ABOUT THIS EPISODE
"With the exception of some vocalizations by my daughter and myself, all sounds and patterns were derived from the source material - tuned, chopped, inverted.
"As the piece came together, I considered taking the listener from a churning sea from above, to the slow muted silence from below."
Sea of Cortez soundscape reimagined by Will Hall.
English
United States
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OTHER EPISODES IN THIS PODCAST
"The field recording features some nice percussive sounds of market dishes and tools. A specific percussive section caught my ears and I based the piece around it. I transformed the section into a two bar loop and improvised around it on an acoustic piano.
"This led me into a somewhat melancholi…
"When I first heard the recording of the Tesla coils, I immediately knew it would be my choice for the Autumn project. The sound possessed a remarkable inherent rhythm, making it an ideal foundation for a song built around a beat track. From there, I began thinking about the lyrical theme. Watchi…
"The originating field recording is - frankly speaking - quite monotonous along its ten minutes... Thus my intention was/is to open up that monotony by overlaying various instruments.
"Defining C major as fitting main root note, I stacked several VST midi instruments, mostly using the pentatonic…
A Tesla coil in the Museum of Energy and Technology in Vilnius. As we turn up the power and frequency dials, the speed and intensity of the sound increases, until the power charge runs out and the coil falls silent.
Recorded in October 2026 by Cities and Memory.
Disclaimer: The podcast and artwork embedded on this page are from Cities and Memory, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.
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