ABOUT THIS EPISODE
Davey wasn't just a sideman—he was a co-arranger and co-writer. His parts were always melodic, tasteful, and perfectly supportive—never stealing the spotlight from Elton or the songs
English
United States
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OTHER EPISODES IN THIS PODCAST
Today’s record is Man of Miracles by Styx.
In 1978 Dave listened to Man of Miracles on eight-track while riding to and from school in his parents’ station wagon.
The album is the doorway; the memory is the subject.
The setting can become inseparable from the music. In this episode we revisit …
Today’s record is The Wall by Pink Floyd.
In senior year 1979–80, The Wall was the soundtrack in the high-school weight room.
Further details about who chose it or the equipment are not established.
The album is the doorway; the memory is the subject.
Some albums become the sound of a room …
Today’s record is Raised on Radio by Journey.
Dave still struggles to finish Raised on Radio; it felt closer to a Steve Perry solo record than the Journey he knew.
Learning Steve Smith and Ross Valory had been replaced during sessions intensified his reaction.
The album is the doorway; the me…
Today’s record is The Best of Al Hirt.
The Best of Al Hirt (1965) played constantly in Dave’s childhood home.
The album is the doorway; the memory is the subject.
Before we build our taste, somebody else is already shaping our ears.
In this episode we revisit the story, question what makes …
When Does the Song Actually Begin?
Today Dave brings Supertramp’s Even in the Quietest Moments... back to the turntable, not to repeat an earlier conversation, but to listen in a new way.
Supertramp’s extended introduction makes us question where a composition starts.
THE LISTENING ASSIGNMENT
Pl…
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