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We're a little time poor and not exactly cash rich.
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That's a line from an email I received recently.
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It came from a client, the brand owner, whose agency wanted to enter their project for a design effectiveness award, and she followed it up with the question everyone is really asking: What would be required from us in terms of time, input, and information?
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I love that email because it's honest, and it deserves an honest answer.
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So that's what today's episode is.
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Real numbers, real time, and what it actually takes.
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Hello, and welcome back to the Authority Builder podcast.
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I'm Charlotte Ellis Maldari, and this is episode two of my short series on the DBA Design Effectiveness Awards.
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In the last episode, I talked about why these awards are different from every other design award.
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They judge whether the work worked, not just how it looks.
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If you missed it, go back today and have a listen.
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Today is a practical one.
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I'm gonna break the cost down into three parts: the money, the client's time, and your agency's time.
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Or vice versa, because sometimes it's a client who wants to enter, and they're asking for stuff from their agency in order to do so.
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Because most people overestimate all three of those things.
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So part one, the money.
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Let's start with the easy bit.
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The entry fees straight from the DBA's twenty twenty-seven entry pack.
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If you're a DBA member, your first entry is free.
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Zero pounds.
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And you can't carry it over, so you're gonna miss out on it if you don't use it.
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Each additional entry for members is five hundred and ninety-five pounds plus VAT.
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If you're not a member, it's one thousand one hundred and twenty pounds plus VAT for your first entry.
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And there's an early bird saving, a hundred pounds plus VAT off each entry, as long as you pay before five PM on Friday the twenty-third of October.
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But here's a bit that most people miss.
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You don't actually have to submit by then.
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You just have to pay.
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You can keep working on the entry right up to the first of December deadline.
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One more detail that matters, and I'm just gonna reinforce this'cause I know I've already said it.
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Free member entries can't be deferred.
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Paid entries can be pushed into the following year once, but the free one can't.
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So if you're a member and you don't use it this year, it's gone.
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But to be honest, the money is rarely the real barrier.
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The real barrier is time.
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So let's talk about that.
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Firstly, the client's time, and this is where people get nervous.
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They imagine asking a busy marketing director to fill in a 20-page questionnaire, and they think,"We can't do that to them." You don't have to.
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The approach I've used for years is simple.
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You don't ask the client for everything.
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You ask them for the top 10 results, 10 things that changed after the design launched: sales, share, listings, price point, customer feedback, whatever's relevant.
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And crucially, most of that already exists.
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It's sitting in launch reviews, sales reports, brand tracking decks, trade plans, customer service reports, sometimes even on their social media feedback.
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Nobody needs to write anything new.
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They just need to send out what they've already got or talk you through it on a call.
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Two things make this much easier.
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First, send them a past winning entry.
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Published winners are available on the DPA's effectiveness website, which a lot of people don't know actually, and it's such a great place to start.
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When a client sees how their numbers will actually be used, the request suddenly makes a lot more sense.
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Secondly, give them a priority list.
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Busy people need to know which three things matter most.
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For most entries, it's the original objectives, the sales data, and the marketing spend behind the launch.
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And if they only send those, you've got the bones of an entry that we can start building around So here's the surprise, what you can find out without the client.
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This is the part that surprises people.
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A lot of the evidence doesn't need the client at all.
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Over the years, I've built up a list of places to look, and here are a few of my favorites.
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If you work in FMCG or grocery, stuff that's available in the supermarket, the grocer's top products issue and its reports are absolute gold.
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The older ones give you the market context before the work.
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The newer ones show you the performance after.
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So much of that is freely available, and it's, scan track data, so it's highly, reliable and the kind of data that makes judges very happy.
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Market research summaries from the likes of Euromonitor and Mintel, even the free executive summaries can often paint a picture of the market at the time of brief, and that's a very important part of the entry to get right.
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And generally trade press, so we've mentioned the grocer, but clients are often interviewed about launches, new products, et cetera, and those interviews are full of quotable results that are much easier to get signed off than a brand-new quote.
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Other agencies on the same launch, for example, media, PR, digital agencies, they often have their own case studies with numbers in them.
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So take a look around at the other agencies who are involved in the project and take a look at what they've talked about, whether it's in press releases, in their own award entries, on their own website Next up for me are review sites and social media.
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Customers commenting on the new design unprompted is brilliant supporting evidence, and ironically carries a lot more weight than, on occasion when we're looking at, qualitative, research because those are unprompted quotes when we're seeing them in social media and review sites rather than people being sat down in a room in a focus group being asked questions.
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My rule has always been this: even the smallest amount of data shared can be turned into a strong entry if you know where else to look.
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Now part three, the agency's time.
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I'll be honest about this one.
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The writing itself isn't the slow part.
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The slow part is everything else around it.
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So chasing the client politely for the third time and still hoping you're gonna get another project out of them and trying to balance those two things.
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Agreeing which numbers you can use, working out how to show the results came from design and not from a price promotion or a hot summer or the out-of-home campaign that was going on at the same time, and getting the story into a shape that the judges actually read.
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And that's exactly the kind of work that gets bumped every time a client deadline lands.
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It's important, but it's never urgent like all house jobs within an agency, until suddenly it is in the last week of November when the deadline of the first of December is approaching very fast.
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So my advice is to plan it like a project, not a side task.
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Somebody owns it.
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It has milestones.
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We'll talk about the timeline properly in one of the future episodes, episode five of this miniseries.
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What about confidentiality?
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The one worry I hear a lot is that our client will never let us share the numbers.
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This is usually much less of a problem than people think.
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You actually submit two versions of your entry, a confidential one, which the judges see under strict confidentiality and NDA clauses, and then a publication version where you can redact sensitive figures or swap them for percentages or index numbers.
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If you look at published winners, some of them are full of the words redacted confidential data, and they still won.
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So you can share real numbers with the judges and keep them out of the public eye.
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That doesn't need to be a concern for your client.
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So what does it really cost?
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Let me pull all of this together.
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So money-wise, potentially nothing if you're a DBA member using your free entry.
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A few hundred pounds otherwise.
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Less if you pay before the 23rd of October.
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The client's time is a short email, a top 10 list, and maybe a call.
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Most of what they send through should already exist.
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It'll be lying around in, Excel spreadsheets and PowerPoint decks on their server.
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If you're an agency, your time, real but manageable.
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If you plan it like a project rather than squeezing it in, or you use an external consultant like myself.
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And what do you get for it?
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Well, this is the big one, and we've got a whole other episode dedicated to how to use your win.
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But you get independent proof that your design works.
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It's been judged by people who commission design for a living, and for most agencies, that's worth a great deal more than the effort that goes into writing one if they put it to use in the right way.
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And like I say, the first episode in this series is a great one to go back and listen to if you're wondering,"Well, what the hell are we gonna do with the award anyway?" So what to do next?
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If you've got a project in mind, but you're not sure what you'd actually need to gather, this is exactly what I can help with.
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link in the show notes and you'll find a form.
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Tell me about your project on that form, and within 24 hours, I'll send you a personalized verdict, including what evidence you'd need and how much work it's likely to be before you spend a penny or ask your client for anything.
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Next time, I'm turning this around.
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Agencies often assume that the Design Effectiveness Awards are their trophy and that the client is doing them a favor, and in my experience, it's often the other way around.
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So episode three is all about the client, why brand side teams should want to enter, and how to ask them.
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Thanks for listening and see you next time.