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From Hollywood, California. The Lux Radio Theater presents Joan Crawford.
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And Spencer Tracy in anachristy Let's present Hollywood. We want
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you to know, ladies and gentlemen, how much we appreciate
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your loyalty to our products.
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Let's chilett stop and Lut's place your daily youth of.
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The fine products. Your suggestions that your friends also use
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them makes it possible for us to bring you the
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Lux Radio Theater. Our platonizes DNA Niels, Great Romance Drama
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Ana Christie. Our stars Spencer Tracy, John Crawford, George Marion
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Senior and Marjorie Ramble.
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And we will hear our special guests, mister.
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Albert mcmilly's who canducts be on other Broadways Department or stage.
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Magazine in charge.
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Of music is Lower Slopes and now this Hollywood celebrated citizens.
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Stop, Ladies and gentlemen to mill reading from Hollywood, Ladies
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and gentlemen. Once a for a time, a child little
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girl came to Columbia, Missouri, and enrolled in Stephen's College.
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He just come from a convent school where she had
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paid for her board by helping clean fourteen rooms by cooking,
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washing dishes, and taking care of twenty five children. She
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arrived at Stephen's College practically penniless. Yet today that college
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remembered Hell's pride. On the dining room wall hangs her portrait,
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and beneath it is the inscriptions Joan Crawford used to
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wait on tables in this room. No less spectacular has
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been the rise of Spenter Pass from the days when
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he and Pat O'Brien, both of them jobblers, lived together
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in a single room in.
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A New York boarding house. Their combined assets consisted of
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one full.
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Dress suit, which they both shared, and a generous Irish
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landlady who advanced them fifteen dollars so they could eat.
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There is no portrait and no inscription in that room today,
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nor is there any in the room of a Connecticut
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sanitarium where the turning point occurred in the life of
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Eugene O'Neill, author of Tonight's play. It was while he
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lay in that hospital, reflecting on his past life as
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a sailor, gold prospector, a newspaperman, and with an occasional
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job in the theater, that mister O'Neil determined to start
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life all over again. This time as a playwright, and
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today he's the only man who has won the Pulitzer
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Prize three times. Anna christ Is the brilliant play that
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brought the award to him for the second time. It
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was enthusiastically as flamed on Broadway and later on the screen. Tonight,
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Joan Crawford plays the title role and Spencer Taty the
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part of Matt Burke, co starring for us, as they
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do in their current MGM film, Annequin. George Marion Senior
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has heard as christ distinguished for his producing as well
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as the prayer of acting Mister Marion stad in the
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original stage production of Ana Christis and in both the
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silent and talking screen versions. Another important character part is Marthy,
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filled with that charming actress of stage and screen, Miss
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Marjorie Rambo. This is an important moment in the annals
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of the Lux Radio Theater. At our curtain risers on
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Spencer Taty and Joan Crawford in Eugene o'neils Great Drama
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Anna Christie with George Marion Senior and Marjorie Rambo at
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the foot of South Street on New York City's waterfront,
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a grimy coal barge rides the oily swells of the
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East River. In the cabin of the barge is Marthy,
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an old woman in tattered clothes who sits in the
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dim light of a hanging kerosene lamb, her eyes half
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closed and sleep. Suddenly she's awakened by her noise on deck.
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She rises and shuffles unsteadily toward the door.
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Mans. Yes, oh hello, who is it? Chriss, Mercy? Look
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where I got? What letter?
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Yes, Mercy, look a letter I got down at Unie saloon?
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Will you come from my daughter?
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And Anna?
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Letter? By golly, I don't get later from Anna? Must
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be year? Now what you think she's coming here? Mercy? Here?
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Yes, by gully, that could lose all one's I'm for
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old fella, you know, Matthew, I don't see my honor
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since she was.
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Little girl in Sweden? Five year old?
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How about she being now let me see, she must
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be siventeen year old by you the eighteen and fifteen years.
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No, when she was a little galley. I never get
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home only a few times them years. And this full
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sailor felt my wife and his mother get tired waiting
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Straton all time to live when I don't come she
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comes to this country and bring honor. They gone out
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in Minnesota and live with cousins on a farm. I
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think it's better run and live on farms. Then she
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be fine from fuddy girl. She don't never know that
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all devil. See, you don't know your sailor father like me.
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If it's in her blood, you most likely be marrying
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at Taylor herself.
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Oh but you you don't do that.
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What the matter? You are saying yourself?
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And well that's why I say it. Taylor is all right,
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fellow God, not for merry girl. I know that. And
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the smother she knows that too.
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When's thatna coming soon?
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She come right away? That's all Little was sent to
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your nie saloon. I go back there. I wait, Murphy,
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I want to speak to you about something. Yeah, what
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about Well, I don't know how to say it.
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I know what you mean.
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Now she's coming, you won't be neath me or mercy.
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I don't worry.
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I packed my dad's and beat it off the bad
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before she comes.
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Nobody can say that. Marthy o and Ever stayed where
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she ain't needed.
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You are so good woman.
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Well you treated me square yourself.
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So it's fifty fifty nobody shot nobody, and we're still
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good friends.
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Yes, by Gollee, good trend, and we celebrate. We bring
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a health chire, my little honnor. She comes back to
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the old man. Oh hello, that's right. What can I
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do for you? You don't say so, do you? You
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don't save nothing up here at the bar?
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Says then they are the.
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Back room for lady.
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Thanks Mary, Well just bring it for you one anything else? Yeah?
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Hello, hell mind a little company said, thank you. I've
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seen you come in. My name is Matthea Owen. Stranger
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around here, ancient.
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I just got in time day and and a half
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on the train. Thought i'd never get here.
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Day and a half. Huh yeah, where'd you come from?
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Thank Paul out in Minnesota.
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Thank Paul.
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So you're you're.
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What are you laughing at?
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Think?
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No?
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I was just thinking.
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It ain't nothing wrong with me?
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Is that you're looking hard enough?
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I ain't got to look much. I got your number
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the minute you stepped.
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In the door.
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Yeah I got yours too, without no trouble. You're me
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forty years from now, that's you.
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God. Oh come on now, let's.
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Cut out the scrapping me. Now, you see, I don't
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want no hard feelings with nobody. Come on, shake and
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forget it.
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Huh.
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Sure, I ain't looking for trouble.
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That's right what you're doing. He is waiting for someone.
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I'm old man. I ain't seen him since I was
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a kid.
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He used to be a sailor.
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He's janitor some building here now janitors.
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Yeah, I was thinking maybe, seeing he ain't never done
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a thing for him in my life, he might.
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Be willing to take me to a room and eat.
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I get rested up.
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I've been six this out of the hospital two weeks.
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I ain't expecting much from him. Give you a kick
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when you're down.
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That's what all men do.
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Say.
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Do you hang around this joint much off and on? Well,
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then maybe you're normal man.
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Yes, it ain't say it ain't christophersin is it?
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Yeah?
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Yeah, that's him, Ana Christophers, and that's my real name.
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Only out there a.
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Comas of anarchist.
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So you know him.
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I've seen him above for years. But where'd you get
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the idea he was a janitor?
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Why he wrote me he wasn't too well?
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He ain't.
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He's capped him of a coal barge.
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A coal barge.
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Oh if that ain't a well jobbed to find your
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long locked old man working at her.
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Well that Joseph, I don't get no rest from him?
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Why not?
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Can't you live on a two on.
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A dirty coalboard?
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What do you think? I?
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Ah, what do you know about budget? That she's never
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seen one?
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That's what comes up. He's bringing you up inland where
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your business bringing is?
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That what he tells people. He let them cousins keep
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me on their farm and work me their death like
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a dog.
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So you didn't fraw for life on the farm.
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Huh?
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I sto didn't tell my mother died, And I went
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to think, pol.
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Ah, well you should have stuck to the farm. It
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couldn't have been worse than this, and shut up now
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look you're old man. He's a simple old guy. See
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he thinks she was working as a nurse girl in
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Saint Paul. He thinks, Oh say he thinks the world?
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Are you honestly does?
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Yeah?
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Say that's him.
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Now he's out there.
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I'll tell him you're here.
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Wait a minute, eyesight.
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Hello, ma oh, Chris, Chris, she's in the back room. Anna.
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Yeah, Well, so long, Chris, say she's been sick, freedom,
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good will you? Well, I've gotta beat it now.
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And I'm hello father.
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She told it with you.
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It's good for see you after all the years, and
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good to see you too.
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Yeah, noful keyp coming here. I've never been to New
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York before, you know, and I'm just out of the hospital.
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Two weeks ago.
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You an bye. Golly, you feel better now, don't you?
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You look little tired, that's all.
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I'm tired of them any longer. That's why I made
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my mind to see you.
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Oh, I got a place for red, nice place. You
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don't never got to work as a nice girl no more.
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You stay with me, by.
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Goll it and you're really glad to see me, honest.
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And.
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I got no one in world, but you come. You
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get a rest.
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We go on board, I mean a bardge next, huh?
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I mean do you think that's a good place for
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a girl?
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Why you you don't know how nice is on barge?
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On talk calm me dows out on voyage. You got
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use water all around, sn fresh air, plenty, good grub
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for make you strong, healthy girl.
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You need a rest like that done for get here?
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You tell it, I'd sure like a chip on the water.
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All I Well, I'll go with you and have a
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lot maybe I'll take a chance, do anything on I
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was a rush.
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Wait a second, I'm thirsty.
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Oh I'm sorry, Anna, What do you think you like
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for drink?
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I don't know where they got here.
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Really, I don't think they got much fancy drink for
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young girl in this place.
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There's a ingurrell or Sasparrell.
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I'll make it spa.
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Then I tell you Anna, we celebrate this one time
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because we meet after many years.
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They got good po wine. Anna, that's good for you.
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It is strongly one glass.
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He don't go to your head, I promise, okay, I'll
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take force.
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Hey, Johnnie, one class port wine, one small beer. You
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know you you us off putri gel and I bet
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all men.
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See you fall in love with you by you. Oh my,
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what's the matter? I didn't no harm. Your father took
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that way on quite.
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Well.
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It's funny. You're like a stranger to me.
254
00:14:23.639 --> 00:14:28.480
Yeah, Hannah, I know he are what wine for the lady?
255
00:14:28.559 --> 00:14:29.799
And are small beer for you? Chris?
256
00:14:30.120 --> 00:14:35.320
Ye, come man, you drink your wine that put new
257
00:14:35.480 --> 00:14:42.039
life with you. School school You know that Swedish word
258
00:14:42.240 --> 00:14:43.879
and school.
259
00:14:45.519 --> 00:14:47.200
Yeah, I guess another word?
260
00:14:47.240 --> 00:15:13.200
All right, all right ahead.
261
00:15:15.480 --> 00:15:17.360
Or move out past be take him.
262
00:15:17.279 --> 00:15:18.240
Up by giving it.
263
00:15:23.519 --> 00:15:25.600
An we start.
264
00:15:26.519 --> 00:15:28.600
Hey, it ain't so bad on barge.
265
00:15:29.480 --> 00:15:30.440
I'll let you know, lady.
266
00:15:41.200 --> 00:15:45.879
Two three days more we pick up pole in Boston
267
00:15:46.279 --> 00:15:47.279
and turn thick.
268
00:15:48.600 --> 00:15:53.960
You You change a luckin vandekanner see make you feel good?
269
00:15:54.039 --> 00:15:54.200
Eh?
270
00:15:54.879 --> 00:15:59.759
Maybe father.
271
00:16:01.440 --> 00:16:02.720
Is a sexual clock.
272
00:16:04.039 --> 00:16:05.039
Anny always tita.
273
00:16:05.679 --> 00:16:09.639
I'm getting one of the linguag say, but the men
274
00:16:09.720 --> 00:16:10.919
and our family always.
275
00:16:10.600 --> 00:16:13.399
Fall Yeah, fools tooo.
276
00:16:14.559 --> 00:16:20.279
My father made three brothers buried at sea. Sooner or
277
00:16:20.399 --> 00:16:25.240
later that all devil see she smallowed them up.
278
00:16:26.759 --> 00:16:31.639
She ain't gonna get me, no buy amy, not me
279
00:16:32.759 --> 00:16:36.639
faiefing about the say again, well, I'm getting so I
280
00:16:36.799 --> 00:16:37.399
kind of like it.
281
00:16:38.120 --> 00:16:52.080
I know you like it. I honor here, I am.
282
00:16:52.120 --> 00:16:52.600
What do you want?
283
00:16:53.240 --> 00:16:56.600
Why you don't turn in? Honest ladies after four bells?
284
00:16:56.960 --> 00:16:59.600
I like this fag honest, I feel it.
285
00:16:59.679 --> 00:17:04.759
If I other things all together, all the worse, dirty
286
00:17:04.960 --> 00:17:06.079
pricksable sea.
287
00:17:08.440 --> 00:17:11.640
I don't give a rap of it. Nevertheless, it makes
288
00:17:11.720 --> 00:17:12.880
me feel clean.
289
00:17:14.160 --> 00:17:14.440
Love it.
290
00:17:15.640 --> 00:17:19.519
You like funny tonight and honey, I feel sort of
291
00:17:19.599 --> 00:17:23.640
strange tonight, sort of muddy, because if I've been living
292
00:17:23.680 --> 00:17:26.559
a long long time out here in the fog, I
293
00:17:26.599 --> 00:17:28.119
don't know how to tell you just what I mean.
294
00:17:28.240 --> 00:17:30.960
But it's it's like I'd come home after a long
295
00:17:31.119 --> 00:17:35.519
visit someplace and I seem to have forgot everything that's happened,
296
00:17:35.559 --> 00:17:38.039
like like it didn't matter no more.
297
00:17:46.240 --> 00:17:46.559
What's that?
298
00:17:47.720 --> 00:17:56.079
Shall come from this side? She come in from open sea?
299
00:17:57.640 --> 00:17:57.880
Oh?
300
00:17:59.519 --> 00:18:02.880
Oh, there you've got the rope.
301
00:18:02.960 --> 00:18:07.039
When we come alongside, heave your breath for holling us in?
302
00:18:08.480 --> 00:18:09.039
Where are you?
303
00:18:09.200 --> 00:18:09.319
Yes?
304
00:18:09.480 --> 00:18:11.119
Swap this way?
305
00:18:11.839 --> 00:18:13.640
Why don't you stay where he belong you.
306
00:18:13.839 --> 00:18:16.839
Hannah, he's a rap, a rap with tree man.
307
00:18:17.400 --> 00:18:21.839
Oh deep been rit Yeah.
308
00:18:22.240 --> 00:18:25.759
Hatch the rope. Oh you just swap or be quick
309
00:18:25.799 --> 00:18:29.160
about it. It's not another night. I'll be sitting out here.
310
00:18:29.759 --> 00:18:30.480
You catch it.
311
00:18:31.279 --> 00:18:36.079
I did small thanks to your rotten name. Lend me
312
00:18:36.119 --> 00:18:39.640
your hand with these two men. They're up heavy?
313
00:18:39.640 --> 00:18:44.680
Is lead? Help? Hannah? Give him m Come on now
314
00:18:44.759 --> 00:18:48.839
the other. Let's just cut up with him. Ana, you next,
315
00:18:48.920 --> 00:18:49.160
come on?
316
00:18:50.000 --> 00:18:53.359
Ah, sure, it's none of your help. I need five
317
00:18:53.519 --> 00:18:58.400
days in the open. Say, glory, b what tub is this?
318
00:18:59.279 --> 00:19:02.880
It's cold simeon winter a coal barge?
319
00:19:03.000 --> 00:19:03.119
Is it?
320
00:19:04.680 --> 00:19:04.880
Well?
321
00:19:04.920 --> 00:19:08.319
We're safe anyway, safe with the help of God.
322
00:19:09.000 --> 00:19:22.000
Catch him, Hona, get whiskey, nique. Ah, you're awake.
323
00:19:22.119 --> 00:19:23.640
Now you drink this?
324
00:19:24.160 --> 00:19:24.359
Ah?
325
00:19:25.759 --> 00:19:26.720
Oh, are you drink it?
326
00:19:27.960 --> 00:19:28.200
Sure?
327
00:19:28.240 --> 00:19:28.920
Am I dreaming?
328
00:19:29.519 --> 00:19:30.920
Drink this and you'll find it ain't no.
329
00:19:31.000 --> 00:19:33.880
Dream who wants to drink? But I'll take it just
330
00:19:33.960 --> 00:19:34.319
the same.
331
00:19:36.440 --> 00:19:38.680
Where am i cabin of the Simon Winter?
332
00:19:39.039 --> 00:19:42.119
I know, I know, sure, I thought you were some
333
00:19:42.319 --> 00:19:45.559
mermaid come out of the sea to torment me. Give
334
00:19:45.640 --> 00:19:49.759
us your hand, darlan well reil flesh and blood, deviltheless
335
00:19:49.799 --> 00:19:53.079
cut at sure? And what is a fine handsome woman
336
00:19:53.119 --> 00:19:54.640
the like of you doing on this scowl?
337
00:19:55.519 --> 00:19:55.720
Hey?
338
00:19:55.839 --> 00:19:58.880
You got nerve, kiddiness. What you've just been through?
339
00:19:59.000 --> 00:20:02.000
Ah twas nothing? It was easy for a real man
340
00:20:02.039 --> 00:20:05.200
that likes of me. Tis only the great strength to
341
00:20:05.319 --> 00:20:08.200
me that saved us when the crash came. Ah twas
342
00:20:08.240 --> 00:20:10.559
a mad fighting scramble in the last seconds, with each
343
00:20:10.640 --> 00:20:13.839
man for himself. All the others was drowned, that they
344
00:20:13.880 --> 00:20:17.079
were surely sure and only for me and the great
345
00:20:17.160 --> 00:20:19.440
strength and nervos in me, the two I saved would
346
00:20:19.440 --> 00:20:20.920
be scuffed by the fishes this minute.
347
00:20:21.200 --> 00:20:22.920
See you hate yourself, don't you?
348
00:20:23.799 --> 00:20:23.960
Well?
349
00:20:24.039 --> 00:20:26.680
You better lie hones, sleep, lie down and sleep?
350
00:20:26.799 --> 00:20:26.960
Is it?
351
00:20:27.559 --> 00:20:29.799
Let you not be thinking I'm a weak scut I
352
00:20:29.839 --> 00:20:31.759
could lick any man on this boat with one hand
353
00:20:31.799 --> 00:20:32.400
tied behind me.
354
00:20:32.680 --> 00:20:34.000
Ain't you the hard guy?
355
00:20:34.880 --> 00:20:36.640
Well, I must say, I don't care for your language.
356
00:20:36.720 --> 00:20:38.400
The man I know, don't pull that rough stuff when
357
00:20:38.480 --> 00:20:39.160
ladies are around?
358
00:20:40.319 --> 00:20:40.720
Ladies?
359
00:20:40.880 --> 00:20:42.759
Is it the devil ringer?
360
00:20:43.720 --> 00:20:46.559
Let you not be making game of me? Now, wish
361
00:20:46.680 --> 00:20:50.119
now me, daisy, it's one of your kisses. I'm needing
362
00:20:50.200 --> 00:20:53.319
to take the tiredness from my bones. One kiss.
363
00:20:53.400 --> 00:20:55.759
Now, let go of me, your big slug.
364
00:21:00.759 --> 00:21:01.400
Here, what's the matter.
365
00:21:02.319 --> 00:21:04.839
I didn't mean to push you down. Hey, wake up,
366
00:21:05.839 --> 00:21:09.079
ah gee, you sucked.
367
00:21:08.839 --> 00:21:09.640
Your head on the book.
368
00:21:10.039 --> 00:21:11.160
I was scared for a minute.
369
00:21:11.160 --> 00:21:12.519
That kills you killed?
370
00:21:12.640 --> 00:21:12.799
Is it?
371
00:21:13.799 --> 00:21:15.279
It would take more than a bit of a blow
372
00:21:15.359 --> 00:21:19.039
to crack my thick skull. But glory v it's a
373
00:21:19.119 --> 00:21:21.599
power of strength, is in them, two fine arms of yours.
374
00:21:22.759 --> 00:21:24.279
There's not a man in the world can say the
375
00:21:24.359 --> 00:21:26.279
same as you that he's seen Matt Burke lying at
376
00:21:26.279 --> 00:21:27.720
his feet and him dead to the world.
377
00:21:28.240 --> 00:21:30.680
I'm sorry it happened, only you had no right to
378
00:21:30.720 --> 00:21:33.559
be getting fresh with me. Listen now, don't be getting
379
00:21:33.599 --> 00:21:35.640
any more wrong notions. I'm on this barge because I'm
380
00:21:35.640 --> 00:21:37.759
making a trip with my father. The Captain's my father.
381
00:21:38.440 --> 00:21:41.240
I'm sorry. I'm thinking I ain't good enough to be
382
00:21:41.319 --> 00:21:43.680
kissing the shoe soles of a fine dacent girl the
383
00:21:43.839 --> 00:21:46.519
like of yourself. So if you'll forgive me, we'll be
384
00:21:46.559 --> 00:21:49.640
friends from this out. I'm thinking I'd rather be friends
385
00:21:49.680 --> 00:21:51.359
with you than have my wish for anything else in
386
00:21:51.400 --> 00:21:56.480
the world. Your hand, girl, sure, Heaven bless your girl.
387
00:21:56.680 --> 00:22:00.279
Ouch my head, ah, oh tis a clumsy If I
388
00:22:00.359 --> 00:22:03.559
am sure, it is great power I have in my
389
00:22:03.680 --> 00:22:05.599
hand and arm, and I do be forgetting.
390
00:22:05.240 --> 00:22:05.799
To the times.
391
00:22:06.319 --> 00:22:10.359
You're some strong I am that praise God, And I'm
392
00:22:10.440 --> 00:22:11.960
telling you there's the will of God and that that
393
00:22:12.039 --> 00:22:14.000
brought me safe through the storm and fog to the.
394
00:22:14.000 --> 00:22:15.400
One spot in the world where you was.
395
00:22:16.200 --> 00:22:18.000
Think of that now, and isn't it Queer.
396
00:22:19.799 --> 00:22:21.920
Hanna? You will get in your cabin.
397
00:22:22.000 --> 00:22:23.640
You'll hear who do you think you're talking to?
398
00:22:23.759 --> 00:22:24.240
A slave?
399
00:22:24.559 --> 00:22:27.240
You need to get a rest, Anna, You've got to
400
00:22:27.319 --> 00:22:31.119
get sleep. What are you doing here? You sailor Hella?
401
00:22:31.880 --> 00:22:34.759
You ain't sick like honors you'll get in folks.
402
00:22:34.799 --> 00:22:35.960
But he is sick. Look at him.
403
00:22:35.960 --> 00:22:38.000
He can hardly stand up get in, folks, is it
404
00:22:38.079 --> 00:22:38.759
giving me orders?
405
00:22:38.839 --> 00:22:42.640
Y army buckle? Let you look out? Then with one hand,
406
00:22:42.680 --> 00:22:44.200
week as I am, I can break you into and
407
00:22:44.279 --> 00:22:46.279
clean the pieces over the side and your crew after you.
408
00:22:46.640 --> 00:22:51.279
I'll ha ha ha No, No, I was forgetting.
409
00:22:52.079 --> 00:22:54.000
You're her old man, and I'll not raise a fist
410
00:22:54.039 --> 00:22:57.920
to you for the world. I I think i'd better
411
00:22:57.960 --> 00:22:58.640
sit down.
412
00:22:59.279 --> 00:23:01.720
Here, you get back in that you're gonna stay here
413
00:23:01.799 --> 00:23:02.359
in this cabin.
414
00:23:02.440 --> 00:23:05.039
Tell you're wealth. I'll take care of you myself.
415
00:23:07.119 --> 00:23:09.799
I'm assure it's a sweet name and suited to an angel.
416
00:23:10.440 --> 00:23:18.480
You stay here, you stay, yes, and I don't. That's
417
00:23:18.599 --> 00:23:25.039
your dirty trick, all devil scene. But you don't do that,
418
00:23:26.319 --> 00:23:31.000
not while I live, No by you, you don't.
419
00:23:41.799 --> 00:23:44.359
So that's one of Anna Christie is off. But in
420
00:23:44.440 --> 00:23:47.759
a moment, John Crawford, Spencer Tracy and George Marrion Sr.
421
00:23:48.039 --> 00:23:51.680
Will return to continue with that too. Now, during our intimation,
422
00:23:52.039 --> 00:23:53.720
we'd like you to meet two young people who got
423
00:23:53.720 --> 00:23:56.279
a lot of fun are writing parodies on popular songs
424
00:23:56.319 --> 00:23:58.599
in their spare times. Tonight we're going to give them
425
00:23:58.599 --> 00:24:01.279
a chance on the radio where their latest rainstorm it's
426
00:24:01.319 --> 00:24:10.400
a parody on the national hit tune by mere Bistouche, by.
427
00:24:10.440 --> 00:24:15.759
Mere bistou shame, So won't you explain what makes you
428
00:24:16.000 --> 00:24:22.079
the fairest in the land? Is it your complexion inspires
429
00:24:22.279 --> 00:24:23.000
such affection?
430
00:24:23.680 --> 00:24:26.680
And how do you keep it so grand?
431
00:24:27.559 --> 00:24:30.839
I might say Germans, I say, are even French?
432
00:24:31.039 --> 00:24:31.599
So boom?
433
00:24:31.880 --> 00:24:35.160
But Luck it is makes me so blight, my skin
434
00:24:35.319 --> 00:24:36.240
so very boom.
435
00:24:36.839 --> 00:24:41.599
I'll think this refrain by mere bistou shame Luck, So
436
00:24:41.920 --> 00:24:43.279
Pu're the finest in.
437
00:24:43.400 --> 00:24:47.119
The land, by mere Bistoushane.
438
00:24:47.599 --> 00:24:51.720
You need not explain what makes you the fairest in
439
00:24:51.920 --> 00:24:52.400
the land.
440
00:24:53.680 --> 00:24:58.279
I can see it's your complexion inspire such affection, and
441
00:24:58.559 --> 00:25:01.039
Lucks toilet soaption keeps it grand.
442
00:25:03.359 --> 00:25:06.079
There's more truth than poetry in that song you've just heard.
443
00:25:06.640 --> 00:25:09.200
It's a fact that nine out of ten screen stars
444
00:25:09.319 --> 00:25:12.559
depend on Luck's toilet soap to guard their complexions, that
445
00:25:12.720 --> 00:25:15.960
smart girls everywhere use this gentle white soap to keep
446
00:25:16.000 --> 00:25:20.440
skin lovely, guard against cosmetic skin. Its active lather removes
447
00:25:20.480 --> 00:25:24.160
thoroughly the dust and dirt stale cosmetics that choke the pores.
448
00:25:24.680 --> 00:25:28.000
When pores are choked, the dulness, tiny blemishes and large
449
00:25:28.079 --> 00:25:32.480
pores that mean cosmetic skin developed guard against this unattractive
450
00:25:32.519 --> 00:25:36.279
complexion trouble by using Luck's toilet soap before you renew makeup,
451
00:25:36.880 --> 00:25:40.400
always before you go to bed. And now here's mister
452
00:25:40.440 --> 00:25:44.359
de mill Anna Christie starring Joan Crawford and Spencer Tracy
453
00:25:44.440 --> 00:25:53.440
with George Marion Senior. A week has gone by and
454
00:25:53.519 --> 00:25:56.279
the barge is traveling south again, due in New York
455
00:25:56.319 --> 00:25:59.839
on the following day. In the cabin, Chris pretends to
456
00:26:00.440 --> 00:26:04.559
glaring hatefully over the paper at Burke and Anna. Anna's
457
00:26:04.559 --> 00:26:07.559
been knitting. She moves toward Burke and holds a sweater
458
00:26:07.680 --> 00:26:09.079
against his broad chest.
459
00:26:12.079 --> 00:26:13.799
I want to measure against you, Matt's tend.
460
00:26:13.720 --> 00:26:16.000
Up, sure, and I will. I'm my head on my feet.
461
00:26:16.799 --> 00:26:20.279
See ah, you standing mighty close to me, Anna with
462
00:26:20.440 --> 00:26:23.359
my sweater you made with your own sweet hands. Only
463
00:26:23.519 --> 00:26:25.119
prayer paralysis can save you.
464
00:26:25.240 --> 00:26:26.720
Now I'm praying Math.
465
00:26:26.960 --> 00:26:29.279
Then he's a miracle if your prayers are handsome.
466
00:26:30.079 --> 00:26:33.119
Thanks Matt. The sweat is for my father. He hates
467
00:26:33.160 --> 00:26:33.960
to stand up for me.
468
00:26:34.440 --> 00:26:38.000
What tis a lie in your throat? Anna? And you
469
00:26:38.160 --> 00:26:40.279
know it. You made it for me with your own
470
00:26:40.319 --> 00:26:43.160
blessed hands, and I'll be wearing it tomorrow when we
471
00:26:43.279 --> 00:26:45.240
dock in New York, taking you myself out for a
472
00:26:45.319 --> 00:26:45.759
day's fun.
473
00:26:45.960 --> 00:26:47.839
Oh no, you won't. It won't be finished by then.
474
00:26:47.880 --> 00:26:49.079
What's more, I won't be going with you.
475
00:26:49.160 --> 00:26:51.200
Oh yes, you'll be going with me, just the two
476
00:26:51.240 --> 00:26:51.480
of us.
477
00:26:51.759 --> 00:26:52.839
Oh no I won't.
478
00:26:52.839 --> 00:26:53.599
Oh yes she will?
479
00:27:02.519 --> 00:27:05.319
All right, all right, all right, red hots, red hot spice,
480
00:27:05.400 --> 00:27:06.160
and step right up.
481
00:27:06.480 --> 00:27:08.200
That's it, red hots, red hats, get.
482
00:27:11.519 --> 00:27:17.440
Hip the high spike, cry your strength, they all ladies
483
00:27:17.480 --> 00:27:18.000
and gentleman.
484
00:27:18.079 --> 00:27:19.079
He hits it again, and.
485
00:27:20.960 --> 00:27:21.920
Sure that's Jennifer.
486
00:27:22.000 --> 00:27:24.960
I have no come on man, he do it?
487
00:27:25.039 --> 00:27:29.440
I you're Oh, there's nothing. They build him too long?
488
00:27:34.759 --> 00:27:36.119
He test your lungs.
489
00:27:36.400 --> 00:27:38.839
Step right up, blow the lung tester, get the bell
490
00:27:38.920 --> 00:27:40.039
and win a box of chocolate.
491
00:27:40.240 --> 00:27:41.880
Hey, why don't you test your lungs?
492
00:27:41.960 --> 00:27:44.920
Mat, I should test him. This fine pair of fellows
493
00:27:44.960 --> 00:27:47.359
that I got, I've got enough airing me to blow
494
00:27:47.440 --> 00:27:48.000
up a balloon.
495
00:27:48.359 --> 00:27:49.440
You said it that time?
496
00:27:49.920 --> 00:27:52.079
Sure I what do you mean?
497
00:27:52.160 --> 00:27:52.599
I said it?
498
00:27:58.599 --> 00:28:04.839
The watch or plate, every work of art, all I
499
00:28:04.960 --> 00:28:06.440
love to see the history and.
500
00:28:10.960 --> 00:28:12.759
Row me on and Juliet.
501
00:28:13.119 --> 00:28:23.440
Step Leopatra some more foreigners. Surely there any irishmen in
502
00:28:23.480 --> 00:28:24.079
the waxworks.
503
00:28:24.960 --> 00:28:26.599
Honest, I'm having fun with you.
504
00:28:26.880 --> 00:28:30.319
I ain't having such a punk time yourself. Gianna, you're
505
00:28:30.359 --> 00:28:33.359
a swell looking dish of blarnee. Not when I'm talking
506
00:28:33.400 --> 00:28:36.119
to you, Anna, the blarney dies in retrothed.
507
00:28:37.039 --> 00:28:38.279
I'd like to believe it now.
508
00:28:39.440 --> 00:28:40.920
Oh look, Rome and Juliet.
509
00:28:41.200 --> 00:28:45.799
Yeah you never land that name. Why the poor swab
510
00:28:45.880 --> 00:28:46.759
is on his knees to her.
511
00:28:47.240 --> 00:28:48.359
You don't believe in that? Sure?
512
00:28:48.480 --> 00:28:50.799
Not a woman wants to look up to her man,
513
00:28:50.880 --> 00:28:52.480
not down on him as if he was a poodle.
514
00:28:53.400 --> 00:28:53.640
Yeah.
515
00:28:55.240 --> 00:28:56.359
Yeah, I'm looking up to you.
516
00:28:56.480 --> 00:29:01.039
Man, and I'm looking up to you Anna, oh Anna,
517
00:29:01.880 --> 00:29:05.440
Anna Darling. Tis a strange thing you've done to me.
518
00:29:06.359 --> 00:29:09.799
It's love, all right. There's a choking feeling in me throat,
519
00:29:09.839 --> 00:29:12.359
and my heart is beaten like a trip hammer. And
520
00:29:12.480 --> 00:29:15.079
if it isn't love, then I'll love her. Fine man
521
00:29:15.319 --> 00:29:15.519
like you.
522
00:29:15.720 --> 00:29:17.319
I thought you'd know a lot about love.
523
00:29:18.119 --> 00:29:19.920
I thought I did until I saw you that first
524
00:29:20.000 --> 00:29:22.240
night on the boat. Come and do me out of
525
00:29:22.279 --> 00:29:24.920
a blind and fog, the two bright eyes of your
526
00:29:24.960 --> 00:29:28.720
shining through the mists to light me way. And ever
527
00:29:28.920 --> 00:29:30.960
ever since that night I've been on me too. Knees
528
00:29:31.000 --> 00:29:33.599
to your groveling at your feet, the same as I
529
00:29:33.640 --> 00:29:37.440
am this minute on your knees. Man, after what you
530
00:29:37.599 --> 00:29:39.920
just say, Ah, don't be making fun of me now,
531
00:29:40.000 --> 00:29:43.480
I can't help it, Dinah, it's more than love I
532
00:29:43.599 --> 00:29:46.880
have for you. It's it's a kind of pain, like
533
00:29:46.960 --> 00:29:47.599
a heart ache.
534
00:29:48.960 --> 00:29:49.000
Me.
535
00:29:49.200 --> 00:29:50.880
That's not good enough to be kissing a shoe on
536
00:29:50.920 --> 00:29:51.279
your foot.
537
00:29:51.480 --> 00:29:54.359
No, Anna, you must you mustn't say that.
538
00:29:54.480 --> 00:29:55.880
Ever, it's true. Why shouldn't I?
539
00:29:57.079 --> 00:30:01.599
Yes, Oh, Matt Darling, what would you say.
540
00:30:02.920 --> 00:30:08.039
If I told you? If you told me what I
541
00:30:08.200 --> 00:30:10.559
know what you'll be wanting to tell me? So if
542
00:30:10.640 --> 00:30:12.640
not this minute, that you'll love me?
543
00:30:12.680 --> 00:30:15.559
Anna, don't be so sure of yourself, mad, I'm loving nobody,
544
00:30:15.680 --> 00:30:16.319
and that you'll.
545
00:30:16.119 --> 00:30:18.559
Be wanting to marry me, and maybe I'll be accepting it.
546
00:30:20.559 --> 00:30:23.400
You want to marry me, you mean sure, and I'll
547
00:30:23.440 --> 00:30:23.799
marry her.
548
00:30:26.400 --> 00:30:33.319
I'm what wasn't Marana? All time since you get back,
549
00:30:33.880 --> 00:30:37.359
you sit out here and look close to me, you
550
00:30:37.599 --> 00:30:43.920
think about something and maybe, uh, maybe I know you
551
00:30:44.079 --> 00:30:45.880
think you love that sailor fellow.
552
00:30:46.039 --> 00:30:46.839
Well what if I do?
553
00:30:47.799 --> 00:30:54.279
Maybe you think you marry him? No, why, I'm glad
554
00:30:54.359 --> 00:30:58.880
you don't marry sailor fella. Any girl marries sailor fellow,
555
00:30:59.000 --> 00:31:03.720
she's fool. Your mother tell you the same thing if
556
00:31:03.799 --> 00:31:04.640
she was alive.
557
00:31:05.119 --> 00:31:07.960
That ain't why I won't marry. I ain't thinking about myself,
558
00:31:09.480 --> 00:31:13.079
thinking about him. He's such a simple guy, like a
559
00:31:13.160 --> 00:31:16.039
big kid. I ain't got the heart to fool him.
560
00:31:16.799 --> 00:31:21.240
You fool him, thank him minute you go crazy, I think.
561
00:31:21.240 --> 00:31:23.640
Yeah, I've been thinking I was myself the less you did.
562
00:31:24.799 --> 00:31:26.559
I'm going back on the stair and watch the boat.
563
00:31:26.599 --> 00:31:27.920
When Matt comes, tell him where I am?
564
00:31:29.880 --> 00:31:35.799
And oh.
565
00:31:38.480 --> 00:31:43.720
Ah, well, god bless who's here? And how's the world
566
00:31:43.799 --> 00:31:45.480
treating you this afternoon? Ana's father?
567
00:31:45.759 --> 00:31:49.440
Oh potty good if it ain't for some fellas meaning me?
568
00:31:49.559 --> 00:31:51.039
Do you where's Annah?
569
00:31:51.599 --> 00:31:53.480
Oh? She go out look at the boat.
570
00:31:53.839 --> 00:31:57.240
I'll be going out to her, but first time, thinking.
571
00:31:57.279 --> 00:31:59.000
I'll take this chance when we're alone, to have a
572
00:31:59.039 --> 00:32:02.759
word with you. I'm marrying Rana before this day is out.
573
00:32:02.799 --> 00:32:04.200
And you might as well make up your mind to it,
574
00:32:04.279 --> 00:32:07.039
whether you like it or no Ah, that's easy for say,
575
00:32:07.279 --> 00:32:08.960
is it? The like of yourself? Will stop me? Or
576
00:32:08.960 --> 00:32:11.440
you're thinking stop it? If you come to verse, even
577
00:32:11.519 --> 00:32:13.519
help you if you try it, but I ain't no
578
00:32:13.680 --> 00:32:14.359
need I do that.
579
00:32:15.160 --> 00:32:18.039
I only have fun. She'd make big fool of you,
580
00:32:18.200 --> 00:32:18.559
that's all.
581
00:32:18.640 --> 00:32:20.319
That's a lie in your throat, the devil vinger.
582
00:32:20.519 --> 00:32:21.480
No, that ain't lie.
583
00:32:22.000 --> 00:32:24.559
She tell me when she comes back before she never
584
00:32:24.680 --> 00:32:28.200
married fella like you. I'll not bolivia you shape away again.
585
00:32:28.960 --> 00:32:29.960
Leave Anna alone.
586
00:32:30.799 --> 00:32:34.599
Big fella like you, that's on sea. He don't need
587
00:32:34.680 --> 00:32:38.079
a wife. He got new girl in every report.
588
00:32:38.400 --> 00:32:38.880
You know that?
589
00:32:39.319 --> 00:32:41.599
Why you you think I'm gonna.
590
00:32:41.440 --> 00:32:45.200
Let her life be made sorry by you? You'se like
591
00:32:45.279 --> 00:32:49.799
Commdels was made by me. No, she don't marry you
592
00:32:50.759 --> 00:32:55.279
if I got to kill you, glory V.
593
00:32:55.480 --> 00:32:57.799
What talk is this from a stumpy front of her man?
594
00:33:00.119 --> 00:33:02.640
Sure it is a queer fool's bladder you have about
595
00:33:02.680 --> 00:33:05.079
the say done this and the sade done that. You
596
00:33:05.200 --> 00:33:06.799
ought to be ashamed to be saying. I like and
597
00:33:06.880 --> 00:33:09.599
you and old sailor yourself. I'm thinking it is a
598
00:33:09.680 --> 00:33:10.319
poor weak thing.
599
00:33:10.400 --> 00:33:12.559
You are not a man of towel, Lucie. If I'm
600
00:33:12.599 --> 00:33:15.480
a man maybe kicker, and you can down that chair,
601
00:33:15.599 --> 00:33:16.759
You'll kill you down.
602
00:33:19.440 --> 00:33:23.079
By your poor fish brains. Swat. I've half a mind
603
00:33:23.119 --> 00:33:24.720
to hit your cloth that will put sense in your
604
00:33:24.759 --> 00:33:27.839
square head. Keep off for me now, I'm warning.
605
00:33:27.640 --> 00:33:30.119
You what's going on here?
606
00:33:31.920 --> 00:33:34.480
How that chair get not to He ain't been fighting
607
00:33:34.519 --> 00:33:36.160
with him matter after you promise, I've.
608
00:33:36.039 --> 00:33:38.480
Not laid a hand on him. Manna, I told him
609
00:33:38.480 --> 00:33:40.519
in his teeth, I loved you. And that's the truth, Anna,
610
00:33:40.519 --> 00:33:41.160
And well you know it.
611
00:33:41.720 --> 00:33:45.559
He says same thing to Gallant portygh shut.
612
00:33:45.440 --> 00:33:48.960
Up, can't you? I know you love me, man, don't
613
00:33:49.000 --> 00:33:49.680
mind what he says.
614
00:33:49.880 --> 00:33:53.440
God bless you. And then I said, I, well, I
615
00:33:53.599 --> 00:33:55.240
told him I thought you have a bit of love
616
00:33:55.279 --> 00:33:55.799
for me too.
617
00:33:57.240 --> 00:33:59.920
So are you told him that? Well?
618
00:34:00.519 --> 00:34:01.000
Maybe I do.
619
00:34:01.960 --> 00:34:04.200
I've been wondering if I do love you. I didn't
620
00:34:04.200 --> 00:34:07.640
want to Mari alone up together. I guess I can't
621
00:34:07.680 --> 00:34:09.800
help it anyhow, So I guess I do.
622
00:34:12.039 --> 00:34:12.639
Sure I do.
623
00:34:13.400 --> 00:34:15.199
What's the use of kidding myself different?
624
00:34:15.480 --> 00:34:16.360
Sure? I love you?
625
00:34:16.599 --> 00:34:17.199
Meth On?
626
00:34:18.000 --> 00:34:20.639
Oh, Anna, tis the voice of an angel you have
627
00:34:20.719 --> 00:34:24.719
when you speak like that. Come on now, Chris, oh,
628
00:34:24.880 --> 00:34:27.000
not like a man when you're bade fair and square.
629
00:34:27.480 --> 00:34:29.679
Here's my hand. We'll be friends from now on.
630
00:34:30.400 --> 00:34:30.519
Oh.
631
00:34:30.679 --> 00:34:34.760
I don't shake hands with you, fella, Not while the
632
00:34:34.880 --> 00:34:36.360
back of me handier than that suit.
633
00:34:36.440 --> 00:34:38.519
Yet tis a rotten bad loseryar.
634
00:34:38.280 --> 00:34:40.719
I don't lose, And I say she like you a
635
00:34:40.760 --> 00:34:44.039
little bit, But you don't hear her say she marry you?
636
00:34:44.199 --> 00:34:46.920
I bet no, And I wasn't hearing her say the
637
00:34:47.000 --> 00:34:48.039
sun ain't shina either.
638
00:34:49.239 --> 00:34:50.199
I didn't say it met.
639
00:34:50.719 --> 00:34:51.920
What did you hear?
640
00:34:52.679 --> 00:34:56.079
Ah, you're waiting until you do be asked? You mean, eh, well,
641
00:34:56.119 --> 00:34:58.960
I'm asking you now and we'll be married this day.
642
00:34:59.719 --> 00:35:02.159
No, no, we won't.
643
00:35:02.840 --> 00:35:05.000
What do you mean I can't marry your math?
644
00:35:05.440 --> 00:35:08.679
I know that was so, Hannah? Is it making game
645
00:35:08.760 --> 00:35:08.920
of me?
646
00:35:09.000 --> 00:35:09.239
You'd be?
647
00:35:09.519 --> 00:35:10.440
Do you think i'd kid?
648
00:35:10.559 --> 00:35:10.760
You know?
649
00:35:11.079 --> 00:35:13.159
I'm not joking, Mat, I mean with us, Well you don't.
650
00:35:13.239 --> 00:35:14.679
You can't. You were saying you loved me.
651
00:35:14.840 --> 00:35:16.559
I'll say that as often as you want me to.
652
00:35:16.719 --> 00:35:17.239
It's true.
653
00:35:17.320 --> 00:35:18.840
Then why what's in the devil's name?
654
00:35:18.880 --> 00:35:20.719
Well, it is the best way I can figure out Math.
655
00:35:21.840 --> 00:35:23.920
I've been thinking it over and thinking it over day
656
00:35:23.960 --> 00:35:24.719
and night all week.
657
00:35:25.199 --> 00:35:26.800
Don't think it ain't hard on me too.
658
00:35:26.920 --> 00:35:28.880
For the love of Saint Peter. Tell me what it is.
659
00:35:28.960 --> 00:35:30.639
Then that's preventing you weting me when the two of
660
00:35:30.760 --> 00:35:31.320
us has love.
661
00:35:31.480 --> 00:35:33.360
I can't tell you, and I won't. I got a
662
00:35:33.360 --> 00:35:34.480
good reason, and that's all you need.
663
00:35:34.599 --> 00:35:34.719
Now.
664
00:35:35.360 --> 00:35:37.000
I can't marry you. That's all there is to it.
665
00:35:37.199 --> 00:35:39.320
Is it married to someone else? You are, you're the devil,
666
00:35:39.360 --> 00:35:40.880
and with all other reasons, they don't matter with me
667
00:35:40.960 --> 00:35:42.239
at all. We've had enough of this talk.
668
00:35:42.320 --> 00:35:44.519
Now I'll let you be going into the other room
669
00:35:44.599 --> 00:35:46.079
now and be dressing in your best and we'd be
670
00:35:46.119 --> 00:35:46.599
going ashore.
671
00:35:46.719 --> 00:35:48.559
Hey, don't do that. You'll stay here.
672
00:35:48.639 --> 00:35:50.960
Annah, You'll hear he will not. You've had your hold
673
00:35:51.000 --> 00:35:51.559
on a long enough.
674
00:35:51.599 --> 00:35:54.320
It's my turn, now your turn. You don't do like
675
00:35:54.480 --> 00:35:55.800
thing he say? He will?
676
00:35:56.519 --> 00:35:59.400
He will, he will in spite of me. She's taking
677
00:35:59.440 --> 00:36:00.000
my orders.
678
00:35:59.840 --> 00:36:01.599
From yours ordered.
679
00:36:01.719 --> 00:36:03.920
Come on now, hurry up. We've no time to be wasting.
680
00:36:04.000 --> 00:36:06.760
We stay here, Anna, shut up, Shut up, both of you.
681
00:36:08.159 --> 00:36:11.320
I think I was a piece of furniture. Well i'll
682
00:36:11.400 --> 00:36:14.360
show you. Sit down, none, listen, I'm gonna tell you
683
00:36:14.519 --> 00:36:16.760
something that I'm gonna beat it. Oh lo, Yeah, I've
684
00:36:16.800 --> 00:36:19.159
been meaning the lous onia every time you started yapping
685
00:36:19.199 --> 00:36:20.960
about keeping me safe inland? What is it?
686
00:36:21.000 --> 00:36:23.039
Anna and you met?
687
00:36:23.840 --> 00:36:25.800
Don't forget what you said a minute ago about it
688
00:36:25.920 --> 00:36:27.679
not matan, so long as I wasn't married.
689
00:36:27.719 --> 00:36:29.159
Already my word, and I'll stick to it.
690
00:36:29.360 --> 00:36:31.639
Yeah, I bet you square rough talk.
691
00:36:31.519 --> 00:36:32.760
For a decent girl, the like of you.
692
00:36:33.440 --> 00:36:33.800
Decent?
693
00:36:34.360 --> 00:36:37.519
Who told you I was decent? What is it you're saying?
694
00:36:37.559 --> 00:36:38.320
I'm a mad girl?
695
00:36:38.559 --> 00:36:38.800
Mad?
696
00:36:39.360 --> 00:36:40.559
Yes, she's crazy.
697
00:36:40.719 --> 00:36:42.360
She talked like that. She's crazy.
698
00:36:42.480 --> 00:36:44.760
Well, maybe I am living with you?
699
00:36:44.920 --> 00:36:46.440
Is enough to drive anyone off their nut.
700
00:36:47.199 --> 00:36:49.480
Your bunk about the farm being so fine?
701
00:36:50.079 --> 00:36:52.119
Didn't I write your year after year how rotten it
702
00:36:52.280 --> 00:36:52.719
was and what a.
703
00:36:52.719 --> 00:36:54.320
Dirty slave them cousins made of me?
704
00:36:54.679 --> 00:36:55.360
Would you care?
705
00:36:55.480 --> 00:36:58.960
Nothing? Crazy stuff about wanting to keep me away from
706
00:36:58.960 --> 00:36:59.880
the sea. Didn't go with me?
707
00:37:00.280 --> 00:37:01.760
You just didn't want to be bothered with me.
708
00:37:03.639 --> 00:37:06.239
Then I run away? Did you know where I went?
709
00:37:06.639 --> 00:37:07.239
Did you care?
710
00:37:08.159 --> 00:37:09.800
Did you care what kind of people I met and
711
00:37:09.880 --> 00:37:12.519
who I saw and what I did? You thought I
712
00:37:12.639 --> 00:37:16.079
was a nurse girl, and think, Paul, didn't you a
713
00:37:16.320 --> 00:37:19.719
nurse girl? Oh that's good, that is, But I wasn't
714
00:37:19.800 --> 00:37:21.199
see I lied to you.
715
00:37:21.320 --> 00:37:22.400
I wasn't no nurse girl the.
716
00:37:22.440 --> 00:37:23.039
Last two years.
717
00:37:23.079 --> 00:37:25.440
And now it's the truth. You get one the day.
718
00:37:25.599 --> 00:37:26.360
It's a lie.
719
00:37:26.840 --> 00:37:28.400
It's a lie, that's what's in it.
720
00:37:28.719 --> 00:37:32.159
Yeah, that's what Dennis. I suppose you remember your promise.
721
00:37:33.000 --> 00:37:34.880
I suppose you still want me to get dress and
722
00:37:35.000 --> 00:37:37.440
go ashore with you. Yes, you do.
723
00:37:38.079 --> 00:37:41.840
God, I suppose if I tried to tell you that
724
00:37:41.920 --> 00:37:43.960
I wasn't that no more, you'd believe me, wouldn't you?
725
00:37:45.360 --> 00:37:46.159
Yes, you would.
726
00:37:47.239 --> 00:37:49.440
And if I told you that just getting out in
727
00:37:49.519 --> 00:37:51.719
this lodge and being on the sea had changed me,
728
00:37:52.159 --> 00:37:53.679
made me feel different about things.
729
00:37:54.480 --> 00:37:56.840
Is if all I'd been through wasn't me and didn't count.
730
00:37:56.840 --> 00:37:58.440
Was just like it never happened?
731
00:37:59.360 --> 00:38:02.320
He didn't laugh, wouldn't you and your dial I've been
732
00:38:02.440 --> 00:38:03.760
sure if I said that meet.
733
00:38:03.679 --> 00:38:05.760
Me that funny way that night in the fog.
734
00:38:05.599 --> 00:38:10.280
And afterwards, seeing that you were straight good stuck on me, it.
735
00:38:10.400 --> 00:38:12.760
Got me to thinking for the first time, and I
736
00:38:12.920 --> 00:38:14.800
sized you up as different from the ones on the
737
00:38:14.880 --> 00:38:16.199
land as water is from us.
738
00:38:17.400 --> 00:38:19.480
I couldn't marry it with you not knowing the truth.
739
00:38:20.239 --> 00:38:21.039
I was shamed.
740
00:38:23.559 --> 00:38:25.039
But will you believe it if I tell you that
741
00:38:25.400 --> 00:38:27.079
loving you has made me different?
742
00:38:28.360 --> 00:38:29.880
It's a straight goods honestly?
743
00:38:31.599 --> 00:38:36.559
Oh yes you will. You're like all the red arrest different,
744
00:38:36.719 --> 00:38:41.679
is it? I'll be killing you out? Go on, kill me?
745
00:38:46.639 --> 00:38:49.320
Well, matt ain't you got the nerve to do it?
746
00:38:50.440 --> 00:38:53.519
Go ahead, I'll be thankful for honest.
747
00:38:58.199 --> 00:39:02.039
I can't do it, and your two eyes looking at me.
748
00:39:04.079 --> 00:39:07.119
Heaven help me. I'm deestroyed entirely. My heart is broken
749
00:39:07.159 --> 00:39:12.480
off a bit. I'll be gone, surely, and I'll be
750
00:39:12.559 --> 00:39:14.519
shipping away on some boat, will take me to the
751
00:39:14.599 --> 00:39:16.159
other end of the world where I'll never see your
752
00:39:16.199 --> 00:39:19.639
face again. And my curse on you, and my curse
753
00:39:19.719 --> 00:39:24.719
and all you've been. You've destroyed me this day, and
754
00:39:24.840 --> 00:39:27.400
may you lie awake in the long night's tormented by
755
00:39:27.440 --> 00:39:28.599
the great wrong you've done.
756
00:39:29.280 --> 00:39:29.559
Done.
757
00:39:37.920 --> 00:39:38.440
He's gone.
758
00:39:40.159 --> 00:39:44.480
I think I I go shure too. Oh sure, go
759
00:39:44.639 --> 00:39:46.880
on about get drink?
760
00:39:47.599 --> 00:39:50.320
Yeah you want to forget to Don't you like him?
761
00:39:52.320 --> 00:39:56.920
I think you ful? I know that now. It's that
762
00:39:57.159 --> 00:39:59.840
ole devil. See do this to me?
763
00:40:00.000 --> 00:40:01.679
Do you know what's the use going?
764
00:40:03.119 --> 00:40:04.199
You've reached on?
765
00:40:06.440 --> 00:40:10.719
Maybe maybe I'll go shore two? Why do you care
766
00:40:10.760 --> 00:40:11.079
what I do?
767
00:40:11.239 --> 00:40:11.440
Go on?
768
00:40:11.639 --> 00:40:27.239
Beat it, pause or station identification? This is the Columbia
769
00:40:27.320 --> 00:40:28.360
Broadcasting system.
770
00:40:48.480 --> 00:40:50.639
We go into the third act of Anna Christie starring
771
00:40:50.719 --> 00:40:53.599
Joan Crawford and Spencer Tracy Following this brief and the mission.
772
00:40:54.679 --> 00:40:57.840
From time to time, you've heard Hollywood personalities on this
773
00:40:58.000 --> 00:41:01.039
program offered the sound advice that to get into pictures,
774
00:41:01.079 --> 00:41:03.800
you should stay away from Hollywood, join the little theater
775
00:41:03.880 --> 00:41:07.960
in your hometown, and wait until Hollywood finds you. So,
776
00:41:08.039 --> 00:41:10.039
I think it's time that someone told us exactly what
777
00:41:10.159 --> 00:41:13.199
these little theaters are all about. For this, we've selected
778
00:41:13.280 --> 00:41:17.079
mister Albert McCleary, a foremost authority on the American little theater.
779
00:41:17.880 --> 00:41:20.119
He spent the last ten years in direct contact with
780
00:41:20.199 --> 00:41:24.719
these organizations, writes the column on Other Broadways for Stage Magazine,
781
00:41:25.360 --> 00:41:28.440
and maintains steady contact with the three hundred civic theater
782
00:41:28.519 --> 00:41:32.400
groups that part their curtains between Maine and California, All
783
00:41:32.440 --> 00:41:35.039
of which makes it appear, mister mclary, that the little
784
00:41:35.119 --> 00:41:36.800
theaters are a big proposition.
785
00:41:37.039 --> 00:41:38.199
Yes, and let me tell you why.
786
00:41:38.719 --> 00:41:41.559
Each little theater averages at least four productions a year,
787
00:41:41.639 --> 00:41:43.960
with an average cast of ten people in each. I
788
00:41:44.000 --> 00:41:46.039
don't think it too optimistic, mister de mille, to say
789
00:41:46.079 --> 00:41:49.039
that every production has an audience of at least five hundred.
790
00:41:49.400 --> 00:41:51.920
Add to this the audiences of university theaters and other
791
00:41:51.960 --> 00:41:55.119
amateur dramatic societies, and we find that the national community
792
00:41:55.199 --> 00:41:58.800
theater audience reaches the amazing annual total of about twelve million.
793
00:41:59.119 --> 00:42:01.719
In other words, one out of every twelve people in
794
00:42:01.800 --> 00:42:03.760
this country has something to do with the little theater.
795
00:42:03.920 --> 00:42:06.960
Those are astonishing figures, mister mcpherry. It wasn't so many
796
00:42:07.039 --> 00:42:10.079
years ago that Broadway and Hollywood depended almost entirely upon
797
00:42:10.159 --> 00:42:13.239
stock companies to train newcomers for stardom, and.
798
00:42:13.320 --> 00:42:16.719
The theatergoers length them to supporting two thousand stock companies
799
00:42:16.760 --> 00:42:19.320
in this country. But today it is almost impossible to
800
00:42:19.400 --> 00:42:22.079
find a single stock company anywhere in the United States.
801
00:42:22.599 --> 00:42:25.320
Their functions have been inherited completely by the little theater,
802
00:42:25.400 --> 00:42:28.119
mister de Mill, which gives the individual his chance to
803
00:42:28.159 --> 00:42:30.920
become an actor, gives Broadway and Hollywood their source of
804
00:42:31.000 --> 00:42:33.679
new material, and gives the community the pride of having
805
00:42:33.719 --> 00:42:36.920
a permanent theatrical group. It's gratifying to know, mister de Mill,
806
00:42:36.960 --> 00:42:39.480
how earnestly these enterprising young people in the little theater
807
00:42:39.760 --> 00:42:43.880
have clung to the old traditions of the legitimate theater customs, superstitions,
808
00:42:43.960 --> 00:42:45.000
little tricks of the trade.
809
00:42:45.639 --> 00:42:47.119
One well established.
810
00:42:46.639 --> 00:42:48.400
Custom that is upheld by the women of the little
811
00:42:48.440 --> 00:42:50.719
theater will interest you, especially, mister de mill.
812
00:42:51.199 --> 00:42:54.119
These charming ladies, in my opinion, are as loyally.
813
00:42:53.840 --> 00:42:56.719
Devoted to lux toilet soap as their professional sisters of
814
00:42:56.800 --> 00:42:59.719
Broadway and Hollywood. I suppose you'll say that there's nothing
815
00:42:59.719 --> 00:43:04.079
suprising about that, since lux toilet soap is such a universal.
816
00:43:03.719 --> 00:43:08.039
Favorite reasons like Archimedes, mister mclary, not only with women
817
00:43:08.079 --> 00:43:10.639
whose home is the theatre, but with women everywhere. But
818
00:43:10.719 --> 00:43:13.800
getting back to the subject of superstitions peculiar to the theater,
819
00:43:14.360 --> 00:43:15.800
do you happen to think of any offhand?
820
00:43:16.039 --> 00:43:18.840
Well, yes, so one that comes to mind is rather amusing,
821
00:43:19.199 --> 00:43:21.760
the one that a very bad dress rehearsal means a
822
00:43:21.800 --> 00:43:24.880
successful run, and vice versa. It's not an uncommon thing
823
00:43:24.920 --> 00:43:27.039
to see a dress rehearsal go off swimming lea, each
824
00:43:27.119 --> 00:43:30.280
actor doing his role with the utmost enthusiasm, and then
825
00:43:30.480 --> 00:43:33.719
when it's over see these earnest young people not exhilarated
826
00:43:33.760 --> 00:43:36.800
and stimulated over their fine work, but dejected and depressed.
827
00:43:37.199 --> 00:43:40.480
Of course, there's no basis for this superstition, but don't
828
00:43:40.519 --> 00:43:42.119
ever try to convince an actor of that.
829
00:43:42.840 --> 00:43:44.840
And now let's see what some of these little theaters have.
830
00:43:44.920 --> 00:43:47.840
Done in surprising fresh and vigorating talent to the world.
831
00:43:48.079 --> 00:43:50.119
You should be able to cite several examples, mister de
832
00:43:50.199 --> 00:43:50.639
mill Well.
833
00:43:50.760 --> 00:43:53.400
Let me see. It is Francis Farmer, who received her
834
00:43:53.440 --> 00:43:56.440
training in Seattle and hiding in Pennsylvania. Henry Fonder and
835
00:43:56.519 --> 00:43:59.239
Omaha Tyrone Power and Santa Barbara.
836
00:43:59.239 --> 00:44:02.719
Robert Young, Randolph Scott, Douglas Montgomery, and Gloria Stewart Haile
837
00:44:02.760 --> 00:44:04.719
from the Pasadena Community Playhouse, and they.
838
00:44:04.719 --> 00:44:07.400
Came Tamirov, who plays the role of Dominic Hu and
839
00:44:07.440 --> 00:44:10.440
the buccaneer frequently goes back there for a week or
840
00:44:10.480 --> 00:44:13.159
two just to keep alive. Is contact with flesh and
841
00:44:13.239 --> 00:44:14.000
blood audiences.
842
00:44:14.280 --> 00:44:15.960
Well, I'm certain the advice of every one of these
843
00:44:16.000 --> 00:44:18.679
players would be stay at home and get your training
844
00:44:18.760 --> 00:44:20.199
in your own community theater.
845
00:44:20.480 --> 00:44:23.320
Start with anything you can. As an example, just two
846
00:44:23.400 --> 00:44:23.960
years ago in the.
847
00:44:23.960 --> 00:44:26.480
Pasadena Playhouse, I noticed a young fellow with a wide
848
00:44:26.519 --> 00:44:29.239
grin who was always most willing to shove the pianos
849
00:44:29.280 --> 00:44:31.639
around or do anything to be generally useful. You may
850
00:44:31.679 --> 00:44:34.599
have heard of him. His name is Wayne Morris. There's
851
00:44:34.679 --> 00:44:36.519
just one more thing I'd like to say before leaving.
852
00:44:36.679 --> 00:44:38.599
If you'd like to know where your nearest little theater
853
00:44:38.760 --> 00:44:40.800
is where you can go for this training. Write me
854
00:44:40.880 --> 00:44:42.480
and I'll be glad to tell you. Of course, I
855
00:44:42.719 --> 00:44:44.679
can't prophesy that you will crash the gate, but if
856
00:44:44.719 --> 00:44:48.199
you're determined and have ability, that's the place to try.
857
00:44:48.679 --> 00:44:50.559
Just address me in care of the lux radio theater
858
00:44:50.639 --> 00:44:52.239
in the station to which you're listening, and send a
859
00:44:52.280 --> 00:44:55.800
stamp self addressed envelope with your letter, thank you, Thank you.
860
00:44:55.960 --> 00:44:56.679
Albert mccair.
861
00:45:03.880 --> 00:45:05.719
Do you think there's anything and any power on this
862
00:45:05.840 --> 00:45:06.880
earth can make me go back?
863
00:45:06.880 --> 00:45:10.719
If I didn't have to anna? Oh, what's the use?
864
00:45:11.119 --> 00:45:13.639
What's the use of me talking? What's the use of anything?
865
00:45:16.039 --> 00:45:18.920
If I could only be believing you now, If I
866
00:45:18.960 --> 00:45:21.719
could only believe that that you'd never had love for
867
00:45:21.800 --> 00:45:24.360
any man in the world but me, I could be
868
00:45:24.440 --> 00:45:25.159
forgetting the rest.
869
00:45:25.239 --> 00:45:29.159
Maybe if tis the truth you're after telling.
870
00:45:29.039 --> 00:45:31.679
I'd have a right, maybe to believe you've changed.
871
00:45:32.159 --> 00:45:33.960
That's what I've been trying to tell you all along.
872
00:45:34.599 --> 00:45:37.880
You've gotta believe it. What can I do? I'll do
873
00:45:37.960 --> 00:45:39.920
anything anything you want to prove I'm not lying.
874
00:45:41.119 --> 00:45:44.480
Would you be willing to swear an oath now? A terrible,
875
00:45:44.559 --> 00:45:45.280
fearful oath.
876
00:45:45.559 --> 00:45:47.559
Sure shall I swear man on anything?
877
00:45:48.119 --> 00:45:52.239
Will you swear on this? She's a cross, Annah? Will
878
00:45:52.320 --> 00:45:56.119
you sure will give it to me? She's a cross
879
00:45:56.320 --> 00:45:58.320
was given me by my mother, God rest her soul.
880
00:45:59.320 --> 00:46:02.039
And I'm telling you there's great power in it. And
881
00:46:02.159 --> 00:46:05.159
I'm warning you now, if you swear an oath on
882
00:46:05.280 --> 00:46:07.480
this tis my old woman herself will be looking down
883
00:46:07.519 --> 00:46:10.239
from the heaven above and praying the saints to put
884
00:46:10.239 --> 00:46:11.800
a great curse on you. If she'd be here, you
885
00:46:11.920 --> 00:46:12.559
swearing a lie?
886
00:46:12.880 --> 00:46:14.960
I wouldn't have the nerve, honest if it was a lie.
887
00:46:15.599 --> 00:46:17.920
But is the truth? And I'm scared to swear give
888
00:46:17.960 --> 00:46:22.760
it to me? Well, what do you want me to swear?
889
00:46:23.199 --> 00:46:26.679
You say, I swear I'm the only man in the
890
00:46:26.719 --> 00:46:28.039
world ever you felt love for.
891
00:46:29.519 --> 00:46:31.840
I swear the only man in the world I ever
892
00:46:31.920 --> 00:46:32.559
felt love for.
893
00:46:33.320 --> 00:46:34.760
I swear it before God.
894
00:46:35.719 --> 00:46:38.000
And may the blackest curse of heaven strike you.
895
00:46:38.000 --> 00:46:40.760
If you're lying, And may the blackest curse of heaven
896
00:46:40.840 --> 00:46:41.960
strike me if I'm liar.
897
00:46:43.639 --> 00:46:46.239
I believe you, girl, Well, mad man.
898
00:46:47.239 --> 00:46:50.239
Sure we'll be wedded in the morning. Then we'll be happy.
899
00:46:50.320 --> 00:46:52.039
Now, the two of us in spite of the devil.
900
00:46:52.400 --> 00:46:54.119
Yeah, I'll be heavy drink on that.
901
00:46:54.320 --> 00:46:56.679
By golly, heave away, old man or heaven rest me
902
00:46:56.719 --> 00:46:57.960
if I don't throw you clean out.
903
00:46:57.880 --> 00:46:58.440
Into the fog.
904
00:46:58.599 --> 00:46:59.159
Nor bye.
905
00:46:59.280 --> 00:47:00.920
Golly, I hear what you're saying.
906
00:47:01.000 --> 00:47:02.880
I like it for that's the way that.
907
00:47:04.360 --> 00:47:06.159
It's a bad time for you and math the kits
908
00:47:06.199 --> 00:47:06.679
and makeup.
909
00:47:07.000 --> 00:47:09.760
You're gonna be shipmates on the Londonderry. Did you know if.
910
00:47:09.679 --> 00:47:14.159
Shipmates has himself, I'm Bosana, that devil.
911
00:47:15.320 --> 00:47:17.199
So you'd be going back to the Sey and living
912
00:47:17.239 --> 00:47:17.920
her alone, would you?
913
00:47:18.280 --> 00:47:20.719
That's all right, that's where he belongs, and I want
914
00:47:20.800 --> 00:47:22.519
him to go. You gotta go too.
915
00:47:22.599 --> 00:47:26.360
We'll need the money for me being alone. That runs
916
00:47:26.400 --> 00:47:28.800
in the family, and I'll get used to it. I'll
917
00:47:28.800 --> 00:47:30.719
get a little house somewhere and I'll make a regular
918
00:47:30.760 --> 00:47:32.440
place for you two to come back. You wake and
919
00:47:32.519 --> 00:47:35.199
see now you two make up and be friends.
920
00:47:36.440 --> 00:47:40.400
Well, sure, here's luck to you.
921
00:47:41.440 --> 00:47:42.440
This you luck too.
922
00:47:42.880 --> 00:47:44.000
Oh, that's the way.
923
00:47:44.800 --> 00:47:46.079
Sure, it's the will of God.
924
00:47:46.199 --> 00:47:50.840
That's why it's a creeer though you and me shipping
925
00:47:50.960 --> 00:47:54.679
on the same boat. Do way, it ain't right.
926
00:47:55.920 --> 00:48:01.960
It's that funny way all devil sea do her worst
927
00:48:02.239 --> 00:48:03.159
thirsty tricks.
928
00:48:03.320 --> 00:48:06.559
I I'm sure, and maybe you have the right of it.
929
00:48:06.639 --> 00:48:09.239
For once the devil take you g Matt.
930
00:48:09.519 --> 00:48:10.840
You ain't agreeing with him, are you.
931
00:48:51.760 --> 00:48:54.840
The player is done, but our evening's not complete until
932
00:48:54.880 --> 00:48:57.480
we hear again from Joan Crawford and Spencer Tracy.
933
00:49:04.760 --> 00:49:07.199
Thank you, mister de Mill. What I have to say
934
00:49:07.320 --> 00:49:09.239
is brief, but it's something I really want to say.
935
00:49:09.639 --> 00:49:11.639
This was such a pleasure to have been here again
936
00:49:11.719 --> 00:49:13.000
taking part in the lux program.
937
00:49:13.559 --> 00:49:16.960
We're enjoying having you here, John, You and Spencer Tracy
938
00:49:17.000 --> 00:49:19.960
and an nail play are a combination of talent to
939
00:49:20.079 --> 00:49:21.760
warm and he producer's.
940
00:49:21.239 --> 00:49:23.320
Hot, which reminds me of mister de mill that there
941
00:49:23.360 --> 00:49:25.480
hasn't been a new O'Neil play in some time. Do
942
00:49:25.599 --> 00:49:27.360
you happen to know if we may expect one soon?
943
00:49:27.960 --> 00:49:30.599
But at the moment, he's engaged in writing not just one,
944
00:49:30.760 --> 00:49:34.119
but nine full length plays. They'll covered the lives and
945
00:49:34.199 --> 00:49:37.119
times of an American family, beginning in eighteen hundred and ten,
946
00:49:37.679 --> 00:49:40.519
coming up to the present. Perhaps someday you and Spencer
947
00:49:40.559 --> 00:49:43.559
Tracy will return to us in one of them. Thanks
948
00:49:43.599 --> 00:49:47.079
mister de Mill. I hope so you don't mind. I'd
949
00:49:47.159 --> 00:49:48.920
like to take up a few seconds of our time
950
00:49:49.000 --> 00:49:51.679
and pay my respects to those who were with us tonight,
951
00:49:52.639 --> 00:49:56.960
to Marjorie Ramball, George Marion, Senior, Frank Shannon, and all
952
00:49:57.000 --> 00:50:00.360
the others. Mister Marion is one of the theaters no ability.
953
00:50:01.239 --> 00:50:04.320
This was practically his first public appearance in nearly three years.
954
00:50:05.159 --> 00:50:07.559
He's played the part of Chris nearly a thousand times,
955
00:50:08.800 --> 00:50:11.000
and I feel very humble and very grateful to have
956
00:50:11.039 --> 00:50:14.480
appeared with him tonight. And so do I feel toward
957
00:50:14.559 --> 00:50:16.599
Frank Shannon, whom you heard in the role of Johnny.
958
00:50:17.599 --> 00:50:20.119
Frank starred in the original production too, playing the part
959
00:50:20.159 --> 00:50:23.559
of Matt Burke. I don't know how near I came
960
00:50:23.639 --> 00:50:27.079
tonight to any semblance of this character, but if I succeeded,
961
00:50:27.079 --> 00:50:29.239
it's because of the help Frank Shannon was kind enough
962
00:50:29.280 --> 00:50:32.400
to give me. If I didn't, it could only have
963
00:50:32.480 --> 00:50:35.079
been my own fault. Thank you and good night.
964
00:50:35.800 --> 00:50:38.400
Before I go to mister Demill, let me again express
965
00:50:38.440 --> 00:50:41.239
my appreciation to the makers of Lucks toilet soap. I
966
00:50:41.400 --> 00:50:43.280
use it every day, both at home and in the studio,
967
00:50:43.559 --> 00:50:45.599
simply because I found that Luck Soap is about the
968
00:50:45.639 --> 00:50:47.679
finest way in the world to keep a complexion fresh
969
00:50:47.719 --> 00:50:48.199
and smooth.
970
00:50:49.239 --> 00:50:51.159
And I'm glad to pass my experience on to all
971
00:50:51.199 --> 00:50:52.039
those it may interest.
972
00:50:52.159 --> 00:50:53.400
And now good night, and thank you.
973
00:50:53.480 --> 00:51:25.760
So much, Thank you, Miss Crawford and Spencer Tracy. Ladies
974
00:51:25.760 --> 00:51:29.000
and gentlemen, this is your announcer, Melville Ruick. News of
975
00:51:29.079 --> 00:51:31.119
the stars and play in store for you next Monday
976
00:51:31.199 --> 00:51:33.400
Night comes to you in a moment from mister de mill.
977
00:51:34.119 --> 00:51:37.039
Among the players you heard tonight were Frank Shannon as Johnny,
978
00:51:37.480 --> 00:51:41.760
Sidney Newman as Joe, Wally Mayer as concessionaire, hal K
979
00:51:41.920 --> 00:51:45.519
Dawson as the Barker, Frank Nelson as a fender, Henry
980
00:51:45.559 --> 00:51:48.800
Hannah as a little boy, and lou Merrill as ticket seller.
981
00:51:49.679 --> 00:51:52.760
Our play Tonight was based on the Metro Golden Mayor picture.
982
00:51:53.559 --> 00:51:56.880
Louis Silvers appeared through courtesy of twentieth Century Fox Studios,
983
00:51:57.239 --> 00:51:59.039
where he was in charge of music for their new
984
00:51:59.079 --> 00:52:03.639
film In a Chicago. Before leaving you tonight, We and
985
00:52:03.679 --> 00:52:06.519
the Lux Radio Theater wish to congratulate the Boy Scouts
986
00:52:06.519 --> 00:52:09.159
of America on their twenty eighth birthday celebration.
987
00:52:10.000 --> 00:52:10.480
This week.
988
00:52:10.880 --> 00:52:14.079
More than a million Scouts are featuring safety demonstrations and
989
00:52:14.280 --> 00:52:18.239
other activities in their campaign towards building a stronger generation.
990
00:52:19.000 --> 00:52:21.800
The Lux Radio Theater urges its listeners to continue to
991
00:52:21.840 --> 00:52:25.440
support this fine movement, one which is indispensable in helping
992
00:52:25.480 --> 00:52:29.480
build young Americans into better citizens, preparing them to serve
993
00:52:29.559 --> 00:52:33.239
wherever they are needed. We wish them all continued success.
994
00:52:34.280 --> 00:52:40.440
And now here's our producer through Broadway in the screen.
995
00:52:41.440 --> 00:52:43.840
Many of you are perhaps already acquainted with S. N.
996
00:52:43.960 --> 00:52:48.039
Bermann's spectacular success Brief Moment. You will have a chance
997
00:52:48.119 --> 00:52:51.280
to enjoy the romance, conflict, and drama of this great
998
00:52:51.320 --> 00:52:54.480
play next Monday Night, as presented in the Lux Radio Theater.
999
00:52:55.559 --> 00:52:57.679
It's the story of a young man with more money
1000
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than good for him, wealth that is left left him
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with a bored, detached interest in life, and what ensues
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when he marries a blues singer from a nightclub, a
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girl with many admirers and a slightly different code of ethics.
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Brief Moment serves as the vehicle to bring back to
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our stage Miss Ginger Rogers and co starred with her
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one of Hollywood's outstanding leading men, mister Douglas Fairbanks Junior
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our sponsors to makers of Lux Toilet Soap.
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Join me in.
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Inviting you to be with us again next Monday night,
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when the Lux Radio Theater presents Ginger Rogers and Douglas
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Fairbanks Junior. In brief moments, Miss Cecil B de Mill
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saying good night to you, drum Hollywood. This is the
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Columbia Broadcasting System.
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From Hollywood, California. The Lux Radio Theater presents Joan Crawford.
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And Spencer Tracy in anachristy Let's present Hollywood. We want
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you to know, ladies and gentlemen, how much we appreciate
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your loyalty to our products.
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Let's chilett stop and Lut's place your daily youth of.
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The fine products. Your suggestions that your friends also use
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them makes it possible for us to bring you the
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Lux Radio Theater. Our platonizes DNA Niels, Great Romance Drama
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Ana Christie. Our stars Spencer Tracy, John Crawford, George Marion
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Senior and Marjorie Ramble.
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And we will hear our special guests, mister.
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Albert mcmilly's who canducts be on other Broadways Department or stage.
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Magazine in charge.
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Of music is Lower Slopes and now this Hollywood celebrated citizens.
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Stop, Ladies and gentlemen to mill reading from Hollywood, Ladies
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and gentlemen. Once a for a time, a child little
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girl came to Columbia, Missouri, and enrolled in Stephen's College.
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He just come from a convent school where she had
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paid for her board by helping clean fourteen rooms by cooking,
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washing dishes, and taking care of twenty five children. She
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arrived at Stephen's College practically penniless. Yet today that college
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remembered Hell's pride. On the dining room wall hangs her portrait,
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and beneath it is the inscriptions Joan Crawford used to
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wait on tables in this room. No less spectacular has
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been the rise of Spenter Pass from the days when
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he and Pat O'Brien, both of them jobblers, lived together
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in a single room in.
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A New York boarding house. Their combined assets consisted of
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one full.
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Dress suit, which they both shared, and a generous Irish
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landlady who advanced them fifteen dollars so they could eat.
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There is no portrait and no inscription in that room today,
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nor is there any in the room of a Connecticut
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sanitarium where the turning point occurred in the life of
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Eugene O'Neill, author of Tonight's play. It was while he
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lay in that hospital, reflecting on his past life as
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a sailor, gold prospector, a newspaperman, and with an occasional
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job in the theater, that mister O'Neil determined to start
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life all over again. This time as a playwright, and
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today he's the only man who has won the Pulitzer
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Prize three times. Anna christ Is the brilliant play that
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brought the award to him for the second time. It
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was enthusiastically as flamed on Broadway and later on the screen. Tonight,
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Joan Crawford plays the title role and Spencer Taty the
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part of Matt Burke, co starring for us, as they
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do in their current MGM film, Annequin. George Marion Senior
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has heard as christ distinguished for his producing as well
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as the prayer of acting Mister Marion stad in the
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original stage production of Ana Christis and in both the
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silent and talking screen versions. Another important character part is Marthy,
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filled with that charming actress of stage and screen, Miss
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Marjorie Rambo. This is an important moment in the annals
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of the Lux Radio Theater. At our curtain risers on
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Spencer Taty and Joan Crawford in Eugene o'neils Great Drama
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Anna Christie with George Marion Senior and Marjorie Rambo at
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the foot of South Street on New York City's waterfront,
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a grimy coal barge rides the oily swells of the
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East River. In the cabin of the barge is Marthy,
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an old woman in tattered clothes who sits in the
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dim light of a hanging kerosene lamb, her eyes half
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closed and sleep. Suddenly she's awakened by her noise on deck.
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She rises and shuffles unsteadily toward the door.
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Mans. Yes, oh hello, who is it? Chriss, Mercy? Look
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where I got? What letter?
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Yes, Mercy, look a letter I got down at Unie saloon?
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Will you come from my daughter?
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And Anna?
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Letter? By golly, I don't get later from Anna? Must
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be year? Now what you think she's coming here? Mercy? Here?
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Yes, by gully, that could lose all one's I'm for
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old fella, you know, Matthew, I don't see my honor
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since she was.
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Little girl in Sweden? Five year old?
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How about she being now let me see, she must
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be siventeen year old by you the eighteen and fifteen years.
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No, when she was a little galley. I never get
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home only a few times them years. And this full
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sailor felt my wife and his mother get tired waiting
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Straton all time to live when I don't come she
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comes to this country and bring honor. They gone out
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in Minnesota and live with cousins on a farm. I
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think it's better run and live on farms. Then she
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be fine from fuddy girl. She don't never know that
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all devil. See, you don't know your sailor father like me.
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If it's in her blood, you most likely be marrying
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at Taylor herself.
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Oh but you you don't do that.
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What the matter? You are saying yourself?
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And well that's why I say it. Taylor is all right,
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fellow God, not for merry girl. I know that. And
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the smother she knows that too.
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When's thatna coming soon?
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She come right away? That's all Little was sent to
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your nie saloon. I go back there. I wait, Murphy,
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I want to speak to you about something. Yeah, what
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about Well, I don't know how to say it.
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I know what you mean.
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Now she's coming, you won't be neath me or mercy.
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I don't worry.
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I packed my dad's and beat it off the bad
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before she comes.
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Nobody can say that. Marthy o and Ever stayed where
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she ain't needed.
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You are so good woman.
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Well you treated me square yourself.
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So it's fifty fifty nobody shot nobody, and we're still
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good friends.
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Yes, by Gollee, good trend, and we celebrate. We bring
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a health chire, my little honnor. She comes back to
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the old man. Oh hello, that's right. What can I
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do for you? You don't say so, do you? You
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don't save nothing up here at the bar?
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Says then they are the.
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Back room for lady.
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Thanks Mary, Well just bring it for you one anything else? Yeah?
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Hello, hell mind a little company said, thank you. I've
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seen you come in. My name is Matthea Owen. Stranger
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around here, ancient.
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I just got in time day and and a half
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on the train. Thought i'd never get here.
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Day and a half. Huh yeah, where'd you come from?
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Thank Paul out in Minnesota.
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Thank Paul.
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So you're you're.
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What are you laughing at?
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Think?
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No?
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I was just thinking.
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It ain't nothing wrong with me?
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Is that you're looking hard enough?
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I ain't got to look much. I got your number
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the minute you stepped.
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In the door.
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Yeah I got yours too, without no trouble. You're me
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forty years from now, that's you.
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God. Oh come on now, let's.
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Cut out the scrapping me. Now, you see, I don't
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want no hard feelings with nobody. Come on, shake and
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forget it.
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Huh.
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Sure, I ain't looking for trouble.
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That's right what you're doing. He is waiting for someone.
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I'm old man. I ain't seen him since I was
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a kid.
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He used to be a sailor.
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He's janitor some building here now janitors.
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Yeah, I was thinking maybe, seeing he ain't never done
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a thing for him in my life, he might.
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Be willing to take me to a room and eat.
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I get rested up.
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I've been six this out of the hospital two weeks.
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I ain't expecting much from him. Give you a kick
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when you're down.
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That's what all men do.
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Say.
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Do you hang around this joint much off and on? Well,
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then maybe you're normal man.
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Yes, it ain't say it ain't christophersin is it?
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Yeah?
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Yeah, that's him, Ana Christophers, and that's my real name.
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Only out there a.
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Comas of anarchist.
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So you know him.
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I've seen him above for years. But where'd you get
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the idea he was a janitor?
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Why he wrote me he wasn't too well?
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He ain't.
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He's capped him of a coal barge.
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A coal barge.
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Oh if that ain't a well jobbed to find your
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long locked old man working at her.
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Well that Joseph, I don't get no rest from him?
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Why not?
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Can't you live on a two on.
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A dirty coalboard?
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What do you think? I?
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Ah, what do you know about budget? That she's never
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seen one?
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That's what comes up. He's bringing you up inland where
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your business bringing is?
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That what he tells people. He let them cousins keep
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me on their farm and work me their death like
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a dog.
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So you didn't fraw for life on the farm.
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Huh?
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I sto didn't tell my mother died, And I went
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to think, pol.
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Ah, well you should have stuck to the farm. It
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couldn't have been worse than this, and shut up now
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look you're old man. He's a simple old guy. See
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he thinks she was working as a nurse girl in
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Saint Paul. He thinks, Oh say he thinks the world?
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Are you honestly does?
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Yeah?
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Say that's him.
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Now he's out there.
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I'll tell him you're here.
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Wait a minute, eyesight.
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Hello, ma oh, Chris, Chris, she's in the back room. Anna.
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Yeah, Well, so long, Chris, say she's been sick, freedom,
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good will you? Well, I've gotta beat it now.
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And I'm hello father.
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She told it with you.
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It's good for see you after all the years, and
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good to see you too.
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Yeah, noful keyp coming here. I've never been to New
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York before, you know, and I'm just out of the hospital.
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Two weeks ago.
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You an bye. Golly, you feel better now, don't you?
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You look little tired, that's all.
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I'm tired of them any longer. That's why I made
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my mind to see you.
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Oh, I got a place for red, nice place. You
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don't never got to work as a nice girl no more.
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You stay with me, by.
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Goll it and you're really glad to see me, honest.
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And.
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I got no one in world, but you come. You
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get a rest.
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We go on board, I mean a bardge next, huh?
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I mean do you think that's a good place for
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a girl?
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Why you you don't know how nice is on barge?
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On talk calm me dows out on voyage. You got
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use water all around, sn fresh air, plenty, good grub
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for make you strong, healthy girl.
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You need a rest like that done for get here?
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You tell it, I'd sure like a chip on the water.
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All I Well, I'll go with you and have a
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lot maybe I'll take a chance, do anything on I
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was a rush.
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Wait a second, I'm thirsty.
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Oh I'm sorry, Anna, What do you think you like
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for drink?
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I don't know where they got here.
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Really, I don't think they got much fancy drink for
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young girl in this place.
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There's a ingurrell or Sasparrell.
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00:13:33.080 --> 00:13:34.200
I'll make it spa.
240
00:13:34.279 --> 00:13:38.960
Then I tell you Anna, we celebrate this one time
241
00:13:39.120 --> 00:13:41.200
because we meet after many years.
242
00:13:42.519 --> 00:13:46.440
They got good po wine. Anna, that's good for you.
243
00:13:47.320 --> 00:13:50.559
It is strongly one glass.
244
00:13:50.639 --> 00:13:53.440
He don't go to your head, I promise, okay, I'll
245
00:13:53.480 --> 00:13:54.039
take force.
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00:13:55.000 --> 00:14:02.039
Hey, Johnnie, one class port wine, one small beer. You
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00:14:02.200 --> 00:14:06.759
know you you us off putri gel and I bet
248
00:14:06.919 --> 00:14:07.600
all men.
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00:14:07.600 --> 00:14:12.559
See you fall in love with you by you. Oh my,
250
00:14:12.759 --> 00:14:16.200
what's the matter? I didn't no harm. Your father took
251
00:14:16.320 --> 00:14:19.320
that way on quite.
252
00:14:20.759 --> 00:14:20.879
Well.
253
00:14:20.960 --> 00:14:22.919
It's funny. You're like a stranger to me.
254
00:14:23.639 --> 00:14:28.480
Yeah, Hannah, I know he are what wine for the lady?
255
00:14:28.559 --> 00:14:29.799
And are small beer for you? Chris?
256
00:14:30.120 --> 00:14:35.320
Ye, come man, you drink your wine that put new
257
00:14:35.480 --> 00:14:42.039
life with you. School school You know that Swedish word
258
00:14:42.240 --> 00:14:43.879
and school.
259
00:14:45.519 --> 00:14:47.200
Yeah, I guess another word?
260
00:14:47.240 --> 00:15:13.200
All right, all right ahead.
261
00:15:15.480 --> 00:15:17.360
Or move out past be take him.
262
00:15:17.279 --> 00:15:18.240
Up by giving it.
263
00:15:23.519 --> 00:15:25.600
An we start.
264
00:15:26.519 --> 00:15:28.600
Hey, it ain't so bad on barge.
265
00:15:29.480 --> 00:15:30.440
I'll let you know, lady.
266
00:15:41.200 --> 00:15:45.879
Two three days more we pick up pole in Boston
267
00:15:46.279 --> 00:15:47.279
and turn thick.
268
00:15:48.600 --> 00:15:53.960
You You change a luckin vandekanner see make you feel good?
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00:15:54.039 --> 00:15:54.200
Eh?
270
00:15:54.879 --> 00:15:59.759
Maybe father.
271
00:16:01.440 --> 00:16:02.720
Is a sexual clock.
272
00:16:04.039 --> 00:16:05.039
Anny always tita.
273
00:16:05.679 --> 00:16:09.639
I'm getting one of the linguag say, but the men
274
00:16:09.720 --> 00:16:10.919
and our family always.
275
00:16:10.600 --> 00:16:13.399
Fall Yeah, fools tooo.
276
00:16:14.559 --> 00:16:20.279
My father made three brothers buried at sea. Sooner or
277
00:16:20.399 --> 00:16:25.240
later that all devil see she smallowed them up.
278
00:16:26.759 --> 00:16:31.639
She ain't gonna get me, no buy amy, not me
279
00:16:32.759 --> 00:16:36.639
faiefing about the say again, well, I'm getting so I
280
00:16:36.799 --> 00:16:37.399
kind of like it.
281
00:16:38.120 --> 00:16:52.080
I know you like it. I honor here, I am.
282
00:16:52.120 --> 00:16:52.600
What do you want?
283
00:16:53.240 --> 00:16:56.600
Why you don't turn in? Honest ladies after four bells?
284
00:16:56.960 --> 00:16:59.600
I like this fag honest, I feel it.
285
00:16:59.679 --> 00:17:04.759
If I other things all together, all the worse, dirty
286
00:17:04.960 --> 00:17:06.079
pricksable sea.
287
00:17:08.440 --> 00:17:11.640
I don't give a rap of it. Nevertheless, it makes
288
00:17:11.720 --> 00:17:12.880
me feel clean.
289
00:17:14.160 --> 00:17:14.440
Love it.
290
00:17:15.640 --> 00:17:19.519
You like funny tonight and honey, I feel sort of
291
00:17:19.599 --> 00:17:23.640
strange tonight, sort of muddy, because if I've been living
292
00:17:23.680 --> 00:17:26.559
a long long time out here in the fog, I
293
00:17:26.599 --> 00:17:28.119
don't know how to tell you just what I mean.
294
00:17:28.240 --> 00:17:30.960
But it's it's like I'd come home after a long
295
00:17:31.119 --> 00:17:35.519
visit someplace and I seem to have forgot everything that's happened,
296
00:17:35.559 --> 00:17:38.039
like like it didn't matter no more.
297
00:17:46.240 --> 00:17:46.559
What's that?
298
00:17:47.720 --> 00:17:56.079
Shall come from this side? She come in from open sea?
299
00:17:57.640 --> 00:17:57.880
Oh?
300
00:17:59.519 --> 00:18:02.880
Oh, there you've got the rope.
301
00:18:02.960 --> 00:18:07.039
When we come alongside, heave your breath for holling us in?
302
00:18:08.480 --> 00:18:09.039
Where are you?
303
00:18:09.200 --> 00:18:09.319
Yes?
304
00:18:09.480 --> 00:18:11.119
Swap this way?
305
00:18:11.839 --> 00:18:13.640
Why don't you stay where he belong you.
306
00:18:13.839 --> 00:18:16.839
Hannah, he's a rap, a rap with tree man.
307
00:18:17.400 --> 00:18:21.839
Oh deep been rit Yeah.
308
00:18:22.240 --> 00:18:25.759
Hatch the rope. Oh you just swap or be quick
309
00:18:25.799 --> 00:18:29.160
about it. It's not another night. I'll be sitting out here.
310
00:18:29.759 --> 00:18:30.480
You catch it.
311
00:18:31.279 --> 00:18:36.079
I did small thanks to your rotten name. Lend me
312
00:18:36.119 --> 00:18:39.640
your hand with these two men. They're up heavy?
313
00:18:39.640 --> 00:18:44.680
Is lead? Help? Hannah? Give him m Come on now
314
00:18:44.759 --> 00:18:48.839
the other. Let's just cut up with him. Ana, you next,
315
00:18:48.920 --> 00:18:49.160
come on?
316
00:18:50.000 --> 00:18:53.359
Ah, sure, it's none of your help. I need five
317
00:18:53.519 --> 00:18:58.400
days in the open. Say, glory, b what tub is this?
318
00:18:59.279 --> 00:19:02.880
It's cold simeon winter a coal barge?
319
00:19:03.000 --> 00:19:03.119
Is it?
320
00:19:04.680 --> 00:19:04.880
Well?
321
00:19:04.920 --> 00:19:08.319
We're safe anyway, safe with the help of God.
322
00:19:09.000 --> 00:19:22.000
Catch him, Hona, get whiskey, nique. Ah, you're awake.
323
00:19:22.119 --> 00:19:23.640
Now you drink this?
324
00:19:24.160 --> 00:19:24.359
Ah?
325
00:19:25.759 --> 00:19:26.720
Oh, are you drink it?
326
00:19:27.960 --> 00:19:28.200
Sure?
327
00:19:28.240 --> 00:19:28.920
Am I dreaming?
328
00:19:29.519 --> 00:19:30.920
Drink this and you'll find it ain't no.
329
00:19:31.000 --> 00:19:33.880
Dream who wants to drink? But I'll take it just
330
00:19:33.960 --> 00:19:34.319
the same.
331
00:19:36.440 --> 00:19:38.680
Where am i cabin of the Simon Winter?
332
00:19:39.039 --> 00:19:42.119
I know, I know, sure, I thought you were some
333
00:19:42.319 --> 00:19:45.559
mermaid come out of the sea to torment me. Give
334
00:19:45.640 --> 00:19:49.759
us your hand, darlan well reil flesh and blood, deviltheless
335
00:19:49.799 --> 00:19:53.079
cut at sure? And what is a fine handsome woman
336
00:19:53.119 --> 00:19:54.640
the like of you doing on this scowl?
337
00:19:55.519 --> 00:19:55.720
Hey?
338
00:19:55.839 --> 00:19:58.880
You got nerve, kiddiness. What you've just been through?
339
00:19:59.000 --> 00:20:02.000
Ah twas nothing? It was easy for a real man
340
00:20:02.039 --> 00:20:05.200
that likes of me. Tis only the great strength to
341
00:20:05.319 --> 00:20:08.200
me that saved us when the crash came. Ah twas
342
00:20:08.240 --> 00:20:10.559
a mad fighting scramble in the last seconds, with each
343
00:20:10.640 --> 00:20:13.839
man for himself. All the others was drowned, that they
344
00:20:13.880 --> 00:20:17.079
were surely sure and only for me and the great
345
00:20:17.160 --> 00:20:19.440
strength and nervos in me, the two I saved would
346
00:20:19.440 --> 00:20:20.920
be scuffed by the fishes this minute.
347
00:20:21.200 --> 00:20:22.920
See you hate yourself, don't you?
348
00:20:23.799 --> 00:20:23.960
Well?
349
00:20:24.039 --> 00:20:26.680
You better lie hones, sleep, lie down and sleep?
350
00:20:26.799 --> 00:20:26.960
Is it?
351
00:20:27.559 --> 00:20:29.799
Let you not be thinking I'm a weak scut I
352
00:20:29.839 --> 00:20:31.759
could lick any man on this boat with one hand
353
00:20:31.799 --> 00:20:32.400
tied behind me.
354
00:20:32.680 --> 00:20:34.000
Ain't you the hard guy?
355
00:20:34.880 --> 00:20:36.640
Well, I must say, I don't care for your language.
356
00:20:36.720 --> 00:20:38.400
The man I know, don't pull that rough stuff when
357
00:20:38.480 --> 00:20:39.160
ladies are around?
358
00:20:40.319 --> 00:20:40.720
Ladies?
359
00:20:40.880 --> 00:20:42.759
Is it the devil ringer?
360
00:20:43.720 --> 00:20:46.559
Let you not be making game of me? Now, wish
361
00:20:46.680 --> 00:20:50.119
now me, daisy, it's one of your kisses. I'm needing
362
00:20:50.200 --> 00:20:53.319
to take the tiredness from my bones. One kiss.
363
00:20:53.400 --> 00:20:55.759
Now, let go of me, your big slug.
364
00:21:00.759 --> 00:21:01.400
Here, what's the matter.
365
00:21:02.319 --> 00:21:04.839
I didn't mean to push you down. Hey, wake up,
366
00:21:05.839 --> 00:21:09.079
ah gee, you sucked.
367
00:21:08.839 --> 00:21:09.640
Your head on the book.
368
00:21:10.039 --> 00:21:11.160
I was scared for a minute.
369
00:21:11.160 --> 00:21:12.519
That kills you killed?
370
00:21:12.640 --> 00:21:12.799
Is it?
371
00:21:13.799 --> 00:21:15.279
It would take more than a bit of a blow
372
00:21:15.359 --> 00:21:19.039
to crack my thick skull. But glory v it's a
373
00:21:19.119 --> 00:21:21.599
power of strength, is in them, two fine arms of yours.
374
00:21:22.759 --> 00:21:24.279
There's not a man in the world can say the
375
00:21:24.359 --> 00:21:26.279
same as you that he's seen Matt Burke lying at
376
00:21:26.279 --> 00:21:27.720
his feet and him dead to the world.
377
00:21:28.240 --> 00:21:30.680
I'm sorry it happened, only you had no right to
378
00:21:30.720 --> 00:21:33.559
be getting fresh with me. Listen now, don't be getting
379
00:21:33.599 --> 00:21:35.640
any more wrong notions. I'm on this barge because I'm
380
00:21:35.640 --> 00:21:37.759
making a trip with my father. The Captain's my father.
381
00:21:38.440 --> 00:21:41.240
I'm sorry. I'm thinking I ain't good enough to be
382
00:21:41.319 --> 00:21:43.680
kissing the shoe soles of a fine dacent girl the
383
00:21:43.839 --> 00:21:46.519
like of yourself. So if you'll forgive me, we'll be
384
00:21:46.559 --> 00:21:49.640
friends from this out. I'm thinking I'd rather be friends
385
00:21:49.680 --> 00:21:51.359
with you than have my wish for anything else in
386
00:21:51.400 --> 00:21:56.480
the world. Your hand, girl, sure, Heaven bless your girl.
387
00:21:56.680 --> 00:22:00.279
Ouch my head, ah, oh tis a clumsy If I
388
00:22:00.359 --> 00:22:03.559
am sure, it is great power I have in my
389
00:22:03.680 --> 00:22:05.599
hand and arm, and I do be forgetting.
390
00:22:05.240 --> 00:22:05.799
To the times.
391
00:22:06.319 --> 00:22:10.359
You're some strong I am that praise God, And I'm
392
00:22:10.440 --> 00:22:11.960
telling you there's the will of God and that that
393
00:22:12.039 --> 00:22:14.000
brought me safe through the storm and fog to the.
394
00:22:14.000 --> 00:22:15.400
One spot in the world where you was.
395
00:22:16.200 --> 00:22:18.000
Think of that now, and isn't it Queer.
396
00:22:19.799 --> 00:22:21.920
Hanna? You will get in your cabin.
397
00:22:22.000 --> 00:22:23.640
You'll hear who do you think you're talking to?
398
00:22:23.759 --> 00:22:24.240
A slave?
399
00:22:24.559 --> 00:22:27.240
You need to get a rest, Anna, You've got to
400
00:22:27.319 --> 00:22:31.119
get sleep. What are you doing here? You sailor Hella?
401
00:22:31.880 --> 00:22:34.759
You ain't sick like honors you'll get in folks.
402
00:22:34.799 --> 00:22:35.960
But he is sick. Look at him.
403
00:22:35.960 --> 00:22:38.000
He can hardly stand up get in, folks, is it
404
00:22:38.079 --> 00:22:38.759
giving me orders?
405
00:22:38.839 --> 00:22:42.640
Y army buckle? Let you look out? Then with one hand,
406
00:22:42.680 --> 00:22:44.200
week as I am, I can break you into and
407
00:22:44.279 --> 00:22:46.279
clean the pieces over the side and your crew after you.
408
00:22:46.640 --> 00:22:51.279
I'll ha ha ha No, No, I was forgetting.
409
00:22:52.079 --> 00:22:54.000
You're her old man, and I'll not raise a fist
410
00:22:54.039 --> 00:22:57.920
to you for the world. I I think i'd better
411
00:22:57.960 --> 00:22:58.640
sit down.
412
00:22:59.279 --> 00:23:01.720
Here, you get back in that you're gonna stay here
413
00:23:01.799 --> 00:23:02.359
in this cabin.
414
00:23:02.440 --> 00:23:05.039
Tell you're wealth. I'll take care of you myself.
415
00:23:07.119 --> 00:23:09.799
I'm assure it's a sweet name and suited to an angel.
416
00:23:10.440 --> 00:23:18.480
You stay here, you stay, yes, and I don't. That's
417
00:23:18.599 --> 00:23:25.039
your dirty trick, all devil scene. But you don't do that,
418
00:23:26.319 --> 00:23:31.000
not while I live, No by you, you don't.
419
00:23:41.799 --> 00:23:44.359
So that's one of Anna Christie is off. But in
420
00:23:44.440 --> 00:23:47.759
a moment, John Crawford, Spencer Tracy and George Marrion Sr.
421
00:23:48.039 --> 00:23:51.680
Will return to continue with that too. Now, during our intimation,
422
00:23:52.039 --> 00:23:53.720
we'd like you to meet two young people who got
423
00:23:53.720 --> 00:23:56.279
a lot of fun are writing parodies on popular songs
424
00:23:56.319 --> 00:23:58.599
in their spare times. Tonight we're going to give them
425
00:23:58.599 --> 00:24:01.279
a chance on the radio where their latest rainstorm it's
426
00:24:01.319 --> 00:24:10.400
a parody on the national hit tune by mere Bistouche, by.
427
00:24:10.440 --> 00:24:15.759
Mere bistou shame, So won't you explain what makes you
428
00:24:16.000 --> 00:24:22.079
the fairest in the land? Is it your complexion inspires
429
00:24:22.279 --> 00:24:23.000
such affection?
430
00:24:23.680 --> 00:24:26.680
And how do you keep it so grand?
431
00:24:27.559 --> 00:24:30.839
I might say Germans, I say, are even French?
432
00:24:31.039 --> 00:24:31.599
So boom?
433
00:24:31.880 --> 00:24:35.160
But Luck it is makes me so blight, my skin
434
00:24:35.319 --> 00:24:36.240
so very boom.
435
00:24:36.839 --> 00:24:41.599
I'll think this refrain by mere bistou shame Luck, So
436
00:24:41.920 --> 00:24:43.279
Pu're the finest in.
437
00:24:43.400 --> 00:24:47.119
The land, by mere Bistoushane.
438
00:24:47.599 --> 00:24:51.720
You need not explain what makes you the fairest in
439
00:24:51.920 --> 00:24:52.400
the land.
440
00:24:53.680 --> 00:24:58.279
I can see it's your complexion inspire such affection, and
441
00:24:58.559 --> 00:25:01.039
Lucks toilet soaption keeps it grand.
442
00:25:03.359 --> 00:25:06.079
There's more truth than poetry in that song you've just heard.
443
00:25:06.640 --> 00:25:09.200
It's a fact that nine out of ten screen stars
444
00:25:09.319 --> 00:25:12.559
depend on Luck's toilet soap to guard their complexions, that
445
00:25:12.720 --> 00:25:15.960
smart girls everywhere use this gentle white soap to keep
446
00:25:16.000 --> 00:25:20.440
skin lovely, guard against cosmetic skin. Its active lather removes
447
00:25:20.480 --> 00:25:24.160
thoroughly the dust and dirt stale cosmetics that choke the pores.
448
00:25:24.680 --> 00:25:28.000
When pores are choked, the dulness, tiny blemishes and large
449
00:25:28.079 --> 00:25:32.480
pores that mean cosmetic skin developed guard against this unattractive
450
00:25:32.519 --> 00:25:36.279
complexion trouble by using Luck's toilet soap before you renew makeup,
451
00:25:36.880 --> 00:25:40.400
always before you go to bed. And now here's mister
452
00:25:40.440 --> 00:25:44.359
de mill Anna Christie starring Joan Crawford and Spencer Tracy
453
00:25:44.440 --> 00:25:53.440
with George Marion Senior. A week has gone by and
454
00:25:53.519 --> 00:25:56.279
the barge is traveling south again, due in New York
455
00:25:56.319 --> 00:25:59.839
on the following day. In the cabin, Chris pretends to
456
00:26:00.440 --> 00:26:04.559
glaring hatefully over the paper at Burke and Anna. Anna's
457
00:26:04.559 --> 00:26:07.559
been knitting. She moves toward Burke and holds a sweater
458
00:26:07.680 --> 00:26:09.079
against his broad chest.
459
00:26:12.079 --> 00:26:13.799
I want to measure against you, Matt's tend.
460
00:26:13.720 --> 00:26:16.000
Up, sure, and I will. I'm my head on my feet.
461
00:26:16.799 --> 00:26:20.279
See ah, you standing mighty close to me, Anna with
462
00:26:20.440 --> 00:26:23.359
my sweater you made with your own sweet hands. Only
463
00:26:23.519 --> 00:26:25.119
prayer paralysis can save you.
464
00:26:25.240 --> 00:26:26.720
Now I'm praying Math.
465
00:26:26.960 --> 00:26:29.279
Then he's a miracle if your prayers are handsome.
466
00:26:30.079 --> 00:26:33.119
Thanks Matt. The sweat is for my father. He hates
467
00:26:33.160 --> 00:26:33.960
to stand up for me.
468
00:26:34.440 --> 00:26:38.000
What tis a lie in your throat? Anna? And you
469
00:26:38.160 --> 00:26:40.279
know it. You made it for me with your own
470
00:26:40.319 --> 00:26:43.160
blessed hands, and I'll be wearing it tomorrow when we
471
00:26:43.279 --> 00:26:45.240
dock in New York, taking you myself out for a
472
00:26:45.319 --> 00:26:45.759
day's fun.
473
00:26:45.960 --> 00:26:47.839
Oh no, you won't. It won't be finished by then.
474
00:26:47.880 --> 00:26:49.079
What's more, I won't be going with you.
475
00:26:49.160 --> 00:26:51.200
Oh yes, you'll be going with me, just the two
476
00:26:51.240 --> 00:26:51.480
of us.
477
00:26:51.759 --> 00:26:52.839
Oh no I won't.
478
00:26:52.839 --> 00:26:53.599
Oh yes she will?
479
00:27:02.519 --> 00:27:05.319
All right, all right, all right, red hots, red hot spice,
480
00:27:05.400 --> 00:27:06.160
and step right up.
481
00:27:06.480 --> 00:27:08.200
That's it, red hots, red hats, get.
482
00:27:11.519 --> 00:27:17.440
Hip the high spike, cry your strength, they all ladies
483
00:27:17.480 --> 00:27:18.000
and gentleman.
484
00:27:18.079 --> 00:27:19.079
He hits it again, and.
485
00:27:20.960 --> 00:27:21.920
Sure that's Jennifer.
486
00:27:22.000 --> 00:27:24.960
I have no come on man, he do it?
487
00:27:25.039 --> 00:27:29.440
I you're Oh, there's nothing. They build him too long?
488
00:27:34.759 --> 00:27:36.119
He test your lungs.
489
00:27:36.400 --> 00:27:38.839
Step right up, blow the lung tester, get the bell
490
00:27:38.920 --> 00:27:40.039
and win a box of chocolate.
491
00:27:40.240 --> 00:27:41.880
Hey, why don't you test your lungs?
492
00:27:41.960 --> 00:27:44.920
Mat, I should test him. This fine pair of fellows
493
00:27:44.960 --> 00:27:47.359
that I got, I've got enough airing me to blow
494
00:27:47.440 --> 00:27:48.000
up a balloon.
495
00:27:48.359 --> 00:27:49.440
You said it that time?
496
00:27:49.920 --> 00:27:52.079
Sure I what do you mean?
497
00:27:52.160 --> 00:27:52.599
I said it?
498
00:27:58.599 --> 00:28:04.839
The watch or plate, every work of art, all I
499
00:28:04.960 --> 00:28:06.440
love to see the history and.
500
00:28:10.960 --> 00:28:12.759
Row me on and Juliet.
501
00:28:13.119 --> 00:28:23.440
Step Leopatra some more foreigners. Surely there any irishmen in
502
00:28:23.480 --> 00:28:24.079
the waxworks.
503
00:28:24.960 --> 00:28:26.599
Honest, I'm having fun with you.
504
00:28:26.880 --> 00:28:30.319
I ain't having such a punk time yourself. Gianna, you're
505
00:28:30.359 --> 00:28:33.359
a swell looking dish of blarnee. Not when I'm talking
506
00:28:33.400 --> 00:28:36.119
to you, Anna, the blarney dies in retrothed.
507
00:28:37.039 --> 00:28:38.279
I'd like to believe it now.
508
00:28:39.440 --> 00:28:40.920
Oh look, Rome and Juliet.
509
00:28:41.200 --> 00:28:45.799
Yeah you never land that name. Why the poor swab
510
00:28:45.880 --> 00:28:46.759
is on his knees to her.
511
00:28:47.240 --> 00:28:48.359
You don't believe in that? Sure?
512
00:28:48.480 --> 00:28:50.799
Not a woman wants to look up to her man,
513
00:28:50.880 --> 00:28:52.480
not down on him as if he was a poodle.
514
00:28:53.400 --> 00:28:53.640
Yeah.
515
00:28:55.240 --> 00:28:56.359
Yeah, I'm looking up to you.
516
00:28:56.480 --> 00:29:01.039
Man, and I'm looking up to you Anna, oh Anna,
517
00:29:01.880 --> 00:29:05.440
Anna Darling. Tis a strange thing you've done to me.
518
00:29:06.359 --> 00:29:09.799
It's love, all right. There's a choking feeling in me throat,
519
00:29:09.839 --> 00:29:12.359
and my heart is beaten like a trip hammer. And
520
00:29:12.480 --> 00:29:15.079
if it isn't love, then I'll love her. Fine man
521
00:29:15.319 --> 00:29:15.519
like you.
522
00:29:15.720 --> 00:29:17.319
I thought you'd know a lot about love.
523
00:29:18.119 --> 00:29:19.920
I thought I did until I saw you that first
524
00:29:20.000 --> 00:29:22.240
night on the boat. Come and do me out of
525
00:29:22.279 --> 00:29:24.920
a blind and fog, the two bright eyes of your
526
00:29:24.960 --> 00:29:28.720
shining through the mists to light me way. And ever
527
00:29:28.920 --> 00:29:30.960
ever since that night I've been on me too. Knees
528
00:29:31.000 --> 00:29:33.599
to your groveling at your feet, the same as I
529
00:29:33.640 --> 00:29:37.440
am this minute on your knees. Man, after what you
530
00:29:37.599 --> 00:29:39.920
just say, Ah, don't be making fun of me now,
531
00:29:40.000 --> 00:29:43.480
I can't help it, Dinah, it's more than love I
532
00:29:43.599 --> 00:29:46.880
have for you. It's it's a kind of pain, like
533
00:29:46.960 --> 00:29:47.599
a heart ache.
534
00:29:48.960 --> 00:29:49.000
Me.
535
00:29:49.200 --> 00:29:50.880
That's not good enough to be kissing a shoe on
536
00:29:50.920 --> 00:29:51.279
your foot.
537
00:29:51.480 --> 00:29:54.359
No, Anna, you must you mustn't say that.
538
00:29:54.480 --> 00:29:55.880
Ever, it's true. Why shouldn't I?
539
00:29:57.079 --> 00:30:01.599
Yes, Oh, Matt Darling, what would you say.
540
00:30:02.920 --> 00:30:08.039
If I told you? If you told me what I
541
00:30:08.200 --> 00:30:10.559
know what you'll be wanting to tell me? So if
542
00:30:10.640 --> 00:30:12.640
not this minute, that you'll love me?
543
00:30:12.680 --> 00:30:15.559
Anna, don't be so sure of yourself, mad, I'm loving nobody,
544
00:30:15.680 --> 00:30:16.319
and that you'll.
545
00:30:16.119 --> 00:30:18.559
Be wanting to marry me, and maybe I'll be accepting it.
546
00:30:20.559 --> 00:30:23.400
You want to marry me, you mean sure, and I'll
547
00:30:23.440 --> 00:30:23.799
marry her.
548
00:30:26.400 --> 00:30:33.319
I'm what wasn't Marana? All time since you get back,
549
00:30:33.880 --> 00:30:37.359
you sit out here and look close to me, you
550
00:30:37.599 --> 00:30:43.920
think about something and maybe, uh, maybe I know you
551
00:30:44.079 --> 00:30:45.880
think you love that sailor fellow.
552
00:30:46.039 --> 00:30:46.839
Well what if I do?
553
00:30:47.799 --> 00:30:54.279
Maybe you think you marry him? No, why, I'm glad
554
00:30:54.359 --> 00:30:58.880
you don't marry sailor fella. Any girl marries sailor fellow,
555
00:30:59.000 --> 00:31:03.720
she's fool. Your mother tell you the same thing if
556
00:31:03.799 --> 00:31:04.640
she was alive.
557
00:31:05.119 --> 00:31:07.960
That ain't why I won't marry. I ain't thinking about myself,
558
00:31:09.480 --> 00:31:13.079
thinking about him. He's such a simple guy, like a
559
00:31:13.160 --> 00:31:16.039
big kid. I ain't got the heart to fool him.
560
00:31:16.799 --> 00:31:21.240
You fool him, thank him minute you go crazy, I think.
561
00:31:21.240 --> 00:31:23.640
Yeah, I've been thinking I was myself the less you did.
562
00:31:24.799 --> 00:31:26.559
I'm going back on the stair and watch the boat.
563
00:31:26.599 --> 00:31:27.920
When Matt comes, tell him where I am?
564
00:31:29.880 --> 00:31:35.799
And oh.
565
00:31:38.480 --> 00:31:43.720
Ah, well, god bless who's here? And how's the world
566
00:31:43.799 --> 00:31:45.480
treating you this afternoon? Ana's father?
567
00:31:45.759 --> 00:31:49.440
Oh potty good if it ain't for some fellas meaning me?
568
00:31:49.559 --> 00:31:51.039
Do you where's Annah?
569
00:31:51.599 --> 00:31:53.480
Oh? She go out look at the boat.
570
00:31:53.839 --> 00:31:57.240
I'll be going out to her, but first time, thinking.
571
00:31:57.279 --> 00:31:59.000
I'll take this chance when we're alone, to have a
572
00:31:59.039 --> 00:32:02.759
word with you. I'm marrying Rana before this day is out.
573
00:32:02.799 --> 00:32:04.200
And you might as well make up your mind to it,
574
00:32:04.279 --> 00:32:07.039
whether you like it or no Ah, that's easy for say,
575
00:32:07.279 --> 00:32:08.960
is it? The like of yourself? Will stop me? Or
576
00:32:08.960 --> 00:32:11.440
you're thinking stop it? If you come to verse, even
577
00:32:11.519 --> 00:32:13.519
help you if you try it, but I ain't no
578
00:32:13.680 --> 00:32:14.359
need I do that.
579
00:32:15.160 --> 00:32:18.039
I only have fun. She'd make big fool of you,
580
00:32:18.200 --> 00:32:18.559
that's all.
581
00:32:18.640 --> 00:32:20.319
That's a lie in your throat, the devil vinger.
582
00:32:20.519 --> 00:32:21.480
No, that ain't lie.
583
00:32:22.000 --> 00:32:24.559
She tell me when she comes back before she never
584
00:32:24.680 --> 00:32:28.200
married fella like you. I'll not bolivia you shape away again.
585
00:32:28.960 --> 00:32:29.960
Leave Anna alone.
586
00:32:30.799 --> 00:32:34.599
Big fella like you, that's on sea. He don't need
587
00:32:34.680 --> 00:32:38.079
a wife. He got new girl in every report.
588
00:32:38.400 --> 00:32:38.880
You know that?
589
00:32:39.319 --> 00:32:41.599
Why you you think I'm gonna.
590
00:32:41.440 --> 00:32:45.200
Let her life be made sorry by you? You'se like
591
00:32:45.279 --> 00:32:49.799
Commdels was made by me. No, she don't marry you
592
00:32:50.759 --> 00:32:55.279
if I got to kill you, glory V.
593
00:32:55.480 --> 00:32:57.799
What talk is this from a stumpy front of her man?
594
00:33:00.119 --> 00:33:02.640
Sure it is a queer fool's bladder you have about
595
00:33:02.680 --> 00:33:05.079
the say done this and the sade done that. You
596
00:33:05.200 --> 00:33:06.799
ought to be ashamed to be saying. I like and
597
00:33:06.880 --> 00:33:09.599
you and old sailor yourself. I'm thinking it is a
598
00:33:09.680 --> 00:33:10.319
poor weak thing.
599
00:33:10.400 --> 00:33:12.559
You are not a man of towel, Lucie. If I'm
600
00:33:12.599 --> 00:33:15.480
a man maybe kicker, and you can down that chair,
601
00:33:15.599 --> 00:33:16.759
You'll kill you down.
602
00:33:19.440 --> 00:33:23.079
By your poor fish brains. Swat. I've half a mind
603
00:33:23.119 --> 00:33:24.720
to hit your cloth that will put sense in your
604
00:33:24.759 --> 00:33:27.839
square head. Keep off for me now, I'm warning.
605
00:33:27.640 --> 00:33:30.119
You what's going on here?
606
00:33:31.920 --> 00:33:34.480
How that chair get not to He ain't been fighting
607
00:33:34.519 --> 00:33:36.160
with him matter after you promise, I've.
608
00:33:36.039 --> 00:33:38.480
Not laid a hand on him. Manna, I told him
609
00:33:38.480 --> 00:33:40.519
in his teeth, I loved you. And that's the truth, Anna,
610
00:33:40.519 --> 00:33:41.160
And well you know it.
611
00:33:41.720 --> 00:33:45.559
He says same thing to Gallant portygh shut.
612
00:33:45.440 --> 00:33:48.960
Up, can't you? I know you love me, man, don't
613
00:33:49.000 --> 00:33:49.680
mind what he says.
614
00:33:49.880 --> 00:33:53.440
God bless you. And then I said, I, well, I
615
00:33:53.599 --> 00:33:55.240
told him I thought you have a bit of love
616
00:33:55.279 --> 00:33:55.799
for me too.
617
00:33:57.240 --> 00:33:59.920
So are you told him that? Well?
618
00:34:00.519 --> 00:34:01.000
Maybe I do.
619
00:34:01.960 --> 00:34:04.200
I've been wondering if I do love you. I didn't
620
00:34:04.200 --> 00:34:07.640
want to Mari alone up together. I guess I can't
621
00:34:07.680 --> 00:34:09.800
help it anyhow, So I guess I do.
622
00:34:12.039 --> 00:34:12.639
Sure I do.
623
00:34:13.400 --> 00:34:15.199
What's the use of kidding myself different?
624
00:34:15.480 --> 00:34:16.360
Sure? I love you?
625
00:34:16.599 --> 00:34:17.199
Meth On?
626
00:34:18.000 --> 00:34:20.639
Oh, Anna, tis the voice of an angel you have
627
00:34:20.719 --> 00:34:24.719
when you speak like that. Come on now, Chris, oh,
628
00:34:24.880 --> 00:34:27.000
not like a man when you're bade fair and square.
629
00:34:27.480 --> 00:34:29.679
Here's my hand. We'll be friends from now on.
630
00:34:30.400 --> 00:34:30.519
Oh.
631
00:34:30.679 --> 00:34:34.760
I don't shake hands with you, fella, Not while the
632
00:34:34.880 --> 00:34:36.360
back of me handier than that suit.
633
00:34:36.440 --> 00:34:38.519
Yet tis a rotten bad loseryar.
634
00:34:38.280 --> 00:34:40.719
I don't lose, And I say she like you a
635
00:34:40.760 --> 00:34:44.039
little bit, But you don't hear her say she marry you?
636
00:34:44.199 --> 00:34:46.920
I bet no, And I wasn't hearing her say the
637
00:34:47.000 --> 00:34:48.039
sun ain't shina either.
638
00:34:49.239 --> 00:34:50.199
I didn't say it met.
639
00:34:50.719 --> 00:34:51.920
What did you hear?
640
00:34:52.679 --> 00:34:56.079
Ah, you're waiting until you do be asked? You mean, eh, well,
641
00:34:56.119 --> 00:34:58.960
I'm asking you now and we'll be married this day.
642
00:34:59.719 --> 00:35:02.159
No, no, we won't.
643
00:35:02.840 --> 00:35:05.000
What do you mean I can't marry your math?
644
00:35:05.440 --> 00:35:08.679
I know that was so, Hannah? Is it making game
645
00:35:08.760 --> 00:35:08.920
of me?
646
00:35:09.000 --> 00:35:09.239
You'd be?
647
00:35:09.519 --> 00:35:10.440
Do you think i'd kid?
648
00:35:10.559 --> 00:35:10.760
You know?
649
00:35:11.079 --> 00:35:13.159
I'm not joking, Mat, I mean with us, Well you don't.
650
00:35:13.239 --> 00:35:14.679
You can't. You were saying you loved me.
651
00:35:14.840 --> 00:35:16.559
I'll say that as often as you want me to.
652
00:35:16.719 --> 00:35:17.239
It's true.
653
00:35:17.320 --> 00:35:18.840
Then why what's in the devil's name?
654
00:35:18.880 --> 00:35:20.719
Well, it is the best way I can figure out Math.
655
00:35:21.840 --> 00:35:23.920
I've been thinking it over and thinking it over day
656
00:35:23.960 --> 00:35:24.719
and night all week.
657
00:35:25.199 --> 00:35:26.800
Don't think it ain't hard on me too.
658
00:35:26.920 --> 00:35:28.880
For the love of Saint Peter. Tell me what it is.
659
00:35:28.960 --> 00:35:30.639
Then that's preventing you weting me when the two of
660
00:35:30.760 --> 00:35:31.320
us has love.
661
00:35:31.480 --> 00:35:33.360
I can't tell you, and I won't. I got a
662
00:35:33.360 --> 00:35:34.480
good reason, and that's all you need.
663
00:35:34.599 --> 00:35:34.719
Now.
664
00:35:35.360 --> 00:35:37.000
I can't marry you. That's all there is to it.
665
00:35:37.199 --> 00:35:39.320
Is it married to someone else? You are, you're the devil,
666
00:35:39.360 --> 00:35:40.880
and with all other reasons, they don't matter with me
667
00:35:40.960 --> 00:35:42.239
at all. We've had enough of this talk.
668
00:35:42.320 --> 00:35:44.519
Now I'll let you be going into the other room
669
00:35:44.599 --> 00:35:46.079
now and be dressing in your best and we'd be
670
00:35:46.119 --> 00:35:46.599
going ashore.
671
00:35:46.719 --> 00:35:48.559
Hey, don't do that. You'll stay here.
672
00:35:48.639 --> 00:35:50.960
Annah, You'll hear he will not. You've had your hold
673
00:35:51.000 --> 00:35:51.559
on a long enough.
674
00:35:51.599 --> 00:35:54.320
It's my turn, now your turn. You don't do like
675
00:35:54.480 --> 00:35:55.800
thing he say? He will?
676
00:35:56.519 --> 00:35:59.400
He will, he will in spite of me. She's taking
677
00:35:59.440 --> 00:36:00.000
my orders.
678
00:35:59.840 --> 00:36:01.599
From yours ordered.
679
00:36:01.719 --> 00:36:03.920
Come on now, hurry up. We've no time to be wasting.
680
00:36:04.000 --> 00:36:06.760
We stay here, Anna, shut up, Shut up, both of you.
681
00:36:08.159 --> 00:36:11.320
I think I was a piece of furniture. Well i'll
682
00:36:11.400 --> 00:36:14.360
show you. Sit down, none, listen, I'm gonna tell you
683
00:36:14.519 --> 00:36:16.760
something that I'm gonna beat it. Oh lo, Yeah, I've
684
00:36:16.800 --> 00:36:19.159
been meaning the lous onia every time you started yapping
685
00:36:19.199 --> 00:36:20.960
about keeping me safe inland? What is it?
686
00:36:21.000 --> 00:36:23.039
Anna and you met?
687
00:36:23.840 --> 00:36:25.800
Don't forget what you said a minute ago about it
688
00:36:25.920 --> 00:36:27.679
not matan, so long as I wasn't married.
689
00:36:27.719 --> 00:36:29.159
Already my word, and I'll stick to it.
690
00:36:29.360 --> 00:36:31.639
Yeah, I bet you square rough talk.
691
00:36:31.519 --> 00:36:32.760
For a decent girl, the like of you.
692
00:36:33.440 --> 00:36:33.800
Decent?
693
00:36:34.360 --> 00:36:37.519
Who told you I was decent? What is it you're saying?
694
00:36:37.559 --> 00:36:38.320
I'm a mad girl?
695
00:36:38.559 --> 00:36:38.800
Mad?
696
00:36:39.360 --> 00:36:40.559
Yes, she's crazy.
697
00:36:40.719 --> 00:36:42.360
She talked like that. She's crazy.
698
00:36:42.480 --> 00:36:44.760
Well, maybe I am living with you?
699
00:36:44.920 --> 00:36:46.440
Is enough to drive anyone off their nut.
700
00:36:47.199 --> 00:36:49.480
Your bunk about the farm being so fine?
701
00:36:50.079 --> 00:36:52.119
Didn't I write your year after year how rotten it
702
00:36:52.280 --> 00:36:52.719
was and what a.
703
00:36:52.719 --> 00:36:54.320
Dirty slave them cousins made of me?
704
00:36:54.679 --> 00:36:55.360
Would you care?
705
00:36:55.480 --> 00:36:58.960
Nothing? Crazy stuff about wanting to keep me away from
706
00:36:58.960 --> 00:36:59.880
the sea. Didn't go with me?
707
00:37:00.280 --> 00:37:01.760
You just didn't want to be bothered with me.
708
00:37:03.639 --> 00:37:06.239
Then I run away? Did you know where I went?
709
00:37:06.639 --> 00:37:07.239
Did you care?
710
00:37:08.159 --> 00:37:09.800
Did you care what kind of people I met and
711
00:37:09.880 --> 00:37:12.519
who I saw and what I did? You thought I
712
00:37:12.639 --> 00:37:16.079
was a nurse girl, and think, Paul, didn't you a
713
00:37:16.320 --> 00:37:19.719
nurse girl? Oh that's good, that is, But I wasn't
714
00:37:19.800 --> 00:37:21.199
see I lied to you.
715
00:37:21.320 --> 00:37:22.400
I wasn't no nurse girl the.
716
00:37:22.440 --> 00:37:23.039
Last two years.
717
00:37:23.079 --> 00:37:25.440
And now it's the truth. You get one the day.
718
00:37:25.599 --> 00:37:26.360
It's a lie.
719
00:37:26.840 --> 00:37:28.400
It's a lie, that's what's in it.
720
00:37:28.719 --> 00:37:32.159
Yeah, that's what Dennis. I suppose you remember your promise.
721
00:37:33.000 --> 00:37:34.880
I suppose you still want me to get dress and
722
00:37:35.000 --> 00:37:37.440
go ashore with you. Yes, you do.
723
00:37:38.079 --> 00:37:41.840
God, I suppose if I tried to tell you that
724
00:37:41.920 --> 00:37:43.960
I wasn't that no more, you'd believe me, wouldn't you?
725
00:37:45.360 --> 00:37:46.159
Yes, you would.
726
00:37:47.239 --> 00:37:49.440
And if I told you that just getting out in
727
00:37:49.519 --> 00:37:51.719
this lodge and being on the sea had changed me,
728
00:37:52.159 --> 00:37:53.679
made me feel different about things.
729
00:37:54.480 --> 00:37:56.840
Is if all I'd been through wasn't me and didn't count.
730
00:37:56.840 --> 00:37:58.440
Was just like it never happened?
731
00:37:59.360 --> 00:38:02.320
He didn't laugh, wouldn't you and your dial I've been
732
00:38:02.440 --> 00:38:03.760
sure if I said that meet.
733
00:38:03.679 --> 00:38:05.760
Me that funny way that night in the fog.
734
00:38:05.599 --> 00:38:10.280
And afterwards, seeing that you were straight good stuck on me, it.
735
00:38:10.400 --> 00:38:12.760
Got me to thinking for the first time, and I
736
00:38:12.920 --> 00:38:14.800
sized you up as different from the ones on the
737
00:38:14.880 --> 00:38:16.199
land as water is from us.
738
00:38:17.400 --> 00:38:19.480
I couldn't marry it with you not knowing the truth.
739
00:38:20.239 --> 00:38:21.039
I was shamed.
740
00:38:23.559 --> 00:38:25.039
But will you believe it if I tell you that
741
00:38:25.400 --> 00:38:27.079
loving you has made me different?
742
00:38:28.360 --> 00:38:29.880
It's a straight goods honestly?
743
00:38:31.599 --> 00:38:36.559
Oh yes you will. You're like all the red arrest different,
744
00:38:36.719 --> 00:38:41.679
is it? I'll be killing you out? Go on, kill me?
745
00:38:46.639 --> 00:38:49.320
Well, matt ain't you got the nerve to do it?
746
00:38:50.440 --> 00:38:53.519
Go ahead, I'll be thankful for honest.
747
00:38:58.199 --> 00:39:02.039
I can't do it, and your two eyes looking at me.
748
00:39:04.079 --> 00:39:07.119
Heaven help me. I'm deestroyed entirely. My heart is broken
749
00:39:07.159 --> 00:39:12.480
off a bit. I'll be gone, surely, and I'll be
750
00:39:12.559 --> 00:39:14.519
shipping away on some boat, will take me to the
751
00:39:14.599 --> 00:39:16.159
other end of the world where I'll never see your
752
00:39:16.199 --> 00:39:19.639
face again. And my curse on you, and my curse
753
00:39:19.719 --> 00:39:24.719
and all you've been. You've destroyed me this day, and
754
00:39:24.840 --> 00:39:27.400
may you lie awake in the long night's tormented by
755
00:39:27.440 --> 00:39:28.599
the great wrong you've done.
756
00:39:29.280 --> 00:39:29.559
Done.
757
00:39:37.920 --> 00:39:38.440
He's gone.
758
00:39:40.159 --> 00:39:44.480
I think I I go shure too. Oh sure, go
759
00:39:44.639 --> 00:39:46.880
on about get drink?
760
00:39:47.599 --> 00:39:50.320
Yeah you want to forget to Don't you like him?
761
00:39:52.320 --> 00:39:56.920
I think you ful? I know that now. It's that
762
00:39:57.159 --> 00:39:59.840
ole devil. See do this to me?
763
00:40:00.000 --> 00:40:01.679
Do you know what's the use going?
764
00:40:03.119 --> 00:40:04.199
You've reached on?
765
00:40:06.440 --> 00:40:10.719
Maybe maybe I'll go shore two? Why do you care
766
00:40:10.760 --> 00:40:11.079
what I do?
767
00:40:11.239 --> 00:40:11.440
Go on?
768
00:40:11.639 --> 00:40:27.239
Beat it, pause or station identification? This is the Columbia
769
00:40:27.320 --> 00:40:28.360
Broadcasting system.
770
00:40:48.480 --> 00:40:50.639
We go into the third act of Anna Christie starring
771
00:40:50.719 --> 00:40:53.599
Joan Crawford and Spencer Tracy Following this brief and the mission.
772
00:40:54.679 --> 00:40:57.840
From time to time, you've heard Hollywood personalities on this
773
00:40:58.000 --> 00:41:01.039
program offered the sound advice that to get into pictures,
774
00:41:01.079 --> 00:41:03.800
you should stay away from Hollywood, join the little theater
775
00:41:03.880 --> 00:41:07.960
in your hometown, and wait until Hollywood finds you. So,
776
00:41:08.039 --> 00:41:10.039
I think it's time that someone told us exactly what
777
00:41:10.159 --> 00:41:13.199
these little theaters are all about. For this, we've selected
778
00:41:13.280 --> 00:41:17.079
mister Albert McCleary, a foremost authority on the American little theater.
779
00:41:17.880 --> 00:41:20.119
He spent the last ten years in direct contact with
780
00:41:20.199 --> 00:41:24.719
these organizations, writes the column on Other Broadways for Stage Magazine,
781
00:41:25.360 --> 00:41:28.440
and maintains steady contact with the three hundred civic theater
782
00:41:28.519 --> 00:41:32.400
groups that part their curtains between Maine and California, All
783
00:41:32.440 --> 00:41:35.039
of which makes it appear, mister mclary, that the little
784
00:41:35.119 --> 00:41:36.800
theaters are a big proposition.
785
00:41:37.039 --> 00:41:38.199
Yes, and let me tell you why.
786
00:41:38.719 --> 00:41:41.559
Each little theater averages at least four productions a year,
787
00:41:41.639 --> 00:41:43.960
with an average cast of ten people in each. I
788
00:41:44.000 --> 00:41:46.039
don't think it too optimistic, mister de mille, to say
789
00:41:46.079 --> 00:41:49.039
that every production has an audience of at least five hundred.
790
00:41:49.400 --> 00:41:51.920
Add to this the audiences of university theaters and other
791
00:41:51.960 --> 00:41:55.119
amateur dramatic societies, and we find that the national community
792
00:41:55.199 --> 00:41:58.800
theater audience reaches the amazing annual total of about twelve million.
793
00:41:59.119 --> 00:42:01.719
In other words, one out of every twelve people in
794
00:42:01.800 --> 00:42:03.760
this country has something to do with the little theater.
795
00:42:03.920 --> 00:42:06.960
Those are astonishing figures, mister mcpherry. It wasn't so many
796
00:42:07.039 --> 00:42:10.079
years ago that Broadway and Hollywood depended almost entirely upon
797
00:42:10.159 --> 00:42:13.239
stock companies to train newcomers for stardom, and.
798
00:42:13.320 --> 00:42:16.719
The theatergoers length them to supporting two thousand stock companies
799
00:42:16.760 --> 00:42:19.320
in this country. But today it is almost impossible to
800
00:42:19.400 --> 00:42:22.079
find a single stock company anywhere in the United States.
801
00:42:22.599 --> 00:42:25.320
Their functions have been inherited completely by the little theater,
802
00:42:25.400 --> 00:42:28.119
mister de Mill, which gives the individual his chance to
803
00:42:28.159 --> 00:42:30.920
become an actor, gives Broadway and Hollywood their source of
804
00:42:31.000 --> 00:42:33.679
new material, and gives the community the pride of having
805
00:42:33.719 --> 00:42:36.920
a permanent theatrical group. It's gratifying to know, mister de Mill,
806
00:42:36.960 --> 00:42:39.480
how earnestly these enterprising young people in the little theater
807
00:42:39.760 --> 00:42:43.880
have clung to the old traditions of the legitimate theater customs, superstitions,
808
00:42:43.960 --> 00:42:45.000
little tricks of the trade.
809
00:42:45.639 --> 00:42:47.119
One well established.
810
00:42:46.639 --> 00:42:48.400
Custom that is upheld by the women of the little
811
00:42:48.440 --> 00:42:50.719
theater will interest you, especially, mister de mill.
812
00:42:51.199 --> 00:42:54.119
These charming ladies, in my opinion, are as loyally.
813
00:42:53.840 --> 00:42:56.719
Devoted to lux toilet soap as their professional sisters of
814
00:42:56.800 --> 00:42:59.719
Broadway and Hollywood. I suppose you'll say that there's nothing
815
00:42:59.719 --> 00:43:04.079
suprising about that, since lux toilet soap is such a universal.
816
00:43:03.719 --> 00:43:08.039
Favorite reasons like Archimedes, mister mclary, not only with women
817
00:43:08.079 --> 00:43:10.639
whose home is the theatre, but with women everywhere. But
818
00:43:10.719 --> 00:43:13.800
getting back to the subject of superstitions peculiar to the theater,
819
00:43:14.360 --> 00:43:15.800
do you happen to think of any offhand?
820
00:43:16.039 --> 00:43:18.840
Well, yes, so one that comes to mind is rather amusing,
821
00:43:19.199 --> 00:43:21.760
the one that a very bad dress rehearsal means a
822
00:43:21.800 --> 00:43:24.880
successful run, and vice versa. It's not an uncommon thing
823
00:43:24.920 --> 00:43:27.039
to see a dress rehearsal go off swimming lea, each
824
00:43:27.119 --> 00:43:30.280
actor doing his role with the utmost enthusiasm, and then
825
00:43:30.480 --> 00:43:33.719
when it's over see these earnest young people not exhilarated
826
00:43:33.760 --> 00:43:36.800
and stimulated over their fine work, but dejected and depressed.
827
00:43:37.199 --> 00:43:40.480
Of course, there's no basis for this superstition, but don't
828
00:43:40.519 --> 00:43:42.119
ever try to convince an actor of that.
829
00:43:42.840 --> 00:43:44.840
And now let's see what some of these little theaters have.
830
00:43:44.920 --> 00:43:47.840
Done in surprising fresh and vigorating talent to the world.
831
00:43:48.079 --> 00:43:50.119
You should be able to cite several examples, mister de
832
00:43:50.199 --> 00:43:50.639
mill Well.
833
00:43:50.760 --> 00:43:53.400
Let me see. It is Francis Farmer, who received her
834
00:43:53.440 --> 00:43:56.440
training in Seattle and hiding in Pennsylvania. Henry Fonder and
835
00:43:56.519 --> 00:43:59.239
Omaha Tyrone Power and Santa Barbara.
836
00:43:59.239 --> 00:44:02.719
Robert Young, Randolph Scott, Douglas Montgomery, and Gloria Stewart Haile
837
00:44:02.760 --> 00:44:04.719
from the Pasadena Community Playhouse, and they.
838
00:44:04.719 --> 00:44:07.400
Came Tamirov, who plays the role of Dominic Hu and
839
00:44:07.440 --> 00:44:10.440
the buccaneer frequently goes back there for a week or
840
00:44:10.480 --> 00:44:13.159
two just to keep alive. Is contact with flesh and
841
00:44:13.239 --> 00:44:14.000
blood audiences.
842
00:44:14.280 --> 00:44:15.960
Well, I'm certain the advice of every one of these
843
00:44:16.000 --> 00:44:18.679
players would be stay at home and get your training
844
00:44:18.760 --> 00:44:20.199
in your own community theater.
845
00:44:20.480 --> 00:44:23.320
Start with anything you can. As an example, just two
846
00:44:23.400 --> 00:44:23.960
years ago in the.
847
00:44:23.960 --> 00:44:26.480
Pasadena Playhouse, I noticed a young fellow with a wide
848
00:44:26.519 --> 00:44:29.239
grin who was always most willing to shove the pianos
849
00:44:29.280 --> 00:44:31.639
around or do anything to be generally useful. You may
850
00:44:31.679 --> 00:44:34.599
have heard of him. His name is Wayne Morris. There's
851
00:44:34.679 --> 00:44:36.519
just one more thing I'd like to say before leaving.
852
00:44:36.679 --> 00:44:38.599
If you'd like to know where your nearest little theater
853
00:44:38.760 --> 00:44:40.800
is where you can go for this training. Write me
854
00:44:40.880 --> 00:44:42.480
and I'll be glad to tell you. Of course, I
855
00:44:42.719 --> 00:44:44.679
can't prophesy that you will crash the gate, but if
856
00:44:44.719 --> 00:44:48.199
you're determined and have ability, that's the place to try.
857
00:44:48.679 --> 00:44:50.559
Just address me in care of the lux radio theater
858
00:44:50.639 --> 00:44:52.239
in the station to which you're listening, and send a
859
00:44:52.280 --> 00:44:55.800
stamp self addressed envelope with your letter, thank you, Thank you.
860
00:44:55.960 --> 00:44:56.679
Albert mccair.
861
00:45:03.880 --> 00:45:05.719
Do you think there's anything and any power on this
862
00:45:05.840 --> 00:45:06.880
earth can make me go back?
863
00:45:06.880 --> 00:45:10.719
If I didn't have to anna? Oh, what's the use?
864
00:45:11.119 --> 00:45:13.639
What's the use of me talking? What's the use of anything?
865
00:45:16.039 --> 00:45:18.920
If I could only be believing you now, If I
866
00:45:18.960 --> 00:45:21.719
could only believe that that you'd never had love for
867
00:45:21.800 --> 00:45:24.360
any man in the world but me, I could be
868
00:45:24.440 --> 00:45:25.159
forgetting the rest.
869
00:45:25.239 --> 00:45:29.159
Maybe if tis the truth you're after telling.
870
00:45:29.039 --> 00:45:31.679
I'd have a right, maybe to believe you've changed.
871
00:45:32.159 --> 00:45:33.960
That's what I've been trying to tell you all along.
872
00:45:34.599 --> 00:45:37.880
You've gotta believe it. What can I do? I'll do
873
00:45:37.960 --> 00:45:39.920
anything anything you want to prove I'm not lying.
874
00:45:41.119 --> 00:45:44.480
Would you be willing to swear an oath now? A terrible,
875
00:45:44.559 --> 00:45:45.280
fearful oath.
876
00:45:45.559 --> 00:45:47.559
Sure shall I swear man on anything?
877
00:45:48.119 --> 00:45:52.239
Will you swear on this? She's a cross, Annah? Will
878
00:45:52.320 --> 00:45:56.119
you sure will give it to me? She's a cross
879
00:45:56.320 --> 00:45:58.320
was given me by my mother, God rest her soul.
880
00:45:59.320 --> 00:46:02.039
And I'm telling you there's great power in it. And
881
00:46:02.159 --> 00:46:05.159
I'm warning you now, if you swear an oath on
882
00:46:05.280 --> 00:46:07.480
this tis my old woman herself will be looking down
883
00:46:07.519 --> 00:46:10.239
from the heaven above and praying the saints to put
884
00:46:10.239 --> 00:46:11.800
a great curse on you. If she'd be here, you
885
00:46:11.920 --> 00:46:12.559
swearing a lie?
886
00:46:12.880 --> 00:46:14.960
I wouldn't have the nerve, honest if it was a lie.
887
00:46:15.599 --> 00:46:17.920
But is the truth? And I'm scared to swear give
888
00:46:17.960 --> 00:46:22.760
it to me? Well, what do you want me to swear?
889
00:46:23.199 --> 00:46:26.679
You say, I swear I'm the only man in the
890
00:46:26.719 --> 00:46:28.039
world ever you felt love for.
891
00:46:29.519 --> 00:46:31.840
I swear the only man in the world I ever
892
00:46:31.920 --> 00:46:32.559
felt love for.
893
00:46:33.320 --> 00:46:34.760
I swear it before God.
894
00:46:35.719 --> 00:46:38.000
And may the blackest curse of heaven strike you.
895
00:46:38.000 --> 00:46:40.760
If you're lying, And may the blackest curse of heaven
896
00:46:40.840 --> 00:46:41.960
strike me if I'm liar.
897
00:46:43.639 --> 00:46:46.239
I believe you, girl, Well, mad man.
898
00:46:47.239 --> 00:46:50.239
Sure we'll be wedded in the morning. Then we'll be happy.
899
00:46:50.320 --> 00:46:52.039
Now, the two of us in spite of the devil.
900
00:46:52.400 --> 00:46:54.119
Yeah, I'll be heavy drink on that.
901
00:46:54.320 --> 00:46:56.679
By golly, heave away, old man or heaven rest me
902
00:46:56.719 --> 00:46:57.960
if I don't throw you clean out.
903
00:46:57.880 --> 00:46:58.440
Into the fog.
904
00:46:58.599 --> 00:46:59.159
Nor bye.
905
00:46:59.280 --> 00:47:00.920
Golly, I hear what you're saying.
906
00:47:01.000 --> 00:47:02.880
I like it for that's the way that.
907
00:47:04.360 --> 00:47:06.159
It's a bad time for you and math the kits
908
00:47:06.199 --> 00:47:06.679
and makeup.
909
00:47:07.000 --> 00:47:09.760
You're gonna be shipmates on the Londonderry. Did you know if.
910
00:47:09.679 --> 00:47:14.159
Shipmates has himself, I'm Bosana, that devil.
911
00:47:15.320 --> 00:47:17.199
So you'd be going back to the Sey and living
912
00:47:17.239 --> 00:47:17.920
her alone, would you?
913
00:47:18.280 --> 00:47:20.719
That's all right, that's where he belongs, and I want
914
00:47:20.800 --> 00:47:22.519
him to go. You gotta go too.
915
00:47:22.599 --> 00:47:26.360
We'll need the money for me being alone. That runs
916
00:47:26.400 --> 00:47:28.800
in the family, and I'll get used to it. I'll
917
00:47:28.800 --> 00:47:30.719
get a little house somewhere and I'll make a regular
918
00:47:30.760 --> 00:47:32.440
place for you two to come back. You wake and
919
00:47:32.519 --> 00:47:35.199
see now you two make up and be friends.
920
00:47:36.440 --> 00:47:40.400
Well, sure, here's luck to you.
921
00:47:41.440 --> 00:47:42.440
This you luck too.
922
00:47:42.880 --> 00:47:44.000
Oh, that's the way.
923
00:47:44.800 --> 00:47:46.079
Sure, it's the will of God.
924
00:47:46.199 --> 00:47:50.840
That's why it's a creeer though you and me shipping
925
00:47:50.960 --> 00:47:54.679
on the same boat. Do way, it ain't right.
926
00:47:55.920 --> 00:48:01.960
It's that funny way all devil sea do her worst
927
00:48:02.239 --> 00:48:03.159
thirsty tricks.
928
00:48:03.320 --> 00:48:06.559
I I'm sure, and maybe you have the right of it.
929
00:48:06.639 --> 00:48:09.239
For once the devil take you g Matt.
930
00:48:09.519 --> 00:48:10.840
You ain't agreeing with him, are you.
931
00:48:51.760 --> 00:48:54.840
The player is done, but our evening's not complete until
932
00:48:54.880 --> 00:48:57.480
we hear again from Joan Crawford and Spencer Tracy.
933
00:49:04.760 --> 00:49:07.199
Thank you, mister de Mill. What I have to say
934
00:49:07.320 --> 00:49:09.239
is brief, but it's something I really want to say.
935
00:49:09.639 --> 00:49:11.639
This was such a pleasure to have been here again
936
00:49:11.719 --> 00:49:13.000
taking part in the lux program.
937
00:49:13.559 --> 00:49:16.960
We're enjoying having you here, John, You and Spencer Tracy
938
00:49:17.000 --> 00:49:19.960
and an nail play are a combination of talent to
939
00:49:20.079 --> 00:49:21.760
warm and he producer's.
940
00:49:21.239 --> 00:49:23.320
Hot, which reminds me of mister de mill that there
941
00:49:23.360 --> 00:49:25.480
hasn't been a new O'Neil play in some time. Do
942
00:49:25.599 --> 00:49:27.360
you happen to know if we may expect one soon?
943
00:49:27.960 --> 00:49:30.599
But at the moment, he's engaged in writing not just one,
944
00:49:30.760 --> 00:49:34.119
but nine full length plays. They'll covered the lives and
945
00:49:34.199 --> 00:49:37.119
times of an American family, beginning in eighteen hundred and ten,
946
00:49:37.679 --> 00:49:40.519
coming up to the present. Perhaps someday you and Spencer
947
00:49:40.559 --> 00:49:43.559
Tracy will return to us in one of them. Thanks
948
00:49:43.599 --> 00:49:47.079
mister de Mill. I hope so you don't mind. I'd
949
00:49:47.159 --> 00:49:48.920
like to take up a few seconds of our time
950
00:49:49.000 --> 00:49:51.679
and pay my respects to those who were with us tonight,
951
00:49:52.639 --> 00:49:56.960
to Marjorie Ramball, George Marion, Senior, Frank Shannon, and all
952
00:49:57.000 --> 00:50:00.360
the others. Mister Marion is one of the theaters no ability.
953
00:50:01.239 --> 00:50:04.320
This was practically his first public appearance in nearly three years.
954
00:50:05.159 --> 00:50:07.559
He's played the part of Chris nearly a thousand times,
955
00:50:08.800 --> 00:50:11.000
and I feel very humble and very grateful to have
956
00:50:11.039 --> 00:50:14.480
appeared with him tonight. And so do I feel toward
957
00:50:14.559 --> 00:50:16.599
Frank Shannon, whom you heard in the role of Johnny.
958
00:50:17.599 --> 00:50:20.119
Frank starred in the original production too, playing the part
959
00:50:20.159 --> 00:50:23.559
of Matt Burke. I don't know how near I came
960
00:50:23.639 --> 00:50:27.079
tonight to any semblance of this character, but if I succeeded,
961
00:50:27.079 --> 00:50:29.239
it's because of the help Frank Shannon was kind enough
962
00:50:29.280 --> 00:50:32.400
to give me. If I didn't, it could only have
963
00:50:32.480 --> 00:50:35.079
been my own fault. Thank you and good night.
964
00:50:35.800 --> 00:50:38.400
Before I go to mister Demill, let me again express
965
00:50:38.440 --> 00:50:41.239
my appreciation to the makers of Lucks toilet soap. I
966
00:50:41.400 --> 00:50:43.280
use it every day, both at home and in the studio,
967
00:50:43.559 --> 00:50:45.599
simply because I found that Luck Soap is about the
968
00:50:45.639 --> 00:50:47.679
finest way in the world to keep a complexion fresh
969
00:50:47.719 --> 00:50:48.199
and smooth.
970
00:50:49.239 --> 00:50:51.159
And I'm glad to pass my experience on to all
971
00:50:51.199 --> 00:50:52.039
those it may interest.
972
00:50:52.159 --> 00:50:53.400
And now good night, and thank you.
973
00:50:53.480 --> 00:51:25.760
So much, Thank you, Miss Crawford and Spencer Tracy. Ladies
974
00:51:25.760 --> 00:51:29.000
and gentlemen, this is your announcer, Melville Ruick. News of
975
00:51:29.079 --> 00:51:31.119
the stars and play in store for you next Monday
976
00:51:31.199 --> 00:51:33.400
Night comes to you in a moment from mister de mill.
977
00:51:34.119 --> 00:51:37.039
Among the players you heard tonight were Frank Shannon as Johnny,
978
00:51:37.480 --> 00:51:41.760
Sidney Newman as Joe, Wally Mayer as concessionaire, hal K
979
00:51:41.920 --> 00:51:45.519
Dawson as the Barker, Frank Nelson as a fender, Henry
980
00:51:45.559 --> 00:51:48.800
Hannah as a little boy, and lou Merrill as ticket seller.
981
00:51:49.679 --> 00:51:52.760
Our play Tonight was based on the Metro Golden Mayor picture.
982
00:51:53.559 --> 00:51:56.880
Louis Silvers appeared through courtesy of twentieth Century Fox Studios,
983
00:51:57.239 --> 00:51:59.039
where he was in charge of music for their new
984
00:51:59.079 --> 00:52:03.639
film In a Chicago. Before leaving you tonight, We and
985
00:52:03.679 --> 00:52:06.519
the Lux Radio Theater wish to congratulate the Boy Scouts
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of America on their twenty eighth birthday celebration.
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This week.
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More than a million Scouts are featuring safety demonstrations and
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other activities in their campaign towards building a stronger generation.
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The Lux Radio Theater urges its listeners to continue to
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support this fine movement, one which is indispensable in helping
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00:52:25.480 --> 00:52:29.480
build young Americans into better citizens, preparing them to serve
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wherever they are needed. We wish them all continued success.
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00:52:34.280 --> 00:52:40.440
And now here's our producer through Broadway in the screen.
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00:52:41.440 --> 00:52:43.840
Many of you are perhaps already acquainted with S. N.
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00:52:43.960 --> 00:52:48.039
Bermann's spectacular success Brief Moment. You will have a chance
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00:52:48.119 --> 00:52:51.280
to enjoy the romance, conflict, and drama of this great
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00:52:51.320 --> 00:52:54.480
play next Monday Night, as presented in the Lux Radio Theater.
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It's the story of a young man with more money
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than good for him, wealth that is left left him
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00:53:00.400 --> 00:53:04.199
with a bored, detached interest in life, and what ensues
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00:53:04.280 --> 00:53:07.519
when he marries a blues singer from a nightclub, a
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00:53:07.639 --> 00:53:11.280
girl with many admirers and a slightly different code of ethics.
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00:53:12.599 --> 00:53:15.679
Brief Moment serves as the vehicle to bring back to
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00:53:15.800 --> 00:53:20.840
our stage Miss Ginger Rogers and co starred with her
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00:53:21.320 --> 00:53:25.760
one of Hollywood's outstanding leading men, mister Douglas Fairbanks Junior
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00:53:33.880 --> 00:53:35.960
our sponsors to makers of Lux Toilet Soap.
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00:53:36.400 --> 00:53:36.920
Join me in.
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Inviting you to be with us again next Monday night,
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00:53:39.639 --> 00:53:44.079
when the Lux Radio Theater presents Ginger Rogers and Douglas
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00:53:44.159 --> 00:53:48.320
Fairbanks Junior. In brief moments, Miss Cecil B de Mill
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00:53:48.840 --> 00:54:26.800
saying good night to you, drum Hollywood. This is the
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Columbia Broadcasting System.