ABOUT THIS EPISODE
Join us on this episode of Daniel Does DFW Theater as we explore costume design with our special guest, the incredibly talented costume designer Hope Cox. Hope shares her unique journey from fashion design to becoming a sought-after name in the Dallas-Fort Worth theater scene. From her early days inspired by her seamstress mom to her work on productions at Theater Arlington and Jubilee Theatre, Hope gives us a behind-the-scenes look at her creative process, including her upcoming full design show at the Dallas Theater Center. We even flirt with the idea of collaborating with the drag community to elevate the wig game in local theater.
In the next segment, we spotlight her as an unexpected hero in the theater world—a Lewisville resident who offered their sewing skills via a simple email and found themselves thrust into the demanding world of costume design with the show "La Cage Aux Folles." We trace her career growth, celebrating her willingness to embrace every opportunity. To lighten the mood, we play a hilarious game of color identification, revealing humorous and unexpected results that had us all laughing out loud.
Our final chapters are a must-listen for aspiring costume designers and theater enthusiasts alike. We navigate through the art and science of costume design, discussing everything from initial script read-throughs to the importance of color theory and character alignment. Hope shares insightful anecdotes from productions like "Rocky Horror" and "James and the Giant Peach Jr.," emphasizing the importance of self-advocacy and open communication between designers and actors. We wrap up with a fun and informative segment where Hope demonstrates her stoning technique, and we share playful behind-the-scenes stories. This episode is packed with laughter, creativity, and a deep appreciation for the magic of theater.
If you want to catch all the action, you can watch the full episode video at YouTube.com/@DanielDoesDFW. Follow us on Instagram and Tik Tok: @DanielDoesDFW
SHOW NOTES 🔗
TRANSCRIPT 🔗
00:00:01.282 --> 00:00:08.954
Hi guys and welcome back to Daniel Does DFW Theater.
00:00:08.954 --> 00:00:16.263
My name is Daniel and this is where we talk about everything theater plus really Well, no, it's only theater.
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Probably Like every single week, I have an amazing guest to join me that I'm super excited about, you know, and you love them so much.
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If you don't know them, you need to know them.
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Today I have the wonderful, the beautiful, the marvelous, the fabulous Hope Cox.
00:00:35.792 --> 00:00:40.472
Hi, thanks for joining me, hope.
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Thank you for having me.
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She's fabulous.
00:00:43.880 --> 00:00:44.738
Yeah, just like you, her.
00:00:44.738 --> 00:00:44.954
So Hope your pronouns are.
00:00:44.872 --> 00:00:45.033
She, hope.
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Thank you for having me.
00:00:45.268 --> 00:00:50.926
This is fabulous, yeah, just like you, so Hope, your pronouns are she, her, she, her, thank you.
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Now, I know that we've worked on a couple shows together now, or maybe just no two shows together through Theater Arlington, but you are a pretty sought-after designer here, don't be ashamed of it.
00:01:03.670 --> 00:01:05.558
Yeah, you are a pretty sought after designer here, don't be ashamed of it.
00:01:05.558 --> 00:01:12.960
Yeah, you are, yeah, pretty sought after designer here in the area, um, that everyone wants to work with, right?
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Um, I know that, uh, you've worked at, I mean, theater arlington jubilee.
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Uh, you've done some high school shows as well.
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All right green hill.
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Green Hill School in Addison.
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And then any other regional theaters or anything that oh DTC right, dtc.
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I have my first full design show coming up this summer, but I've assisted twice, last fall and then January, and then I also do stuff over at Water Tower.
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Oh nice, I didn't know you did Water Tower as well.
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I like it there.
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It's very close to my house.
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Before we really get into it, I do want to ask you a very, very tough question.
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Somebody wrote in on our questions for Hotsy Questions and I'm going to read it verbatim why so many ugly wigs in DFW?
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Because none of us know how to do wigs literally okay, can I tell you before we like get into it?
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I wanted to ask you that too.
00:02:15.721 --> 00:02:19.076
I was like I need to ask her before we get into you.
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Actually it made me laugh though that's something right in.
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Why somebody ugly, why?
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Why is that the question you send in?
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You're not wrong, though, because that's like a whole different art form and a whole different practice from costume design.
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Yeah, we'll like get into a little bit of it and we'll learn it, like throughout.
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But there are like wig designers and people who like Michael B Moore.
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Michael B Moore, people who go to school for it.
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Logan Coley, broker designers and people might be more people who go to school for it logan coley, broker fabulous um.
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Nick winch over at dtc, um oh, and there's another one.
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I don't know that he's ready for people to know that he's a weak designer yet, but he just did steal magnolias so if you look in the playbill you'll see who it is.
00:03:00.483 --> 00:03:17.871
But he's fabulous, oh love it, yeah, and then I know that, like um, isaiah has even done some really yeah, okay, yeah, I know, isaiah has put together some wigs as well or designed them as well, um, but yeah, okay, so I just so I was like, why ugly wigs?
00:03:18.532 --> 00:03:26.786
I'm just like listen please theaters, when you're hiring a costume designer also hire a wig designer, please?
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That'd be great.
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There's so many talented ones.
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I was worried about the wigs too.
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I'm glad they got snatched real quick.
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Looked like Latrice right off just ripping that wig right off of Derrick Barry.
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Let's also go into the drag community and bring some of them in to do wigs, ripping that wig right off of Derrick Barry.
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Let's also go into the drag community and bring some of them in to do wigs, because they know what they're doing.
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Maybe we should tap into that I would love that yeah agreed, Okay.
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So let's back to Hope.
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Let's have some Hope in our life.
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Let's backtrack even more.
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How old are you?
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Are you comfortable saying how old are you?
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I'm 31.
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The smile behind it I earned those years Well, because you still look like you were like 22.
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Oh, you fully admit that.
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Black don't crack.
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So here we are, and brown, don't frown.
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We are sad people.
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No, yeah, no, you still.
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Honestly, I think the first time I met you I was like, oh, she's so young.
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And then we were like pretty much the same age, we are the same.
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I'm younger, yes, so yeah, no, you are so young.
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Did you go to school for design?
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What did you do?
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What was?
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so I originally started with fashion design.
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Okay, do I like?
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what?
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What was your inspiration for fashion design?
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did you say, like five years old, I've been like sewing and designing because my mom, she was a seamstress growing up but like I would make outfits for my Barbies, my aunt she used to collect China dolls so I would send her like full renderings of what I wanted the outfit to be.
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Then she would like send it back.
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So I was like full down for fashion design.
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And then I went to school, went to the wrong school for fashion design.
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It was a lot more commercial and I was like, oh, this kind of sucks, because like I've been working my whole life to be a fashion designer and it just wasn't enough.
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I needed something with a little bit more zhuzh and more drama.
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And I found my way to theater.
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Um, now have you seen like those tiktoks of that one lady who does the, she makes the dresses that like her grandmother.
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I thought that was so cool, yeah, and I did stuff like that.
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Growing up like I made my own outfits.
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I remember my fifth grade graduation dress.
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It was like satin baby blue with little bows on it and I had a little shawl to go with it.
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I'm actually wearing that later.
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She brought it for us today, surprise, and I fit into it.
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Well, this one arm does the applique, it's on top of me.
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No, I think that's so.
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Do you still have some of those drawings or some of those?
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I don't think I do.
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I think my mom does, like probably does.
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She also will randomly take like current things that I have and steal notebooks.
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So I'll be like where's that sketchbook that?
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I was like in the middle of a show and she'll be like, oh, hold on.
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And then she'll give it back.
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I love that so much that's so cute, though she real supported well, and I'm sure as her, being a seamstress as well.
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Right like that was something that she did.
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She ever want to get into.
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She actually did interior design.
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Yeah, my family's very creative we need to talk about a shirt that I saw the other day that looked like it was a couch, but it was a shirt was it like the 90s floral?
00:07:08.766 --> 00:07:15.600
Yeah, I feel like I know you're talking about it, but it was 155 dollars and I was like hope can make this.
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I hope so how many hope funds we got in there there's no hope in me stopping.
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So um, so you found a theater to take a chance on you, right?
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Um, tell me, are you allowed to say which theater you said?
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It was like far away, or?
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Oh no, it was Louisville Community Theater, oh so.
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I was thank you, louisville, for producing and making this.
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Honestly, I learned so much at lewisville because I was, and still am living in lewisville, and so I randomly typed in lewisville and theater and, just like in google, first thing that popped up clicked on it sent them an email being like, hey, I know how to sew and design.
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I'd love to learn more about theater because I've never done anything theater related before that.
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And so they sent me an email like right away, cause they were two weeks out from La Cage Aux Folles and like the fabric had just come in and there were so many custom things that they were making.
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So they were like, yeah, that'd be great.
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So I went in like the next day they handed me a bag of things that needed to be sewn.
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I stayed up for like two days straight, came in the bag and I was like what's next?
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And so I just kind of kept going and like with that show and like so many shows after that, like my first three or four shows I was working with like DFW heavy hitters, like Lon Barrera, doug Fowler, like Cameron Potts all of them were on those like first couple of shows and I didn't know that they were big DFW names.
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I was just like oh, they're so nice, they're so cool.
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And so, through word of mouth, more theater started taking a chance on me.
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I love that.
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That's a hard show, though, I would think, to start into.
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You couldn't pick something easy.
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I didn't know my dad knew the show more than I did.
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Because I didn't know my dad knew the show more than I did Because he speaks French.
00:09:06.821 --> 00:09:07.782
We love him.
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I love that so much.
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No, and then from there, you just continued to make contacts and they found out how amazing you were.
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Yeah, people just kept being like oh, we need somebody, we need somebody.
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And I was like, yes, I said yes to anything and everything, because I was like this is what I'm doing and I'm gonna make it just like you know, continuing to work, yeah.
00:09:29.528 --> 00:09:34.264
I imagine there were so many different colors in that La Cage, a Fall right um.
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Would you say that you could identify colors?
00:09:38.530 --> 00:09:41.741
uh, you know, yes, we'll see how well.
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But, yes, well, we're gonna take a small break because we're gonna play a game and see how well.
00:09:43.672 --> 00:10:03.341
But, yes, well, we're going to take a small break because we're going to play a game and see how well you are at identifying colors after La Cage, because I'm sure you had to, I'm sure it was like a gay green obviously cross dresser cream you're so good at this are you?
00:10:03.341 --> 00:10:04.023
A designer.
00:10:04.283 --> 00:10:06.207
I am actually wow, wow.
00:10:06.207 --> 00:10:07.871
You're gonna take on my next show.
00:10:07.871 --> 00:10:10.988
No, I don't know, but we're gonna take a break.
00:10:11.008 --> 00:10:11.929
We're gonna play this game.
00:10:11.929 --> 00:10:15.544
We'll see you all, right?
00:10:15.544 --> 00:10:19.150
Um, I hope we're gonna play a little game together, okay?
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Um, because, like I, because, like I said, I wanted to see how great you are at defining colors, right?
00:10:27.193 --> 00:10:32.152
So I've got some colors here for you to talk about.
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I'm going to mix them up here, see what we can do, and I want you to identify the color, okay, and see if you can.
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So, for our audience members.
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It looks like an emerald green.
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Emerald green.
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Let's see how she does y'all.
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What was it, Roz Mermaid C?
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Why why?
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Why is that?
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Mermaid C?
00:11:00.301 --> 00:11:02.907
I don't know, Because I feel like mermaid C would be more blue.
00:11:02.907 --> 00:11:05.418
No, I see that Like when you think mermaid sea would be more blue.
00:11:05.438 --> 00:11:08.825
No, I see that Like when you think of like the mermaid, like things like the.
00:11:09.768 --> 00:11:10.109
Scales.
00:11:10.389 --> 00:11:13.664
Yeah, just keep on rubbing yourself.
00:11:13.664 --> 00:11:19.227
Yeah, that's giving like aerial, I guess.
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So Scales I was going to say scales.
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Scales.
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That's giving aerial skills.
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Oh my God, scales.
00:11:25.961 --> 00:11:28.269
This might be the color that I picked for Ariel to wear.
00:11:28.730 --> 00:11:38.519
so sorry, christina, she doesn't know she doesn't know what color she's picking so we got one wrong.
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It's okay, you still have five more chances to get one right today.
00:11:42.134 --> 00:11:47.590
Sure, let's see here for everyone at home.
00:11:47.590 --> 00:11:55.671
It's like Welch's grapefruit juice or grape juice Great.
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Purple.
00:11:56.251 --> 00:11:59.681
Is it Welch's grapefruit juice?
00:11:59.721 --> 00:12:02.447
purple I said grape, like seven more times in there.
00:12:02.447 --> 00:12:09.691
Grapefruit juice, grapefruit, purple Prince, oh, like Prince, purple rain, purple rain, that's fair.
00:12:09.691 --> 00:12:11.365
Purple is the color of royalty.
00:12:11.365 --> 00:12:14.187
It's also the color of wisdom and magic.
00:12:17.821 --> 00:12:18.743
So far, two wrong.
00:12:18.743 --> 00:12:29.373
Okay, since we are wearing green today, I picked a green one for us.
00:12:29.373 --> 00:12:31.524
Kind of matches our color palette.
00:12:31.524 --> 00:12:34.188
That we're going with money green.
00:12:34.188 --> 00:12:37.740
Oh, money green is the correct answer.
00:12:37.740 --> 00:12:38.962
Money green, come on.
00:12:38.962 --> 00:12:41.225
No whammies, no whammies, no whammies, no whammies, no whammies.
00:12:42.886 --> 00:12:43.769
Luck of the Irish.
00:12:43.769 --> 00:12:46.432
Oh, I've got a great story about an Irish boy.
00:12:48.193 --> 00:12:48.835
Is it appropriate?
00:12:49.095 --> 00:12:49.195
No.
00:12:53.039 --> 00:12:54.003
Did you get lucky?
00:12:54.003 --> 00:12:56.792
What a great color.
00:12:56.792 --> 00:13:01.446
We're still at three wrong.
00:13:02.321 --> 00:13:03.224
None of them right yet.
00:13:03.779 --> 00:13:03.879
Okay.
00:13:03.980 --> 00:13:04.924
I'm gonna try really hard.
00:13:04.924 --> 00:13:08.663
Okay, okay okay, okay, got another.
00:13:10.489 --> 00:13:11.331
Lavender Haze.
00:13:11.779 --> 00:13:13.005
Ooh, lavender Haze.
00:13:13.005 --> 00:13:14.884
Oh, isn't that a beer?
00:13:14.884 --> 00:13:27.485
It's a strain of weed or a nut, but it never gets so the correct color is Velvet curtain.
00:13:27.740 --> 00:13:29.943
That sounds interesting.
00:13:31.265 --> 00:13:32.467
Really, should we put it with the Irish.
00:13:34.610 --> 00:13:36.794
Sure your velvet curtain.
00:13:38.822 --> 00:13:40.186
I'm real lucky with the Irish.
00:13:40.186 --> 00:13:41.890
All right.
00:13:41.890 --> 00:13:45.009
Here is another one right here People at home.
00:13:48.517 --> 00:13:48.980
Baby blue.
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Baby blue it is giving.
00:13:51.966 --> 00:13:53.517
This is the color we're putting in the nursery.
00:13:53.517 --> 00:14:00.215
Yeah, I think when I have my child I'm trying.
00:14:01.062 --> 00:14:04.315
Thank you, I will not be around for that, god bless.
00:14:04.315 --> 00:14:05.096
I need someone to watch the child while I go out and party.
00:14:05.096 --> 00:14:05.412
Oh my god, congrats.
00:14:05.385 --> 00:14:06.145
Thank you, I will not be around for that, god bless.
00:14:06.145 --> 00:14:07.408
I need someone to watch the child while.
00:14:07.448 --> 00:14:08.191
I go out and party.
00:14:09.201 --> 00:14:10.344
I will be out partying.
00:14:10.384 --> 00:14:12.500
Will you see Wind?
00:14:12.500 --> 00:14:18.592
Ah yes, paint with all the colors of the wind, specifically just that one.
00:14:19.019 --> 00:14:19.360
Do you know what?
00:14:19.360 --> 00:14:21.528
This is the color that Pocahontas is like behind her.
00:14:22.039 --> 00:14:25.410
Can you see with all the colors?
00:14:28.821 --> 00:14:30.562
I'd love to see a Pocahontas stage show.
00:14:31.385 --> 00:14:32.783
Right, I feel like it's doable.
00:14:33.365 --> 00:14:38.663
If we can do Little Mermaid, I think the only thing that's not doable is probably you know the appropriation of like.
00:14:40.642 --> 00:14:42.889
Oh, we're trying to be like kind to people, alright, sure.
00:14:46.509 --> 00:14:48.013
And finding someone who's Native American.
00:14:50.062 --> 00:14:51.683
What was that show that they tried to do in?
00:14:51.703 --> 00:14:52.885
Diego, I'm sorry.
00:14:52.885 --> 00:15:01.024
Very popular Kawana no Kawana I-Q-U-A-N-A-H.
00:15:01.024 --> 00:15:04.892
Yes, kawana, kawana At Lyric.
00:15:04.892 --> 00:15:09.171
I'm sorry y'all, I'm going to have to delete this because that was problematic.
00:15:09.171 --> 00:15:15.702
Here's the last color chocolate brown.
00:15:17.326 --> 00:15:18.067
Did I get it?
00:15:18.067 --> 00:15:19.109
Are you gaslighting?
00:15:19.109 --> 00:15:20.250
You're so close.
00:15:21.952 --> 00:15:31.306
Chocolate soul oh, that's my new name you know, when I saw this, I thought of you.
00:15:31.306 --> 00:15:34.408
That's why I picked it out.
00:15:34.408 --> 00:15:35.589
I was like jacqueline.
00:15:35.589 --> 00:15:46.937
So these are actually all the colors I was thinking of for my room.
00:15:47.620 --> 00:15:51.328
So honestly, this is real pretty right, the whole color palette.
00:15:51.328 --> 00:15:58.384
It's giving mardi gras, but like yeah but not like too rowdy, so you'd be able to sleep nicely.
00:15:58.404 --> 00:15:58.985
Yeah.
00:15:59.505 --> 00:16:00.086
I like that.
00:16:00.267 --> 00:16:01.106
Yeah it's dark right.
00:16:01.408 --> 00:16:01.908
That's cute.
00:16:02.168 --> 00:16:02.708
Thank you.
00:16:02.708 --> 00:16:04.551
Yeah, I was hoping that that would be.
00:16:04.551 --> 00:16:07.734
You know, if we did a show together, that's the color I would want.
00:16:07.734 --> 00:16:12.884
This, yeah, okay, yeah, I mean, I think right, let's see.
00:16:12.884 --> 00:16:16.052
Do you have velvet curtain?
00:16:16.052 --> 00:16:21.865
Yep, how about purple prints?
00:16:21.865 --> 00:16:26.811
No, go fish, go fish, okay.
00:16:27.030 --> 00:16:29.913
I do have one more just to see.
00:16:29.913 --> 00:16:38.886
Let's see here which one do I?
00:16:38.886 --> 00:16:41.308
We're going to go with this one, so I'm going to take it back and give you a hint here.
00:16:41.308 --> 00:16:50.895
I want you to think about characters from Little Mermaid, okay, and who this could represent.
00:16:50.895 --> 00:16:53.567
I know, right, it's weird.
00:16:53.567 --> 00:16:59.235
It kind of shocked me too.
00:17:04.779 --> 00:17:09.488
You're going to be so shocked when you see it atina, one of my sisters you went.
00:17:09.528 --> 00:17:11.372
You went so specific king triton, why you think you'd be like gold, right?
00:17:11.372 --> 00:17:24.471
Yeah, I think, because so they're not thinking of the characters, are probably thinking of like sea, and so, since he's the king of the sea, I think I guess, well, you were, you at least got.
00:17:24.471 --> 00:17:25.511
Yeah, there's another one out there.
00:17:25.511 --> 00:17:27.413
You got one of them half right.
00:17:27.413 --> 00:17:36.585
So we're going to give you, we're going to put one point on the board and with that you get two more segments with me.
00:17:36.605 --> 00:17:38.611
Wow, can I trade that in for another prize?
00:17:38.611 --> 00:17:40.385
Or is that like?
00:17:40.385 --> 00:17:44.467
No, I'm still grateful, we're good.
00:17:48.461 --> 00:17:52.603
Well, this game was a shit show, so we can go back to our segments.
00:17:52.603 --> 00:17:53.226
Thanks, guys.
00:17:53.226 --> 00:17:57.962
You might want to brush up on your colors.
00:17:57.962 --> 00:18:02.269
Probably, probably, yeah, whatever, I still get looked at sometimes, well Dang.
00:18:09.200 --> 00:18:15.777
You're going to come to me like, ooh Right, it's refreshing.
00:18:15.777 --> 00:18:24.515
Yeah, oh right, it's refreshing that's good.
00:18:24.515 --> 00:18:36.198
Oh yeah, it's like it's almost like there's mango and strawberry it's like the white claw, like from the next room.
00:18:36.198 --> 00:18:45.006
It's just barely girl that one night you were drinking all the I didn't know that what you had was a white cloth and I thought I almost died the next day.
00:18:45.006 --> 00:18:47.027
I can't do white cloth.
00:18:47.047 --> 00:18:55.481
I was on the toilet when I tell you I thought it was just a part of your, oh goodness, okay.
00:18:55.481 --> 00:18:58.175
Well, this is part of our Patreon that we are adding later.
00:18:58.175 --> 00:18:59.641
It was just a partier, oh goodness, okay.
00:18:59.641 --> 00:19:03.991
Well, this is part of our Patreon that we are adding later.
00:19:03.991 --> 00:19:07.326
That makes me laugh so much.
00:19:07.326 --> 00:19:09.186
I also have the footage of her on the toilet.
00:19:09.186 --> 00:19:10.885
You can catch it on the Patreon.
00:19:10.885 --> 00:19:21.772
No, yeah, speaking of you getting booked, tell me maybe what your favorite booking has been thus far.
00:19:22.621 --> 00:19:24.709
So I did this show years ago.
00:19:24.709 --> 00:19:32.310
It was an original show called Sharing the Stage is Murder and it's four different shows happening all on one stage.
00:19:32.310 --> 00:19:34.126
The actors don't know that they're actors.
00:19:34.126 --> 00:19:45.926
So there's like 1970s hippie show happening and 1920s gangster show and then like a Victorian show and then like a random western that you only see one character for.
00:19:45.926 --> 00:19:51.007
So it's the same actors playing different characters in each of these decades.
00:19:51.769 --> 00:20:01.000
So I had a butler changing into like a three-piece butler suit with gloves, changing into like a bright red 1920s gangster.
00:20:01.000 --> 00:20:03.163
Look in like 15 seconds.
00:20:03.163 --> 00:20:04.586
It was robbie san juan.
00:20:04.586 --> 00:20:05.929
He was fabulous.
00:20:05.929 --> 00:20:07.451
It was amazing.
00:20:07.451 --> 00:20:14.611
We got to like the end of tech week and, uh, like playwright owns the theater.
00:20:14.611 --> 00:20:18.164
So she's been like sitting in tech and looking at it and she comes up to me afterwards.
00:20:18.164 --> 00:20:20.732
She's like, wow, these costumes are like so amazing.
00:20:20.732 --> 00:20:23.580
I just thought that they would like change a shirt or something.
00:20:23.580 --> 00:20:27.009
I'm like you ain't tell me that from the beginning.
00:20:27.009 --> 00:20:36.910
I'm out here making full suits that are connected, that you just do one zip like it's a jumper and like getting these women out of these big gowns into these like beaded 1920s dresses.
00:20:36.910 --> 00:20:56.107
It was so much fun and I had to figure out some theater magic for it, but it would have been nice if I knew that she was like we'll just do pieces, whatever that's impressive though theater magic is fun, do you enjoy um like, what's your favorite costume theater magic that you've seen, maybe in a show?
00:20:56.950 --> 00:20:58.553
um, like like.
00:20:58.553 --> 00:21:01.859
We all love the elsa reveal right in frozen.
00:21:01.859 --> 00:21:04.605
We all love the.
00:21:04.605 --> 00:21:06.107
Um, what is that?
00:21:06.107 --> 00:21:15.068
Oh my gosh, the guy that plays like 26 characters um the dice with family, um no murder.
00:21:15.068 --> 00:21:22.045
Yeah, the gentleman's guy, the gentleman's guy we all love you know him changing and turning things inside out and stuff like that.
00:21:22.045 --> 00:21:25.961
Is there maybe a theater magic moment that you really, really enjoyed?
00:21:26.643 --> 00:21:35.982
so at the end of memphis, the musical, there's this moment where I think I think main character's name is felicia r.
00:21:35.982 --> 00:21:37.345
Rachel Poole played her.
00:21:37.345 --> 00:21:38.507
That's the first time I met Rachel.
00:21:38.507 --> 00:22:05.525
She comes on at the end and she's having this like really heartfelt love, match talk, and then all of a sudden her suit changes into, like this beautiful dress that she's wearing to like do the big performance in, and it's like someone reaching through the whole, kind of like Elsa, where they just like her jacket and then it all pulls.
00:22:05.545 --> 00:22:16.267
That was the first time that I had ever made a theater magic dress, and so I did it kind of the same way where she was in a suit, but then we didn't have a way for someone to pull it, so she had to pull it herself where she like pulled from the snaps, and then underneath was this beaded dress I it's still on my instagram somewhere.
00:22:16.267 --> 00:22:24.828
I saw that the bootleg version of it on Broadway and I was like, oh, I have to do that at some point.
00:22:24.828 --> 00:22:31.140
And then, of course, the Cinderella dress oh, that's always stunning my favorite that I always.
00:22:31.340 --> 00:22:35.142
I still get teary eyed when I think about it because it takes the whole team lighting.
00:22:35.142 --> 00:22:46.807
Everything is in Dreamgirls when Effie White is auditioning and then the lights go dark and it's just a spotlight on her face and then lights come up and she's wearing a completely different.
00:22:46.827 --> 00:22:47.568
Yeah for Unchanging.
00:22:47.568 --> 00:22:49.212
Yes, we did that as well.
00:22:49.212 --> 00:22:55.993
So when I did Dreamgirls a couple years ago, we had her in like a what's it called.
00:22:55.993 --> 00:23:03.387
It was like a big tunic thing that she then pulled from the side and then she had like a glittery number on underneath.
00:23:03.387 --> 00:23:05.453
I love, I love doing moments like that it's just it.
00:23:05.453 --> 00:23:08.210
It makes it I would say, yeah, it's just like it actually.
00:23:08.230 --> 00:23:18.327
Yeah, well, and dream girls has like the original production had so many because even when, like the girls, are walking through that beaded um overlay right and then their dresses change as they're walking through.
00:23:18.788 --> 00:23:28.488
That was another one that like oh, dreamgirls has so many costumes and like it's beautiful, but it's also so much work and so much money.
00:23:28.488 --> 00:23:31.743
Like, and the fact that they say it in the show.
00:23:31.763 --> 00:23:37.682
they're like we're gonna get you beautiful new gowns and new wigs and as a designer you're like, hey, maybe we just get some jewelry.
00:23:37.682 --> 00:23:41.511
Like, why beautiful gowns?
00:23:41.511 --> 00:23:42.263
Like what do we?
00:23:42.263 --> 00:23:44.134
What do we have to keep saying that they're changing?
00:23:44.134 --> 00:23:52.684
It's a lot of work, because that's also like 15 seconds they go around the stage and then suddenly they're in brand new gowns yeah, no, um, okay.
00:23:53.005 --> 00:23:58.185
So I want to uh take a step back and talk about your process just a little bit as a designer.
00:23:58.185 --> 00:24:02.826
Give us like a world or a look into the world of a designer, of a costume designer.
00:24:03.409 --> 00:24:19.025
Uh, just in working with you, you know I've seen that you really do think this through right it's not like I hate to say this, but like some people phone it in right and not just on costume design but like in other realms of design or anything right.
00:24:19.025 --> 00:24:23.711
They think they can just come in and do it, but you actually take the prep work behind it to really think into it.
00:24:23.711 --> 00:24:27.431
So tell me a little bit of like day one and where you go from there.
00:24:28.119 --> 00:24:36.647
Yeah, my process is a lot like you would for like a single actor or a director, and that I get to know the characters.
00:24:36.647 --> 00:24:56.633
So you know, first I do the read through and then I'll set up a costume plot to say you know this page, this scene setting, if it's musical, what songs are in it, who's in each scene and if there's any special notes, like them saying they need beautiful gowns, if she wears a red dress, just to get all of that like kind of boring information just out of the way.
00:24:56.633 --> 00:25:02.991
And then I'll go back in and look at each character individually, like who are they as a person?
00:25:02.991 --> 00:25:05.862
And then something that I really like to do is color theory.
00:25:05.862 --> 00:25:09.550
So different colors, they meet different emotions.
00:25:10.272 --> 00:25:18.723
Um, so like, if you look at the cereal aisle when you're in walmart, you're going to see a lot of orange, because orange is a color that makes you excited and it makes you hungry.
00:25:18.723 --> 00:25:22.393
So, so all colors have different meanings.
00:25:22.393 --> 00:25:31.461
So, like we're wearing green, it's renewal, it's wealth, wealth, so we're starting over and we're getting money, wealth.
00:25:31.461 --> 00:25:47.587
So I'll assign colors to the actor or to the character and get to know the character, I'll see what's period appropriate, just all the different things, and I'll start gathering images to then present to the director to make sure that we're all on the same page.
00:25:48.230 --> 00:26:04.230
We'll go back and forth, I'll do some sketches, get a final idea of what we want to see on stage and then at that point actors come in and then I may take all all that and throw it out the window, because at the end of the day it's the actor who's up on stage wearing the clothing.
00:26:04.230 --> 00:26:18.117
So if I have the idea that you know, this character is sassy wearing booty shorts and crop tops, and I have an actor come in and be like, I'm super uncomfortable doing that, I'm like sweet.
00:26:18.117 --> 00:26:28.480
So instead they are in a fierce cape and we're going to change it up and we're going to make it so that what the actor is comfortable with and what and who the character is really meld together.
00:26:28.480 --> 00:26:36.373
And then I get to do the fun stuff of going shopping and doing the fittings and having those conversations until we finally get to tech week and we all cry.
00:26:36.413 --> 00:26:39.806
But then it gets on stage until we finally get to tech week and we all cry, but then it gets on stage.
00:26:39.806 --> 00:26:48.834
No, I feel that I was laughing at what you were saying, because I did, uh, rocky horror which like everything's supposed to be like sexy, right?
00:26:48.834 --> 00:26:49.817
I was not.
00:26:49.817 --> 00:26:57.096
I'm very much more comfortable with my body now, um than I was then, and michael robinson was our love.
00:26:57.096 --> 00:26:59.891
Love the michaels right yeah, michael robinson was our costume designer.
00:26:59.798 --> 00:27:03.777
The Michaels right, yeah, michael Robinson was our costume designer and he was like, okay, we're gonna put you in this tight little vest and that's it.
00:27:03.777 --> 00:27:09.608
And I was like, um, is there anything going on the vest, over the vest?
00:27:09.608 --> 00:27:21.454
He's like we will yeah, and like I could tell, it is like because he was like he was like it's gonna look great and he was like he was like it's going to look great and I was like yeah so definitely Right.
00:27:21.539 --> 00:27:25.923
I know that you probably have this original idea and then I'm standing there before you like.
00:27:25.923 --> 00:27:27.507
But what if?
00:27:31.400 --> 00:27:32.744
And then I'm like tell me about it.
00:27:32.884 --> 00:27:33.586
Yeah, no.
00:27:33.606 --> 00:27:34.430
Let's see.
00:27:36.222 --> 00:27:40.204
So, no, definitely appreciative of that Now in your process.
00:27:40.204 --> 00:27:52.579
One thing that I really really like yes, you talked about this as well when we've done, we've done kid shows together is what we've done, or youth shows, excuse me, and you are really really good at color palette, like you said.
00:27:52.579 --> 00:28:00.840
I loved when you make sure that, like even in scenes, there's a consistent color palette, or across the costumes as well.
00:28:00.840 --> 00:28:09.707
Specifically, when we did, um, james and the giant peach jr, like you made sure that it was all like toned down, like that dark feeling, that gray feeling.
00:28:09.707 --> 00:28:27.151
Yeah, um, which was so like I remember the kids coming out and like it made such a difference with every single scene, to the point that, like even patterns, you were taking like a close eye at patterns as well and I was like dang, she's really good.
00:28:27.151 --> 00:28:30.688
We also do this really cool thing with our show where we do a costume parade.
00:28:30.709 --> 00:28:31.912
I love costume parades.
00:28:31.912 --> 00:28:33.484
Yeah, cindy has done that ever since.
00:28:33.525 --> 00:28:39.741
I started working with her and like the kids will by scene come out and like we have them line up and show what they're wearing.
00:28:39.741 --> 00:28:47.547
And every time we've worked with you it's just cindy and I are next to each other like yes, did you see that?
00:28:47.547 --> 00:28:56.060
You know, and the kids may not even be buttoned correctly, you know, but oh, that's my favorite part about working with kids, because you're like how did you get into that?
00:28:56.101 --> 00:28:58.903
piece of clothing and that way, how, how did?
00:28:58.923 --> 00:29:00.404
you tuck your entire jacket.
00:29:00.404 --> 00:29:06.671
His whole jacket was just tucked into his pants, like it was a stretchy pants, and had to put his whole jacket into his pants.
00:29:07.892 --> 00:29:09.813
He came out on stage, I was like I'm just impressed.
00:29:09.813 --> 00:29:10.693
How did you?
00:29:10.693 --> 00:29:12.435
How Wow, I'm not even mad.
00:29:15.961 --> 00:29:17.041
I'm impressed.
00:29:17.041 --> 00:29:23.145
No, so that I think that that's something that we appreciate, that you just have the eye for it, and I think that's definitely what it takes.
00:29:23.145 --> 00:29:29.730
Speaking of having the eye for it and what people can wear, I'm a little nervous.
00:29:29.730 --> 00:29:36.155
We asked Hope to pull some things today for me to wear, since she has the eye for it right.
00:29:36.155 --> 00:29:41.193
So hopefully I look great, but we're going to take a small.
00:29:41.193 --> 00:29:47.967
We're going to take a small little break and go to our second fun segment with Hope as she tries to costume me.
00:29:47.967 --> 00:29:48.569
See you in a bit.
00:29:49.582 --> 00:29:49.964
Alright.
00:29:49.964 --> 00:29:58.909
So I've put all of my years of training to use and I've picked out a couple of looks for Daniel, so we are going to bring him on.
00:29:58.909 --> 00:30:07.125
Come home couple of looks for Daniel, so we are going to bring him on.
00:30:07.125 --> 00:30:08.712
So I asked Daniel what his favorite candy was and he said Snickers.
00:30:08.712 --> 00:30:11.821
So we've got a beautiful queen named Snickers.
00:30:11.821 --> 00:30:14.326
Snickers, give us a little walk.
00:30:16.931 --> 00:30:34.054
Yes, yes yes, to show off the delicious New Guinea center, we have this gold sequined dress, and then over it we've got a duster that's got this beautiful golden fur feather trim.
00:30:34.054 --> 00:30:43.032
And then on top, for the chocolate, we have a lovely pleated hat and a chocolatey brown fur coat.
00:30:43.755 --> 00:30:47.067
Yum, Okay, this is a great look.
00:30:47.067 --> 00:30:49.787
I don't know if it's a look I would wear out.
00:30:49.787 --> 00:30:54.545
Why Do you know what I would?
00:30:54.545 --> 00:30:59.527
Yeah, I'm going to take this home just in case, and we're going to try the next one.
00:30:59.527 --> 00:31:00.349
We'll be right back.
00:31:03.720 --> 00:31:07.970
All right, and next up we're getting to our Texas roots here.
00:31:07.970 --> 00:31:09.173
Come on out, daniel.
00:31:09.173 --> 00:31:18.507
I would like to introduce you to Queso the cowboy, another favorite treat of Daniel's.
00:31:18.507 --> 00:31:20.570
Let's give us a little walk.
00:31:28.450 --> 00:31:28.971
Go, go go.
00:31:30.703 --> 00:31:31.405
Alright, what am I wearing?
00:31:31.859 --> 00:31:34.907
So on top we've got a classic cowboy hat.
00:31:34.907 --> 00:31:46.328
We've got this fun kind of 70s inspired with this big lapel burnt orange jacket, and then, of course, classic cowboy We've got some plaid underneath and some tans and browns.
00:31:46.328 --> 00:31:54.286
We've got some brown slacks and then, to top it all off, we've got these lovely brown boots with this embroidery on the side.
00:31:54.286 --> 00:31:55.670
Little leg, yes.
00:31:58.182 --> 00:31:59.386
Is this like the Rotel?
00:31:59.386 --> 00:32:01.030
Is this this the tomatoes?
00:32:01.171 --> 00:32:02.114
that's the best part.
00:32:02.114 --> 00:32:07.493
Yeah, we didn't have, I was gonna say is this the spicy chorizo chorizo?
00:32:08.457 --> 00:32:09.961
right, we might have to get queso after this.
00:32:09.961 --> 00:32:14.221
Um, yeah, I could see me wearing this out to the club, maybe when I live in a college station.
00:32:14.221 --> 00:32:18.188
No, we've got a roundup in this, roundup in this, can you imagine?
00:32:18.188 --> 00:32:26.040
No, okay, so Hope obviously knows what she's doing, obviously.
00:32:26.040 --> 00:32:29.371
So we're going to get back to our talking segment.
00:32:29.371 --> 00:32:31.542
See you in a bit.
00:32:40.885 --> 00:32:42.789
Hi Snickers, we're not doing it.
00:32:47.281 --> 00:32:48.025
We just gonna keep going.
00:32:48.025 --> 00:33:03.731
So, anyway, speaking of worst decisions ever made, because that's how I feel about that, let's talk about maybe you have a little story about Seussical.
00:33:04.320 --> 00:33:07.394
Yes, so I did Seussical Junior last year.
00:33:07.394 --> 00:33:17.982
I do a lot of youth shows, that's kind of my favorite part and I had one sweet baby who was one of our who's, come up to me about 30 minutes before the show.
00:33:17.982 --> 00:33:22.742
She goes, miss hope, do you have another shirt?
00:33:22.742 --> 00:33:25.307
I said no, what?
00:33:25.307 --> 00:33:25.989
What happened?
00:33:25.989 --> 00:33:26.329
She goes.
00:33:26.329 --> 00:33:35.611
I dropped it in the toilet and the sink and in my mind I'm like how, but also I have a good 30 minutes, so sure.
00:33:35.611 --> 00:33:50.671
So I okay just, uh, just came to me and it wasn't like super wet, like it truly was, like she like dipped it here and dipped it there and like their sinks are automatic and kind of like strong so I understand how it happened, but still, wow.
00:33:51.112 --> 00:34:05.624
So I had to take it upstairs to their laundry room where I had like disinfected because I didn't have time for like a full wash, and then threw it in the dryer and, like a couple minutes before she was supposed to go on for like her first song, I was able to like run it back to her and she put it on.
00:34:05.624 --> 00:34:07.188
She's like thanks and just like ran off.
00:34:07.188 --> 00:34:08.472
Love kids.
00:34:08.472 --> 00:34:11.724
Yeah, and that's when we learned.
00:34:11.724 --> 00:34:14.692
What didn't you learn from that?
00:34:15.875 --> 00:34:22.269
don't take your costume into the toilet, sure, I mean.
00:34:22.269 --> 00:34:34.365
Um, I mean, that's still not as bad as probably your worst interview, which makes me laugh too that I love this story so much because I'm not gonna tell the no, I'm not gonna get to the punchline yet.
00:34:34.365 --> 00:34:37.775
I'll wait until you tell okay.
00:34:37.795 --> 00:34:41.594
So here's the thing my favorite show is Big Fish.
00:34:41.594 --> 00:34:44.702
I've done the grander version.
00:34:44.702 --> 00:34:57.228
I'd love to do the 12 chairs version at some point, but this was the first time that I ever had to interview for a show and really the only time that I've like put myself out there to be interviewed for a show, so probably why I haven't done it again.
00:34:57.228 --> 00:35:05.735
Um, so I went and I met with the director and I had some sketches that I was going to show him and you know it was going well.
00:35:05.735 --> 00:35:11.413
We were chit-chatting about the show and about the designs and then he was like so what does like the show mean to you?
00:35:11.413 --> 00:35:17.161
And so if you don't know Big Fish, is you know father-son relationship and like I love my dad, I'm such a Fish is you know father-son relationship?
00:35:17.161 --> 00:35:19.068
And like I love my dad, I'm such a daddy's girl.
00:35:19.068 --> 00:35:22.663
You know we've had our ups and downs, but like I love him.
00:35:22.762 --> 00:35:23.847
I'm not going to cry this time.
00:35:24.487 --> 00:35:45.449
So I was talking to the director about how I relate to it with like my own relationship with my father, and then I started crying, like not a cute cry, and so he just like kind of handed me a tissue and like I kind of got it back together and like I felt really good about it, I was like, oh wow, like that was such a good conversation, I didn't get the job.
00:35:45.650 --> 00:36:06.608
There's the punchline still did not get it, which is fair, because I'd also be like, wow, she's a lot they just imagined all the costumes soaked with tears as you're sewing, just All the sewing, just all over the place Yep, so I didn't get that one, but it's okay, I ended up doing the show later.
00:36:06.608 --> 00:36:07.650
There you go.
00:36:07.650 --> 00:36:08.894
Yeah, you got to do it again.
00:36:08.974 --> 00:36:10.239
I have to do it no tears this time.
00:36:10.239 --> 00:36:11.456
You did not cry, yeah.
00:36:12.085 --> 00:36:14.547
I mean, now I know I just need to look at you and say Big fish.
00:36:14.547 --> 00:36:19.172
Now I know I just need to look at you and say big fish, the tears just start immediately flowing.
00:36:19.172 --> 00:36:20.173
Just a single tear.
00:36:20.173 --> 00:36:23.536
Well, I felt like that was probably one of your dream shows.
00:36:23.536 --> 00:36:25.619
But I know your big dream show is Chicago.
00:36:25.619 --> 00:36:37.655
That's so many costumes, though, and I think because it's like a show within show at the same time, right, and you have all of those options for all of the murderessesesses, everything.
00:36:37.655 --> 00:36:40.326
I think that that would be really fun I don't.
00:36:40.666 --> 00:36:41.929
Has it been done in the area?
00:36:41.969 --> 00:36:44.233
recently no, it's been years.
00:36:44.233 --> 00:36:50.679
I think main stage irving was the last to do it and it's just a really expensive show.
00:36:50.679 --> 00:36:53.632
Just getting the rights for it is ridiculous, which is why nobody does it.
00:36:53.632 --> 00:36:56.025
And then it's I think it's still on broadway or it's touring.
00:36:56.025 --> 00:36:57.168
No, it's still on because jinx just completed.
00:36:57.188 --> 00:36:59.860
No, it's still on Broadway because Jinx just completed, I think.
00:36:59.940 --> 00:37:01.025
Oh, that's true, yeah, yeah.
00:37:01.025 --> 00:37:04.155
So they're not releasing those rides anytime soon.
00:37:04.155 --> 00:37:07.721
I think Peter Arlington tried to do it and then they had to switch it out.
00:37:08.304 --> 00:37:14.217
Yeah, cause it was COVID, I think, when they were supposed to do it, and then I remember when we had to remove it, yeah, yeah.
00:37:14.757 --> 00:37:20.581
So I would love to do it, though you know it has all the sparkles and you know you do love sparkles.
00:37:27.099 --> 00:37:28.105
We'll talk about sparkles again later.
00:37:28.105 --> 00:37:29.827
Now it's something that I want to dig into just a little bit more.
00:37:29.827 --> 00:37:36.639
We touched on it in the last segment, but I do want to talk about the constant changes that you know are coming up.
00:37:36.639 --> 00:37:40.307
The constant changes that you know are coming up.
00:37:40.307 --> 00:37:48.773
Not only that we see right I've talked about it with multiple of my guests at this point where trans, non-binary, any type of people right that don't fit into a category, being cast in shows.
00:37:48.773 --> 00:37:49.755
How does that?
00:37:49.755 --> 00:37:53.045
How's that been routed on the costume side?
00:37:53.608 --> 00:38:06.668
yeah, I think something that's really interesting I was talking with a director friend about this is because we're in theater and because we're in the arts, we're in the forefront of a lot of those things.
00:38:06.668 --> 00:38:12.628
So we are at the beginning of navigating what that looks like and how to have those conversations.
00:38:12.628 --> 00:38:14.494
So we're not always going to get it right.
00:38:14.494 --> 00:38:18.574
We're going to try, because this is a safe space, but we're not always going to get it right.
00:38:18.574 --> 00:38:21.400
We're going to try because this is a safe space, but we're not always going to get it right.
00:38:21.420 --> 00:38:30.371
And so that's something I've had to learn as I've uh, as I've like gone through my career, and I would say it's not something I've learned from other costumers, it's something I've learned from actors.
00:38:30.371 --> 00:38:39.719
So there's been some fantastic actors who have been very comfortable speaking out and saying like, oh, I'm not really comfortable with this, or hey, what if we did that?
00:38:39.719 --> 00:38:47.092
And then me being able to not put my ego into it and to be able to say, yeah, let's have a conversation about that.
00:38:47.092 --> 00:38:57.532
And so, from learning from actors who have been brave enough to speak out and to say what they need and be able to self-advocate, I've taken that to well, why don't we just start?
00:38:57.552 --> 00:38:57.873
with that.
00:38:58.425 --> 00:39:12.152
So whenever I'll start a new show, if I get the chance to speak to the cast as you know, a whole or if I'm just doing it individually while I'm taking measurements, I always give like a little speech of you are the one that is ultimately on stage.
00:39:12.425 --> 00:39:15.405
You are one wearing the costume and as much research as I've done you.
00:39:15.405 --> 00:39:17.228
You are one wearing the costume and as much research as I've done.
00:39:17.228 --> 00:39:18.710
You know the character better than anybody.
00:39:18.710 --> 00:39:23.795
So if there is a point where you're not comfortable, please communicate with me.
00:39:24.356 --> 00:39:28.460
While I'm taking their measurements and asking their sizes, I also ask what's your fit preference?
00:39:28.460 --> 00:39:31.648
Do you like things more fitted, a little bit looser?
00:39:31.648 --> 00:39:34.976
What's going to make you feel comfortable and be able to dive into the work as much as possible?
00:39:34.976 --> 00:39:38.143
Or I'll ask are you comfortable in heels?
00:39:38.143 --> 00:39:40.331
Are you comfortable in skirts, in dresses?
00:39:40.331 --> 00:39:41.594
How do you feel about corsets?
00:39:41.594 --> 00:39:43.367
How do you feel about all different kinds of things?
00:39:43.367 --> 00:39:47.155
So I get to know you, so we have like a really solid foundation.
00:39:47.155 --> 00:39:58.286
So when we get into fittings, you already know that I care like I genuinely care that you are happy on stage, that you are comfortable on stage, that, like you know, you're ready to strut your stuff.
00:39:58.286 --> 00:40:04.009
I think one of my favorite things is whenever I'm at Jubilee, we have a saying of where does this live?
00:40:04.009 --> 00:40:09.728
So anytime they like like a costume piece, they'll come out of their fitting and go uh, where does this live?
00:40:09.728 --> 00:40:14.617
And so, if I can, get one of those that's like top notch.
00:40:14.679 --> 00:40:18.211
Or if I'm working with teenagers, because you know they don't like to give adults any kind of compliment.
00:40:18.612 --> 00:40:31.454
If they're like, oh, this is actually pretty cute, then I'm like like one yeah, I know one of my students, max, and he put on uh, I think this for Chitty Chitty Bang Bang and he's like, oh yeah yeah, I love that especially.
00:40:31.474 --> 00:40:37.896
like you know, teenage boys are generally a little bit more like oh, yeah, yeah, no, it's whatever, it's cool.
00:40:37.896 --> 00:40:42.672
But when I have one that comes out and they're like Miss Hope, I actually really like this.
00:40:42.693 --> 00:40:45.445
I'm like yeah, yeah, do you know, it was for both of his costumes.
00:40:45.445 --> 00:41:05.070
I forgot it was also for James, because he had those pants that he was like, yeah, and the hat and everything, where it was just like, and I remember even telling him like we should see about like purchasing the costume, because it was like, because he is very his style, is like that old classic, and so it was like you should maybe check into that.
00:41:05.070 --> 00:41:08.117
Like, I saw him at the Buckley's and I was like, is that your mom's jacket?
00:41:08.117 --> 00:41:15.018
Because it's very much so like it was not, you know, but it's like just that style where it looks like that type of cut.
00:41:15.018 --> 00:41:17.512
And I was like, yes, child style where it looks like that type of cut.
00:41:17.512 --> 00:41:54.030
And I was like, yes, child, um, but yeah, you do not have a costume, and that's one thing that I will say that you did really, really well with the shows that we worked with with the youth, um, because you not only put we did have, you know, uh, children who identified as non-binary, but it was not only that, it was also cultural with one of our students as well, one of the youth that was there that, uh, she was not allowed to wear dresses and you were able to put them in pants and you identified it right away and it didn't have to turn into a problem for them, right, right, where it was like, oh, I'm nervous about having to tell the costumer, you put it out there from day one and they were, they felt comfortable enough to come up to you, yeah, and say, oh, actually, can I wear pants?
00:41:54.030 --> 00:42:09.835
And they, they were adorable, every single I remember I'm not gonna say their name for their own, but the cutest little child we had ever had on that stage, just because everything, everything they wore, um, but yeah, I, I like that.
00:42:10.215 --> 00:42:20.807
Um, I think you said you call it self-advocacy, right that we need to be partners in that, with the costume designer at the same time, and make sure that we are speaking up for ourselves, but in a healthy way, right, and in the right way.
00:42:20.847 --> 00:42:39.130
Where it's like, hey, I'm not really comfortable in that, and so I think I want to stress that with all of the actors out there in DFW, it's okay to have these conversations with your costume designer if you're not comfortable with something or if you identify, and especially with Dom recently I was talking with Dom.
00:42:40.766 --> 00:42:48.393
Dom would like to be cast more in female playing roles, and so that's a conversation that we need to have.
00:42:48.393 --> 00:42:53.012
How would we dress them appropriately, or what's the correct fit?
00:42:53.012 --> 00:42:56.532
And I think that a customer like you, where it's like, what are you comfortable in?
00:42:56.532 --> 00:43:40.248
And it's okay to have those questions, or you know, and have those conversations where and I mean, and back to our conversation I have seen at some of our larger theaters here at DFW, where it's hard to costume for people of color, it's hard to wig for people of color and the wigs just ain't right, um, and it's it's problematic yeah and I think because we're not putting people of color behind the table to identify that and it's becoming noticeable and I hope that we say something about it and I hope that we are helping change that yeah, I had one of my kiddos over at the school that I work at um a few years ago.
00:43:41.271 --> 00:43:50.981
Uh, she's the only or I'm the only customer she's known, other than one other lady, and we were just having fittings one day and she turns and she goes, miss hope.
00:43:51.202 --> 00:44:15.668
I'm so glad you're here, because they didn't know what to do with my hair, I'm like and that's why I do it like that's why I love working with youth, because if I can have those conversations now, then they can carry that on and we're starting a new generation of people who are comfortable speaking out for themselves yeah, no, like I said, some of these larger theaters just are relying on who they've had and who's there, and it just does not work.
00:44:15.869 --> 00:44:23.449
So we need to have these conversations, we need to put people like Hope behind the table, we need to make sure that we're involved in those conversations.
00:44:23.449 --> 00:44:28.856
So you have a couple of projects that have just finished.
00:44:28.856 --> 00:44:38.090
I know you came off of Chicken and Biscuits at Theater Arlington and then I'm not sure when this is gonna be specifically released, but you're about to open or you have already opened.
00:44:38.744 --> 00:44:40.170
Little Mermaid over at.
00:44:40.190 --> 00:44:40.452
Dallas.
00:44:40.492 --> 00:44:41.235
Theater Center.
00:44:41.585 --> 00:44:42.568
And are you?
00:44:42.568 --> 00:44:44.213
What's your title there?
00:44:44.213 --> 00:44:45.416
Costume designer.
00:44:45.416 --> 00:44:46.635
You are full costume designer.
00:44:46.684 --> 00:44:54.170
Full costume designer with a lovely, fabulous team of people that I love and trust that is so exciting for you.
00:44:54.190 --> 00:44:55.713
Yeah, that's big.
00:44:55.793 --> 00:44:56.436
Yeah.
00:44:56.596 --> 00:44:56.856
Yeah.
00:44:56.856 --> 00:44:59.954
And then here's the other thing that I'm nervous.
00:44:59.954 --> 00:45:00.565
I'm not.
00:45:00.565 --> 00:45:06.715
I know you're going to kill it because you can do it, but that's at community production, so you're not do you have to also costume the community people.
00:45:07.485 --> 00:45:09.634
Yeah, which is like a little over 100 people yeah.
00:45:19.364 --> 00:45:20.548
So I mean, not only are you having, to deal with.
00:45:20.568 --> 00:45:22.878
You know your main cast, with a hundred people as well on that stage and with a show like the little mermaid.
00:45:22.918 --> 00:45:24.001
This is my third time doing the little mermaid.
00:45:24.001 --> 00:45:31.947
I mean just because just in under the sea, all the different types of bear, I went to go judge a version of little mermaid and those costumes were.
00:45:31.947 --> 00:45:33.009
They made me laugh.
00:45:33.009 --> 00:45:35.954
So you know, like in a good way, like, like yes.
00:45:35.974 --> 00:45:36.795
You can be goofy silly with them.
00:45:36.815 --> 00:45:44.088
Yes, and that's what I loved about it Like the guys were like these cute little, like jellyfish things that came out and it was just yeah.
00:45:44.088 --> 00:45:44.570
Everything.
00:45:44.570 --> 00:45:46.306
The seagulls were good Every like.
00:45:46.306 --> 00:45:53.608
I forget the costumes Because I talked with the director after and she was like it's difficult.
00:45:53.869 --> 00:45:55.429
It's a lot of work.
00:45:55.849 --> 00:45:56.090
Yeah.
00:45:56.090 --> 00:45:58.913
But I mean you've got an amazing cast.
00:45:58.913 --> 00:46:02.394
I mean freaking Liz Michael.
00:46:02.394 --> 00:46:04.717
I mean freaking Liz Michael.
00:46:05.157 --> 00:46:08.039
Wait until you see the wig that she is wearing.
00:46:08.039 --> 00:46:10.460
Stop it is.
00:46:10.481 --> 00:46:11.041
Is it giving?
00:46:11.661 --> 00:46:14.929
Everything I saw like just a proof of it.
00:46:14.929 --> 00:46:26.213
It started crying Like it's you did not it's so beautiful, it's wild, it's gonna steal the show, and then I'm gonna steal it shout out to Nick did a fabulous job with it.
00:46:27.568 --> 00:46:28.190
I'm so excited.
00:46:28.190 --> 00:46:29.094
I can't wait to see it.
00:46:29.094 --> 00:46:30.510
I'm definitely gonna go see it.
00:46:30.510 --> 00:46:33.938
I wanted to be a part I was gonna try out for the community.
00:46:33.938 --> 00:46:40.795
Auditions couldn't fit into my schedule, but I know right, can you imagine Would have loved to, right?
00:46:40.795 --> 00:46:45.672
Well, and I mean with Mark in it, yeah, I just know he's going to be a blast.
00:46:45.672 --> 00:46:47.690
And then isn't it Zachary playing?
00:46:47.690 --> 00:46:48.552
Yeah?
00:46:49.494 --> 00:46:52.273
Sebastian so it's just going to be a blast.
00:46:52.273 --> 00:46:57.128
Any other projects that you can announce for us at this time, or anything that you have coming up, since we're in July?
00:46:59.130 --> 00:47:04.114
I'm taking a little bit of a break in August and I've forgotten all the things that I signed up for in the fall.
00:47:04.114 --> 00:47:05.695
But I do have stuff in the fall.
00:47:06.396 --> 00:47:10.679
So be watching out, and you can watch Hope on her Instagram.
00:47:10.679 --> 00:47:13.380
You can find out what she's doing.
00:47:13.380 --> 00:47:14.822
What's your Instagram handle if you want to share?
00:47:14.902 --> 00:47:26.978
that my Instagram handle is Hope d, as in denise cox, but if you want to see like what I've got coming up, then go to my website, hopecoxcom.
00:47:27.239 --> 00:47:27.800
She's got her own website.
00:47:27.800 --> 00:47:28.563
Y'all, she's got her own website.
00:47:28.563 --> 00:47:31.070
Her mom probably put it together no, it was during the pandemic.
00:47:31.110 --> 00:47:31.893
I had nothing else to do.
00:47:31.893 --> 00:47:35.931
Oh well, there's that too goodness gracious.
00:47:36.311 --> 00:47:36.891
No, I love it.
00:47:36.891 --> 00:47:37.152
Yeah, I.
00:47:37.152 --> 00:47:40.179
I'm so excited to see all the costumes in Little Mermaid.
00:47:40.179 --> 00:47:41.409
I know you're gonna be fabulous.
00:47:41.409 --> 00:47:43.532
I'm so excited to see your fall projects.
00:47:43.532 --> 00:47:48.731
I think you're gonna be so great in everything you are great in everything you do, I'm ready to see you on stage.
00:47:48.731 --> 00:47:50.887
Should I be sitting on your lap right now, Drew Barrymore style.
00:47:50.887 --> 00:47:56.956
I, just, I, just, I'm everything, I'm everything, I know Okay.
00:47:57.036 --> 00:48:02.324
Okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay Okay.
00:48:12.315 --> 00:48:13.177
Okay, this episode.
00:48:13.177 --> 00:48:17.802
If you're not already, you probably are hopefully on YouTube or listen anywhere.
00:48:17.802 --> 00:48:26.507
You get your streaming podcasts, such as Apple Podcasts, spotify, google, wherever else we put it anywhere honestly.
00:48:26.507 --> 00:48:33.818
And also don't forget all of our socials at DanielDoesDFW.
00:48:33.818 --> 00:48:35.106
Thank you for joining us today.
00:48:35.106 --> 00:48:37.226
Thanks again to Hope Cox and we'll see you next time.
00:48:37.226 --> 00:49:16.070
Hang on those teacups ground everyday to play away and get her out of my mind ow ow alright well, well well shit, literally well shit.
00:49:17.528 --> 00:49:18.193
What are y'all doing?
00:49:18.193 --> 00:49:18.655
Screw it.
00:49:18.655 --> 00:49:28.896
Okay, so this is a hat, so the show has already happened and this hat was displayed perfectly on Denise Lee's head.
00:49:28.896 --> 00:49:35.275
Yes, right for chicken and biscuit, but today Hope has brought it in there's multiple biscuits.
00:49:36.826 --> 00:49:39.153
One chicken multiple biscuits Biscuits.
00:49:40.766 --> 00:49:42.532
So multiple biscuits.
00:49:42.532 --> 00:49:43.869
That's how I'll remember it.
00:49:43.869 --> 00:49:49.175
From now on, I will never forget chicken and biscuits again.
00:49:49.175 --> 00:49:53.534
I mean, I feel like when I eat chicken and biscuit, like it's one biscuit.
00:49:53.534 --> 00:49:57.311
Multiple chickens no, like the biscuit is opened up.
00:49:57.311 --> 00:49:57.996
You know like's one biscuit.
00:49:57.996 --> 00:49:59.144
Multiple chickens no, like the biscuit is opened up.
00:49:59.144 --> 00:50:01.070
You know like biscuits and gravy.
00:50:01.070 --> 00:50:03.092
Is it biscuit and gravy or biscuits and gravy?
00:50:03.092 --> 00:50:05.554
I'm going to stop this conversation because we need to get back to this.
00:50:05.585 --> 00:50:06.809
The show is biscuits and gravy.
00:50:07.449 --> 00:50:08.072
There's a show.
00:50:08.413 --> 00:50:14.170
Yeah, oh, it's new, Like I think the original premiere was at Jubilee, like a month ago oh, that's kind of cool.
00:50:14.170 --> 00:50:27.092
Yeah, like oh, that's kind of cool yeah, um, okay, so huh, yep the reverb and this thing cracks me up.
00:50:27.132 --> 00:50:29.617
Hello, it's just the hat, the sorting hat.
00:50:29.617 --> 00:50:30.777
That's what it's giving right now.
00:50:30.777 --> 00:50:34.789
So, um, costume design.
00:50:34.789 --> 00:50:44.135
There's a lot of stoning that happens, so hope is going to teach me how to stone today and hopefully I don't ruin this you can't.
00:50:44.215 --> 00:50:45.398
It's just making sparkly things.
00:50:45.398 --> 00:51:00.289
I'm a very messy stoner, so I'll just use my little glue um, put it on like a random palette and then dip my stone in it, just like the little edge of it.
00:51:00.289 --> 00:51:02.539
And this stuff is super powerful.
00:51:02.539 --> 00:51:03.364
It's called E6000.
00:51:03.364 --> 00:51:07.891
You just set it on there we couldn't use E2000?
00:51:07.891 --> 00:51:09.670
No, we gotta go full throttle, man.
00:51:09.670 --> 00:51:25.103
So if you don't mind getting a little messy, okay, just pick one up okay scoop like a little corner of it okay and just anywhere, and there's no design any place.
00:51:25.143 --> 00:51:43.387
You see like a little spot that doesn't have a stone, have at it oh, oh.
00:51:43.387 --> 00:51:45.356
That's the stone that's gonna fall off denise, and I promise you cannot mess it up.
00:51:45.356 --> 00:51:47.164
Um, so, unless you like, put a word in there or something you just like.
00:51:47.164 --> 00:51:47.284
Don't.
00:51:47.284 --> 00:51:50.672
Have you ever done that before?
00:51:50.672 --> 00:51:52.376
No, but I should.
00:51:52.396 --> 00:52:04.454
I have not been using my power fully like I would say from like, far away, right like you probably couldn't tell, but up close you would know yeah, I mean, there's so much.
00:52:05.126 --> 00:52:06.672
Does it come off clear, like?
00:52:06.672 --> 00:52:07.728
Does it dry clear?
00:52:07.728 --> 00:52:16.030
Okay, sorry, denise, I should probably be doing the back of the head, but no, I hear about stoning parties all the time.
00:52:16.030 --> 00:52:18.358
I know you attend stoner parties, but I hear about stoning parties all the time.
00:52:18.358 --> 00:52:22.353
Yeah, I know you attend stoner parties, but I hear about specifically in the drag queen community.
00:52:22.353 --> 00:52:26.373
Yes, right, where they're like, hey, let's all have a party together.
00:52:26.373 --> 00:52:28.936
Like I'll buy pizza, I have to stone my gown, yeah.
00:52:28.936 --> 00:52:32.949
And so like, can we please, you know, help me, stone it all together?
00:52:32.949 --> 00:52:38.057
And they literally all just come together and we'll stone it, you know.
00:52:38.057 --> 00:52:40.586
So is this how stoned?
00:52:40.586 --> 00:52:41.751
Are you thinking this is going to get?
00:52:42.594 --> 00:52:51.161
Um, just enough to catch light, so like probably twice as much as this, twice as much yeah.
00:52:51.161 --> 00:52:54.639
So, like I did, like a base layer with smaller stones and now we're going in with like the bigger ones.
00:52:54.679 --> 00:52:56.771
Oh, I didn't even realize we were at a different size.
00:52:56.771 --> 00:53:05.289
Yep Interesting that's smaller stones, and now we're going in with like the bigger ones.
00:53:05.309 --> 00:53:06.413
Oh, I didn't even realize we were at a different size.
00:53:06.413 --> 00:53:07.215
Yep, interesting, that's, that's so cool.
00:53:07.215 --> 00:53:08.338
So, um, how long would you say a stony project takes you?
00:53:08.338 --> 00:53:08.840
I've gotten really fast.
00:53:08.840 --> 00:53:11.646
So I would say all of this that's already on there probably took like an hour and a half.
00:53:11.646 --> 00:53:12.650
Okay, okay, okay.
00:53:12.650 --> 00:53:14.114
And there's like a thousand stones on there.
00:53:14.114 --> 00:53:24.916
So I've gotten fast because I'm constantly adding stones to things, so it doesn't take too too long okay, I just.
00:53:25.376 --> 00:53:25.996
This is like.
00:53:26.697 --> 00:53:35.849
This is the tedious work behind yeah, you just put on a podcast and you put the stones places and then every once in a while you pull it back and you see how much you've done and it's really exciting.
00:53:36.269 --> 00:53:38.753
Do you what are some other like?
00:53:38.753 --> 00:53:46.697
I know that as a costume designer, you're probably also like hemming right, and do you ever cut material when you hem?
00:53:46.697 --> 00:53:51.735
As well Like, or do you try to keep the original product as like close to it as possible?
00:53:51.735 --> 00:53:52.378
Does that make sense?
00:53:53.686 --> 00:53:54.409
It depends.
00:53:55.487 --> 00:53:59.186
If it's like a throwaway piece it depends like.
00:53:59.226 --> 00:54:04.797
if it's like a throwaway piece, yeah, if it's something that I know is an investment piece for the theater, then I'll, you know, just ham and do what I can to not cut.
00:54:04.797 --> 00:54:21.936
But if I know it's like this is so specific for one show, nobody is ever going to use this again and I need for it to like fit my actor just right and they need like an eight inch him, I'm going to cut Because we're not tucking all of that up in there.
00:54:21.936 --> 00:54:23.456
I think I should have stuck it.
00:54:24.505 --> 00:54:25.391
They probably are.
00:54:27.606 --> 00:54:33.726
I'm now a stoned individual, and I mean it's like it's in the perfect Perfect.
00:54:41.572 --> 00:54:44.414
Just immediately goes to stone, all right.
00:54:44.414 --> 00:54:46.135
Well, thanks for teaching me how to stone today.
00:54:46.135 --> 00:54:49.378
I thought this would be like those little applique.
00:54:49.378 --> 00:54:50.418
Have you seen those ones?
00:54:50.559 --> 00:54:51.378
They do have those.
00:54:51.378 --> 00:54:55.422
I like to be more hands-on, so I'm always going to choose the messier option, honestly.
00:54:55.442 --> 00:54:55.963
Yeah.
00:55:00.525 --> 00:55:01.610
No, I feel, yeah, this is definitely the messier option.
00:55:01.610 --> 00:55:05.365
There's also ones where it's like you just put it where you want it and then you can iron it on because it's like heated on the back, yeah, yeah, no, because I've always seen.
00:55:05.405 --> 00:55:08.273
I've always wanted to do one of those like um pictures.
00:55:08.273 --> 00:55:11.969
Have you seen, like where you buy it and then you like stamp it on.
00:55:11.969 --> 00:55:17.298
Basically, I've always wanted to try one of those, but this is definitely much more work than that.
00:55:17.298 --> 00:55:23.186
If I ever get that, I'll let you know and we can do that together, okay, yeah, in fact, we're gonna put it on our Amazon wishlist.
00:55:23.186 --> 00:55:23.849
Buy it for us.
00:55:23.849 --> 00:55:25.893
Thank you all right.
00:55:25.893 --> 00:55:26.715
Thanks so much.
00:55:26.715 --> 00:55:27.938
Hope you're welcome.