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[Music]
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Two stick legs!
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[Silence]
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So it's blue!
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I got your one deserves to live Show PK short, but still feels long.
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Just two middle eight for us, babbling on!
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Just two million morons babbling!
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[Silence]
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This podcast sucks. Tip a sliout suck. This show still fucking sucks. Just too many late for us, try to do a show. Virtue single-in, how they're so rope. Tip usy out suck, this podcast up, ship usy out suck, this show still fucking sucks.
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[Silence]
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And welcome to the five hundred forty first episode of Cinema Psyops.
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I'm your host, Cort, the guy that cannot wait to do the notes for Vanishing Point this week. And joining me in the color commentary seed is my co-host, Matt.
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Yeah, we're gonna have to do this so quick it's gonna be a vanishing point. Bam I did it.
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We don't have to go absolutely that quick. Um I basically I have like a family dinner thing that I'm supposed to go do.
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And I have an out to arrive late because this was sprung on me at the last minute. And the wife knows that sometimes uh I have to wait on your ADHD ridden ass to get done, and I'm not in control of you because nothing is in control of you including
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Including you. And so she just basically accepted the fact that I'm gonna probably run a little late to that family dinner. She even said, Well, should I order you something? I was like, No, let me text you and then you can order me when I'm on my way.
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Yeah.
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So yeah, we have to be fast, but we don't have to be like that insanely fast.
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Listen, listen. Ain't nothing could kill me but me, I'm sure, at this point.
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All right. So the intro is gonna have to be uh your side of it will have to be from the backup recording, which is why we do the backup recording. That's right.
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That's right.
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Now what were we saying? Did I how far did I get into talking about this?
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Uh we haven't talked yet about the movie. Uh we we' we we're just at the point now where y we we gotta go a little quick, uh, because you have family dinner and no one can control my ADHD adult brain, not even myself.
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Oh, good memory. And hopefully you didn't take that so personally.
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No, I didn't'cause it's true. You can't take things personally that are true. You just can't.
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Yeah.
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Well that's the thing is I've found to I found out how to work around it is basically how it works. So
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Yeah.
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And you found a way to work around my stoned ass by remembering where we were for me.
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Mm-hmm.
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Well you're welcome. How are you gonna get to dinner?
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No, I'll be fine. I just was really super panicked there for a second about uh this not recording. I forgot to double check it. So I'm just glad I didn't.
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Pissing and moaning and wailing, we gotta get talking about Vanishing Point and we gotta do it in a timely manner. So let's go ahead and get started with that. We're gonna actually take the break here. We'll have the Legion Patreon ad because I'm gonna keep playing it because Bo's back. So I'm happy about that. Then we'll have the music that was created for
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[Silence]
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Right.
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Oh, hi there. I didn't see it.
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You call me cutting a new show.
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Show.
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I'm Bo Ransdell and I'm one of the many creators you can find on Legion Podcasts.
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My fellow podcasters and I work hard to bring you the best in horror podcasting.
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But that comes at a cost.
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Not that, but also yes.
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know what I'm getting at.
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Is that there are server costs?
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Cause
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Costs for good microphones and software for editing, all the things that make our shows, you know, fun to listen to.
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And you can help.
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If you're enjoying the shows on Legion Podcasts dot com or in the Legion Network available on iTunes and Stitcher, just about anywhere you can download a podcast really, You can help us out and get a little something for your trouble at patreon.com/LegionPodcasts
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For just$2 a month, you get a pair of movie commentaries exclusive to Patreon, and for$5, you can also join us for a monthly screening of a movie.
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All of that available on Patreon.com/LegionPodcasts
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We appreciate it and thank you for listening.
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No?
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Back to the cutting room.
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Colossus roads.
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Thank you.
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Let's go on
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[Music]
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Fill up the chase, the night set ablaze.
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Please.
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He races with time in a row The bar to the road.
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With Bencedrine and hay A legend and told Across the square.
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Hope you With memory
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Mm-hmm.
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Conquer it
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[Music]
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With souls on the air calling out.
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calling out his name.
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Last America.
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American hero igniting the flame as a top
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That's a time.
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I still not believe in one side.
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Kowalski's resolve is a hot ones.
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With dangers ahead at the end.
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and hope on the run.
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Run.
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This metal machine, he's chasing the sun.
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Chase
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The night set ablaze He races with time
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Time it
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Run away
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No way.
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From the bar to the road.
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The road.
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With fence of screen and hay Across this wallet.
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Yeah then Lorraine
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No real.
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Shadows room tall.
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With memories racing willing conquering all
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Hopefully the song actually kinda matches the with the lyrics telling the story of Vanishing Point and well rhyme and not suck.
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I'm sure everything will be just fine.
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It will be adequate, I hope.
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It'll be good. People aren't here for the music, they're here for us, Cort.
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to listen to our sweet, sexy voices.
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Boy I really, really, truly hope you are right'cause
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Yeah. I'm not, but let's just go on like I am anyway.
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All right, so let's talk about Vanishing Point with said voices. Here we go. The film opens on a desolate land that appears to be a ghost town where there are signs of business businesses and
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and some homes, but none of them look open or even inviting. As we look around the town with a camera, after our title pops up on screen
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And the opening credits are overlaid on top of that. We see a motorcycle pig come squealing by and it cuts to two bulldozers going up the road in tandem with a pig car squealing its way in between them, and we see folks watching this setup take.
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place. We watch the bulldozers get moved into position in a painstakingly slow sequence.
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That makes it obvious the police are setting up one hell of a fuck around and find out roadblock.
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Yeah.
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And then someone talks, so dialogue that's our first clip.
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That's a podcast, man.
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ご視聴ありがとうございました
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Here comes CBS News must be important.
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[Music]
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Seventy three a helicopter.
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Copter over.
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Have you located suspect?
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With that wafer thin dialogue, we see the main character in his car being menaced by a pig copter trying to fuck with him, and the stunt work is only surpassed by the camera work for these shots. Holy fuck.
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Yeah. Jesus.
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He opens the throttle wide to try to get around the pigcopter and they cut to the quiet abandoned town where that setup was as the car whips around and speeds away from the roadblock
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To encounter cops going three wide on the road, so he takes it off road and goes driving across the desert in old truck paths and gets stuck in our second.
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Stop.
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You can't get one.
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All right. Yeah. All right, maintain surveillance.
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The main character gets out of the car and looks around before pondering something and jumping right back in it to speed off again on another dirt road.
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Road and vacuum.
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And back on to a two-lane blacktop. It tells us it is Sunday at ten o two.
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AM somewhere in California, when it then freeze frames there, then it cuts to a train with the title card that says two days earlier, Denver, Colorado, on a Friday at around eleven thirty PM.
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Thank you for letting us know, s movie. Thank you, movie. I love it.
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I love it. The exact timing of everything is very important apparently. Mm-hmm.
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Mm-hmm.
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A car speeds into a parking lot of a car delivery service as the car pulls in. We get more dialogue and are three.
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Kowalski!
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And the keys for a sawed-off weekend.
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Well you're both welcome.
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What do you get going for Frisco? You're not going back tonight.
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Hey, you're gonna kill yourself.
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Thank you.
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Do you know?
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Yeah, yeah. Look, why why why didn't you stay over till Monday, huh? So you can go.
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You can go home right now.
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Now. Oh yeah, sure, sure. Just before midnight.
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Hey look.
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When the clock strikes twelve.
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my car turns into a pumpkin.
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Hey Sandy, you know you're a born actor?
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Yeah, sure, sure. That's what my wife will say.
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I'm going to tell her I've been working.
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I've been waiting up for you all night.
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Hey, look, look, look, seriously.
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Why don't you stay over?
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No. Look, you can do it some sleep, can't you? Look, I gotta get started out tonight, Sandy. Now which car? What?
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감사합니다.
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Amen.
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Amen.
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That's good, that's good.
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Thank you.
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اشتركوا في القناة
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[Silence]
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Gotta get moving.
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Gotta hit the road.
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Jake's over at the show. Yeah, beautiful. But no offense, Jake. I gotta be on Freshman 3 o'clock tomorrow afternoon.
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You put me all right.
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But you cannot make it. What a bet. Well, this must be a soup up something. Yeah, it's hopped up to over 160.
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Thank you.
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But even so. Tell what I'm gonna do with you. I'm gonna bet you the tab for the Bennies, and I'm gonna be in Frisco. I'm gonna call you at three o'clock tomorrow afternoon. Now if I don't, double the deal next time around. Bet?
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After the clip we are treated to many shots of what I'm going to refer to as car porn.
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Yeah, baby.
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Lots of driving and danger before it cuts to the daytime where a blind man played by Clevon Little wanders through a town as racists stare at him before he makes his way in.
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into the radio station, which means, well, more dialogue and our fourth clip.
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Hey.
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This is how you're going to be able to do that
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and tight podcast. You got it.
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Is this yours truly super super store? Directed live with
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[Silence]
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Transmitten!
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From CAW!
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Pow spell K-O-W. Uh-huh, the noise is bouncy.
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Radio station In the far west.
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up some morning with some wham bam zoom boom wake up music with a little help from my friend
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Friend!
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Take it away!
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Yeah.
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[Music]
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After the clip, a pig tries to pull over Kowalski and he not only ignores him, he tries to run him off the goddamn road.
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And thus begins a dance that causes the pig to finally dump the pork cycle, causing Kowalski's drug-addled brain to flash back to his own motorcycle racing days and our 12 fifth clip.
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[Silence]
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You can't get it!
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Crashing into the top ten.
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From the first really monstrous hit of the stem days.
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Jump twenty-nine.
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Transplay shit.
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In one week. There's absolutely no doubt whatsoever as they say that this will be next week. Number one.
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Numero uno baby, the itchy bang entitled You go from here, baby, my bride!
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Ryan on Brian!
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I can't do it!
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[Music]
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Vamos bem.
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Thank you.
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[Music]
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The chase continues through a construction zone, and it seems Kowalski is a complete and total psychopath as he blows through it, the construction zone, I mean, and up and over an exit to not have to stop, all the while he has the remaining motorcycle pig on his tail.
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This is completely insane and we are still in the first third of the movie. No, no.
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No, no. Fuck it, I love it.
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He narrowly misses being creamed as we watch him follow the river on the highway, gaining distance between him and the pig, all set to a groovy fucking soundtrack that is just fucking kicking.
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We are just we're grooving.
198
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We're rockin' and uh we're watching a man slowly lose his fucking m- Yeah.
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He gets down into a dirt road and then a gravel field by the river, and I am instantly wondering how he's going to get any money for this car if he beats it to a pulp getting there because he is paid to deliver it unharmed. And he
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I don't think-
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Fuck harmsome shit.
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I don't think he gives a flying fuck.
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He sure as fuck harms this thing when he speeds up to jump a bridge that's out, which causes the cop to dump his bike in fear, and then he smacks the car around some more, going over the median grass and narrowly missing multiple cars doing it.
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They got to the DJ, then to some pigs, and our sixth clip.
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Hmm. We've been in a two-bike pileup on fifty-three.
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104, how far out are you?
207
00:15:57,840 --> 00:15:58,590
Far out are you?
208
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Uh about five miles from Thompson. Can you give me a description on the car? Uh it's a 1970 White Challenger, Colorado license OA5599.
209
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At 10-4, was anybody injured? No injuries.
210
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A ten for Rachel.
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Return to your station then. Okay.
212
00:16:14,576 --> 00:16:17,456
Uh we're on our way in. We'd best send a truck to that other motorcycle.
213
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Thank you.
214
00:16:19,312 --> 00:16:20,751
Sue, pick up on this man.
215
00:16:20,751 --> 00:16:21,371
Amen.
216
00:16:21,519 --> 00:16:24,368
Attention, all highway patrol stations. Suspect vehicle.
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Vehicle nineteen seventy.
218
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70 Dodge Challenger White in color.
219
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At the end of the clip, Kowalski comes up on a small town roadblock and checkpoint.
220
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So he just goes off-road again and spins the car around back through some dirt road loop with pigs squealing their way at him.
221
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This starts.
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Cool.
223
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This starts an open highway in median road split chase where Kowalski literally goes all over the place to cause the pigs chasing him to spin out.
224
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And he then floors it out of there. The pace of this frenetic editing in pure insane high speed lunacy is evident and
225
00:17:00,847 --> 00:17:13,327
in that we are in his speed induced perspective and the film will not let us out as we are now speeding, both in drugs and with driving, with Kowalski in both the vehicle and his mind.
226
00:17:13,550 --> 00:17:17,230
Good shit, man. Listen, you if you want a car chase movie
227
00:17:17,230 --> 00:17:17,851
movie.
228
00:17:17,903 --> 00:17:23,183
It doesn't get so much better than having the person being like completely and utterly fucked on drugs.
229
00:17:23,183 --> 00:17:30,384
This sequence quite literally feels like you are utterly fucked on speed. I kept smoking to try and bring me down, and I'm like, oh wait, I don't not on speed, I just
230
00:17:30,384 --> 00:17:33,776
Yeah, just feel like I'm not the one with the problem. It's this guy.
231
00:17:33,776 --> 00:17:34,736
Guy.
232
00:17:35,215 --> 00:17:35,695
Let's go.
233
00:17:35,695 --> 00:17:44,185
The frenetic driving has Kowalski flashback to his race car driving days and a horrific crash he had before cutting to the open road again.
234
00:17:44,271 --> 00:17:46,142
And a guy in a spider.
235
00:17:46,160 --> 00:18:03,087
challenging him to a race with a little paint trade involved before Kowowski puts him in the rear view and that causes more paint trading and racing until they come to a one-laid bridge and that sends the other car up Over a bank and barreling towards the river and
236
00:18:03,119 --> 00:18:07,440
I am sure the guy is hamburger at this point, but Kowalski.
237
00:18:07,440 --> 00:18:07,920
Kowalski gets
238
00:18:07,920 --> 00:18:11,609
Gets out to check on the guy and he is unharmed.
239
00:18:11,663 --> 00:18:13,104
So some are
240
00:18:13,104 --> 00:18:14,544
Are you not dead, bitch?
241
00:18:14,544 --> 00:18:26,044
Yeah. So he hops back in the car and s so Kowalski hops back in the car and speeds off with two more pigs barreling up towards him. We cannot even catch our breath from this fucking chase, nor can Kowalski.
242
00:18:26,223 --> 00:18:28,144
How dare you want to catch your fucking breath, mother?
243
00:18:28,144 --> 00:18:28,624
breath motherfucker.
244
00:18:28,624 --> 00:18:29,104
Yeah.
245
00:18:29,104 --> 00:18:37,968
This leads to more cars driving fast on a highway porn shots before they all encounter a crew painting the center line of the highway.
246
00:18:38,096 --> 00:18:44,367
Kowalski makes it across the state line into Nevada as the cops pull off and stop, and the line painting crew.
247
00:18:44,463 --> 00:18:54,192
pulls over as well, massively fucking up the center line paint job before we finally have some more dialogue so I can catch my breath with our seventh clip.
248
00:18:54,192 --> 00:18:55,152
Card twenty four to headquarters.
249
00:18:55,152 --> 00:18:57,551
Car twenty four to headquarters. Come in, Car twenty four.
250
00:18:57,551 --> 00:18:58,031
Yeah, we lost it.
251
00:18:58,031 --> 00:19:04,784
Yeah, we lost him at the Nevada border. You better let Nevada handle it. This guy's nuts. 10-4. We'll advise Nevada Highway Patrol.
252
00:19:05,359 --> 00:19:15,695
Yeah, I got it all right. Initials OA 5599 Colorado plates. Now, what's this roadrunner done, fellas?
253
00:19:16,688 --> 00:19:18,480
I got them on the air now.
254
00:19:18,544 --> 00:19:19,887
Yeah, quite a mother.
255
00:19:21,263 --> 00:19:28,336
Well, fellas, as you know, we can't throw anything at him except uh dangerous driving and failure to stop, misdemeanors, both of'em over here.
256
00:19:28,432 --> 00:19:31,183
Yeah, but you told me that once, camerate.
257
00:19:31,503 --> 00:19:34,576
But is this Bronco and the Jaguar filed a formal complaint?
258
00:19:34,640 --> 00:19:46,640
No, he hasn't. Well, there you are. That isn't even a felony, brother. What are you guys gonna do about it? He hasn't got us bugged, Danny. He's the one that's gonna have to start worrying, as of right now. Good luck. Yeah, don't you worry. We'll catch him.
259
00:19:48,688 --> 00:19:49,743
May I help you, sir?
260
00:19:50,096 --> 00:19:52,304
May I help you? Yeah, fill her up, please.
261
00:19:52,847 --> 00:19:53,935
Thank you.
262
00:19:54,832 --> 00:19:56,912
Well you relax. I'm not gonna hurt you.
263
00:19:59,119 --> 00:19:59,599
Play ball with me, not let
264
00:19:59,599 --> 00:20:00,559
I mean I'll let you go, huh?
265
00:20:01,135 --> 00:20:02,096
Alright, come on, tell me.
266
00:20:02,096 --> 00:20:03,056
to get this stuff.
267
00:20:03,791 --> 00:20:05,071
Huh? Which house?
268
00:20:05,071 --> 00:20:15,311
[Silence]
269
00:20:25,584 --> 00:20:32,400
There was another timestamp there somewhere in the clip of Nevada Saturday at eleven forty three AM before the flashback.
270
00:20:32,432 --> 00:20:42,928
and that sound of what was sounding like assaults Was another flashback where Kowalski as a cop stops an older pig from raping some girl midway through his assault.
271
00:20:42,928 --> 00:20:51,056
That was fucking gross. Mm-hmm. After the flashback, it cuts back to Kowalski peeling out, and then some more gorgeous wide shots.
272
00:20:51,119 --> 00:20:57,743
Of the desert and then it cuts to dialogue f From Cleve On Little, and that's going to be our eighth clip.
273
00:20:57,872 --> 00:20:58,832
Hmm, that's how you podcast.
274
00:20:58,832 --> 00:20:59,311
Podcast.
275
00:20:59,311 --> 00:21:04,592
And there goes the challenge of being chased by the blue blue meanies all.
276
00:21:04,592 --> 00:21:06,031
The fish is strapped.
277
00:21:06,031 --> 00:21:06,991
Traffic squaw.
278
00:21:08,432 --> 00:21:19,023
The known driver, the last American hero, the electric centaur, the demigod, the superdriver of the Golden West, two nasty Mat cigars.
279
00:21:19,023 --> 00:21:19,983
That's the cars are close behind.
280
00:21:19,983 --> 00:21:24,304
behind the beautiful lone driver. The police numbers are getting closer, closer.
281
00:21:24,304 --> 00:21:25,743
Closer, closer to our soul.
282
00:21:25,743 --> 00:21:32,912
Soul hero in his soul They're gonna get him, smash him, rip!
283
00:21:33,935 --> 00:21:35,375
The last beautiful frequent
284
00:21:35,375 --> 00:21:37,776
For free soul on this.
285
00:21:38,448 --> 00:21:39,215
Let it.
286
00:21:39,824 --> 00:21:42,223
But It is written.
287
00:21:43,920 --> 00:21:51,440
The evil spirit arms the tiger with Brahman provided wings.
288
00:21:54,768 --> 00:21:55,887
La sopa !
289
00:21:56,912 --> 00:22:00,751
Did you hear that? Yeah. Where the hell he'd get so much information.
290
00:22:00,751 --> 00:22:01,592
Information.
291
00:22:01,935 --> 00:22:03,728
Same place as you do, Charlie.
292
00:22:04,655 --> 00:22:06,448
You mean from our own frequency?
293
00:22:06,607 --> 00:22:07,440
That's right.
294
00:22:08,688 --> 00:22:09,647
How long's he been at it?
295
00:22:10,352 --> 00:22:11,920
Year and a half, maybe two.
296
00:22:12,336 --> 00:22:14,127
Hell, that's against the law.
297
00:22:14,415 --> 00:22:16,336
So's carrying the transistor on duty.
298
00:22:16,528 --> 00:22:20,624
E come on now, that's different. But he never says anything to incriminate himself.
299
00:22:20,976 --> 00:22:22,703
Brains and lawyers, Charlie.
300
00:22:23,023 --> 00:22:26,031
As far as the law is concerned, he's clean as Kleenex.
301
00:22:26,640 --> 00:22:27,632
Es ist TRUE.
302
00:22:30,607 --> 00:22:32,048
True my friends.
303
00:22:32,688 --> 00:22:35,056
[Silence]
304
00:22:35,119 --> 00:22:36,079
Our soul
305
00:22:36,079 --> 00:22:43,759
Challenger has just broken the ring of evil. The deep blue meanies have so righteously.
306
00:22:43,759 --> 00:22:44,240
Числе!
307
00:22:44,240 --> 00:22:45,680
Yeah, rot!
308
00:22:45,968 --> 00:22:47,887
Get through them baby!
309
00:22:47,887 --> 00:22:48,367
Get through all.
310
00:22:48,367 --> 00:23:00,928
The end of the clip takes us well over the first third of the film. We finally get to pause for a moment and reflect on, holy shit, what all just fucking happened. This man is fucking insane. What the fuck is he thinking?
311
00:23:00,943 --> 00:23:02,384
I'm tired.
312
00:23:04,463 --> 00:23:06,864
Yeah, man, it is. It's fucking crazy out there.
313
00:23:06,864 --> 00:23:07,384
Hmm.
314
00:23:07,440 --> 00:23:21,359
Yeah, the shit that this guy pulls and he gets away with and somehow survives is summed up at some point in the film by Clevon Little, where he just basically says, You've just been lucky. You've had an unbelievable streak of luck, which is a hundred percent true. There's a multiple times where he should have been dead.
315
00:23:21,359 --> 00:23:29,071
No, he's running uh he he's on a run that is seldom seen from people. Usually everyone just dies by this point.
316
00:23:29,551 --> 00:23:40,624
I just want to point out too that he is not running to something and he is not running from the police with this. He is running from feeling anything other than the need for speed.
317
00:23:40,784 --> 00:23:45,071
Yeah, he's just running. How about that? He's not running for Two
318
00:23:45,167 --> 00:23:47,567
Against whatever. He's just running.
319
00:23:47,567 --> 00:23:59,503
The other thing that the only thing he's yeah, the only thing that he's running on right now is that he is running from himself. He quite literally anytime he starts to have any kind of memory about any point in his life
320
00:23:59,536 --> 00:24:12,976
Or anything kinda comes back to him in any way, shape, or form, he starts feeling things that he doesn't want to feel and then he fucking puts the throttle down as hard as he can to try and eliminate that with the adrenaline and he's burning out. He can't keep doing this.
321
00:24:12,976 --> 00:24:16,367
Oh man, he's burning the candle at both ends, it it would seem
322
00:24:16,367 --> 00:24:20,688
He chopped the candle in the middle and pulled the wick out and lit it there too.
323
00:24:21,167 --> 00:24:22,127
Yeah.
324
00:24:22,127 --> 00:24:23,567
Jesus.
325
00:24:23,567 --> 00:24:26,107
This man was like mess.
326
00:24:26,256 --> 00:24:29,039
Yeah, it takes me.
327
00:24:29,359 --> 00:24:29,839
Ha ha ha.
328
00:24:29,839 --> 00:24:31,759
Why don't we get started with the middle of the item?
329
00:24:31,759 --> 00:24:33,200
Let's do it.
330
00:24:33,200 --> 00:24:42,809
All right. So the middle act picks up with even more shots of open highway before cutting to a pig, doing a T one hundred. Those of you that heard uh Smoking the Banner know what that is.
331
00:24:42,864 --> 00:24:45,743
And then that pig gets a call in our ninth clip.
332
00:24:45,743 --> 00:24:50,233
Attention, calling car forty four. Attention car forty four, do you read me?
333
00:24:53,231 --> 00:24:57,680
This is Car forty four, reading you loud and clear over. Where are you, Car Forty Four?
334
00:24:58,000 --> 00:25:01,071
We're on eighty, some ten miles from Argenta, over?
335
00:25:01,231 --> 00:25:02,415
Well good. Stay with it.
336
00:25:02,960 --> 00:25:10,448
Watch for a white challenger, license plates, initial OA5599, Colorado plates.
337
00:25:10,544 --> 00:25:14,192
Last scene heading for Dunfey on US-40 at cruising speed.
338
00:25:14,384 --> 00:25:19,695
We have reason to believe that it's supercharged, so maintain double alert till you spot it.
339
00:25:19,824 --> 00:25:21,968
And then call in for instructions.
340
00:25:22,288 --> 00:25:23,248
Over and out.
341
00:25:23,695 --> 00:25:25,615
Let's go. Come on, let's go.
342
00:25:27,567 --> 00:25:28,688
What do you think he's done?
343
00:25:28,912 --> 00:25:29,743
Hell no.
344
00:25:30,127 --> 00:25:31,183
Well what do you think?
345
00:25:31,503 --> 00:25:34,384
I think he's gonna hijack that car to Cuba.
346
00:25:34,736 --> 00:25:37,488
Don't be ridiculous. Hell Chola, I don't know.
347
00:25:37,711 --> 00:25:41,711
Maybe kill somebody. Maybe stole that big dude of his. Maybe both.
348
00:25:41,711 --> 00:25:57,200
And thus begins another chase scene as two pigmobiles come blocking the highway to not let Kowalski through. So he spins around and heads towards the single car and then plays chicken on them, causing them to To spin out before the pigs shift drivers in on.
349
00:26:00,271 --> 00:26:02,448
Let me take him! Let's go! Let's go!
350
00:26:02,544 --> 00:26:06,352
I'm gonna get that son of a bitch, so I'm gonna get that son of a bitch.
351
00:26:09,135 --> 00:26:15,023
Navana, this is Colorado State Highway Patrol. This is about a special query raised by the Utah Highway Patrol.
352
00:26:15,375 --> 00:26:22,096
Affirmative, that's correct. But later they asked that the information be forwarded to you guys, so get ready for some details. Put it on your tape recorders and all that.
353
00:26:22,096 --> 00:26:22,576
And all that sort of channel.
354
00:26:22,576 --> 00:26:28,336
sort of chance, huh? Apparently the speed maniac you've been chasing all over your territory is a former professional road racer.
355
00:26:28,336 --> 00:26:28,816
Road racer name.
356
00:26:28,816 --> 00:26:29,296
Name Kawaii.
357
00:26:29,296 --> 00:26:35,056
Kowalski. K-O-W-A-L-S-K-I. Repeat Kowalski.
358
00:26:35,087 --> 00:26:45,647
First name unknown, other particulars also unknown. What we do know is that he's employed as a car delivery driver by an agency in Denver. He's presently driving uh Dodge.
359
00:26:45,647 --> 00:26:55,759
Challenger, Colorado license plate, OA5599. This is not a stolen car. He's driving into San Francisco for delivery due Monday.
360
00:26:55,759 --> 00:26:56,720
It's only Saturday.
361
00:26:56,720 --> 00:26:57,680
Just hurry.
362
00:26:57,680 --> 00:26:58,640
That's what we wanted to know ourselves.
363
00:26:58,640 --> 00:27:02,000
Yeah. So your guess is as good as ours, ten four.
364
00:27:02,000 --> 00:27:13,968
The end of the clip treats us to more antics of side road shuffles to swerve and kick up dust and rocks through small towns and spin-outs that you just need to fucking watch because me describing it is a waste of all of our time because it's
365
00:27:13,968 --> 00:27:18,127
Yeah. You just have to watch it guys. It is Fucking rad.
366
00:27:18,127 --> 00:27:33,039
He goes through like these really dirt road alleyways near churches and with kids just standing in the yard not far from where that alleyway is and just so is lucky he doesn't kill anybody. It's insane.
367
00:27:34,192 --> 00:27:37,071
And again, running on pure unadulterated luck.
368
00:27:37,071 --> 00:27:37,551
Yeah.
369
00:27:37,551 --> 00:27:49,071
The important part of all this driving though is how Kowalski drifts the challenger just right so that when the pig attempts to do that too, that sort of slide into the turn, they overcorrect and end up flipping it off the edge of the
370
00:27:49,104 --> 00:27:54,960
Road into the drain field of the road by flipping off the runoff slope. Basically, it's fucking fantastic.
371
00:27:54,960 --> 00:27:55,440
It's great.
372
00:27:55,440 --> 00:27:56,880
No notes on anything with that shot.
373
00:27:56,880 --> 00:27:58,970
It's a fucking sweet ass move.
374
00:28:02,127 --> 00:28:08,847
Yeah. Kowalski pauses to make sure they are actually okay. He always checks up on everybody he fucks up, you know? Yeah, he is.
375
00:28:08,847 --> 00:28:11,288
Yeah, he is. He's always like, Hey man, you all right? All right, good.
376
00:28:11,536 --> 00:28:13,935
Just wanna make I wanna fuck you up, but I want you dead.
377
00:28:13,935 --> 00:28:17,776
Yeah, then he peels out and the pigs call it in for our eleventh clip.
378
00:28:17,776 --> 00:28:19,215
You alright?
379
00:28:22,031 --> 00:28:22,991
Forty four to headquarters.
380
00:28:23,887 --> 00:28:24,367
Forty-fort headquarters.
381
00:28:24,367 --> 00:28:25,615
Of course.
382
00:28:25,615 --> 00:28:26,395
Субтитры сделал DimaTorzok
383
00:28:27,632 --> 00:28:28,112
What?
384
00:28:28,112 --> 00:28:34,592
That is for Tuna Paul. What the hell's going on out there, Collins? Scream the car, man. Where the hell are you now? You've gone crazy. Correction.
385
00:28:34,768 --> 00:28:40,528
We're still after him. We haven't lost him. We're still after him. Now come on. Stay right where you are. We're coming to you right now.
386
00:28:41,551 --> 00:28:42,031
Let's go, let's go!
387
00:28:42,031 --> 00:28:43,471
Yeah, let's go.
388
00:28:43,471 --> 00:28:46,832
Gotta admit that one guy sure has a lot of Jackie Gleason in him in that.
389
00:28:46,832 --> 00:28:49,711
And then some bitch.
390
00:28:49,711 --> 00:28:56,442
The pig hops in the back of another pork mobile and they continue the pursuit as they begin showing up in Kowalski's rear view mirror and he
391
00:28:56,463 --> 00:29:05,968
He takes notice. They try the double car roadblock that fails as he just drives off into the desert. So they call it in once again for R twelve plus.
392
00:29:08,912 --> 00:29:10,544
Car forty four to headquarters.
393
00:29:10,576 --> 00:29:11,824
Come in forty four.
394
00:29:11,887 --> 00:29:14,288
He's jumped the main road and headed out into the desert.
395
00:29:14,607 --> 00:29:16,432
I let'em cook out there for a while.
396
00:29:16,496 --> 00:29:17,776
He ain't going nowhere.
397
00:29:18,319 --> 00:29:20,175
What's he trying to prove now?
398
00:29:20,751 --> 00:29:21,872
Any time now, Super.
399
00:29:22,064 --> 00:29:23,248
Yeah, you'd run a tape.
400
00:29:23,824 --> 00:29:25,263
I already ran a tape twice.
401
00:29:25,359 --> 00:29:27,759
Come old man, are you blind or something? Can't you see I'm thinking?
402
00:29:27,759 --> 00:29:28,720
Bacon.
403
00:29:29,327 --> 00:29:30,031
Crazy.
404
00:29:30,288 --> 00:29:31,152
Kowalski.
405
00:29:32,432 --> 00:29:34,000
Kowalski, can you hear me?
406
00:29:34,127 --> 00:29:40,496
Do you hear me, Kowalski? Now I know you can hear me, Kowalski. I'm sure you hear me now, this very minute.
407
00:29:40,847 --> 00:29:43,056
Now you listen very carefully.
408
00:29:43,728 --> 00:29:51,183
The whole mobile force of the Nevada State Highway Patrol is after you. They waiting for you to come up for air.
409
00:29:52,400 --> 00:30:00,079
Yeah. And some people imagine you'll try to get a California through Death Valley, and others bet you'll die there in the desert.
410
00:30:00,144 --> 00:30:03,887
These few are just too happy to see you vanish for good out there.
411
00:30:03,920 --> 00:30:14,544
But my tape deck is just as jammed with telegrams as my head is jammed with phone calls from people who are wishing you well in your getaway.
412
00:30:14,960 --> 00:30:16,816
No matter where it might lead you.
413
00:30:17,807 --> 00:30:19,248
I wish I could help you, but I can't.
414
00:30:19,248 --> 00:30:20,208
I came.
415
00:30:21,200 --> 00:30:27,440
I don't think anybody can except for that crazy lucky streak of yours.
416
00:30:27,440 --> 00:30:29,839
And now you're gonna need more luck
417
00:30:29,839 --> 00:30:30,329
Продолжение следует...
418
00:30:31,087 --> 00:30:33,968
All of it perhaps and badly.
419
00:30:35,248 --> 00:30:36,496
Beat the police.
420
00:30:36,847 --> 00:30:42,127
You can beat the road and you can even beat the clock, but you can't beat the desert.
421
00:30:42,576 --> 00:30:43,536
Nobody can.
422
00:30:46,096 --> 00:30:46,576
Go to hell.
423
00:30:46,576 --> 00:30:47,536
No.
424
00:30:47,695 --> 00:30:48,720
Bye.
425
00:30:48,720 --> 00:30:56,720
[Silence]
426
00:30:56,720 --> 00:31:10,576
After that Kowalski cuts back through the desert and puts on some shades From the glove box before a flashback to some sexy time kicks in and then we see them As in Kowalski and this lady having the sexy time, in a van by the beach where the chick offered.
427
00:31:10,576 --> 00:31:12,016
Down by the river.
428
00:31:12,016 --> 00:31:18,256
Where the chick offers some pot to Kowalski and that leads to some dialogue and our team.
429
00:31:18,672 --> 00:31:20,112
Wouldn't it be funny after all if you...
430
00:31:20,112 --> 00:31:21,241
Did have to arrest me.
431
00:31:24,240 --> 00:31:25,049
Turn you on.
432
00:31:25,680 --> 00:31:26,640
And you trying to turn me in.
433
00:31:26,640 --> 00:31:27,230
Me.
434
00:31:27,551 --> 00:31:31,695
[Music]
435
00:31:31,695 --> 00:31:32,624
I love this.
436
00:31:32,624 --> 00:31:35,567
[Music]
437
00:31:35,567 --> 00:31:36,976
I love your scar.
438
00:31:36,976 --> 00:31:40,720
[Music]
439
00:31:40,720 --> 00:31:41,903
I hate it, but I love it.
440
00:31:44,432 --> 00:31:45,008
Hate it.
441
00:31:45,743 --> 00:31:47,152
Just hate what it means.
442
00:31:47,152 --> 00:31:49,167
[Music]
443
00:31:49,167 --> 00:31:50,127
What does it mean?
444
00:31:50,160 --> 00:31:53,680
[Music]
445
00:31:53,680 --> 00:31:55,599
Only if you make war on war will you overcome.
446
00:31:55,599 --> 00:31:56,559
you overcome it.
447
00:31:59,599 --> 00:32:00,528
I love you.
448
00:32:00,720 --> 00:32:01,647
I love you.
449
00:32:02,672 --> 00:32:04,592
You're crazy surfing in the middle of the winter.
450
00:32:04,592 --> 00:32:05,551
I'm going out again.
451
00:32:05,551 --> 00:32:06,041
Again.
452
00:32:06,864 --> 00:32:08,240
Maybe I'll catch an eight footer.
453
00:32:10,799 --> 00:32:11,279
I'll write it, Your Honor.
454
00:32:11,279 --> 00:32:14,192
Your Honor. Say, Nara.
455
00:32:14,703 --> 00:32:15,536
Remember me?
456
00:32:15,567 --> 00:32:21,455
There were some boobies you could sort of see through that lady's long hair f During that clip, so that's a thank you movie.
457
00:32:21,455 --> 00:32:22,415
Thank you, movie.
458
00:32:22,415 --> 00:32:32,576
At the end of the clip a tire blows out, so he has to stop to change it, and the surrealism of this is cut away from to a large gathering of people and the first time.
459
00:32:32,592 --> 00:32:38,352
In a town with a reporter flappin' them jaws, so dialogue that's our fifteenth.
460
00:32:38,352 --> 00:32:47,481
Here we are at point zero where the Kowalski saga began, and to be interviewed by KLZ TV News is the owner of the agency, Mr. Holly Macus, and one of the attendants, Essential.
461
00:32:47,503 --> 00:33:02,334
Sandy McKees. Sandy, uh, you knew this man best. What do you think of Walski? Oh, he's a great driver. What? What'd you say? I said he's a great driver. Great driver. We all knew that. We won't find a driver like him on the road. But as a professional driver, he never really made the grade, did he?
462
00:33:02,352 --> 00:33:04,751
Know why? He never really wanted to.
463
00:33:04,751 --> 00:33:05,231
So far as I'm concerned.
464
00:33:05,231 --> 00:33:07,152
as I'm concerned he was number one.
465
00:33:07,632 --> 00:33:08,112
He is number one.
466
00:33:08,112 --> 00:33:12,912
[Silence]
467
00:33:12,912 --> 00:33:26,319
Oh, let the guy alone. He never done any harm. This is Bob Homer, KLZ TV News, Denver. Super Soul needs no introduction as our number one disc jockey. But he's certainly on his way to becoming a national celebrity in his own right, as the invisible guide of
468
00:33:26,319 --> 00:33:26,799
Guide of the wealth.
469
00:33:26,799 --> 00:33:27,759
Powalski.
470
00:33:28,367 --> 00:33:28,847
Leading the blind.
471
00:33:28,847 --> 00:33:33,167
As you all remember, Kowalski was involved in the cross-country chase starting in Denver, Colorado.
472
00:33:33,167 --> 00:33:34,077
Yeah.
473
00:33:35,887 --> 00:33:36,847
Don't move, strangers. Don't move.
474
00:33:36,847 --> 00:33:37,807
Just don't move.
475
00:33:37,807 --> 00:33:39,327
But I'll get him for you.
476
00:33:40,175 --> 00:33:40,826
Thank you.
477
00:33:43,599 --> 00:33:45,327
Stick your pretty little head.
478
00:33:45,711 --> 00:33:47,344
Right through that, baby.
479
00:33:47,887 --> 00:33:49,135
That's it.
480
00:33:49,584 --> 00:33:50,544
Now we got him.
481
00:33:50,544 --> 00:33:51,064
Thank you.
482
00:33:51,632 --> 00:33:53,743
Now we'll get our basket over here.
483
00:33:54,703 --> 00:33:58,703
Look at that livin wig on the air, ain't that a beauty?
484
00:34:00,400 --> 00:34:06,096
Well. Now we'll get him in here.
485
00:34:06,160 --> 00:34:08,559
Thank you, Fran. That's got him.
486
00:34:08,655 --> 00:34:09,615
Thank you.
487
00:34:09,840 --> 00:34:11,280
How many do you have in there?
488
00:34:11,407 --> 00:34:12,655
What six rattlers?
489
00:34:13,295 --> 00:34:14,512
Two sideliners?
490
00:34:14,768 --> 00:34:17,327
Now we've got one very precious diamond back.
491
00:34:19,952 --> 00:34:20,592
Try it on.
492
00:34:20,847 --> 00:34:30,032
Trade'em for coffee, sugar, chewing tobacco, salt, flour, and beans. Lots of beans, son. Live out here.
493
00:34:30,543 --> 00:34:32,367
Look, I'm lost and I need your help.
494
00:34:32,784 --> 00:34:34,000
Attention, Kowalski.
495
00:34:34,320 --> 00:34:35,760
I've got an important message for you.
496
00:34:35,760 --> 00:34:36,320
Meu.
497
00:34:36,911 --> 00:34:38,320
Kowalski, are you listening?
498
00:34:38,480 --> 00:34:44,559
Now dig this, coppers from the highway patrol are combin' the desert huntin' for you.
499
00:34:44,815 --> 00:34:45,840
Listen carefully.
500
00:34:46,128 --> 00:34:47,248
बलीवर नाट
501
00:34:47,344 --> 00:34:49,967
They trying to help you. They really are.
502
00:34:50,063 --> 00:34:51,952
Dig it? That depends, son.
503
00:34:52,208 --> 00:34:56,079
What? You said you needed my help, so that depends on your helping me first.
504
00:34:56,335 --> 00:35:01,103
Helping me to get to where it was that You get where it was that I was headed for.
505
00:35:01,583 --> 00:35:04,463
One of them is a Is a coming on now.
506
00:35:04,623 --> 00:35:06,063
Can't see a damn thing out there.
507
00:35:06,063 --> 00:35:06,623
Yeah.
508
00:35:06,639 --> 00:35:10,927
I bet you can't even see my truck neither, and that's Just over there.
509
00:35:11,023 --> 00:35:18,447
Let's get the hell out of here. No, no, that ain't any way to do it. That's no... That's no way to get the hell out.
510
00:35:18,480 --> 00:35:25,423
No, the best way to my knowledge to get away is to root right in where you are. Just root right in.
511
00:35:26,416 --> 00:35:28,400
You just went over, yeah?
512
00:35:28,559 --> 00:35:29,519
But stay put.
513
00:35:29,519 --> 00:35:30,460
Thank you.
514
00:35:33,168 --> 00:35:37,007
You must have found my old truck. He's circling it, yeah. It's a trap.
515
00:35:37,007 --> 00:35:38,367
That's a darling.
516
00:35:38,672 --> 00:35:40,527
Probably been there since the depression.
517
00:35:40,880 --> 00:35:46,688
He's heading on. Okay. Let's straight ahead.
518
00:35:46,927 --> 00:35:48,751
Name Kowowski.
519
00:35:49,487 --> 00:35:51,887
K-O-W-A-L-S-K-I.
520
00:35:51,887 --> 00:35:52,637
Yeah.
521
00:35:53,039 --> 00:35:54,384
Christian name.
522
00:35:55,088 --> 00:35:57,007
Christian name my flat foot. What is it?
523
00:35:57,007 --> 00:35:58,938
감사합니다.
524
00:35:59,119 --> 00:36:00,079
Is that? Faith healers.
525
00:36:00,079 --> 00:36:00,559
Well, yeah.
526
00:36:00,559 --> 00:36:04,400
Now you, you're coming across here, you just wait for me right here in his automobile!
527
00:36:05,840 --> 00:36:13,039
Them healers don't like strangers much, and especially that deacon, Jesse Hobbit. He's a he's a mean one. Yeah, don't forget about the man.
528
00:36:13,039 --> 00:36:15,472
What about the gas? Oh, I took it from the gas.
529
00:36:20,623 --> 00:36:22,393
Who's that man over there?
530
00:36:22,480 --> 00:36:25,360
Well, just like I was telling you, my, my truck shot is shakin' heavy-
531
00:36:25,360 --> 00:36:25,840
getting kind of younger now.
532
00:36:25,840 --> 00:36:27,230
younger now and
533
00:36:27,376 --> 00:36:30,255
Who is that man? It's a friend.
534
00:36:30,255 --> 00:36:32,056
My friend there.
535
00:36:32,175 --> 00:36:33,007
How do you know?
536
00:36:33,615 --> 00:36:36,271
Ain't that a pretty one though? Ain't that real pretty?
537
00:36:36,623 --> 00:36:43,215
Yeah. I told you these meetings are private.
538
00:36:43,407 --> 00:36:44,847
Why did you bring a stranger here?
539
00:36:45,168 --> 00:36:46,416
Mr. Holbrook.
540
00:36:46,608 --> 00:36:49,487
I didn't bring him, he brought me over. Why?
541
00:36:49,487 --> 00:36:50,447
Okay.
542
00:36:50,447 --> 00:36:52,217
He needs some gas
543
00:36:52,751 --> 00:36:54,621
Thank you.
544
00:36:56,016 --> 00:36:57,275
And take him out of here.
545
00:36:59,152 --> 00:37:02,512
Ain't you gonna give me my coffee and and sugar and all this?
546
00:37:02,512 --> 00:37:02,992
Obrigado.
547
00:37:02,992 --> 00:37:03,802
Thank you.
548
00:37:03,952 --> 00:37:05,807
And all the stuff that you promised me?
549
00:37:05,871 --> 00:37:06,800
Let's go girls.
550
00:37:07,152 --> 00:37:07,920
Thank you.
551
00:37:08,271 --> 00:37:09,711
Don't need the sacks anymore.
552
00:37:09,711 --> 00:37:10,672
Oh, we got the music.
553
00:37:11,760 --> 00:37:12,250
Thank you.
554
00:37:16,751 --> 00:37:19,599
[Silence]
555
00:37:19,599 --> 00:37:21,039
Продолжение следует...
556
00:37:21,039 --> 00:37:22,039
Amen.
557
00:37:22,351 --> 00:37:26,960
Yeah. Well, you can leave now, son.
558
00:37:27,023 --> 00:37:28,143
Thank you.
559
00:37:28,496 --> 00:37:30,608
Well, just followed the Larray of Belf.
560
00:37:31,824 --> 00:37:32,664
What belt?
561
00:37:32,688 --> 00:37:36,688
ご視聴ありがとうございました I mean always keep your eye on the trail of the sun.
562
00:37:36,815 --> 00:37:38,704
And I never lose your shadow.
563
00:37:40,271 --> 00:37:46,032
Well then when you see very tall segreto cactuses, don't lose them neither, because that's the L'Orayel belt.
564
00:37:46,351 --> 00:37:51,152
The Sogrero and a Creoso tree will take you right back onto the trail of the earth.
565
00:37:51,695 --> 00:37:53,552
So that then that's the road.
566
00:37:53,871 --> 00:37:55,248
That's the road, yeah.
567
00:37:55,407 --> 00:38:03,056
You're beginning to get the fundamentals of it, son. Maybe. Well, thanks, Pa.
568
00:38:03,695 --> 00:38:04,655
Thanks for everything.
569
00:38:05,264 --> 00:38:06,351
You're very welcome.
570
00:38:06,927 --> 00:38:08,496
Hope I'll be seeing you again.
571
00:38:11,920 --> 00:38:14,927
Enlisted in US Army 1960.
572
00:38:15,344 --> 00:38:19,695
Service in Vietnam War. Wounded may Kong Delta.
573
00:38:19,728 --> 00:38:22,000
Honorable discharge from Army?
574
00:38:22,288 --> 00:38:23,887
Nineteen sixty four?
575
00:38:24,751 --> 00:38:26,672
Medal of Honor for bravery in battle.
576
00:38:26,672 --> 00:38:27,871
Thank you.
577
00:38:28,367 --> 00:38:32,688
Entered San Diego Police Force 1964.
578
00:38:33,231 --> 00:38:33,711
Why it's promoted.
579
00:38:33,711 --> 00:38:34,192
promoted.
580
00:38:34,192 --> 00:38:40,047
Detective first class 1966. Designable discharge.
581
00:38:41,103 --> 00:38:44,463
Classified documents available to authorize personnel only.
582
00:38:44,463 --> 00:38:45,054
Thank you.
583
00:38:46,192 --> 00:38:51,280
Demolition Derby Driver and Auto Clown 1967-68.
584
00:38:51,599 --> 00:38:53,039
Driving license suspended.
585
00:38:53,744 --> 00:38:55,248
Nineteen sixty eight.
586
00:38:56,239 --> 00:38:56,719
Previous failure.
587
00:38:56,719 --> 00:38:59,769
failure to submit the alcohol level test.
588
00:39:00,815 --> 00:39:01,295
Minor job.
589
00:39:01,295 --> 00:39:02,106
Good job.
590
00:39:02,992 --> 00:39:05,615
Other driving jobs in 1970 to date.
591
00:39:08,623 --> 00:39:14,159
No the end of that longer clip takes us well over the two thirds mark of the film.
592
00:39:14,192 --> 00:39:14,672
Holy shit.
593
00:39:14,672 --> 00:39:17,072
Yeah. Shit, man. It just does not let up. Like even if it
594
00:39:17,072 --> 00:39:19,952
Even if it's a good idea.
595
00:39:19,952 --> 00:39:24,271
Basically he has to get a flat tire just so the audience can go
596
00:39:25,871 --> 00:39:26,831
Yeah.
597
00:39:26,831 --> 00:39:27,791
Yeah.
598
00:39:27,791 --> 00:39:31,152
Hell, this guy this guy's wearing me out. I'm tired after this movie.
599
00:39:31,152 --> 00:39:40,304
Like I'm with him up until he just all of a sudden drives off into the desert and I'm like, Oh my god, no, he really is just trying to die. Like he's just trying to die. That's it. He's running until he dies.
600
00:39:40,304 --> 00:39:41,744
He's sick of you people.
601
00:39:41,744 --> 00:39:43,483
What do you mean, you people?
602
00:39:43,760 --> 00:39:45,679
That's what I said.
603
00:39:46,639 --> 00:40:03,824
In all seriousness though, uh you you can tell like he is running from himself, he's running from his memories, he's running from his past and it's full of pain. I don't know exactly when it gets revealed, but it's really heavily implied in that flashback that that girl did drown from s
604
00:40:03,856 --> 00:40:17,775
from surfing because the way she says, you know, remember me fondly or whatever. And then immediately after it cuts out of that and he starts driving like a maniac again, you know he's trying to drown out that feeling. So it's him he lost her in some way. But it's heavily
605
00:40:17,775 --> 00:40:18,255
Yeah, yeah.
606
00:40:18,255 --> 00:40:20,847
With the board coming in by itself that she drowned.
607
00:40:20,880 --> 00:40:21,456
Yeah.
608
00:40:21,583 --> 00:40:25,903
And then you're like, fuck, man, this guy's this guy's had nothing but tragedy in his life. Yeah.
609
00:40:25,903 --> 00:40:36,474
Yeah. And then somewhere later on someone actually says it or there's a clip of a newspaper where it says that girl drowned, uh, I think in that collage that we'll see later on or something like that. I don't remember. But it's pretty
610
00:40:36,496 --> 00:40:42,735
Pretty heavily hinted at in here. They just wanted to drive it home later because, you know, the only way subtlety works is if you hit them over the head with it.
611
00:40:42,735 --> 00:40:45,135
Yeah, I mean, that's movies.
612
00:40:46,576 --> 00:40:54,704
Holy fuck though. The first two thirds of the film, like I said, doesn't even give you a break. He has to get a flat before we can catch our breath. It's it's incredible. Yeah.
613
00:40:54,704 --> 00:40:57,434
Yeah, it's amazing. It's awesome.
614
00:40:57,519 --> 00:40:58,300
Great.
615
00:40:58,320 --> 00:41:02,159
All the shots are so well done. This is how you fucking car chase movie.
616
00:41:02,159 --> 00:41:04,559
This is how definitely how you car chased.
617
00:41:04,559 --> 00:41:05,519
Ha ha ha.
618
00:41:06,000 --> 00:41:06,809
No this.
619
00:41:07,344 --> 00:41:08,784
It's podcasting.
620
00:41:08,784 --> 00:41:10,704
Why don't we do the run to the end for the movie then?
621
00:41:10,704 --> 00:41:11,664
Let's hit it.
622
00:41:11,664 --> 00:41:22,304
All right, so the run to the end starts with a shot of Clevon Little cuddling the goodest of boys, who lends his sight to his owner, looking deep in thought before the dialogue kicks in with our sixteen.
623
00:41:22,735 --> 00:41:23,824
Ready now.
624
00:41:25,936 --> 00:41:26,416
At this tell me when.
625
00:41:26,416 --> 00:41:27,195
Hell me win.
626
00:41:27,632 --> 00:41:29,648
Yeah, I'm ready, but he's not ready yet.
627
00:41:31,824 --> 00:41:33,807
Forget it, forget it. I'll tell you when I'm ready.
628
00:41:34,864 --> 00:41:37,199
[Silence]
629
00:41:38,159 --> 00:41:39,000
Thank you.
630
00:41:39,503 --> 00:41:40,463
Push it.
631
00:41:42,768 --> 00:41:43,728
There's a car coming.
632
00:41:43,728 --> 00:41:45,168
Thank you.
633
00:41:45,168 --> 00:41:48,943
Okay. What really?
634
00:41:48,943 --> 00:41:51,034
Yes, thank you. You're very kind.
635
00:41:51,248 --> 00:41:51,856
You're welcome.
636
00:41:53,456 --> 00:41:57,360
But could you please tell us in which direction you're headed? I'm going to Frisco. Oh well that's
637
00:41:57,360 --> 00:41:57,840
Well that's perfect.
638
00:41:57,840 --> 00:41:58,800
Perfect, thank you.
639
00:41:59,344 --> 00:41:59,824
Is something wrong?
640
00:41:59,824 --> 00:42:00,574
Wrong.
641
00:42:00,623 --> 00:42:01,936
No, why should there be?
642
00:42:02,128 --> 00:42:02,608
Well you're so silent.
643
00:42:02,608 --> 00:42:03,418
Silent.
644
00:42:03,440 --> 00:42:04,367
And moody.
645
00:42:04,815 --> 00:42:06,447
Maybe it's just part of my nature.
646
00:42:06,831 --> 00:42:08,016
Why are you laughing?
647
00:42:08,431 --> 00:42:09,871
I'm not laughing. Yes, you are.
648
00:42:09,871 --> 00:42:10,711
Yes you are.
649
00:42:10,896 --> 00:42:11,376
Way down deep inside.
650
00:42:11,376 --> 00:42:14,016
It's because you think we're
651
00:42:16,847 --> 00:42:17,327
This is their cup.
652
00:42:17,327 --> 00:42:17,947
Stick up.
653
00:42:18,000 --> 00:42:19,088
Stick up.
654
00:42:23,184 --> 00:42:24,143
Why are you laughing, Mary?
655
00:42:24,143 --> 00:42:24,793
Mary.
656
00:42:25,168 --> 00:42:26,128
Well tell me.
657
00:42:26,320 --> 00:42:27,280
Tell me!
658
00:42:33,135 --> 00:42:34,576
It hurts! Oh my god!
659
00:42:34,576 --> 00:42:35,135
Amen.
660
00:42:37,711 --> 00:42:40,112
[Silence]
661
00:42:40,143 --> 00:42:46,159
After he ejects the robbers from his car, we cut back and forth between him driving and the DJ sensing him.
662
00:42:46,192 --> 00:42:51,536
Before we thankfully get some more dialogue so I don't have to write anymore for our seventeenth clip.
663
00:42:52,016 --> 00:42:56,126
Hey Brother K. Hi. Welcome back.
664
00:42:56,400 --> 00:42:57,583
How you feeling?
665
00:42:59,056 --> 00:43:01,199
Oh I bet you're tired, I bet you're tired.
666
00:43:01,295 --> 00:43:02,704
Well you wanna know what's happening?
667
00:43:03,599 --> 00:43:05,007
Yeah, what's happening?
668
00:43:05,423 --> 00:43:13,583
But Big Brother's not so much watching as listening in as you well might have gathered by now. But what you probably don't know is that uh they found these two.
669
00:43:15,056 --> 00:43:19,088
Gentlemen on the road, they was pretty badly battered up.
670
00:43:19,311 --> 00:43:20,121
Yeah.
671
00:43:20,143 --> 00:43:22,255
It must have had an accident or something like that.
672
00:43:22,896 --> 00:43:28,463
But some smart ass was putting the pressure on them to charge you with some ugly, nasty crime.
673
00:43:28,559 --> 00:43:30,992
let us say assault and battery.
674
00:43:31,280 --> 00:43:34,255
But the two gents in question Refuse to comply.
675
00:43:34,672 --> 00:43:36,592
Or as my older ego might put it.
676
00:43:39,248 --> 00:43:40,688
Now listen to this.
677
00:43:41,007 --> 00:43:47,344
Some party or parties are busily preparing a little welcome committee in the sunshine state.
678
00:43:48,016 --> 00:43:51,344
and the main doors and even some side doors.
679
00:43:51,472 --> 00:43:54,927
are heavily embellished with garlands and fuzzy frills.
680
00:43:55,088 --> 00:43:56,208
You know what I mean?
681
00:43:59,568 --> 00:44:01,391
Hang on now, brother. Hang on.
682
00:44:02,063 --> 00:44:03,023
Everybody clear the streets.
683
00:44:03,023 --> 00:44:04,463
You won't get hurt.
684
00:44:04,943 --> 00:44:06,523
Hey!
685
00:44:08,880 --> 00:44:09,789
है लागा
686
00:44:10,960 --> 00:44:12,112
I'M GONNA SHOT YOUR PICK-
687
00:44:12,175 --> 00:44:12,655
Altyazı M.K.
688
00:44:12,655 --> 00:44:13,335
Let's get em!
689
00:44:13,391 --> 00:44:15,791
Had to edit out some ps fucking slurs in that one.
690
00:44:15,791 --> 00:44:17,231
Yeah, right. No shit.
691
00:44:17,231 --> 00:44:21,692
Yeah, the last couple of clips I had to edit out some slurs, but I did my best, folks.
692
00:44:21,775 --> 00:44:23,215
I try not to miss any of'em.
693
00:44:23,215 --> 00:44:23,695
Yeah.
694
00:44:23,695 --> 00:44:35,695
All right. So this leads to a lynching sequence because we were talking about the slurs that is fucking awful in content and not execution. It's well shot and well depicted. It's just so well depicted it makes my stomach fucking churn. Yeah.
695
00:44:35,695 --> 00:44:37,648
Yeah. It's gross. Fuck.
696
00:44:37,648 --> 00:44:50,608
The radio goes silent in Kowalski's car, and he immediately seems to be like Samson post-haircut now, as his hand jerks to the dial. And then this biker following him comes on up for a convo into the window and
697
00:44:50,608 --> 00:44:51,577
And are
698
00:44:53,135 --> 00:45:22,416
[Silence]
699
00:45:28,239 --> 00:45:33,519
Back to that biker dude's house, and there is a lady out there riding a bike naked, so thank you, movie.
700
00:45:33,519 --> 00:45:34,880
Movie. Thank you, movie.
701
00:45:34,992 --> 00:45:41,295
They cut back to the biker, getting the speed that was requested in that last clip in our next clip.
702
00:45:41,360 --> 00:45:42,000
Thanks.
703
00:45:43,056 --> 00:45:44,976
You want more water? That's okay.
704
00:45:47,215 --> 00:45:50,831
[Silence]
705
00:45:51,632 --> 00:45:52,815
We'll take what you need.
706
00:45:53,679 --> 00:45:54,288
Nice.
707
00:45:54,320 --> 00:45:54,896
All right.
708
00:45:55,728 --> 00:45:57,903
Person to person call for Kowalski.
709
00:45:58,384 --> 00:46:00,784
Person to person call for Kowalski.
710
00:46:01,903 --> 00:46:03,311
Can you hear me Kowalski?
711
00:46:04,175 --> 00:46:07,056
This is to inform you of the latest developments.
712
00:46:07,280 --> 00:46:09,199
Correction to my last delivery.
713
00:46:09,775 --> 00:46:13,039
All the main doors are closed except one.
714
00:46:13,775 --> 00:46:15,695
This one opens to Sonora.
715
00:46:15,695 --> 00:46:16,175
Oh fire up man.
716
00:46:16,175 --> 00:46:16,655
out man.
717
00:46:16,655 --> 00:46:17,376
Thank you.
718
00:46:17,391 --> 00:46:19,536
That's just a couple of minutes up the road.
719
00:46:20,943 --> 00:46:21,423
You're going to make it go up.
720
00:46:21,423 --> 00:46:21,903
Kowalski.
721
00:46:21,903 --> 00:46:27,056
Amen. Yeah. Last chance.
722
00:46:27,440 --> 00:46:29,615
Or some weezers around there.
723
00:46:30,000 --> 00:46:31,920
Are you familiar with his Jack's voice? All new super.
724
00:46:31,920 --> 00:46:32,400
Super soft.
725
00:46:32,400 --> 00:46:38,639
Yeah. I said freeways.
726
00:46:38,800 --> 00:46:44,815
If any of the super soul spot our hero out there on his way. Maybe he's got a cold or something, but that's his voice, all right.
727
00:46:44,847 --> 00:46:54,447
Help him. Cheer him on and call us and let us know where he is so that I can personally deliver your message of goodwill to our soul.
728
00:46:54,447 --> 00:46:55,407
Come here!
729
00:46:56,208 --> 00:46:57,871
Are you listening, King? Come on!
730
00:46:58,480 --> 00:46:59,920
We're gonna help you. Take care.
731
00:46:59,920 --> 00:47:01,820
All of us.
732
00:47:02,864 --> 00:47:05,072
Yeah, yeah. So friends.
733
00:47:05,103 --> 00:47:06,063
Call me.
734
00:47:07,856 --> 00:47:13,583
Super soul right here at Kyle.
735
00:47:13,583 --> 00:47:19,804
far west. Absolutely. Right here in beautiful uptight downtown Oakfield.
736
00:47:20,271 --> 00:47:23,568
Brother Key. Just keep the faith in us, baby.
737
00:47:24,047 --> 00:47:25,871
And we'll lead you right on.
738
00:47:26,384 --> 00:47:27,280
to glory.
739
00:47:27,824 --> 00:47:29,487
Yeah, it sounds a little different.
740
00:47:29,711 --> 00:47:32,688
He sounds kind of uh stiff or Square.
741
00:47:33,648 --> 00:47:35,088
He sounds a little mechanical.
742
00:47:35,344 --> 00:47:36,463
You sense a trap, man?
743
00:47:37,264 --> 00:47:40,304
Yeah. We wait till I get back.
744
00:47:40,751 --> 00:47:41,552
Where you going?
745
00:47:42,480 --> 00:47:43,311
Just wait here.
746
00:47:44,880 --> 00:47:46,128
You gonna stay with us?
747
00:47:46,639 --> 00:47:48,112
No, I don't think so.
748
00:47:48,527 --> 00:47:50,096
Is there something I can do for you?
749
00:47:51,152 --> 00:47:51,856
I like that.
750
00:47:52,431 --> 00:47:53,615
Like anything you want.
751
00:47:54,288 --> 00:47:56,016
No, I can't think of anything.
752
00:47:57,199 --> 00:47:58,159
You don't fancy me.
753
00:47:59,280 --> 00:48:00,911
Oh yeah, yeah, very much.
754
00:48:01,871 --> 00:48:03,248
Then why don't we have some fun?
755
00:48:04,175 --> 00:48:04,911
Thanks.
756
00:48:04,943 --> 00:48:06,000
Thanks just to say.
757
00:48:09,360 --> 00:48:09,840
Isn't there something you
758
00:48:09,840 --> 00:48:10,780
Something you'd like?
759
00:48:11,503 --> 00:48:12,047
Yeah.
760
00:48:14,800 --> 00:48:18,639
Oh, okay, I'll roll you one. No, no, no, no. Oh, that's great one.
761
00:48:18,639 --> 00:48:19,159
Anyone.
762
00:48:23,536 --> 00:48:25,327
Here. Keep the pack.
763
00:48:25,807 --> 00:48:26,447
Thanks.
764
00:48:27,248 --> 00:48:29,487
You know, you haven't changed much. Mm-hmm.
765
00:48:31,311 --> 00:48:33,231
I said you haven't changed much.
766
00:48:35,056 --> 00:48:39,376
Here. That was a long time ago.
767
00:48:40,047 --> 00:48:40,623
I know.
768
00:48:40,911 --> 00:48:42,960
I pasted it up when it first came out.
769
00:48:43,599 --> 00:48:44,784
When I cut it out.
770
00:48:47,440 --> 00:48:49,648
Yeah, was a lala shooting jag raps, eh?
771
00:48:49,679 --> 00:48:52,047
[Silence]
772
00:48:54,480 --> 00:48:55,664
You're right, man.
773
00:48:58,320 --> 00:49:00,239
More cops than I ever seen, man.
774
00:49:00,784 --> 00:49:05,072
You were sold out! What the hell is that for? That's your pig pass!
775
00:49:05,103 --> 00:49:10,384
[Silence]
776
00:49:11,407 --> 00:49:12,719
Well I've seen it, I've treated.
777
00:49:12,719 --> 00:49:19,856
[Silence]
778
00:49:22,864 --> 00:49:23,824
Clear the road!
779
00:49:24,463 --> 00:49:54,351
[Silence]
780
00:49:55,664 --> 00:49:59,983
We don't call them mothers of speed thieves around here, but we're gonna do what you haven't been able to do.
781
00:49:59,983 --> 00:50:00,603
Merci.
782
00:50:00,655 --> 00:50:01,135
We're gonna stop him for
783
00:50:01,135 --> 00:50:02,096
Stopping for good.
784
00:50:03,407 --> 00:50:06,351
Yes, we've been previously informed of all that.
785
00:50:07,184 --> 00:50:08,143
Thank you about it.
786
00:50:09,583 --> 00:50:10,927
Well you don't need me anymore.
787
00:50:11,440 --> 00:50:12,592
You're in California.
788
00:50:13,775 --> 00:50:14,800
İzlediğiniz için teşekkür ederim.
789
00:50:15,023 --> 00:50:16,623
You bet your ass, baby.
790
00:50:16,943 --> 00:50:18,255
Take care, Kowalski.
791
00:50:18,255 --> 00:50:20,271
[Silence]
792
00:50:21,327 --> 00:50:22,288
I knew you wouldn't make it.
793
00:50:22,288 --> 00:50:25,527
What's happening? You're happening, man. You're all over the front page.
794
00:50:26,000 --> 00:50:26,960
Here's the headline.
795
00:50:27,152 --> 00:50:30,032
X-race driver involved in massive police chase.
796
00:50:30,032 --> 00:50:31,072
Yeah.
797
00:50:31,280 --> 00:50:33,168
Yeah, they even printed Pulvera's store.
798
00:50:33,679 --> 00:50:34,608
Plus a picture.
799
00:50:36,304 --> 00:50:40,911
I'll put you out there driving like a wild man It's not your kind.
800
00:50:41,039 --> 00:50:43,599
What you trying to prove, man? Are you high or what?
801
00:50:44,496 --> 00:50:45,199
You still in?
802
00:50:46,512 --> 00:50:52,047
Just tell Sandy not to worry. I'm okay and that that car is gonna be delivered Monday.
803
00:50:52,175 --> 00:50:53,295
Right on time.
804
00:50:53,327 --> 00:50:54,704
Your gas, man.
805
00:50:54,927 --> 00:50:58,704
Now listen it's But it's double the bet next time around, huh?
806
00:50:58,768 --> 00:51:01,168
Hey man, don't do no sell this shit out there, ok? Take care of yourself.
807
00:51:01,168 --> 00:51:03,068
Take care of yourself. Okay, I'll see you amigo.
808
00:51:03,760 --> 00:51:07,119
Yeah, so that lady pretty much offered herself to him and he just he wasn't into it.
809
00:51:07,119 --> 00:51:09,039
No, he was like Ah man, I'm all right.
810
00:51:09,039 --> 00:51:15,739
Yeah, he's just trying to run from himself and he's tired of feeling and if she sleeps with him, he'll start feeling things and he doesn't want that.
811
00:51:15,791 --> 00:51:20,351
Yeah, nope no mo no feelings, man. We're not into feelings, all right?
812
00:51:20,367 --> 00:51:23,248
Just speed. All sorts of speed. That's all we need.
813
00:51:24,335 --> 00:51:28,655
And you notice how he doesn't take very much because he just needs enough to keep him going until he eventually dies.
814
00:51:28,655 --> 00:51:31,536
Yes. Yeah. And then he can die and everything's fine.
815
00:51:31,536 --> 00:51:32,496
All right.
816
00:51:33,264 --> 00:51:34,768
All right, so
817
00:51:34,831 --> 00:51:51,695
The during the clip we actually see that it's like um California Saturday late at night and that heading popped up during the clip. At the end we see Clevan Little being helped back to his station and And guarded by a community as he starts his shift on the air in our twentieth clip.
818
00:51:51,695 --> 00:51:53,436
Ten seconds, Super.
819
00:51:55,983 --> 00:52:02,384
[Silence]
820
00:52:02,384 --> 00:52:03,824
Wheel, and some of evil.
821
00:52:05,744 --> 00:52:09,103
All peace loving Christians getting ready to go to church.
822
00:52:09,103 --> 00:52:09,583
Go to church this
823
00:52:09,583 --> 00:52:11,023
This morning
824
00:52:11,023 --> 00:52:11,503
Here I am.
825
00:52:11,503 --> 00:52:20,175
I am yours truly, yeah. Super soul, bannering this stream of unconsciousness and peddling his labels for the sake of good news.
826
00:52:20,175 --> 00:52:21,135
Good music to all
827
00:52:22,608 --> 00:52:31,288
But I'm here on Thursday for the first time in my life. And for the first time, this car radio station began.
828
00:52:31,503 --> 00:52:32,463
Not only the DJ.
829
00:52:32,463 --> 00:52:32,943
DJ and
830
00:52:32,943 --> 00:52:35,824
and to do my own thing but to tell you.
831
00:52:38,416 --> 00:52:39,195
Beginning.
832
00:52:39,248 --> 00:52:42,608
[Silence]
833
00:52:58,831 --> 00:53:04,815
And today, in a beautiful gesture made by beautiful people, beautiful downtown Goldfield.
834
00:53:05,231 --> 00:53:07,920
This radio station was named Kowalski.
835
00:53:08,208 --> 00:53:11,088
In honor of the last American hero.
836
00:53:12,304 --> 00:53:14,927
Speed means freedom of the soul.
837
00:53:15,215 --> 00:53:17,775
The question is not when he's gonna stop.
838
00:53:18,128 --> 00:53:19,824
But who is gonna stop him?
839
00:53:20,047 --> 00:53:23,952
Even Clevon Little's character at this point has kind of given up on him, Jesus.
840
00:53:24,047 --> 00:53:26,938
Yeah. No one's stopping him.
841
00:53:27,152 --> 00:53:28,592
It's just time to have some fun.
842
00:53:28,592 --> 00:53:36,751
This leads to a sequence of what looks like the setup of the beginning of the movie with that fuck around and find out barricade.
843
00:53:37,679 --> 00:53:41,519
And then the film cuts from that montage to our final clip. Hello.
844
00:53:41,519 --> 00:53:46,320
Hello, Kowalski. Gowalski. Please listen, Gowalski.
845
00:53:46,480 --> 00:53:47,920
But it's useless.
846
00:53:48,239 --> 00:53:48,719
Cut it off.
847
00:53:48,719 --> 00:53:55,550
After that mini-clip, we see Kowalski gunning it, pulling off his sunglasses, and speeding his way at the roadblock.
848
00:53:55,632 --> 00:54:08,463
The DJ shouts out don't and we cut back to him barreling at the roadblock and then the crowd of spectators and then to the car vaporizing before our very eyes in a fiery explosion.
849
00:54:08,815 --> 00:54:14,096
As the bulldozers do not even fucking move when it slams into it, folds up and explodes.
850
00:54:14,096 --> 00:54:15,536
Yeah.
851
00:54:15,536 --> 00:54:18,416
Like I mean, what a fine car just to see it die.
852
00:54:18,416 --> 00:54:18,896
Yeah.
853
00:54:18,896 --> 00:54:23,615
Yeah. The car explodes a second time just really twisting the fucking knife.
854
00:54:24,016 --> 00:54:30,960
As we see a sequence of folks all staring in shock And the firemen move in to put it out.
855
00:54:31,056 --> 00:54:37,295
The cleanup and the sadness sets in in a montage as we finally roll those fucking credits.
856
00:54:37,295 --> 00:54:42,224
Se você é o só This show still fucking sucks!
857
00:54:42,224 --> 00:54:50,864
Jesus fucking Christ, what a downer of a fucking ending, but man that film will fucking stick with you and make you long to be however that guy was free even though it was killed.
858
00:54:50,864 --> 00:54:55,088
Yeah. He was free and he died free.
859
00:54:55,152 --> 00:54:56,592
Yeah. He's just free. Yeah.
860
00:54:56,592 --> 00:55:01,871
Yeah. He had no concern or care about what was that going to do to anything else. He was free at that point.
861
00:55:01,871 --> 00:55:05,231
No responsibilities, no nothing. Just
862
00:55:05,231 --> 00:55:06,192
Yes. Nothing to worry about.
863
00:55:06,192 --> 00:55:07,351
About freedom.
864
00:55:07,376 --> 00:55:07,856
Yeah.
865
00:55:07,856 --> 00:55:09,405
I mean don't be wrong.
866
00:55:09,615 --> 00:55:11,248
I love my life.
867
00:55:11,280 --> 00:55:19,760
For the most part,'cause I've got a I've I've got a good wife, good marriage, a good son, friends, family. Don't me wrong, I do like my life.
868
00:55:20,271 --> 00:55:24,943
But there is something that everyone can find romantic about that kind of freedom.
869
00:55:25,648 --> 00:55:38,512
Yeah, he chose when he was gonna go rather than submit to anything, even though they didn't have anything on him really. All they were trying to do was just stop him because it was getting way too much attention what he was doing. Yeah.
870
00:55:39,791 --> 00:55:53,152
'Cause and again, he doesn't actually do anything that isn't above a misdemeanor, so like states really have no reason to extradite him because there's no federal interstate crime. And really the misdemeanors are just misdemeanors, so there's nothing to really
871
00:55:53,327 --> 00:56:00,271
do about it anyway. And then it finally starts building up and gets worse and worse. And then when he's finally like hiding in the desert.
872
00:56:00,304 --> 00:56:10,384
I feel like this film has a a sort of supernatural bent to it, almost like he's already in purgatory, and this is just him repeating purg purgatory over and over again.
873
00:56:10,384 --> 00:56:15,264
I don't know if that's purgatory, because he seems like he's having a pretty good time.
874
00:56:15,568 --> 00:56:18,927
Yeah, but purgatory doesn't have to be suffering. It's just where you go before you go.
875
00:56:18,927 --> 00:56:19,887
You go to the full on act.
876
00:56:19,887 --> 00:56:20,367
Well then.
877
00:56:20,367 --> 00:56:23,728
Well then he's living purgatory up to its fucking fullest.
878
00:56:23,728 --> 00:56:27,568
Yeah. If it if it is purgatory, this is how you fucking purgatory, baby.
879
00:56:27,568 --> 00:56:32,400
Yeah, yeah, yeah. This is how you purgatory motherfuckers. You just you fucking go hard.
880
00:56:32,400 --> 00:56:40,079
And if this is a loop where he just keeps going harder and harder until his soul finally gives up, it feels like he's got way too much fucking burn in him to get
881
00:56:40,079 --> 00:56:43,440
Yeah, no, yeah, that that soul ain't going anywhere any time soon. Yeah.
882
00:56:43,440 --> 00:56:44,400
Yeah, it's too busy.
883
00:56:44,400 --> 00:56:45,309
I'm telling you right now.
884
00:56:46,768 --> 00:56:53,487
You live the kind of purgatory where God looks at it and goes, Whew, I don't know. That guy's crazy.
885
00:56:53,487 --> 00:56:53,967
Good guy.
886
00:56:53,967 --> 00:56:55,407
He's coming in hot.
887
00:56:55,407 --> 00:57:06,159
He's gonna come in hot. Well wait, are you sending him to hell? No, man, they they don't have what it takes to get'em. We're gonna have to take'em here. It's just it's gonna be hot though.
888
00:57:06,639 --> 00:57:09,039
Just start building the racetracks, he'll be fine.
889
00:57:09,039 --> 00:57:14,320
Yeah. Hell. I'm just telling you, man. He already busted out of hell. He drove fast.
890
00:57:15,920 --> 00:57:16,400
Too bad.
891
00:57:16,400 --> 00:57:17,340
Too fast.
892
00:57:17,487 --> 00:57:19,407
Yeah. Holy fuck, it's crazy. It it was
893
00:57:19,407 --> 00:57:21,807
Satan doesn't even have a car that goes that fast.
894
00:57:21,807 --> 00:57:22,288
Ha ha ha.
895
00:57:22,288 --> 00:57:22,768
Ha ha ha.
896
00:57:22,768 --> 00:57:26,608
Oh man, I feel like there's like some kind of gold plated fiddle challenge in that.
897
00:57:26,608 --> 00:57:30,096
I know, right? And you know what though? If it if it happened.
898
00:57:30,320 --> 00:57:34,864
And it's like I wanna the devil's like I wanna race for the uh for the earth.
899
00:57:34,992 --> 00:57:43,632
I I want this guy. This is the guy. I'm like, no, that's fine. You but you get him. This is who you ra you're racing against. Welcome to hell.
900
00:57:43,632 --> 00:57:46,032
[Silence]
901
00:57:46,512 --> 00:57:49,882
You're writing fanfiction about Vanishing Point. That means you must have liked to be.
902
00:57:49,903 --> 00:57:54,608
I did. I liked it a lot. Of course I liked it. It was rocking.
903
00:57:54,608 --> 00:58:04,688
I am thoroughly pleased that we've decided to do trucker and car chase movies already'cause we're just in the pre nineteen eighties car chase movies now and just the first two weeks have been a pure joy.
904
00:58:04,688 --> 00:58:07,097
No, it's just been just fantastic.
905
00:58:07,119 --> 00:58:10,960
Yeah. The escapism that we totally needed from this scorched earth that we're suffering.
906
00:58:10,960 --> 00:58:13,789
I know. Good God Almighty.
907
00:58:13,807 --> 00:58:17,168
Well, why don't we go ahead and close out the fucking show? I think I'm good. How about you?
908
00:58:17,168 --> 00:58:18,367
I'm good.
909
00:58:18,384 --> 00:58:26,543
All right, so we're gonna play that outdated show housekeeping'cause we record uh two episodes a week and uh well I just haven't fixed it yet. So maybe I will eventually.
910
00:58:27,023 --> 00:58:37,711
And then we'll have the music that will be created right before I finish the edit, and hopefully it will at least follow something having to do with the plot or vanishing point when we come back and then we'll close out this fucking show.
911
00:58:37,903 --> 00:58:52,793
If you've decided you can't get enough of the show and would like to check out more of it, we're available at LegionPodcasts.com Just do a quick search for Cinema Psyops or just enter this entire URL into your browser. www.Legionpodcasts.com forward slash cinema dash psyops-pod.
912
00:58:52,815 --> 00:59:07,646
Podcast. Also available along with all of the fellow Legionneers on the Legion Discord chat. And now let's give you a rundown of the memes and how you're going to get them through Cinema Psyops. The easiest place to go is to subscribe to our Instagram feed.
913
00:59:07,664 --> 00:59:22,494
Which is our main meme repository at cinema underscore psyops, or you could also follow the Facebook page of Cinema Psyops because they are immediately posted there after they get posted to the Instagram repository, and you can also check
914
00:59:22,512 --> 00:59:36,911
out the Facebook group of cinema psyops and the memes are shared there. I am available on Facebook as Court PsyOps because the memes are also shared there as well. Thanks for listening to the show. I still can't believe that you're subscribed to us or here every week just like us.
915
00:59:37,423 --> 00:59:48,112
[Music]
916
00:59:53,264 --> 00:59:53,967
Press.
917
00:59:54,416 --> 00:59:56,143
But he's ready to roll!
918
00:59:56,559 --> 00:59:58,480
A white challenge of calls.
919
00:59:58,960 --> 01:00:00,527
A fire in his soul!
920
01:00:01,936 --> 01:00:06,000
He's racing to San Francisco, the clock ticks away.
921
01:00:06,159 --> 01:00:09,456
With dreams in his rear view, he's making his way.
922
01:00:10,255 --> 01:00:11,983
Pursue by the law.
923
01:00:12,463 --> 01:00:16,688
He's out for a thrill in a world full of shadows.
924
01:00:16,847 --> 01:00:18,768
He's chasing his wheel.
925
01:00:18,768 --> 01:00:20,827
Midnight in a bar!
926
01:00:20,943 --> 01:00:22,864
It's a dream for the ride.
927
01:00:23,599 --> 01:00:25,199
Jake Way, the best!
928
01:00:26,288 --> 01:00:29,648
Stars cry Flashbacks through his pants.
929
01:00:30,320 --> 01:00:32,239
A hero's refrain!
930
01:00:32,688 --> 01:00:34,543
Memories.
931
01:00:34,927 --> 01:00:36,719
Dance like the rain.
932
01:00:37,744 --> 01:00:41,583
He's racing to San Francisco, the clock ticks away.
933
01:00:41,936 --> 01:00:45,007
With dreams in his rear view, he's making his way.
934
01:00:45,007 --> 01:00:47,536
[Music]
935
01:00:47,536 --> 01:00:49,456
Pursued by the law
936
01:00:50,032 --> 01:00:54,096
[Music]
937
01:00:54,096 --> 01:00:54,576
In a world
938
01:00:54,576 --> 01:00:56,496
Full of shadows.
939
01:00:58,447 --> 01:01:00,847
He's chasing his wheel.
940
01:01:04,655 --> 01:01:05,967
Through phase.
941
01:01:07,632 --> 01:01:10,351
As reality waits.
942
01:01:10,735 --> 01:01:11,407
FUFR!
943
01:01:12,496 --> 01:01:19,632
Map is the night The promise of freedom in the heat of the fi
944
01:01:20,016 --> 01:01:28,271
Well, that was the song that was created right before the edit. Hopefully it rhymes, hopefully it makes some sense, hopefully it's not irritating. I did my best.
945
01:01:28,271 --> 01:01:30,362
[Silence]
946
01:01:30,543 --> 01:01:31,023
I'm just depending on the
947
01:01:31,023 --> 01:01:32,463
Fuck'em if they can't take a joke.
948
01:01:32,463 --> 01:01:39,184
Yeah, I'm depending upon the services to have it created that I have, so It worked out as it worked out and I'm terribly sorry if you hate it.
949
01:01:39,184 --> 01:01:42,063
Well, my bad our bad, I guess. I don't know.
950
01:01:42,063 --> 01:01:42,543
Is that what we show?
951
01:01:42,543 --> 01:01:43,503
That's how we show now.
952
01:01:43,503 --> 01:01:52,655
Uh this how this how the show goes. And by the way, you can't really hate it, all right. It's uh the fucking it's not hateable. Fucking people hate too easily these days'cause it's fucking it's not even hateable. How can you
953
01:01:52,655 --> 01:01:53,135
Why can you hate this
954
01:01:53,135 --> 01:01:55,536
You know what? Fuck you people.
955
01:01:56,016 --> 01:01:57,936
Working myself into a chute over here.
956
01:01:57,936 --> 01:02:01,264
I was I was literally about to say, Jesus man, you're working yourself into a shoot.
957
01:02:01,264 --> 01:02:04,143
Yep, work myself into a straight up shoot.
958
01:02:05,103 --> 01:02:07,744
Uh, that's what the last six beers are for.
959
01:02:08,815 --> 01:02:18,896
Well, while Matt gets really heavily inebriated and you're wondering we whether or not this was recorded during the morning. Kick the fuck out of this weekend, make it your bitch.
960
01:02:18,896 --> 01:02:19,376
On the rabbit.
961
01:02:19,376 --> 01:02:22,715
Rabbit night in the Austin as well.
962
01:02:22,800 --> 01:02:24,239
You like and feel yourself.
963
01:02:24,239 --> 01:02:25,679
Here's a slow steel.
964
01:02:26,639 --> 01:02:28,510
Let's go wild
965
01:02:28,527 --> 01:02:34,255
[Music]
966
01:02:34,255 --> 01:02:35,152
Amen.
967
01:02:35,152 --> 01:02:41,423
[Music]
968
01:02:45,199 --> 01:02:46,639
The nice at a place
969
01:02:46,639 --> 01:02:47,119
Please.
970
01:02:47,119 --> 01:02:53,391
He races with time in a row The bar to the road.
971
01:02:54,000 --> 01:02:57,199
With Bencidrine and hay A legend and old
972
01:02:57,199 --> 01:02:58,360
Субтитры сделал DimaTorzok
973
01:02:58,480 --> 01:02:59,920
Up cross the swan.
974
01:03:00,911 --> 01:03:01,391
Yet in the
975
01:03:01,391 --> 01:03:02,681
And the real beauty.
976
01:03:02,831 --> 01:03:04,751
Shadows don't talk
977
01:03:05,103 --> 01:03:05,583
With memory.
978
01:03:05,583 --> 01:03:07,353
Mm-hmm.
979
01:03:09,360 --> 01:03:12,976
[Music]
980
01:03:12,976 --> 01:03:13,936
Super Souls on the air.
981
01:03:13,936 --> 01:03:14,896
They're calling out his name.
982
01:03:14,896 --> 01:03:15,376
Last America.
983
01:03:15,376 --> 01:03:18,735
Sumar the hero igniting the flame as the tie screen up beneath the moon's.
984
01:03:18,735 --> 01:03:20,655
The moon side, Kowalski's resolve is a heart
985
01:03:20,655 --> 01:03:21,135
is a heart on the fly.
986
01:03:21,135 --> 01:03:26,896
So we are ready to rock. We're gonna have to uh break neck pig this as best we can.
987
01:03:26,896 --> 01:03:28,751
Yeah. Let's do it.
988
01:03:28,847 --> 01:03:30,768
Alright, here we go.
989
01:03:30,992 --> 01:03:31,472
3, 2, 1
990
01:03:31,472 --> 01:03:32,222
Two one.
991
01:03:32,304 --> 01:03:33,039
Uh oh.
992
01:03:35,920 --> 01:03:37,487
Oh shit. Uh
993
01:03:37,552 --> 01:03:42,768
It's not record I gonna have to use the backup recording ca on this. I don't wanna do that though, so hang on a second.
994
01:03:42,768 --> 01:03:43,728
Bye-bye.
995
01:03:44,239 --> 01:03:44,719
Okay, talk again.
996
01:03:44,719 --> 01:03:46,159
Hello, hello, hello.
997
01:03:46,159 --> 01:03:47,389
There that worked.
998
01:03:47,536 --> 01:03:48,496
Alright.
999
01:03:48,496 --> 01:03:52,815
Yeah. Alright, let me restart the sound plant. Okay, talk one more time.
1000
01:03:52,815 --> 01:03:55,416
[Silence]
1001
01:03:55,632 --> 01:04:04,847
All the while he has the remaining mo uh he speeds it up to jump a fucking bridge that's out, causing the cop Uh let's see here.
1002
01:04:05,039 --> 01:04:05,583
Okay.
1003
01:04:06,032 --> 01:04:07,952
Been in a two-by-file up on fifty-three.
1004
01:04:07,952 --> 01:04:10,831
Yeah, and I gotta stop writing notes and reading on stone.
1005
01:04:10,831 --> 01:04:12,271
Yeah, right?
1006
01:04:12,271 --> 01:04:14,391
[Silence]
1007
01:04:14,576 --> 01:04:20,559
The place And the line painting crew does a w Well massively fucking up.
1008
01:04:21,007 --> 01:04:22,224
And they'll what uh
1009
01:04:22,255 --> 01:04:22,735
No he hasn't.
1010
01:04:22,735 --> 01:04:23,695
Oh, is that?
1011
01:04:23,695 --> 01:04:25,615
It is a jaguar punch that in the right.
1012
01:04:25,615 --> 01:04:26,576
What are you guys?
1013
01:04:27,056 --> 01:04:28,016
He has got us back now.
1014
01:04:28,016 --> 01:04:32,335
It looked like the fucking spider vehicle that uh what's his name? Uh James Jean is driving with.
1015
01:04:32,335 --> 01:04:32,815
Yeah, no, sure.
1016
01:04:32,815 --> 01:04:34,255
Oh yeah. But I know.
1017
01:04:34,255 --> 01:04:51,503
But I know fuck all about cars and I freely admit that. Before those pig shift uh The important part is how Kowalski drifts the challenge the challenger uh three two one I love putting phrases like around backwards sort of almost like a Yoda thing to get people thinking in reverse and.
1018
01:04:51,503 --> 01:04:51,983
Yeah.
1019
01:04:51,983 --> 01:04:52,943
Making them confused.
1020
01:04:53,903 --> 01:04:55,824
Can't you like talk normal core?
1021
01:04:55,824 --> 01:04:57,744
No why would I do that?
1022
01:04:57,744 --> 01:04:58,704
Yeah, I'm two stars.
1023
01:04:58,704 --> 01:04:59,514
I can't.
1024
01:04:59,568 --> 01:05:01,967
My brain is purposely misfiring.
1025
01:05:01,967 --> 01:05:10,128
He's racing to San Francisco, the clock ticks away, with dreams in his rear view, he's making his way.
1026
01:05:10,735 --> 01:05:12,655
Pursue by the law!
1027
01:05:13,007 --> 01:05:14,927
He's out for a thrill!
1028
01:05:15,280 --> 01:05:19,119
Full of shadows, he's chasing his will.
1029
01:05:19,119 --> 01:05:21,039
Midnight in a bar!
1030
01:05:21,775 --> 01:05:23,695
Fins a dream for the ride.
1031
01:05:23,695 --> 01:05:25,976
[Silence]
1032
01:05:26,927 --> 01:05:27,887
Pride!
1033
01:05:28,527 --> 01:05:30,416
Flashbacks through his past.
1034
01:05:30,831 --> 01:05:32,655
A hero's refrain.
1035
01:05:33,807 --> 01:05:35,248
Memories.
1036
01:05:35,407 --> 01:05:37,327
Dance like the rain.
1037
01:05:38,224 --> 01:05:42,063
He's racing to San Francisco, the clock ticks away.
1038
01:05:42,447 --> 01:05:45,487
With dreams in his rear view, he's making his way.
1039
01:05:45,487 --> 01:05:48,079
[Music]
1040
01:05:48,079 --> 01:05:54,543
Pursuit by the law Three yield!
1041
01:05:54,639 --> 01:05:55,119
In a world
1042
01:05:55,119 --> 01:05:57,039
Full of shadows.
1043
01:05:59,023 --> 01:06:01,423
He's chasing his wheel.
1044
01:06:01,744 --> 01:06:02,447
Ha ha ha.
1045
01:06:02,639 --> 01:06:13,199
Well, while Matt gets really heavily inebriated and you're wondering w whether or not this was recorded during the morning, kick the fuck out of this weekend, make it your bitch.
1046
01:06:13,744 --> 01:06:14,704
They know it wasn't recorded in the morning.
1047
01:06:14,704 --> 01:06:17,583
Yeah.
1048
01:06:17,583 --> 01:06:19,023
Alright I need to stop the recording.
1049
01:06:19,023 --> 01:06:19,943
Recording.