ABOUT THIS PODCAST 🔗

Update frequency:
every 52 days
Average audio length:
67 minutes
Guest interviews
Video podcast
English
United States
58 episodes
since April 16, 2023
episodic

LATEST EPISODE 🔗

Actors face a frustrating catch-22: you need a reel to get work, but you need work to get a reel. Steve Custer's solution starts with a small production studio. Then the hosts ask a question that changes the business: What if actors aren’t the customers? The startup moves from producing demo reels …

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We gave an AI every transcript we had and asked it to figure out what the show actually is. It found moments worth discussing: - Why MCU box office is determined by sequencing, not quality — and what that means beyond Marvel - The structural difference between a high concept and a gimmick, and w…
Sam Wilson has the shield. Harrison Ford has the best arc in the film. And somehow Captain America: Brave New World still doesn't have a main character. We break down what went wrong, what worked, and what Marvel should do next — including the one character from this film who deserves his own serie…
A plot can be broken and a film can still work. Deadpool & Wolverine is Exhibit A — we break down exactly why the character work and tonal execution carried a thinly-plotted story to $1.3B, and what that says about where creative effort actually needs to go. Then: Roadside Picnic and Tarkovsky'…

UNESCO's Hero

In this episode of *Don’t Encourage Us Plus*, our fearless hosts briefly touch on Deadpool vs. Wolverine and then dive into the philosophical depths of Russian sci-fi classic *Roadside Picnic* and its haunting adaptation, *Stalker*. The duo explores the novel’s themes of alien artifacts, human resi…
Guests: Matt Baughman (actor), Steve Custer / Spidey Steve (actor, Starwipe Films) Topics Plot and structure: The plot was reverse-engineered from a wish list of cameos and set pieces "Anchor being" as a concept invented to justify the multiverse Wolverine tour Three layers operating simu…
Topics Apple TV+ sci-fi as gimmick: Dark Matter, Invasion, the Chris O'Dowd show, Godzilla series — all set up sci-fi premises then abandon them for soap opera The difference between sci-fi as gimmick and sci-fi that reveals something about humanity (Three-Body Problem comparison) Apple's …
A $15 million Japanese film delivered better visual effects than Hollywood blockbusters spending ten times as much. Godzilla Minus One isn't just a great monster movie it's a case study in what happens when a director with VFX expertise controls the budget, and when a three-year script delay actual…
Is Netflix deliberately making its shows easy to ignore — and if so, what does that mean for every advertiser writing them a check? The hosts unpack the streaming advertising problem no one's naming, then turn to Amazon's $153 million bet on Fallout and find a classic storytelling template hiding u…
Road House (1989) vs. Road House (2024) — full comparative breakdown. Topics discussed: The character arc problem: 1989 Dalton grows past his need to kill, 2024 Dalton doesn't The pool murder scene: why it breaks the 2024 character with no recovery Bouncer culture as worldbuilding: what th…
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