ABOUT THIS EPISODE
The 31st release on PJCE Records is “Escape Route,” by Other Barry, a bionic power trio led by George Colligan on keyboards, with Micah Hummel on drums and Enzo Irace on guitar.
Transcript:
[Doug] PJCE Records artists Other Barry, a trio led by George Colligan, play at 2:50 pm, Saturday August 18th at the 2018 Montavilla Jazz Festival in Northeast Portland. Tickets available at montavillajazzfest.com, and you buy or stream the album at pjce.bandcamp.com. Here’s the episode.
Welcome to Beyond Category, I’m Douglas Detrick. The 31st release on PJCE Records is “Escape Route,” by Other Barry, a bionic power trio led by George Colligan on keyboards, with Micah Hummel on drums and Enzo Irace on guitar. The music is adrenaline-drenched, electronica-infused, jazz music that doesn’t mind being a bit complicated, even nerdy in its complexity. Picture Superman in beast mode, alternating between a dapper Clark Kent sipping a latte while he scrolls through his Instagram feed, and maybe that gives you an idea.
[Music: Thing 3]
The energy of the album starts at ten, and goes to eleven more than a few times, but not without entering some ethereal, fragile spaces.
[Music: Pad]
[George Colligan] I’m George Colligan and I played keyboards on the record.
[Micah Hummel] I’m Micah Hummel and I played drums.
[Doug] George Colligan, the veteran of this trio by at least a few decades, picked two of his students who share an interest in this aesthetic approach, and who were ready for a challenge. There’s a long tradition of a more experienced bandleader hiring young players. The iconic drummer Art Blakey came to mind for George.
[George] Art Blakey always wanted quality musicians, but at a certain point he went for young musicians, just like Betty Carter would go for young musicians. There’s different reasons for that...you can pay them less. But also to have the mentor/mentee relationship.
[Doug] That kind of relationship was important to Micah Hummel.
[Micah] George is basically why I moved here. Musically he’s just very inspiring, and open minded, willing to let me contribute to the conversation on the band stand.
[Doug] There are different reasons for an established older musician to work with younger players. It could include real opportunities for the youngsters to give input, or it could just be about having someone to obey commands. Allowing for an equal exchange of ideas was critical to the formation of this band and this album.
[Music Thing 5]
[George] I want it to be open to interpretation. I don’t like to overthink it or overexplain it. And this ties into the teaching part of it. I would say that I’m teaching by giving an opportunity to these young musicians to find the interpretation by themselves, you know what I mean, rather than by saying this is exactly what you should do.
[George] Here’s the thing generally about this project, is that there is a set component, but I always like to find that balance between written and spontaneity. Even though some of it is more quote unquote groove based, there’s still that spirit of interaction.
[Micah] One of my favorite drummers is Lewis Cole from Knower, and obviously Mark Guiliana and Nate Wood. What I love about them is that they can emulate machines in such a natural way. And I love that, but it can also be very restricting. I feel like this project and this group allows me to do the best of both worlds. Almost exactly like George was saying about pre-planning and spontaneity. I can have an idea of what I want to do, but there’s a lot of flexibility and I don’t have to be tied down.
[Doug] The last tune on the album, Revenge, is a rhythmic tour de force. Micah thought it showed the precision they achieved as a group. He thought...
[Micah] ...it would fall apart if everybody wasn’t on the same page and if there wasn’t that precise element about it.
[Doug] The last tune on the album, Revenge, is a rhythmic tour de force. Micah thought it showed the precision they achieved as a group. He thought...
[Micah] ...it would fall apart if everybody wasn’t on the same page and if there wasn’t that precise element about it.
[Doug] Finding musicians who can perform well in that environment can be a challenge no matter how experienced they are. George Colligan had more to say about Micah Hummel and Enzo Irace. Both young players have great technique, but there’s more to it than that.
[George] It’s about how to play with some maturity, how to develop a sense of taste, how to not play sometimes, when to leave stuff out. And I think Enzo has a lot of that instinctually. When I watch him play I get the same feeling as I do from older guys, they have a thoughtfulness about what they play, it’s not just a million notes.
[Music: Intro to Thing 5]
[George] I think Micah really brought this balance that we were talking about before. A project like this won’t work if it’s all about precision, and it also won’t work it it’s totally organic, so there has to be that balance. Micah has his own grooves. I’m hearing other drummers in town imitate them, so that’s a good sign for Micah, that he’s already become a local icon for certain types of grooves. There was a young guy at PSU and I was like ‘that’s some Micah Hummel stuff you’re playing.’
[Doug] The mentorship between George and Micah has been fruitful, but it almost didn’t happen.
[George] When somebody really good auditions, you remember that. He had a really great audition and we were like ‘we need to get this guy here.’ It was a finance issue and he didn’t end up coming. Then a few years went by and ran into this trumpet player named Noah Simpson, at the Reno Jazz Festival, and Noah was like “I’m from Arizona,” and I said “there was this drummer who auditioned for us a few years ago. What was his name?” and Noah said “Micah Hummel?” and I said “yeah, what happened to him?” And he said “he’s just chillin’, he didn’t end up going to college.” And I was like “get him on the phone.”
[Doug] The record comes out July 20th, 2018. Buy or stream the music at pjce.bandcamp.com. And you can hear this superhuman band play live at the Montavilla Jazz Festival, 2:50 pm, Saturday August 18th. Tickets are available at Montavillajazzfest.com where you can by a full-festival GA pass. You can buy a reserved seat for each set, which comes with festival pass. This festival is a gem of the Portland arts scene, and it’s the best opportunity for a Portland jazz fan to hear what Portland artists do when they have complete artistic freedom. It’s a special experience, and I want you all to be there.
The Portland Jazz Composers Ensemble performs at 5:30. We’ll be playing Watershed Suite, a new multi-movement piece by the acclaimed composer James Miley. Finally, if you love what we do at PJCE and you want to get even closer, become a PJCE Sustainer. You’ll get a discount code for reserved seats at Montavilla Jazz Festival for our set, free tickets and discounts for other PJCE concerts, and exclusive invitations to hang with PJCE artists and more. Become a Sustainer at pjce.org.
