Troy

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Hey, everybody woud to the Movie Guide. I am Brendandana
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of the four Finger Discount Network, joined right now by
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Guy Davis. Hello, they're Dan and the reviewers of all reviewers.
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He is the graand Pooba he is Leonard Moulton. How
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are you so, Pooh?
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And bars are you sir? Thanks to the welcome.
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One might say the Achilles of film criticism, the legendary
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warrior of film crism. What a silky segue, because today
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we're going to be talking about sword and Sandal epics.
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Why are we doing that? Well, we are recording this
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just prior to the release of Christopher Nolan's new epic,
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The Odyssey. It's going to be out or so in
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about a week the time recording this. But I think
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they have had the world premiere, they have had critics
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and influences along to check it out. The word is
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uniformly positive at this stage. And look, I'm not one
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to make predictions, but I'm guessing by the time you
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hear this podcast, it will have made three billion dollars preemptively,
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been awarded ten Oscars, and also won the World Cup,
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which is, you know, something of the moves don't normally
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do so, yeah, props to the Odyssey, well done. But
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let's go back in time. Not back to eleven eighty
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four BC, the time at which the movie Troy takes places,
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which we're going to be talking about today, but we'll
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go back two decades or so when the movies rediscover
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the love of the Sword and Sandal epic. Ever since
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the beginnings of Hollywood, sort of historical epics have been
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I won't say the bread and butter of Hollywood, but
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they tend to re emerge every few decades or so.
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New technology, new processes, everything like that, and yeah, Hollywood's like, well,
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let's remake ben Hur. They tend to do that.
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Well, nothing succeeds like success. And when one of those
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films scores at the box office, scores with awards, scores
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with audiences, you can bout there more coming.
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Very much the case, Leonard, And in this cat the
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turn of the century. In the year two thousand, we
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had Gladiator, directed by Ridley Scott. This was a massive
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critical and commercial success, won the Best Picture, Oscar, won
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the Best Actor Oscar for Russell Crowe as well. In
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the wake of that success, studios went back to the classics.
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They were looking at the reign of Alexander the Great.
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They were looking at the Crusades, and they were looking
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at Homer's Iliad and Odyssey. They wanted to recapture that
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great sense of spectacle and scale, and this time augmented
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by massive budgets, movie stars, and state of the art
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special effects. One of these was Troy in two thousand
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and four. Is the thing that this was eventually directed
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by Wolfgang Peterson, who's got a list of credits as
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long as your arm. When we will talk about those.
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But before he was handled the director's chair, it was
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offered to one Christopher Nolan. He'd made his not his debut,
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but he'd sort of made his breakout from with Memento.
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He'd shown that he'd work within the studio system with
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his remake of Insomnia, and Warner Brothers said, we can
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maybe trust this guy with something a little bigger. Instead,
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the director's chair went to Wolfgang Peterson and Nolan was
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given the consolation prize of directing Batman Begins. But yeah,
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Troy is what we're talking about today. This is a
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retelling of the Trojan War.
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Essentially, it could be called Achilles, because that would still
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give a very pet the title role, which is a
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necessity because he is the focal point of the film.
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Everything sort of revolves around him. Though, there's a fascinating
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cast of characters, real life characters from you know, Greek
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mythology and history. I'd forgotten just how strong a cast
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it is until I revisited it last night, all the
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way down the line. I mean Orlando Bloom, Sean Bean,
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the Great Brian Cox, the Great Peter O'Toole, Eric Bonna
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in a one scene role, Julie Christie, Yes, the late
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Great Peter O'Toole, and Brendan Gleeson week links in that chain.
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Yeah, just a wonderful cast of up and comers, veterans, legends,
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and even in as you think, in like one scene
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roles or just in bit parts or character parts, you know,
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in supporting roles, just faces and that you'll recognize faces
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and voices that you'll recognize. I mean, they clearly went
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all out. They didn't didn't just throw a bunch of
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money at Brad Pitton then said, oh, we'll get a
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bunch of no names to round out the cast. No,
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they really stack this, and I think that's evident across
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the board. With Troy I mean it's just a quality
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production from sort of go to woe. I mean this
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is a big budget movie. I mean this is constantly
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two hundred million dollars back in nearly two thousands, when
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two hundred dollars actually meant something.
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You see where the money went, you really do. It's
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the scale of production. It's talked about the word epic.
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If you look up epic in the dictionary, it may
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well be a freeze frame of Troy. The thousand ships
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that Helen metaphorically launches are all there. You can tell them.
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Greek army fills onto the shores of Cecily. Is majestic
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and its skulle, it really is, and it gives all
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his actors something to play with, some meat to chew on,
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and irradiant maybe that's the wrong word, but irradiant and incredible.
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Leading man Brad Pitt is the living definition of a
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movie star, right, and you want a movie star to
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play this part the unconquerable or seemingly unconquerable warriors, the
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greatest warrior of this time, and to borrow words from
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the language an Adonis as well.
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Very much so. Pits In's in maximum movie star mode here.
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I mean, he's in fantastic shape, and of course showing
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it off he gets some real trailer worthy lines. He
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wins pretty much every fight that he's in, and he
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acts honorably but also ruthlessly, so he gets a bit
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of a full rounded character here. As we know, viewers
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and listeners of the movie guide are of course history
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buffs and know everything about the Trojan War, but that
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one point one percent that isn't a brief rundown of
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what Troy is actually about. It is eleven eighty four BC,
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and the brutal Agamemnon has conquered many of the kingdoms
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of Greece. There's one of these long coveted and that's
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the Kingdom of Troy, but that's resisted. It's a nation
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or a kingdom of fighters, very very proud, very capable
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when it comes to battle. But when Trojan Prince Paris
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falls in love with Helen, who is the wife of
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Agamemnon's brother Menelaus, sparks a war that is driven equally
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by lust for revenge and desire for power, the hardy conflict.
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You have two great soldiers. You've got the noble Trojan
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Prince Hector played by Eric banner, and you've got the
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legendary warrior Achilles, who fights for the Greeks but mainly
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for his own glory. Yeah, now that's pit As Achilles.
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And here's the thing about Troy. It's got a sort
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of a mixed reputation. I think a lot of people
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sort of view it as very blustery, kind of melodramatic,
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not exactly subtle, but I think that's part of the
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course when it comes to what we call the sword
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and sandal genre, right, I mean, it's usually.
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I don't think you turned to this kind of movie
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for subtlety.
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You don't really do it. It's usually capital letters and
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primary colors, am I right.
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Yeah, yeah, it's true. But that doesn't mean that it's
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over baked or overwrite. Perhaps this is the word we're there. Yeah,
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I don't find it. So I think that the characters
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are very compelling, And what impressed me the most about
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the screenplay by David Benioff is that he takes these
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huge chunks of history and makes them personal, if not intimate. Personal.
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You can follow what is happening because you're following the
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characters and the choices the characters make, and the circumstances
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that are heaped upon them.
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Yeah, there's real humanity in these dare I say it?
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Lend iconic characters, these historical characters. I mean he finds
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the humanity, the motivations in all of them, and yeah,
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it works as a result. I mean Benioff, he was
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making a name for himself as a novelist and a
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screenwriter when he was commissioned to write the Troy screenplay.
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He's probably best known for writing the novel that Spike
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Lee's twenty fifth Hour is based on, but of course,
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these days he's best known for co creating Game of Thrones.
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I really like what he does here.
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I mean, you know, the Trojan War and the events
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of the Iliad, and you know partially the Odyssey, and
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they're fairly sprawling, and he condenses them down into a
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relatively streamlined two hours plus, maybe three hours plus if
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you're watching the director's cut a narrative in that way,
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I think he does a really pretty good job with it.
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I do it too. He was handsomely paid for his work.
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I read online he cashed a check for two and
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a half million dollars. Must be nice, not screenplay. I
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would have done it for half.
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The words on the street Now, Lenon Bolton will work cheap, yeah,
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but an epic movie, but yeah, with a sort of
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a core of humanity to it. And I think that's
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evident really in the performance is that we said, I mean,
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this has got a fantastic cast of movie stars, of
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movie stars on the rise.
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And of course one of the obligations of the movie
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is that you have to now reveal how of Troy
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who is going to be helen of Troy? And I
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remember seeing the movie when it was new at screaming
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at Warner Brothers, I recall correctly, and getting my first
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look at beautiful Diane Krueger, who is indeed a beautiful woman,
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an unknown at the time, an unknown face to almost
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all of us. I dare, sir, And she's a knockout.
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She really.
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It's kind of a thankless role, but I think she
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does some pretty good stuff with it.
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Yeah.
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Yeah, I mean it's a very kind of reactive part.
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But no, I think she does good work within it.
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And it's almost a bit of a poison chalice for
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an actor, because well, you know, once you play the
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most beautiful woman in history, what do you go? Where
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do you go? From there or you know, how do
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you prove that you're capable of something more than that?
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I remember seeing her a few years later in Tarantino's
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in Glorious Bastards, in which he gives a really good performance. Yeah,
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and she's done a lot of great work in Hollywood
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and European productions since. Yeah, it was a great It
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was a great launching pad for her. There's a great
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launching pad for a lot of people, though, you know,
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being Australian. And by the way, there's a lot of
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Australian representation movie. And when I say a lot, I
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mean three. But you know, you've got Eric Banner as
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one of the co leads. You have, let's say, all
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Australian behemoth, Nathan Jones as the Titanic warrior who was
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bested by Brad Pitt in the opening sequence. Viewers may
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remember him from Mad Max Fury Road. But you also
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have Rose Burn. Now this is maybe her breakthrough Hollywood
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performance or Hollywood breakthrough, breakthrough Hollywood role. She'd of course
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worked in Australia a little bit before it. And I
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remember thinking, you're quite adorable, but I'm not sure how
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much you've got in your Toolkit, and she's very very
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good in this. It made me reappraise her, and of
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course everything she has done since has made me reappraise
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her even more. She's a fantastic actor, and yeah, I
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think she does such good work here as this young
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noble woman who is well, shall we say, brutalized and
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victimized by the invading Greeks. But Achilles sort of has
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a bit of a soft spot for her, and she
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wins his heart and cools his fearsome temper. She's really
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good in it. I like Roseburn a lot in this.
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I like her and almost everything except the film that's
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got her an ask for nomination.
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If I had legs like Kick You, Yeah, I.
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Despise that movie. I don't mind saying.
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Oh my god, we'll talk about that on a future episode.
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But I like her a lot, and she shows all
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the promise you just mentioned there.
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I want to talk about Eric Banner a bit. He's
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an actor who I find really interesting. Again, Australian audiences
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knew him mostly as a comedian, as a sketch comedian.
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He was on i want to say, an Australian version
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of Saturday Night Live, but he sort of made a
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name for himself to Australian audiences back in the nineties
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playing these various comedic characters on TV. And it wasn't
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until the year two thousand and he's performance in the
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as the title character in Chopper that everyone start to realize,
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Oh wow, there's yeah, certainly more to this guy.
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Yeah. I think of him as a chameleon. He doesn't
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bring a lot of baggage with him from rule to role,
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so I find myself having no trouble believing his performances
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and across the landscape of ruis that he's made from
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lighthearted to deadly serious as this one is to me,
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he's always credible.
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Yeah, and it was very depend as well. I mean,
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Hector is a less flashy role than Achilles. He's kind
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of a square in all honesty. But I think Banner
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because he has that dependable quality. He brings real strength
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and integrity to it. I was trying to think of
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a comp for Eric Banner, because you can compare someone
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like Pitt to other actors, you know, either back down
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the line or people who want to be like Brad
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Pitt now. And the only person I could really think
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of was like Liam Neeson, you know, someone who's very sturdy,
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very capable. They've got star quality. But it's not sort
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of radiating off them. It's just you're more sort of
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drawn to them. They pull you in, as opposed to
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energy sort of beaming out of them. I don't know
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if that makes any sense.
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No, it makes It makes a lot of sense. I've
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always been a fan of Brian Cox, who has enjoyed
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He's been working steadily for decades now, but he's come
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to a latter day prominence. I guess he never draped
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on the TV series Succession Correct, where he plays the
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well Sinley Veils Rupert Murrach type patriarch and tycoon as
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great as he was in that series, and it was
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a terrific series. He's always been a really fine actor,
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and Agamemnon is a perfect role for him because he's
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commanding and sometimes overbearing, but also petty and given to
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flashes of emotion, unexpected flashes of emotion, and he covers
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all that ground and really well.
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Yeah, it's a really great balancing act, isn't it. Because
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he has these moments where he's almost like a pantomime villain.
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You know, he's almost like he's twirling a mustache at times,
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but then he'll slide moments of again humanity into it,
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I mean villainous humanity, but still I recognize what drives
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this guy. I mean, he's supposedly ruling the world, but
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he's frustrated by this warrior who his warrior and Achilles
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who has basically granted him that power, who he can't control.
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There's this whole range of human emotion in the characters
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of Troy, you know, whether they're noble or self sacrificing,
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or they're petty and and brutal. That's why I think
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it works. I mean, this is a word that I
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use a lot to describe a movie. They're like, it's sturdy,
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it holds up.
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Yeah.
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There's a great double act as well with Cox and
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Brendan Gleeson, who's is equally cruel but less wily brother.
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They're like this.
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Wonderful tag team, and you know, Gleason's kind of the
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muscle of it, while Cox is the brains behind it all.
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I want to do quickly about Orlando Bloom because again,
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he's someone that I find interesting anyone who sort of
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gets who cops a bit of flag. I tend to
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have a little little time for it. Yeah, I don't.
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I don't think Orlando Bloom is suffering all that much.
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From what I understand, He's married to a supermodel, and
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he's got Lord of the Rings and parts of the
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Caribbean money. Orlando Bloom is doing fine. But I think
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a lot of people call him the weak link in
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this as Paris. I mean, Paris is this playboy prince.
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He's a weak character.
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He is he is. I mean, Paris is a weak,
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shallow character who essentially steals Helen of Troy and kicks
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off the whole Trojan War as a result. I don't
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necessarily by their romance as a love for the ages, no, no,
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but I do commend Bloom for, at the height of
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his stardom or his assent, playing a weak, shallow character
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like Paris with such commitment. I mean, this is a
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character who, in the middle of a fight is really
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getting his ass handed to him and scurries away like
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a little coward. He runs to him, He runs to
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his big brother and basically grasped onto his leg and says,
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save me, save me. I don't think many young actors
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would do that, So I've got to give him respect
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for that, and he's well cast, shall we say.
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Yes is? Yes, he is and you believe him? And
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Eric Banner has brothers.
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You do you do?
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Yeah?
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I like their dynamic together. And look, Bloom may seem
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out of his depth sharing the screen with Peter O'Toole,
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but honestly, who wouldn't.
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If you had a cast of film today. Peter o'toles
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has gone to his greater reward. Who is there to
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take his place? That's for anyone.
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Yes, I'm not sure because how old o'tool have been
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at this stage. He would have been in his late seventies,
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early eighties perhaps.
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Yeah, he was still working to the very end of
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his life.
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I'd have to say maybe someone like Ian McKellen perhaps,
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or Ah or Charles Dance seems to be the go
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to for these kind.
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Of guys these days. Mm hmm, how there aren't any left.
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That's true. O'tool's marvelous, though his presence and his power
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is sort of underlooted. He's not the declarative young man
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that he was in Lawrence of Arabia that was what
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for five decades earlier. But the scenes that he has
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with with Bloom, with Banner, with Kruger, and particularly with Pitt,
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you can sense that Pitt is, if not oded, then
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he respects the majesty of sharing the screen with Peter O'Toole.
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Yes, I've never seen him speak on that subject or
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address that subject, but I can't imagine that he would
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feel anything other than respect. If not, Ah could be
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just a case of real life and art blending together.
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So the benefit of the movie and the benefit of
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us and the audience.
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Absolutely, I think we both enjoy this movie. Having said that,
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there are people behind the scenes who weren't necessarily that
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big a fan of it. O'tall is one of them.
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He apparently did not get along with the director Peterson,
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by the way, hit himself. He said, look, I was
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meant to make another movie for Warner Brothers. I fell
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out of that one, and I was contractably obliged to
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make a movie for them. They put me into Troy.
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He's not the biggest fan of the movies. He calls
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it a commercial kind of thing with no mystery as
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his quote, and he says about his own performance, I
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make my own mistakes in it. I can understand where
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he's coming from, but again, I think he wants to
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give a little more complexity to something like Troy that
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it doesn't exactly warrant, so understand why he's coming from.
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I don't want to talk about Peterson, though, because he
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makes what could be called dad movies, or what I
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might disrepidly call hangover movies. If you're wed, had one
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or two on a Saturday night and you're feeling a
358
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little under the weather on a Sunday, don't want to
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do much at all. You just want to sort of
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line the couch and groan, but also have something on
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in the background. The movies of Wolfgang Peterson and now,
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admittedly he sort of made his name with dust Boot,
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one of the great war movies of our time, but
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if you look at titles like in the Line of Fire, Outbreak,
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Air Force One, or The Perfect Storm, its like, yeah,
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these are good dad movies, but they're also I don't
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think too much, but I have to have my brain
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on a little bit, I have to be a bit engaged,
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And yeah, I think he did that just about as
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well as anybody, and Troy's a really good example of that.
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I think. Remember this was made twenty two years ago
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and it was still the early phase, the early chapters
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of computer generated imagery. Or a CGI as we call
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it now, And there is a risk of looking mechanical
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at times or artificial at times. When you have these
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huge flyover shots of the walls of the city and
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the Trojan horse who shows up of course before the
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end of the story, and these vast, vast armies of
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soldiers I do mean vast, you risk them looking slightly unreal.
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I think this film makes them look real.
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It does are right that thousand ships that we talk about, you,
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they look pretty authentic. I think this does the great
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thing that a lot of those early two thousands movies
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do in terms of they can bind computer generated effects
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with a lot of live act and a lot of
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practical stuff. I mean this, you can sort of feel
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the sand on the skin and the dirt under the
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fingernails in a lot of situations here.
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Yes, now a film makes you feel aloof you're drawn
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into what's going on. And Peterson has an ability to
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intercut close up action. I'm talking about using fists and
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shields and armor and spears and arrows and god knows
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what else with wider shots and even wider shots. But
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00:19:58.079 --> 00:20:03.319
because they're intercuts so expertly, they're very forceful, very forceful.
395
00:20:03.200 --> 00:20:14.440
Got very tactile quality Troy double feature, Leonard.
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Double feature, one cartoon, and a couple of trailers. That's
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all youah, correct sir.
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We doubt anyone has the time and or stamina to
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go another three hours after maybe watching the three hour
400
00:20:25.920 --> 00:20:29.119
director's cut of Troy. But this was a really interesting
401
00:20:29.160 --> 00:20:32.160
time post Gladiator in Hollywood. We had a handful of
402
00:20:32.200 --> 00:20:35.160
sword and Sandal epics that came out. Ridley Scott's Kingdom
403
00:20:35.160 --> 00:20:37.240
of Heaven, which I think met with a fairly mixed
404
00:20:37.240 --> 00:20:40.440
response serious theatrical run, but its reputation has been very
405
00:20:40.480 --> 00:20:42.720
much enhanced by the director's cut that was released on
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00:20:42.720 --> 00:20:45.519
home video, added about another hour or so.
407
00:20:45.519 --> 00:20:48.440
That's like a four hour exercise, right.
408
00:20:48.640 --> 00:20:50.960
It is, But it's it's worth it. I mean, it's
409
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I think been appraised as one of Ridley Scott's best works.
410
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That's what I hear.
411
00:20:56.119 --> 00:20:59.680
Yeah, and again Orlando Bloom in the lead possible weekly
412
00:20:59.720 --> 00:21:01.759
But again I think he does what's askedive and I
413
00:21:01.799 --> 00:21:03.599
think he does it pretty well. But he is surrounded
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00:21:03.640 --> 00:21:06.880
by an array of fantastic talent in that movie. Here's
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00:21:06.920 --> 00:21:11.599
one that you might enjoy, Alexander by Oliver Stone, when
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00:21:11.599 --> 00:21:14.279
we were discussing talking about Troy. I think you were
417
00:21:14.279 --> 00:21:16.240
thinking that we might talk about Alexander, and you were
418
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quick to kai Bosch that idea.
419
00:21:18.839 --> 00:21:23.359
I gave Alexander a try when Oliver Stone sent a
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letter to all the members of the LA Film Critics
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Organization saying that he had recited and re edited and
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begged our indulgence to give it one more try. So
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I did to No avail.
424
00:21:37.440 --> 00:21:40.400
Still didn't work. Yeah, there are I think maybe three
425
00:21:40.480 --> 00:21:42.880
or four different cuts of Alexander going around.
426
00:21:43.279 --> 00:21:43.720
Yeah.
427
00:21:43.839 --> 00:21:46.319
I admire it because it feels like the last great
428
00:21:46.319 --> 00:21:48.880
big swing that Oliver Stone took as a filmmaker. I mean,
429
00:21:48.920 --> 00:21:51.880
he was always a fairly gonzo kind of guy, and
430
00:21:52.759 --> 00:21:56.119
the story of the young conqueror who basically ruled the
431
00:21:56.160 --> 00:21:59.359
world at some stage that feels like great material for him.
432
00:21:59.680 --> 00:22:03.559
It's too sprawling, it's too unwieldy, and as much as
433
00:22:03.599 --> 00:22:06.440
like Colin Farrell, he's not right for the lead. It's
434
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one that I will revisit every few years or so,
435
00:22:08.599 --> 00:22:11.279
just hoping that this time I'll connect with it. I
436
00:22:11.359 --> 00:22:14.880
never really do, so Olives Stones Alexander is not it
437
00:22:15.599 --> 00:22:18.720
three hundred. Perhaps this came out a couple of years later,
438
00:22:19.000 --> 00:22:20.839
and this is kind of the opposite of Troy in
439
00:22:20.880 --> 00:22:23.400
that it feels very artificial. I mean, it's all sort
440
00:22:23.440 --> 00:22:27.559
of green screen and semi animated. But it also seemed
441
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to be an indicator of the way these movies might
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00:22:29.359 --> 00:22:32.480
be going. It's a strange movie, three hundred directed by
443
00:22:32.559 --> 00:22:33.200
Zack Snyder.
444
00:22:33.279 --> 00:22:34.680
It puts Zack Snyder on the map.
445
00:22:34.799 --> 00:22:37.279
It certainly did. Yeah, I think you might be right, Lennon.
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Maybe just a cartoon and that's it. You don't want
447
00:22:41.319 --> 00:22:43.200
to sort of double up too much with Troy. It's
448
00:22:43.200 --> 00:22:45.279
got enough going for it as it is. And because
449
00:22:45.319 --> 00:22:47.599
we are big advocates of physical media here at the
450
00:22:47.640 --> 00:22:49.799
Movie Guard, we should give a shout out to our
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00:22:49.799 --> 00:22:52.400
friends at Arrow Video. They are releasing this on four
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00:22:52.480 --> 00:22:54.480
K in a fairly loaded set. It should be out
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sometime in the next couple of months. It's one that
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I'm looking forward to. I think I will probably lay
455
00:22:57.799 --> 00:23:00.799
down my heart earned money to get a copy.
456
00:23:00.640 --> 00:23:04.000
Of Troy now, Leonard, we are reviewing Troy, of course,
457
00:23:04.039 --> 00:23:06.440
because Chris Van Nolan has The Odyssey coming out. I
458
00:23:06.440 --> 00:23:08.839
mentioned at the start of this podcast. Are you excited
459
00:23:08.880 --> 00:23:09.480
for the Odyssey?
460
00:23:09.920 --> 00:23:11.839
I am looking forward to the Odyssey. I'm not a
461
00:23:11.839 --> 00:23:15.359
fan of Christopher Nolan's work, and I say that, you know,
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00:23:15.519 --> 00:23:20.480
not gleefully, but reluctantly, because he has such ambition, and
463
00:23:20.519 --> 00:23:23.640
he has the energy and the talent to fulfill his ideas,
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no matter how grandiose. I wish he had a sense
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00:23:26.720 --> 00:23:30.640
of humor. Nobody's perfect right, But I am really curious
466
00:23:30.680 --> 00:23:32.680
to see what he has done. Now. I've never I
467
00:23:32.759 --> 00:23:35.160
have to congress. I never read Homer. I never read
468
00:23:35.480 --> 00:23:38.759
the Iliad or the Odyssey. I have made my way
469
00:23:38.799 --> 00:23:42.839
through life with that handicap or that caveat in my CV.
470
00:23:43.759 --> 00:23:46.000
But there it is. I've said it, so I have
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nothing to compare it to. I have nothing to measure
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00:23:49.000 --> 00:23:52.400
it against as the yardstick for adaptation. But I just
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hope it's a good movie. Len.
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I think we can forgive you for that. Despite the
475
00:23:56.960 --> 00:24:00.319
fame and the grand reputation. I think you can throw
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00:24:00.359 --> 00:24:03.680
a stone in any crowd and not hit anyone who
477
00:24:03.720 --> 00:24:06.200
had read the Odyssey. I don't recommend throwing stones and crowns.
478
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By the way, if you want to read a good
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book called Homer's Odyssey, may I recommend Homer's Odyssey A
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00:24:11.200 --> 00:24:13.920
guide to the Simpsons, written by one Brendan Dander, available
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00:24:13.960 --> 00:24:15.200
where good books are sold.
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00:24:15.640 --> 00:24:17.799
Indeed, indeed, yes. But thank you guys. I hope you
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enjoyed our review of Troy. Don't forget to rate and
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00:24:21.359 --> 00:24:24.240
review us on Apple Podcasts, Spotify. Wherever you are listening
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00:24:24.240 --> 00:24:26.400
to this show, check us five stars and live us
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00:24:26.400 --> 00:24:28.079
a few kind words. We'd much appreciate it, And if
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00:24:28.079 --> 00:24:29.960
you want to support the show, the best way to
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00:24:30.000 --> 00:24:32.559
do so is by joining up on Patreon for as
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little as just two dollars per month. You can support
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00:24:34.960 --> 00:24:36.200
the show on there the links that is in the
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00:24:36.240 --> 00:24:39.400
description of this podcast, and keep sending your questions through
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00:24:39.480 --> 00:24:42.480
It's the Movie Guide podcast at gmail dot com. We'll
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00:24:42.480 --> 00:24:44.480
gather all those up and we'll answer those in the
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next episode of the Movie Guide mail Bag. But for now,
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00:24:47.440 --> 00:24:48.079
I am Dando.
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00:24:48.319 --> 00:24:51.599
Thank you guy, Immortality Brothers, it's ours take it.
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00:24:51.880 --> 00:24:54.519
Thank you the Leonard Molton, ha you and any lay
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00:24:55.039 --> 00:24:56.880
and we'll catch you all in the next episode of
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00:24:56.920 --> 00:24:58.720
The Movie Guide with Malton and Davis.