ABOUT THIS EPISODE
Alexandre Desplat’s 11th Oscar nomination came for his score for the latest screen version of Louisa May Alcott’s Little Women, for which the French composer not only had to capture the spirit of the period, but also worked with director Greta Gerwig almost exclusively…
English
United States
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OTHER EPISODES IN THIS PODCAST
American choral composer Morton Lauridsen joins Jim Svejda for a conversation about his latest recording and where we finds his most potent sources of inspiration.
Terence Blanchard is up for an Oscar for his BlacKkKlansman score. He stopped by The Evening Program to talk about the stranger-than-fiction story, why he was scared to write the score for Malcolm X and how he’s learned to read Spike Lee’s mind.
Nicholas Britell earned an Academy Award nomination for the music of Moonlight. He teamed up with Moonlight director Barry Jenkins again for If Beale Street Could Talk and, again, earned an Oscar nomination for Best Original Score. Here Britell talks to Jim Svejda about…
KUSC’s Jim Svejda talks to Oscar-nominated composer Alexandre Desplat about his spare score for Wes Anderson’s “Isle of Dogs”.
KUSC’s Jim Svejda talks to composer John Williams about his score for “Star Wars: The Last Jedi” and “The Post”.
Disclaimer: The podcast and artwork embedded on this page are from Classical KUSC, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.
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