ABOUT THIS EPISODE
Identity-based comedy means writing from your own lived experience rather than joking about a group from the outside — this episode maps where that line actually sits. Kelly, Robbie, and Kate of the Rose City Comedy Collective use Larry the Cable Guy, Doug Stanhope, Maria Bamford, and Bill Burr to separate comedians who build a stage persona from comedians who are simply amplifying their real selves, and trace the neurotic-comedy lineage from Seinfeld and Larry David through to today. They test Robbie's own disabled-parking joke to see whether it's actually identity-driven, debate whether Bill Cosby's and Andrew Dice Clay's off-stage histories should change how their comedy is judged, and close on female comics — Phyllis Diller, Joan Rivers, Fortune Feimster — who built entire careers around a defined persona.
English
United States
IN THIS EPISODE
TRANSCRIPT 🔗
Are you the producer of this podcast?
Add a podcast transcript
Need Audio-to-Text?
Transcribe with Listen411 in Just 60 Seconds
SEARCH PAST EPISODES
Search past episodes of Dissecting Frogs.
OTHER EPISODES IN THIS PODCAST
Punching up versus punching down is the question this episode puts to the test: is any topic fair game in stand-up, or does the target's power matter? Kelly, Robbie, and Kate of the Rose City Comedy Collective work through Louis C.K.'s homeless-guy bit, Mark Normand's "we all need somebody to hate,…
Joke writing versus character is the test this episode runs on stand-up comedy: does a set live or die on the jokes themselves, or on the character performing them? Kelly, Robbie, and Kate of the Rose City Comedy Collective break down Louis C.K.'s delivery, Sebastian Maniscalco's physicality, and S…
AI-written jokes are the target of this episode, as Kelly, Robbie, and Kate of the Rose City Comedy Collective argue over whether a chatbot can actually write comedy — and conclude it can't, at least not yet. They cover ChatGPT confidently inventing fake book quotes and page numbers, its refusal to…
Tragedy versus time is the question at the center of this episode: how long after something terrible happens does it become fair game for a joke? Kelly, Robbie, and Kate trace disaster jokes back to the 1950s, when dark humor about a tragedy spread within hours but stayed behind closed doors, and c…
Disclaimer: The podcast and artwork embedded on this page are from Rose City Comedy Collective, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.
EDIT
Thank you for helping to keep the podcast database up to date.