ABOUT THIS PODCAST 🔗

Update frequency:
every 37 days
Average audio length:
55 minutes
English
United States
11 episodes
since Jan. 17, 2019
episodic

LATEST EPISODE 🔗

Michael struggles with an unconventional mashup of holocaust memoir and sports-based dystopia in Georges Perec’s W, or The Memory of Childhood, while Emily is captivated by the sexual politics of Susan Choi’s Trust Exercise, yet frustrated by its open-ended narrative. They talk about trauma, memory…

SEARCH PAST EPISODES

Search past episodes of Dear Reader.

PREVIOUS EPISODES

Michael is captivated by the brutality and isolation of pre-modern Newfoundland in Michael Crummey’s The Innocents, while Emily delights in the “tragedy of manners” and the woes of bored rich people fallen on hard times in Patrick deWitt’s French Exit. They talk about puberty, death, forgiveness, t…
Michael posits that George Eliot’s Middlemarch (“the most Victorian of Victorian novels”) is the anti-Atlas Shrugged, while Emily considers just how much thicker blood is than water with Oyinkan Braithwaite’s My Sister, the Serial Killer. They talk about sibling bonds, literary awards, adolescent r…
Michael joins his name-twin on the greatest adventure undertaken by humankind and finds him companionable, warm, and wise in Carrying the Fire, while Emily breaks down the walls of the “chick lit” ghetto to revel in City of Girls, a surprising story of feminine sexual liberation. They talk about ut…
Emily strongly recommends an encounter with the disorienting bleakness and collapse of Nobel Laureate José Saramago’s Blindness, while Michael strongly recommends an encounter with the soul-wracking cruelty and violence of Megan Gail Coles’s Small Game Hunting at the Local Coward Gun Club. They tal…
Michael thinks about history and community through reading Newfoundland Portfolio, a collection of obituaries by J.M. Sullivan, while Emily considers the abnormality of the hypernormal and different ways of being happy in Sayaka Murata’s Convenience Store Woman. They talk about Newfoundland, indepe…
Michael picks at the banality of evil portrayed in Kazuo Ishiguro’s An Artist of the Floating World, while Emily desperately wants to finish Isabel Allende’s enchanting work of magical realism, The House of the Spirits, but is prevented from it by living on a windswept rock in the North Atlantic. T…
Emily thinks the world would be a better place if everyone read Lucy Knisley’s graphic novel account of her difficult pregnancy, Kid Gloves, while Michael rhapsodizes about experiments in empathy and postmodern mysticism spurred on by Kathryn Davis’s The Thin Place. They talk about myths and miscon…
Michael found the formal experiments and wild content of Darcie Wilder’s literally show me a healthy person to be compelling but not without knots, while Emily enjoys the nuance of Meg Wolitzer’s novel The Wife. They talk about delayed adolescence, the unacknowledged genius of the wives of ‘great’ …
Emily found Margaret Atwood’s The Penelopiad to be a missed opportunity, especially when compared to Madeline Miller’s Circe, while Michael was delighted by Yukiko Motoya’s unsettling and strange short stories in The Lonesome Bodybuilder. They talk about the characters on the margins of great stori…
Disclaimer: The podcast and artwork embedded on this page are from Michael Collins and Emily Gushue Whalen, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.