
that's one of the reasons I was excited for this
29
00:01:45.400 --> 00:01:47.840
film in the first place. The death of snow White.
30
00:01:47.920 --> 00:01:50.680
While it is still the story of snow White that
31
00:01:50.760 --> 00:01:54.159
you know and love, it's the original tale, that darker
32
00:01:54.359 --> 00:01:56.480
version of the story that you may have heard of,
33
00:01:56.879 --> 00:02:01.439
and you're combining that story with the skills of Jason
34
00:02:01.599 --> 00:02:05.920
and his girlfriend Naomi, who was well as extremely talented
35
00:02:06.000 --> 00:02:10.039
special effects artists. I'm so curious to see what they do,
36
00:02:10.560 --> 00:02:13.560
how they apply their skill set to the story of
37
00:02:13.719 --> 00:02:16.639
snow White, and you can find out soon, like I said,
38
00:02:16.719 --> 00:02:20.240
premiering next week March twenty first in Hollywood and the
39
00:02:20.400 --> 00:02:24.599
nationwide release in April. But this interview is super cool
40
00:02:24.719 --> 00:02:30.800
because it includes eleven eleven cast and crew members, So
41
00:02:30.919 --> 00:02:33.159
we brought in a whole bunch of people and it
42
00:02:33.280 --> 00:02:35.280
was a lot of fun to sit down and get
43
00:02:35.360 --> 00:02:38.240
to know them and let them build up the excitement
44
00:02:38.360 --> 00:02:40.360
for us. But I don't want to yap forever. I
45
00:02:40.479 --> 00:02:42.439
just wanted to make sure we got the introduction there.
46
00:02:42.560 --> 00:02:47.000
But without further ado, here is my exclusive interview with
47
00:02:47.080 --> 00:02:49.639
the cast and crew of the Death of Snow White.
48
00:02:49.960 --> 00:02:52.560
Enjoy. Hi everyone, my name is Andrew Scott Bell. I'm
49
00:02:52.599 --> 00:02:54.840
the film. I'm a film a TV composer, and I'll
50
00:02:54.879 --> 00:02:57.439
be writing the music or I am currently writing the
51
00:02:57.560 --> 00:02:59.319
music with the Death of Snow White.
52
00:02:59.719 --> 00:03:01.439
Guys, my name is christ and because I played the
53
00:03:01.479 --> 00:03:02.680
Prince and the Death of snow White.
54
00:03:02.960 --> 00:03:05.879
Hi, I'm Chelsea Edmondson. I play the evil Queen.
55
00:03:06.520 --> 00:03:06.639
Hi.
56
00:03:06.840 --> 00:03:09.520
My name is Snaia Luss and I play snow White.
57
00:03:10.439 --> 00:03:12.240
It's my name is Michael De Santo and I play
58
00:03:12.280 --> 00:03:14.280
the character of White.
59
00:03:14.680 --> 00:03:14.879
Oh.
60
00:03:15.159 --> 00:03:17.240
My name is Eric Pope and I am playing the
61
00:03:17.360 --> 00:03:18.400
role of Tiny.
62
00:03:19.000 --> 00:03:19.080
Hi.
63
00:03:19.319 --> 00:03:23.599
I'm Alie Chapman and I played the role of Arsta.
64
00:03:24.360 --> 00:03:24.479
Hi.
65
00:03:24.719 --> 00:03:27.680
I'm Resa May and I play the role of Pollen,
66
00:03:27.759 --> 00:03:28.800
one of the seven Dwarfs.
67
00:03:29.400 --> 00:03:29.520
Hi.
68
00:03:29.719 --> 00:03:31.840
My name is Colin Miller and I played Bow and
69
00:03:31.919 --> 00:03:33.599
the Death of Snow White and the Bird's.
70
00:03:33.639 --> 00:03:36.039
My name is Jeremy Helen. I play the role of
71
00:03:36.280 --> 00:03:38.439
Dozer in the Death of snow White.
72
00:03:38.919 --> 00:03:41.000
My name is Dylan Moore. I played Sunny in the
73
00:03:41.080 --> 00:03:42.080
Death of snow.
74
00:03:42.560 --> 00:03:45.879
That was impressive. I mean, we've already acomplished something here today,
75
00:03:49.599 --> 00:03:51.560
but I do want to start just getting you started here.
76
00:03:52.280 --> 00:03:55.560
The snow White, especially out of like all of these
77
00:03:55.639 --> 00:04:00.240
classic fairy tale stories, has been done many times, many
78
00:04:00.280 --> 00:04:02.759
many times. There's been weird takes on it. But the
79
00:04:02.840 --> 00:04:05.080
Death of snow White to me, from what I've seen,
80
00:04:05.199 --> 00:04:08.960
is it's this really unique combination of being very artistically driven,
81
00:04:09.800 --> 00:04:13.360
being scary, but also still telling a unique and loving
82
00:04:13.479 --> 00:04:16.279
story we like true romance to follow as well. So
83
00:04:17.079 --> 00:04:20.079
in your opinion, and whoever wants to start, I don't know,
84
00:04:20.199 --> 00:04:22.240
maybe we want to start with you, Sinaia as snow
85
00:04:22.279 --> 00:04:26.040
White is what about this story, you know, written and
86
00:04:26.120 --> 00:04:28.800
directed by Jason Brooks makes it different from what we've
87
00:04:28.839 --> 00:04:29.360
seen before.
88
00:04:31.319 --> 00:04:34.560
I think the biggest thing is just our snow White
89
00:04:34.959 --> 00:04:40.800
combines a lot of elements from like true like historical
90
00:04:41.160 --> 00:04:43.879
like happenings, as well as like it's a lot more
91
00:04:43.920 --> 00:04:48.759
of the grim version, which we haven't really seen told
92
00:04:48.839 --> 00:04:53.439
a lot in the film sphere, and also like pretty
93
00:04:53.519 --> 00:04:54.600
awesome effects.
94
00:04:55.079 --> 00:04:59.560
So it has already of very big blood.
95
00:04:59.639 --> 00:05:01.720
I mean, yeah, that's what it's going to make it
96
00:05:01.800 --> 00:05:04.000
stand out as well. I'm a big fan of the
97
00:05:04.439 --> 00:05:08.199
Evil Dead, Dead Alive. I haven't seen this much blood
98
00:05:08.360 --> 00:05:10.399
since those the days of those movies.
99
00:05:10.680 --> 00:05:14.000
Yeah, the effects really stand out in this picture. From
100
00:05:14.279 --> 00:05:18.319
the practical effects really stand out. I'd even add hell
101
00:05:18.399 --> 00:05:21.199
Raiser to that are a little bit a little bit
102
00:05:21.199 --> 00:05:23.720
of a hell Raiser. Once everyone sees the movie, they'll
103
00:05:23.759 --> 00:05:27.680
see the scene I'm specifically thinking about. But yeah, there's
104
00:05:27.680 --> 00:05:29.360
a lot of heart in this picture, and that's like
105
00:05:29.839 --> 00:05:33.720
really important to me on projects that I choose to
106
00:05:33.800 --> 00:05:36.040
work on. Is like, I work on a lot of
107
00:05:36.079 --> 00:05:38.279
horror movies and I try to pick I try to
108
00:05:38.319 --> 00:05:40.839
pick the ones that I think, you know, I have
109
00:05:40.959 --> 00:05:45.199
a little bit more than just the thrills and kills,
110
00:05:45.240 --> 00:05:45.759
you know what I mean?
111
00:05:46.079 --> 00:05:49.360
Yeah, I think that's from an outside of looking in
112
00:05:49.439 --> 00:05:51.639
that's kind of just seeing Jason Brooks any project he's
113
00:05:51.680 --> 00:05:54.199
working on is what gets me excited, because he does
114
00:05:54.319 --> 00:05:58.959
have the writing chops and everybody knows that he loves effects, right,
115
00:05:59.040 --> 00:06:02.360
there's very talented efects artists. So just kind of going
116
00:06:02.399 --> 00:06:05.560
off of that, what was it like actually seeing those
117
00:06:05.639 --> 00:06:08.759
effects in action, like on set, because it's one thing
118
00:06:08.800 --> 00:06:11.160
seeing it on a film, but where it can be terrifying,
119
00:06:11.199 --> 00:06:12.720
but I feel like it's just a blast to watch
120
00:06:12.839 --> 00:06:13.240
on set.
121
00:06:13.560 --> 00:06:15.439
Christin, you told the story the other day. I saw
122
00:06:15.519 --> 00:06:22.279
you tell the story the other day about a fire extinguisher. Yeah.
123
00:06:23.519 --> 00:06:26.040
I don't want to give too much away, but there
124
00:06:26.079 --> 00:06:30.360
were some practical effects where you know, Eric did say
125
00:06:30.399 --> 00:06:33.319
that there was forty gallons of blood and in order
126
00:06:33.360 --> 00:06:34.920
for them to use this forty gallons of blood, they
127
00:06:34.959 --> 00:06:37.800
used fire extinguishers to spray a lot of that blood
128
00:06:37.839 --> 00:06:44.040
on different characters. Other prosthetics that they used, like was
129
00:06:44.079 --> 00:06:49.120
a hand that looked incredibly real. Like I myself love
130
00:06:49.160 --> 00:06:51.040
special effects making up and I can tell which which
131
00:06:51.079 --> 00:06:53.480
looks good and which looks bad, but that it was
132
00:06:53.560 --> 00:06:56.319
so realistic and I knew exactly what hand they molded,
133
00:06:56.360 --> 00:06:57.759
and I was like, Jason, is this your hand? And
134
00:06:57.800 --> 00:07:00.959
he goes yes, and I take pictures. I showed it
135
00:07:00.959 --> 00:07:02.439
to everyone and they're like, why are you showing me
136
00:07:02.480 --> 00:07:05.279
a hand? And I was like, no, that's a prosthetic
137
00:07:05.360 --> 00:07:05.680
and they're like.
138
00:07:05.759 --> 00:07:06.160
No way.
139
00:07:06.920 --> 00:07:10.439
So it's it looks really real like they're like in
140
00:07:10.480 --> 00:07:11.319
the trailer.
141
00:07:12.600 --> 00:07:17.040
You see Chelsea's eye about to get you know, sewn
142
00:07:17.399 --> 00:07:18.360
eyelashes together.
143
00:07:19.680 --> 00:07:23.199
Spoiler alerts that's not her real life, but insane.
144
00:07:23.759 --> 00:07:27.120
Yeah, it wasn't. As it turns out, it wasn't. Thankfully
145
00:07:28.920 --> 00:07:29.639
it looks real.
146
00:07:30.319 --> 00:07:30.519
Yeah.
147
00:07:31.279 --> 00:07:34.759
Our effects team, it's incredibly impressive on this movie. It's
148
00:07:34.800 --> 00:07:37.160
the most impressive of any movie I've worked on in
149
00:07:37.279 --> 00:07:40.199
terms of the practical effects and just the things that
150
00:07:40.319 --> 00:07:43.800
they build and like the bones, you know, and the
151
00:07:43.959 --> 00:07:46.639
individual hair follicles and all the things.
152
00:07:46.720 --> 00:07:48.399
That's very detail oriented.
153
00:07:48.519 --> 00:07:52.360
And uh, my fitting was at Jason Naomi's house, which
154
00:07:52.839 --> 00:07:55.279
their kind of front room living area was kind of
155
00:07:55.399 --> 00:08:00.199
a workshop of all these ghoulish things or kind of
156
00:08:00.360 --> 00:08:03.279
like walking through a morgue. There was just like bodies
157
00:08:03.399 --> 00:08:07.519
everywhere and limbs and things with bones sticking out, and
158
00:08:07.680 --> 00:08:09.600
there were just things that they were building and then
159
00:08:09.639 --> 00:08:13.120
their little troll dogs just like you know, like you're
160
00:08:13.160 --> 00:08:14.720
running through all this stuff.
161
00:08:15.279 --> 00:08:16.519
Is awesome, I.
162
00:08:16.519 --> 00:08:16.959
Will tell you.
163
00:08:17.079 --> 00:08:21.600
They definitely took their time on doing these prosthetics. The
164
00:08:21.959 --> 00:08:24.439
detail was immaculate. It was insane.
165
00:08:25.519 --> 00:08:28.839
Yeah, you couldn't be squeamish as an actress, you I mean,
166
00:08:29.079 --> 00:08:29.959
just the blood alone.
167
00:08:30.120 --> 00:08:34.159
I mean, you know you definitely you couldn't be like you.
168
00:08:34.240 --> 00:08:38.000
Had to just you know, like power through it and
169
00:08:38.159 --> 00:08:41.559
not you know, realize obviously you know you're you're on
170
00:08:41.720 --> 00:08:45.960
set with these incredible effects, but definitely, like you know,
171
00:08:46.120 --> 00:08:49.840
if you ate a big lunch like you, I don't know,
172
00:08:50.120 --> 00:08:53.080
you like, oh God, like look at all that blood.
173
00:08:54.679 --> 00:08:57.559
I remember there was one point I was walking on
174
00:08:57.639 --> 00:09:02.600
sat backstage and they was someone lying down as I
175
00:09:02.720 --> 00:09:04.960
was approaching, and I was like, oh they okay, Like
176
00:09:05.000 --> 00:09:06.159
why are they lying down? There was a couple of
177
00:09:06.159 --> 00:09:08.600
people looking over them, and as I got closer, I
178
00:09:08.720 --> 00:09:11.240
was like, it's supposed to okay, they're not like moving
179
00:09:11.240 --> 00:09:12.240
all the rest, so they're just lying there and a
180
00:09:12.240 --> 00:09:12.519
couple of.
181
00:09:12.480 --> 00:09:13.200
People attending there.
182
00:09:13.240 --> 00:09:17.799
And as I got closer, it was literally a prosthetic
183
00:09:17.840 --> 00:09:20.159
of an entire body, but like the bottom half had
184
00:09:20.159 --> 00:09:22.559
been ripped, and that people looking over it were just
185
00:09:22.639 --> 00:09:24.240
inspecting it like they picture.
186
00:09:24.320 --> 00:09:24.919
It looked good.
187
00:09:25.320 --> 00:09:28.000
I honestly thought it was a real person approaching it
188
00:09:28.200 --> 00:09:30.039
and they were just lying there and these folks were
189
00:09:30.080 --> 00:09:30.639
talking to them.
190
00:09:30.960 --> 00:09:32.279
It looked that real.
191
00:09:32.440 --> 00:09:34.480
And then wasn't until I got right up close and
192
00:09:34.559 --> 00:09:37.799
saw that they were missing the bottom half of their body.
193
00:09:38.720 --> 00:09:41.279
It was like, whoa this is This is like one
194
00:09:41.279 --> 00:09:43.600
of the first days I was there and I was like, Okay,
195
00:09:43.679 --> 00:09:46.799
if this is what we're working with, this is phenomenal.
196
00:09:47.279 --> 00:09:47.480
Yeah.
197
00:09:48.120 --> 00:09:50.799
Yeah, I want to add to that that because I
198
00:09:51.039 --> 00:09:55.480
was there for the body laying on the grass, and
199
00:09:55.600 --> 00:09:57.200
I think I was walking with you, but I got
200
00:09:57.279 --> 00:09:59.639
up really close to the body and you could see
201
00:10:00.320 --> 00:10:05.360
the individual hairs that they've put on, the lashes and
202
00:10:05.480 --> 00:10:09.240
the eyebrows, and the makeup and the skin coloring. Everything
203
00:10:09.320 --> 00:10:12.080
looked so natural, and everything looked so real, but like
204
00:10:13.080 --> 00:10:16.360
natural I guess for a dead person because the body
205
00:10:16.480 --> 00:10:21.120
was most but it looked so real. It was ridiculous
206
00:10:23.519 --> 00:10:27.240
and kind of veering off of like the special effects stuff.
207
00:10:27.279 --> 00:10:30.919
I do have a question for Chelsea, just because some
208
00:10:31.120 --> 00:10:33.440
of the stuff that I'd seen, like in the trailer,
209
00:10:34.039 --> 00:10:36.799
looks like it would have taken like hours for you
210
00:10:36.919 --> 00:10:39.840
to get ready to do. How long was like your
211
00:10:39.919 --> 00:10:46.039
longest I guess makeup prep time, like real makeup. Yeah,
212
00:10:46.200 --> 00:10:48.000
for like the special effects that they.
213
00:10:47.960 --> 00:10:51.440
Did, I mean every day, it was like a couple hours.
214
00:10:51.480 --> 00:10:55.120
But it also wasn't non stop because our hair and
215
00:10:55.200 --> 00:10:56.279
makeup team weren't.
216
00:10:56.080 --> 00:11:01.000
Doing everyone, so like I don't really know what the longest.
217
00:11:00.720 --> 00:11:03.440
Consecutive would be because it would be like I got
218
00:11:03.480 --> 00:11:05.799
my hair done and then the hair would have to switch,
219
00:11:05.840 --> 00:11:07.840
and then I'd go through makeup, and then they'd be
220
00:11:07.960 --> 00:11:10.960
like maybe some time in the outdoor.
221
00:11:11.000 --> 00:11:12.919
I had an outdoor tent for the things that I
222
00:11:13.000 --> 00:11:13.200
had to.
223
00:11:13.240 --> 00:11:16.080
Do with my body, like bluing leeches on me and stuff,
224
00:11:16.639 --> 00:11:18.799
so I would kind of like get a little makeup,
225
00:11:18.879 --> 00:11:20.840
then I'd get a coffee, then I'd get a little
226
00:11:21.360 --> 00:11:23.159
I mean, every day it was like a two hour
227
00:11:23.320 --> 00:11:26.399
block of just all the things before I would come
228
00:11:26.440 --> 00:11:28.799
to said, I was just there like two hours early
229
00:11:28.919 --> 00:11:29.440
every day.
230
00:11:30.639 --> 00:11:34.399
Wow, that's crazy, yeah, because they actually when we were
231
00:11:34.519 --> 00:11:38.240
doing the shoot for some of Chelsea's scenes, they had
232
00:11:38.320 --> 00:11:42.399
a completely separate makeup and wardrobe tent for her because
233
00:11:43.039 --> 00:11:45.279
there was a lot of special effect stuff they were
234
00:11:45.519 --> 00:11:48.600
doing that we were not privy to, so some of
235
00:11:48.679 --> 00:11:50.799
it we didn't even like see how it was done
236
00:11:50.879 --> 00:11:53.799
because that was kind of secret to their trade.
237
00:11:54.240 --> 00:11:55.120
So that stuff was.
238
00:11:55.120 --> 00:11:56.480
Actually kind of fast.
239
00:11:56.759 --> 00:11:59.919
Oddly, the effects stuff like was pretty fast, Like we're
240
00:12:00.360 --> 00:12:02.799
it took a while to get into every day beauty
241
00:12:02.879 --> 00:12:05.080
makeup takes a long time, you know, it just does
242
00:12:05.320 --> 00:12:07.879
and like hair, but the effects stuff for me was
243
00:12:07.919 --> 00:12:09.879
actually pretty fast because it was just like five or
244
00:12:09.919 --> 00:12:12.080
six people tag teaming me and sticking things on me
245
00:12:12.200 --> 00:12:14.519
and like like that part actually.
246
00:12:14.320 --> 00:12:16.000
Was usually the last thing we did, and it was
247
00:12:16.120 --> 00:12:18.600
just like a lot. That was the biggest thing.
248
00:12:18.759 --> 00:12:21.279
Is like a lot of people touch me and around
249
00:12:21.320 --> 00:12:23.919
me all the time, like five or six people. So
250
00:12:24.320 --> 00:12:28.559
if you're like a claustrophobic person or don't like people
251
00:12:28.720 --> 00:12:31.519
touching you around you all the time, I think that
252
00:12:31.559 --> 00:12:33.879
would be hard. But I was fine, you know, but
253
00:12:34.240 --> 00:12:35.799
I think I thought about that a lot. I'm like,
254
00:12:35.799 --> 00:12:37.919
if you're someone that really doesn't like people like around
255
00:12:38.000 --> 00:12:40.519
your touching, this in the hard because there was always
256
00:12:40.600 --> 00:12:41.720
like people sticking things on.
257
00:12:41.799 --> 00:12:42.919
Me and taking things off me.
258
00:12:44.799 --> 00:12:46.360
Did you have to be cast at all or did
259
00:12:46.440 --> 00:12:47.919
any of you have to actually get a cast to
260
00:12:48.000 --> 00:12:51.279
your face or your body? I'd had a body cast
261
00:12:52.519 --> 00:12:54.679
that I feel like that's when the claustophobia hits a
262
00:12:54.720 --> 00:12:56.480
peek because you're just stuck there.
263
00:12:57.240 --> 00:13:00.120
Yeah, I didn't do a face that was okay, do
264
00:13:00.159 --> 00:13:00.720
a face cast.
265
00:13:00.759 --> 00:13:02.960
I've never done like what's called a life cast where
266
00:13:03.759 --> 00:13:07.600
it's like your whole face is covered, and then I
267
00:13:07.679 --> 00:13:09.639
think sometimes they even have to put straws in your
268
00:13:09.720 --> 00:13:11.639
nose and stuff, and to be honest, I don't think
269
00:13:11.679 --> 00:13:15.039
I could. I actually was panicking kind of the night
270
00:13:15.120 --> 00:13:17.200
before and this is like before I met Jason. Naomi
271
00:13:17.360 --> 00:13:19.440
was texting them to make sure it wasn't one of
272
00:13:19.519 --> 00:13:23.120
those because I was like, I don't know if I
273
00:13:23.200 --> 00:13:25.080
can do that, and I'm sure as shit cannot do
274
00:13:25.200 --> 00:13:28.279
that sober. So I was like, I need to know
275
00:13:28.559 --> 00:13:31.679
what's going on because I would need prescription medication to
276
00:13:31.759 --> 00:13:33.279
get through that, that's like.
277
00:13:33.600 --> 00:13:35.919
And they were like, no, no, no, like it's just
278
00:13:36.120 --> 00:13:38.360
your body. And I was like, okay, I'm good.
279
00:13:39.159 --> 00:13:39.960
I've had that done.
280
00:13:40.039 --> 00:13:41.799
And yes, you're right about the straw But the thing
281
00:13:41.879 --> 00:13:44.440
that's also we don't talk about as that if you
282
00:13:44.519 --> 00:13:47.399
have to shave and put tape on, so the beard
283
00:13:47.440 --> 00:13:47.759
had to go.
284
00:13:47.919 --> 00:13:49.679
So my wife was not happy at all.
285
00:13:49.879 --> 00:13:52.600
So, yeah, but you're right about the cal You just
286
00:13:52.720 --> 00:13:55.600
have to stay still and you're just you know, yeah,
287
00:13:55.840 --> 00:13:57.720
you have to concentrate on your breathing.
288
00:13:57.919 --> 00:13:59.120
Not a fun experience.
289
00:13:59.559 --> 00:14:01.279
Yeah, I don't think it sounds fun. I had to
290
00:14:01.320 --> 00:14:03.720
do half one once. That's the most I've ever done.
291
00:14:03.799 --> 00:14:07.080
So my mouth was still like totally open, like I
292
00:14:07.120 --> 00:14:08.080
could mouth breathe it.
293
00:14:08.120 --> 00:14:11.919
I was speaking out Chelsea. You mentioned that this the
294
00:14:12.000 --> 00:14:13.519
effects on the Death of snow Wide are like the
295
00:14:13.600 --> 00:14:16.639
best that you've worked with, did you I think so?
296
00:14:16.960 --> 00:14:18.919
Yeah, homo practical.
297
00:14:19.799 --> 00:14:21.879
Did you get to like experience anything on Army of
298
00:14:21.919 --> 00:14:22.600
the Dead or No.
299
00:14:24.399 --> 00:14:27.200
Army of the Dead was interesting because it was I'm
300
00:14:27.240 --> 00:14:29.879
in a scene with just one other actor named Steve Corona,
301
00:14:30.159 --> 00:14:32.720
and he actually dialect coach me on this movie.
302
00:14:32.759 --> 00:14:35.879
He's a really good coach. But so Steve and I
303
00:14:36.440 --> 00:14:38.919
had a scene together. But we shot that scene.
304
00:14:38.639 --> 00:14:40.799
Over two weeks, so we were on set with the
305
00:14:40.879 --> 00:14:43.720
other actors all the time, like you know, and we
306
00:14:43.720 --> 00:14:45.799
would see them at launch and talk to them and stuff.
307
00:14:45.799 --> 00:14:48.600
But we felt like we were making our own separate
308
00:14:48.799 --> 00:14:51.440
movie of just like us falling in love and you know,
309
00:14:51.679 --> 00:14:55.879
riding around in a cool car and just me having.
310
00:14:55.759 --> 00:14:56.279
A good time.
311
00:14:56.799 --> 00:14:59.159
But I did get to see there. What was really
312
00:14:59.159 --> 00:15:01.279
impressed about that it was the set that they built
313
00:15:01.320 --> 00:15:04.120
for Vegas. You know, I got to see that and
314
00:15:04.200 --> 00:15:06.399
that was crazy. I mean it was like they built
315
00:15:06.480 --> 00:15:08.879
like part of the strip and just had it all
316
00:15:09.039 --> 00:15:14.159
like for cocked and leaning signs down, zombies everywhere, zombies
317
00:15:14.200 --> 00:15:17.519
at lunch like that was very very cool. But I
318
00:15:17.639 --> 00:15:21.080
only got to see them shoot like two scenes in
319
00:15:21.159 --> 00:15:24.759
between mine. I got to watch Dave Bautista and Ronald
320
00:15:24.799 --> 00:15:27.559
Castillo do this cool fight scene and I got to
321
00:15:27.639 --> 00:15:30.360
see some of their stunts and things.
322
00:15:30.200 --> 00:15:32.879
Which was really neat. But I didn't get to see
323
00:15:32.919 --> 00:15:34.080
a ton of their effects.
324
00:15:34.159 --> 00:15:37.519
And I would imagine that they had more digital type
325
00:15:37.960 --> 00:15:41.000
effects than our movie. And I feel like a lot
326
00:15:41.039 --> 00:15:43.720
of people will really like that Depth of Snow White
327
00:15:43.799 --> 00:15:47.039
is so practical and doesn't I mean, we have some
328
00:15:47.200 --> 00:15:50.039
digital effects too, but we're not relying on that. And
329
00:15:50.399 --> 00:15:53.320
I am really excited for people that are like super
330
00:15:53.600 --> 00:15:56.240
if you're like a nerd and you're really into practical effects,
331
00:15:56.720 --> 00:15:59.240
and I love that stuff, and I just think people
332
00:15:59.240 --> 00:15:59.879
are gonna love.
333
00:15:59.799 --> 00:16:00.639
That about our movie.
334
00:16:01.879 --> 00:16:03.879
Yeah. I was only bring it up because I say,
335
00:16:04.440 --> 00:16:07.360
you saying that definitely shows just the caliber of what
336
00:16:07.480 --> 00:16:09.799
Depth of Snow Ice bringing the table right, because the
337
00:16:09.879 --> 00:16:13.360
budget difference between those two films is pretty drastic.
338
00:16:13.600 --> 00:16:16.039
So I feel like our set design.
339
00:16:15.879 --> 00:16:18.200
I mean that like the budget for Army and the
340
00:16:18.240 --> 00:16:21.000
Dead was like, I think close to seventy million dollars
341
00:16:21.440 --> 00:16:24.919
and obviously they can build the Vegas and all that stuff,
342
00:16:24.960 --> 00:16:27.799
which was so impressive. But I was really impressed on
343
00:16:27.960 --> 00:16:30.279
our movie when I got there and saw the sets
344
00:16:30.320 --> 00:16:32.000
that were built in the woods and stuff, because I
345
00:16:32.120 --> 00:16:33.080
know that we're known.
346
00:16:32.960 --> 00:16:36.159
Near We're nowhere near any kind of like big budget.
347
00:16:36.200 --> 00:16:39.480
You know, it's an independent film, and our sets are
348
00:16:39.759 --> 00:16:42.919
designed so well and for what was spent on them,
349
00:16:43.039 --> 00:16:47.320
they look incredible. Like, it's very impressive to me what
350
00:16:48.360 --> 00:16:50.600
our team was able to pull off on this movie
351
00:16:50.679 --> 00:16:51.320
for the budget.
352
00:16:51.440 --> 00:16:52.840
It's it's really really neat.
353
00:16:53.279 --> 00:16:55.480
Yeah, it actually it blows my mind as someone who
354
00:16:55.519 --> 00:16:59.600
has worked at the exact spot that that set is.
355
00:17:00.799 --> 00:17:01.639
And you know, for U.
356
00:17:01.679 --> 00:17:04.440
Snaia being in your backyard like that, it's crazy, guys.
357
00:17:04.440 --> 00:17:06.559
It's almost let me a picture from set. I'm like,
358
00:17:06.920 --> 00:17:10.119
there's no way that's the backyard. There's no way that's
359
00:17:10.119 --> 00:17:12.160
what we're looking at. So yeah, I think it's it's incredible.
360
00:17:12.200 --> 00:17:15.200
I mean, it's an incredible transformation. Granted in her backyard
361
00:17:15.279 --> 00:17:19.039
is gigantic. It is, yeah, it is, but they made
362
00:17:19.079 --> 00:17:21.039
good use of it for sure. That I was seriously
363
00:17:21.079 --> 00:17:23.720
blown away when I saw it, super beautiful. What was
364
00:17:23.759 --> 00:17:26.319
it like for you, Snaya having your whole house continue
365
00:17:26.359 --> 00:17:28.000
to be transformed like once a month.
366
00:17:30.279 --> 00:17:32.599
I let's just say I'm glad that I don't live
367
00:17:32.680 --> 00:17:33.559
there all the time.
368
00:17:33.880 --> 00:17:34.720
It's kind of a lot.
369
00:17:34.920 --> 00:17:37.720
It's cool, but it's a lot like you just like
370
00:17:37.799 --> 00:17:41.039
your construction and I'd rather get annoyed at a neighbor.
371
00:17:41.160 --> 00:17:43.480
But it's like, oh, it's just dad building a castle
372
00:17:43.519 --> 00:17:44.240
in the backyard.
373
00:17:44.319 --> 00:17:46.119
Oh right, right, right, yeah cool.
374
00:17:48.240 --> 00:17:50.480
What was it like for you guys, like walking onto
375
00:17:50.640 --> 00:17:52.599
set for the first time, because it's got to feel
376
00:17:52.680 --> 00:17:54.480
like walking into like Disney World.
377
00:17:54.759 --> 00:17:56.079
Have you ever been of the Renaissance Festival.
378
00:17:57.160 --> 00:17:58.640
I haven't. I've seen pictures of it.
379
00:17:59.359 --> 00:18:02.400
No, it's it's straight up walking into the Renaissance Festival.
380
00:18:02.599 --> 00:18:03.880
Yes, it's like that.
381
00:18:04.160 --> 00:18:06.920
It's exactly like I got transported back in time. It's
382
00:18:07.000 --> 00:18:09.920
so incredible. Yeah, you go into the Renaissance Festival and
383
00:18:10.000 --> 00:18:13.920
then another path is the castle. So we made a lot.
384
00:18:14.079 --> 00:18:16.039
We made do with a lot that we had with
385
00:18:16.160 --> 00:18:19.200
the area that we were given, and it looks seamless
386
00:18:19.640 --> 00:18:23.519
and spot on like when you when we were looking
387
00:18:23.519 --> 00:18:28.039
at it through playback, like we could obviously see the
388
00:18:28.279 --> 00:18:30.559
ending of the set. We could obviously see like, oh,
389
00:18:30.640 --> 00:18:34.519
Renaissance Festival and then there's a house. So but when
390
00:18:34.519 --> 00:18:38.480
you see it on playback, like you you are teleported
391
00:18:38.599 --> 00:18:39.839
back into another worlds.
392
00:18:40.079 --> 00:18:40.599
It was amazing.
393
00:18:41.200 --> 00:18:44.319
I worked for the Renaissance fairs. I my character there
394
00:18:44.400 --> 00:18:45.960
is well, it's on the ferry smasher. But I was
395
00:18:46.000 --> 00:18:48.720
going to say that we actually did recruit and bring
396
00:18:48.839 --> 00:18:50.680
in a lot of the Rennies. So some of the
397
00:18:50.799 --> 00:18:53.519
tents you saw were provided by some of our pirate folks.
398
00:18:54.079 --> 00:18:56.839
We also brought in like Seattle Knights for you know,
399
00:18:56.920 --> 00:18:58.960
so you like so, yes, you do feel like you're
400
00:18:59.000 --> 00:19:00.960
being pulled back because some of the talents, some of
401
00:19:01.000 --> 00:19:05.759
the people that we brought in are very much medieval performers.
402
00:19:05.519 --> 00:19:07.519
Which I think that's genius, by the way, Like what
403
00:19:07.640 --> 00:19:12.759
a smart way to immediately upgrade your set without really
404
00:19:12.799 --> 00:19:15.160
spending a ton of money. It's like, hey, come show
405
00:19:15.279 --> 00:19:17.559
off what you guys do on a daily basis.
406
00:19:17.880 --> 00:19:22.319
Absolutely in flamethrower are they brought in flame throwers, an
407
00:19:22.400 --> 00:19:29.359
aerial list, jugglers, the whole nine yards. We had We
408
00:19:29.440 --> 00:19:31.119
had a we had an area where we couldn't be
409
00:19:31.119 --> 00:19:33.640
close to flame flame throwers, otherwise we would have been
410
00:19:33.640 --> 00:19:34.240
burned alive.
411
00:19:34.960 --> 00:19:35.920
Yeah, that's crazy.
412
00:19:36.559 --> 00:19:38.880
It was really cool seeing the horses too, Like it
413
00:19:39.039 --> 00:19:41.240
was just it was so amazing.
414
00:19:41.559 --> 00:19:46.839
I just I loved it. Yeah, I imagine stunts in
415
00:19:47.039 --> 00:19:50.559
general were probably pretty apparent on set. I mean, I mean,
416
00:19:50.599 --> 00:19:52.039
how much did you guys have to go through?
417
00:19:52.079 --> 00:19:56.000
Sun Wise, we all basically kind of did our own stunts.
418
00:19:56.319 --> 00:19:58.519
We didn't have any stunt doubles. So if there was
419
00:19:58.559 --> 00:20:00.599
a stunt that we didn't know how to do, we
420
00:20:00.720 --> 00:20:04.359
kind of learned how to do it during the filming.
421
00:20:05.160 --> 00:20:09.519
So like I Jeremy actually, who was in this call,
422
00:20:11.680 --> 00:20:13.960
he taught me how to do like a forward role
423
00:20:14.160 --> 00:20:16.759
for one of the stunts that I was supposed to do.
424
00:20:16.839 --> 00:20:18.440
And we all kind of do a little bit of
425
00:20:18.480 --> 00:20:21.799
fight choreography. That was really really fun. It was I
426
00:20:22.599 --> 00:20:26.519
think that might have been my first brush with fight choreo.
427
00:20:27.480 --> 00:20:28.960
So yeah, it really.
428
00:20:29.079 --> 00:20:31.079
Brush girl, you were you are hitting it.
429
00:20:32.319 --> 00:20:33.200
Thank you for aught.
430
00:20:33.279 --> 00:20:37.559
It was violence.
431
00:20:39.680 --> 00:20:46.920
Yeah, had like their own specific really cool weapon. Colin,
432
00:20:47.039 --> 00:20:48.839
you had some fight stuff.
433
00:20:48.759 --> 00:20:52.480
Right, Yeah, I had what was it? It was like
434
00:20:52.559 --> 00:20:54.720
a giant pick axe. We Yeah, we all kind of
435
00:20:54.759 --> 00:20:58.119
had like our own really really cool weapons. They were
436
00:20:58.160 --> 00:21:01.839
all handmade. I was like this pick axe that was
437
00:21:02.319 --> 00:21:08.400
bigger than me. I think my favorite weapon that I
438
00:21:08.559 --> 00:21:10.400
saw had to be Collins weapon.
439
00:21:11.680 --> 00:21:13.759
It was the best one, the coolest.
440
00:21:16.359 --> 00:21:20.720
Act that my character made himself, and he showed it
441
00:21:20.880 --> 00:21:24.319
and he designed it. But yeah, I mean, in my opinion,
442
00:21:24.640 --> 00:21:25.400
the coolest kills.
443
00:21:25.680 --> 00:21:27.920
So he had some pretty bad kills.
444
00:21:29.279 --> 00:21:37.599
Yeah, yeah, I definitely was bad ass. But the weapons
445
00:21:37.759 --> 00:21:41.039
themselves were really well designed and it was a lot
446
00:21:41.079 --> 00:21:44.079
of fun. As Reese said, I've done some previous stunt
447
00:21:44.119 --> 00:21:46.319
stuff before, so yeah, I was teaching her how to
448
00:21:46.359 --> 00:21:48.480
do forwarder and all that sort of stuff, and there
449
00:21:48.559 --> 00:21:52.160
was a moment where we were told to sort of
450
00:21:52.319 --> 00:21:55.599
like sort of practice come up with like our own
451
00:21:55.720 --> 00:21:58.480
sort of like sort of routines and things that we
452
00:21:58.559 --> 00:22:01.759
could do for some stunt corier stuff. And I remember
453
00:22:01.839 --> 00:22:04.119
I sort of went off and was practicing a couple
454
00:22:04.160 --> 00:22:05.799
of things. You know, I wait for everyone else, so
455
00:22:06.240 --> 00:22:07.799
you know, safety first and all the rest of it.
456
00:22:08.319 --> 00:22:10.440
And at one point I was doing something I'm not
457
00:22:10.440 --> 00:22:12.039
going to say what of this is because it would spoiler,
458
00:22:13.160 --> 00:22:14.119
but I had the.
459
00:22:14.359 --> 00:22:15.079
First ad.
460
00:22:16.720 --> 00:22:19.799
China basically shout out my name at some point I
461
00:22:19.960 --> 00:22:21.359
was like, but I looked over.
462
00:22:21.799 --> 00:22:23.240
She was like, that was amazing.
463
00:22:23.359 --> 00:22:24.200
Could you do that again?
464
00:22:24.279 --> 00:22:26.319
I was like, well, yeah, that's what I'm planning to
465
00:22:26.400 --> 00:22:28.759
hopefully do. But the way she like yelled at me,
466
00:22:28.799 --> 00:22:30.680
I thought I was getting told off for something. So
467
00:22:30.759 --> 00:22:33.400
I was practicing it, but she was super impressed by
468
00:22:33.440 --> 00:22:35.559
and I was like, yes, okay, that's obviously a green light,
469
00:22:35.759 --> 00:22:39.039
so I'm happy with that. So we got to incorporate
470
00:22:39.119 --> 00:22:42.880
our own little spin on our little like fight scenes,
471
00:22:42.880 --> 00:22:45.119
which was really really fun. I love that we got
472
00:22:45.160 --> 00:22:47.359
to sort of bring our own sort of personal touch
473
00:22:48.640 --> 00:22:51.240
to our own obviously the weapons and approach to fight
474
00:22:51.319 --> 00:22:51.880
scenes as well.
475
00:22:52.559 --> 00:22:52.720
Yeah.
476
00:22:55.319 --> 00:22:57.480
Yeah, the same team was like super collaborative.
477
00:22:57.680 --> 00:23:00.400
They let us come up with our own stuff, add
478
00:23:00.440 --> 00:23:02.319
whateverybody like change some stuff.
479
00:23:02.480 --> 00:23:04.480
But yeah, it stunts for very fun.
480
00:23:04.799 --> 00:23:07.079
That's something that I love about this movie is that
481
00:23:07.720 --> 00:23:10.359
all the characters are very vibrant and they have their
482
00:23:10.440 --> 00:23:14.960
own like every every single character is unique and different
483
00:23:15.079 --> 00:23:18.319
and has their own flare, you know, And that's hard
484
00:23:18.359 --> 00:23:21.319
to accomplish in a movie with so with such a
485
00:23:21.559 --> 00:23:24.359
big cast, right, Like a lot of indie horror movies
486
00:23:24.400 --> 00:23:26.880
you have like one or two main characters and then
487
00:23:26.920 --> 00:23:31.200
everyone else is just like, you know, fodder for the kills.
488
00:23:31.279 --> 00:23:34.079
But this, like looking at this panel, there's like ten
489
00:23:34.839 --> 00:23:39.079
ten all main characters, and they're all so unique and
490
00:23:39.119 --> 00:23:41.440
they all have their own flare so that when they're
491
00:23:41.480 --> 00:23:44.720
on screen, you're you're compelled by all of them individually.
492
00:23:45.039 --> 00:23:48.799
And that's really hard to accomplish on you know, you know,
493
00:23:49.119 --> 00:23:51.559
a micro budget thing. And I think that's a testament
494
00:23:51.680 --> 00:23:55.480
to each of these actors bringing a bit of their
495
00:23:55.519 --> 00:24:00.000
own you know, energy and fun and ideas to that character.
496
00:24:00.720 --> 00:24:02.880
At least that's how it comes across, you know. I'm
497
00:24:02.920 --> 00:24:04.680
working on the Locked picture, so at least that's how
498
00:24:04.720 --> 00:24:06.319
it comes across. I don't know what it was like
499
00:24:06.440 --> 00:24:08.599
on set, but working on the on the final film,
500
00:24:09.000 --> 00:24:09.920
it really feels that way.
501
00:24:10.400 --> 00:24:12.279
Yeah, I'll say a lot of a lot of us
502
00:24:12.319 --> 00:24:14.440
when we were in the fight choreography, we all just
503
00:24:14.519 --> 00:24:17.759
wanted it to look cool. We wanted to not only
504
00:24:17.839 --> 00:24:21.119
be seamless and make it look real, but also look
505
00:24:21.240 --> 00:24:23.759
cool and make sure that everyone is having a fun time.
506
00:24:23.960 --> 00:24:27.079
Like working with the fight choreography, like they would have
507
00:24:27.160 --> 00:24:29.599
one suggestion and then I would like, would.
508
00:24:29.359 --> 00:24:31.279
It be cooler if I did this, and like, oh yeah,
509
00:24:31.359 --> 00:24:31.799
yeah yeah.
510
00:24:32.319 --> 00:24:36.359
So me having gymnastics background, I was able to do
511
00:24:36.559 --> 00:24:38.079
a little bit more things that they think that they
512
00:24:38.079 --> 00:24:38.839
thought I couldn't do.
513
00:24:39.359 --> 00:24:42.640
So we were just all having a great time and
514
00:24:42.720 --> 00:24:43.599
just trying to make it look cool.
515
00:24:44.079 --> 00:24:46.240
I think you guys succeeded just from the little bit
516
00:24:46.279 --> 00:24:48.119
that I've seen. I mean, the end of the trailer
517
00:24:48.720 --> 00:24:49.720
had me pretty hyped up.
518
00:24:50.319 --> 00:24:50.759
I was.
519
00:24:50.960 --> 00:24:53.279
I was enjoying the end of the trailer. And one
520
00:24:53.319 --> 00:24:55.240
of the things actually that adds to that is I
521
00:24:55.359 --> 00:24:59.480
think actually hiring actors with dwarfism, it makes such a
522
00:24:59.599 --> 00:25:02.400
massive difference, and it is like it's a very notable
523
00:25:02.480 --> 00:25:07.039
thing right now because somebody decided not to do that recently,
524
00:25:07.440 --> 00:25:10.359
somebody decided that CGI was the better route to go
525
00:25:10.599 --> 00:25:13.279
for that. So you can, you guys talkbout that a
526
00:25:13.279 --> 00:25:16.039
little bit, just like what that changes with the dynamic,
527
00:25:16.160 --> 00:25:19.359
even the the if you want to exaggerate or talk
528
00:25:19.440 --> 00:25:21.799
more about stunts as well. Just there's so much more
529
00:25:21.839 --> 00:25:22.160
fun to.
530
00:25:22.200 --> 00:25:22.640
Have with that.
531
00:25:22.759 --> 00:25:26.640
I think, Yeah, I think honestly, I think it's so
532
00:25:26.880 --> 00:25:32.279
refreshing to actually have little people come in as actors
533
00:25:32.359 --> 00:25:36.839
for the Seven Dwarves, just because I feel like we're
534
00:25:37.839 --> 00:25:42.119
so highly caricatured in media already that it's nice to
535
00:25:42.240 --> 00:25:47.880
kind of have us portray people with dwarfs and real
536
00:25:48.000 --> 00:25:54.039
dwarfs who are real flesh and body, where humanistic characters
537
00:25:54.359 --> 00:25:57.599
were not being put in there as a novelty where
538
00:25:58.039 --> 00:26:02.240
they walk that fine line between i mean caricature and
539
00:26:02.359 --> 00:26:08.599
stereotype and realism. And I think they did a really
540
00:26:08.680 --> 00:26:13.400
really good job with doing that respectfully, and that was
541
00:26:13.440 --> 00:26:15.279
really cool. You know, like they painted us in a
542
00:26:15.359 --> 00:26:18.319
really good light, they painted us in a badass light,
543
00:26:19.359 --> 00:26:22.160
so it kind of feels like we are taking our
544
00:26:22.240 --> 00:26:26.440
power back in that sense. That's something that I really
545
00:26:26.480 --> 00:26:27.440
appreciated from them.
546
00:26:28.799 --> 00:26:31.119
Yeah, I love how we were represented in this film
547
00:26:31.319 --> 00:26:35.920
and I and I love how our characters were just
548
00:26:36.640 --> 00:26:39.480
so powerful. And I feel like that's what you know,
549
00:26:39.799 --> 00:26:42.079
when you know, you see little people on you know,
550
00:26:42.200 --> 00:26:45.799
film and TV, it's like we're just you know, we're
551
00:26:46.359 --> 00:26:52.119
we're lacking that that power that like we are, you know, amazing.
552
00:26:52.319 --> 00:26:56.759
And so I really love how Jason and Naomi, you know,
553
00:26:57.559 --> 00:27:01.240
just showed how our characters were and show that we were,
554
00:27:01.480 --> 00:27:05.720
you know, just as just as as you know, amazing
555
00:27:05.880 --> 00:27:07.799
as the Knightsman and all of that.
556
00:27:07.960 --> 00:27:09.519
So it was it was great.
557
00:27:09.599 --> 00:27:11.599
It was so refreshing to be in a film like this.
558
00:27:12.440 --> 00:27:14.799
Yeah, it just goes to show that like all of
559
00:27:14.880 --> 00:27:18.920
us as well, it's been little people with dwarfism, we
560
00:27:19.039 --> 00:27:21.839
also have different types of dwarfism. We're not all limited
561
00:27:21.920 --> 00:27:25.240
to the same types. So there are differences between all
562
00:27:25.319 --> 00:27:30.200
of us that you know is different to our body type,
563
00:27:30.240 --> 00:27:32.920
body structure and all the rest of it. So back
564
00:27:32.960 --> 00:27:35.680
to like the stunt stuff for example, and as like
565
00:27:35.759 --> 00:27:39.519
Tristan was saying, giving us that flexibility of trying things
566
00:27:39.559 --> 00:27:42.359
out and letting it like them, letting us show them
567
00:27:42.519 --> 00:27:45.039
what we're capable of able to do, as opposed to
568
00:27:45.119 --> 00:27:48.240
people just assuming and putting us in a type slot
569
00:27:48.359 --> 00:27:50.599
or being like, oh no, you you probably can't do that,
570
00:27:50.720 --> 00:27:52.440
or you probably can't do this. But it's like they
571
00:27:52.559 --> 00:27:55.079
were literally I've been the floor been like, hey, if
572
00:27:55.079 --> 00:27:57.599
you've got ideas, if you've got extra skills that you
573
00:27:57.680 --> 00:28:00.920
want to incorporate or anything like that, now's the time
574
00:28:01.079 --> 00:28:02.880
to do it. So it was nice to be able
575
00:28:02.920 --> 00:28:06.720
to be ourselves show the skills that we've learned through life.
576
00:28:06.759 --> 00:28:09.880
Depending on whatever background we've all obviously followed and be
577
00:28:10.000 --> 00:28:13.319
able to portray that as ourselves on screen in.
578
00:28:13.359 --> 00:28:15.119
A really badass cool way.
579
00:28:15.359 --> 00:28:18.440
So it was nicely Jason and Iaomi actually allowed us
580
00:28:18.559 --> 00:28:21.640
to portray ourselves and portray the character that we wanted
581
00:28:21.680 --> 00:28:25.920
to in a way that respected it and stayed true
582
00:28:25.960 --> 00:28:26.279
to us.
583
00:28:26.920 --> 00:28:30.279
Yeah. Uh, that's exactly what came to my mind earlier
584
00:28:30.319 --> 00:28:32.720
when Colin brought it up that they were everyone was flexible,
585
00:28:32.960 --> 00:28:35.559
like being having a stun team and a choreography team
586
00:28:35.599 --> 00:28:37.839
that's flexible. That makes all the difference in the world
587
00:28:37.880 --> 00:28:42.440
because people have so many hidden talents you just don't know.
588
00:28:42.759 --> 00:28:44.480
You just don't know until they're put in front of you,
589
00:28:44.519 --> 00:28:46.119
even no idea what people are capable of. So I'm
590
00:28:46.119 --> 00:28:48.279
glad that they were not locked into a certain move
591
00:28:48.319 --> 00:28:50.039
set or anything and allowed you guys to shine.
592
00:28:50.880 --> 00:28:52.000
They are do work for badass.
593
00:28:52.079 --> 00:28:53.559
You know, they were twenty little fighters.
594
00:28:53.640 --> 00:28:54.599
They were ripping it up.
595
00:28:57.839 --> 00:29:00.640
Yeah, I think it was really really cool all that
596
00:29:01.680 --> 00:29:03.839
we weren't kind of depicted as like, you know, a
597
00:29:03.920 --> 00:29:08.000
one dimensional stereotypical like seven dwarves, and I mean, look
598
00:29:08.039 --> 00:29:13.160
at tiny, look at Eric's character. That's definitely like very
599
00:29:13.319 --> 00:29:16.640
very different from the seven Dwarfs that you know are
600
00:29:16.720 --> 00:29:20.839
depicted in the Grim's fairy Tale book. And everyone was
601
00:29:20.920 --> 00:29:24.000
kind of able to put their own spin on these characters.
602
00:29:24.160 --> 00:29:28.160
And it's really cool to have to see them with
603
00:29:28.920 --> 00:29:32.359
you know, full personalities, like a full life.
604
00:29:32.960 --> 00:29:34.359
Everyone had their own personality.
605
00:29:34.640 --> 00:29:37.160
Well, And actually I was curious because you were talking
606
00:29:37.200 --> 00:29:39.440
about that as well earlier, Andrew, is that how everyone
607
00:29:39.599 --> 00:29:42.440
is kind of their own main character? And for you,
608
00:29:42.759 --> 00:29:45.440
when you're composing music for that is is that kind
609
00:29:45.480 --> 00:29:47.240
of opened some doors for you to kind of I
610
00:29:47.279 --> 00:29:51.960
don't write specific themes for characters or I don't know
611
00:29:53.279 --> 00:29:55.240
how what is it like even just scoring for a
612
00:29:55.359 --> 00:29:57.359
Runnissan style film? What is that like for you?
613
00:29:58.599 --> 00:30:01.599
Yeah, that's a great question, Thank you. It's it is
614
00:30:01.720 --> 00:30:04.119
a lot of fun. This movie is unique to other
615
00:30:04.160 --> 00:30:07.279
pictures that I've scored because there are so many characters,
616
00:30:07.440 --> 00:30:09.160
Like you know, I've worked on the Winnie the Pooh,
617
00:30:09.160 --> 00:30:12.039
Blood and Honey series, and who has a theme, and
618
00:30:12.160 --> 00:30:15.319
Christopher Robin has a theme, and you know Tigger in
619
00:30:15.400 --> 00:30:18.640
the in the sequel and Number two, Tigger has a theme,
620
00:30:18.720 --> 00:30:21.680
and Awl has light motifs. And I really enjoy that
621
00:30:21.839 --> 00:30:22.799
type of film scoring.
622
00:30:22.920 --> 00:30:23.319
So it is.
623
00:30:24.039 --> 00:30:27.400
It has been really rewarding to work on a movie
624
00:30:27.519 --> 00:30:30.480
like this where kind of like I won't say that
625
00:30:30.640 --> 00:30:33.160
the musically it's like Lord of the Rings, but in
626
00:30:33.240 --> 00:30:34.920
the way that Lord of the Rings has so many
627
00:30:35.000 --> 00:30:38.839
characters and so many opportunities for light motifs and themes,
628
00:30:39.319 --> 00:30:42.160
like Star Wars is the same way. I'm really having
629
00:30:42.240 --> 00:30:44.440
fun just kind of like putting a little flair for
630
00:30:44.559 --> 00:30:49.000
each character as I go. Uh, snow White has a
631
00:30:49.079 --> 00:30:55.279
lullaby theme that that is that plays. The Prince has
632
00:30:55.359 --> 00:30:59.839
his own little fanfare, which is really cool. Snow White
633
00:31:00.519 --> 00:31:04.319
and the Prince, the two like together. Their relationship has
634
00:31:04.359 --> 00:31:09.759
a theme that I think I've posted that one already. Obviously,
635
00:31:09.880 --> 00:31:12.519
the Evil Queen has a theme, and all the Dwarves
636
00:31:12.599 --> 00:31:15.559
have these little you know, whether it's like a little
637
00:31:15.599 --> 00:31:18.039
bit of an instrument for this character or something that
638
00:31:18.240 --> 00:31:21.519
that when this character does something, that little instrument plays.
639
00:31:22.079 --> 00:31:24.839
You know. It's been really fun to do that, and
640
00:31:25.279 --> 00:31:29.200
having those themes and motifs and little nods weave together
641
00:31:29.319 --> 00:31:33.880
in certain scenes is really cool. And of course the Dwarves,
642
00:31:35.079 --> 00:31:37.319
you know, the character of the Dwarves, they they have
643
00:31:37.559 --> 00:31:43.000
this this song that they sing with snow White that
644
00:31:43.200 --> 00:31:44.880
has a lot of you know, I could say that,
645
00:31:45.039 --> 00:31:47.599
but it has. It has a lot of significance to
646
00:31:47.680 --> 00:31:50.920
the story, and that has become a main theme that
647
00:31:51.039 --> 00:31:53.559
you hear throughout the picture, not only when they sing
648
00:31:53.640 --> 00:31:56.920
it in that scene, but in the in the music,
649
00:31:57.000 --> 00:31:59.319
in the actual score. It's the first thing you hear
650
00:31:59.359 --> 00:32:01.720
when the when the starts at the very opening of
651
00:32:01.759 --> 00:32:06.599
the movie, is that main theme. So I'm really bringing
652
00:32:06.680 --> 00:32:10.880
these characters to the forefront of musically, to the forefront
653
00:32:10.920 --> 00:32:11.440
of the score.
654
00:32:12.119 --> 00:32:14.519
I'm I love what you did with Button, Honey, and
655
00:32:14.759 --> 00:32:19.559
that's such an oddball a couple movies there that to
656
00:32:19.680 --> 00:32:22.079
be able to ground a score so great with then,
657
00:32:22.119 --> 00:32:23.799
And I was, I think it's really cool and it
658
00:32:23.799 --> 00:32:26.119
shows how talented you are. So I'm really excited to
659
00:32:26.119 --> 00:32:26.720
see we do it this.
660
00:32:27.599 --> 00:32:31.160
Thank you, thank you. Yeah, it's I was working on.
661
00:32:32.079 --> 00:32:34.480
When I was working on Poutu, the trailer came out,
662
00:32:35.119 --> 00:32:38.920
posters started going up around Los Angeles, and I was
663
00:32:39.000 --> 00:32:42.319
still scoring the movie like it, working in posts and
664
00:32:42.440 --> 00:32:44.720
especially like film composing, which is like one of the
665
00:32:44.799 --> 00:32:49.839
last parts of posts film, the soundtrack, sound design, color
666
00:32:49.880 --> 00:32:52.440
correction like those are like the last big three that
667
00:32:52.559 --> 00:32:54.920
have and then of course the dub the mix, so
668
00:32:55.119 --> 00:32:58.960
scoring them. You know, there's I I grew up listening
669
00:32:59.000 --> 00:33:02.079
to and reading interview of film composers. That's what I
670
00:33:02.160 --> 00:33:05.599
wanted to do all most of my life. And so
671
00:33:06.799 --> 00:33:09.480
there are tons and tons of horror stories of like
672
00:33:11.759 --> 00:33:16.400
people studios putting up like billboards next to the composer's
673
00:33:17.000 --> 00:33:21.279
recording studio like coming soon, and it's like no pressure.
674
00:33:21.319 --> 00:33:23.519
You know, they're still writing the music. Is the billboard
675
00:33:23.599 --> 00:33:25.440
is steering them through the window, you know.
676
00:33:26.880 --> 00:33:28.880
So yeah, there is a lot of pressure, but you know,
677
00:33:29.119 --> 00:33:32.559
you just you kind of just get buckled down and
678
00:33:33.039 --> 00:33:35.200
get used to knowing that, like, okay, it's got to
679
00:33:35.240 --> 00:33:38.519
be March fifth, and that's when I got to you know,
680
00:33:38.880 --> 00:33:42.559
the train is going to the station and I can't
681
00:33:42.759 --> 00:33:44.759
you know, I can't deliver late kind of thing.
682
00:33:44.839 --> 00:33:47.480
You just get used to that being your reality as
683
00:33:47.559 --> 00:33:51.720
this part of the film industry. So you have a clip, right, Riley,
684
00:33:51.759 --> 00:33:52.359
you have a clip.
685
00:33:52.839 --> 00:33:56.279
Yeah, I've got to figure out how to share something
686
00:33:56.319 --> 00:33:57.519
in here and zoom.
687
00:34:37.360 --> 00:34:37.440
Ye.
688
00:34:37.639 --> 00:34:38.440
Incredible job.
689
00:34:38.920 --> 00:34:42.559
That was all. Thank you. I'm I'm excited for you
690
00:34:42.599 --> 00:34:46.199
all to see the finished product. And then the soundtrack
691
00:34:46.239 --> 00:34:48.320
will come out the same day the movie head theaters
692
00:34:48.320 --> 00:34:52.199
and stuff like that. So when I first met with
693
00:34:52.360 --> 00:34:55.440
Jason on our first Zoom call and he was looking
694
00:34:55.519 --> 00:34:58.320
at me and a couple of other composers, I said
695
00:34:58.360 --> 00:35:01.199
to him, I'm not gonna lie. I don't normally do this,
696
00:35:01.360 --> 00:35:04.639
but I want to tell you my pitch, like straight up,
697
00:35:04.800 --> 00:35:07.000
because I because this is what I want to do,
698
00:35:07.960 --> 00:35:10.400
and you know, I want to know if you're not
699
00:35:10.519 --> 00:35:12.679
on board with that. I don't normally do that, you know.
700
00:35:12.719 --> 00:35:15.599
I don't normally say right off the bat, like I
701
00:35:15.719 --> 00:35:17.920
watched your movie and this is what I'm excited about,
702
00:35:18.159 --> 00:35:20.119
you know. And I told him I want to write
703
00:35:20.119 --> 00:35:23.599
a score that is brave heart horror.
704
00:35:24.679 --> 00:35:35.880
Yes, that's where we're going, definitely, dude, Like you guys said,
705
00:35:35.960 --> 00:35:38.159
like the ren Fair is there, and there's like kind
706
00:35:38.199 --> 00:35:40.400
of a mix of all these like you know, obviously
707
00:35:40.519 --> 00:35:43.159
Snow White is a Germanic tale, you know.
708
00:35:43.239 --> 00:35:45.119
I was like, Jason, do we want to go only
709
00:35:45.239 --> 00:35:47.360
like do we want to go true to German? Germanic?
710
00:35:47.440 --> 00:35:50.239
But you have you have different swords and weapons from
711
00:35:50.280 --> 00:35:54.159
all over Europe and accents from different parts of the UK,
712
00:35:54.400 --> 00:35:57.519
and he was like, let's just musically mash all of
713
00:35:57.599 --> 00:36:00.480
that together. So you have bagpipes, you have Irish flutes,
714
00:36:00.760 --> 00:36:06.119
you know, Scottish drums, you have you know, Germanic folk
715
00:36:06.199 --> 00:36:09.679
instruments and dulcimer's, and it's just kind of like a
716
00:36:09.960 --> 00:36:13.760
stew of, you know, because it doesn't take place in
717
00:36:13.840 --> 00:36:16.360
any specific place. It takes place in this you know
718
00:36:16.519 --> 00:36:20.320
fairy tale, you know land that's not specifying. So we
719
00:36:20.519 --> 00:36:22.679
just kind of made like a potle like stew of
720
00:36:23.360 --> 00:36:25.519
a bunch of different ingredients musically that I think is
721
00:36:25.559 --> 00:36:27.079
really fun to play with.
722
00:36:28.880 --> 00:36:31.559
So I'm so excited. That was so epic.
723
00:36:34.199 --> 00:36:36.320
It made me really want to see what the visuals
724
00:36:36.360 --> 00:36:37.000
are that go with it.
725
00:36:38.960 --> 00:36:42.360
Yeah, you know, big studio pictures are fun because they
726
00:36:42.400 --> 00:36:43.760
have a lot of money and they can afford big
727
00:36:43.840 --> 00:36:47.960
practical effects. But indie films have heart that can't be
728
00:36:48.400 --> 00:36:52.880
replicated because in order to make an independent film, people
729
00:36:52.960 --> 00:36:55.559
have to come together and like wear different hats and
730
00:36:56.000 --> 00:36:59.760
you know, build different roles and do choreography yourself and
731
00:37:00.239 --> 00:37:04.880
in order you know, everyone's more invested than just their
732
00:37:05.000 --> 00:37:08.039
role on an independent picture because you know, it takes
733
00:37:08.079 --> 00:37:11.280
a family to make one of these Uh, these lower
734
00:37:11.320 --> 00:37:13.760
budget pictures. And that's what I'm excited for people to
735
00:37:13.840 --> 00:37:18.760
see is the family like on display that I'm just
736
00:37:18.840 --> 00:37:21.440
now getting to know, but that I can tell working
737
00:37:21.480 --> 00:37:23.440
on the picture. I can tell that there was a big,
738
00:37:23.960 --> 00:37:26.679
happy family on set making it all together. So that's
739
00:37:26.719 --> 00:37:28.239
what I'm excited for people to see.
740
00:37:28.679 --> 00:37:33.840
That was a perfect ending. That was the perfect last speech.
741
00:37:33.639 --> 00:37:37.440
Right there, to hide your rise from the movie screens,
742
00:37:38.639 --> 00:37:40.760
to loajeries.
743
00:37:40.239 --> 00:37:41.760
From the horror screens.
744
00:37:43.039 --> 00:37:47.760
Hall of favor villains. Watch them take about this. Lesher
745
00:37:47.920 --> 00:37:51.239
has no doubt they'll go all about to make every
746
00:37:51.440 --> 00:37:52.079
death cult